Arts & Entertainment
Tituss Burgess calls Andy Cohen a ‘messy queen’ after awkward ‘WWHL’ interview
The ‘Unbreakable Kimmy Schmidt’ star defends Eddie Murphy
Tituss Burgess called Andy Cohen a “messy queen” following the actor’s tense appearance on “Watch What Happens Live” on Sunday.
During the show, Cohen asked Burgess what it was like working with Eddie Murphy on their upcoming film “Dolemite Is My Name.”
“Did you get to chat with him at all?” Cohen asks.
“Of course I did. Why wouldn’t I?” Burgess replies.
“Yeah, of course. Well, no, I wonder if you got close at all. He was very problematic for the gays at one point when I was coming up,” Cohen says referencing Murphy’s homophobic jokes from his stand-up routines in the 1990s.
“Oh, I see. He wasn’t problematic for Tituss, and we had a wonderful time,” Burgess responds. “Any troubles he may have had with gay people I guess are gone because he loved me.”
Cohen moves on but Burgess, who appears to be irritated, is seen mouthing something to someone off-screen. When Cohen asks what he said Burgess replies, “Keep going, girl. Do your show.”
Burgess addressed the interview in an Instagram comment calling Cohen a “messy queen.”
“She can be a messy queen! Yes I said it! Don’t care he knows either! He should remember his talk show isn’t an episode of the ‘Real Housewives of Atlanta’! It’s a place where artists come to talk about art and have a little fun. NOT a place to rehash old rumors or bring a star negative press,” Burgess writes. “Sunday was a display of ratchet behavior by a well connected man having blatant disregard for one of his guests,” he continued. “If only time were taken to know who I am and not assuming that I am the character I play on TV he would know how to conduct a proper interview with at all! I received 4 Emmy nominations for acting! NOT for being myself. He was lucky I had my wits and Christian values THAT day. Always keep it classy. Being friends with other talented celebrities doesn’t make you talented it makes you friends with other famous celebrities! He should rip a page from Anderson Cooper and learn how to do his job.”
Burgess addressed the interaction with Cohen again while appearing on “The Wendy Williams Show” on Tuesday.
“I will not tolerate the dismantling of anyone’s legacy, especially not my own,” the “Unbreakable Kimmy Schmidt” star said. “And who we were speaking about has done a beautiful job being the comedic giant that he is. And he has a wonderful movie coming out, and I was not going to participate in talking about that.”
“Andy asked Tituss, ‘How was it working with Eddie Murphy? Eddie was not kind to gays back in the day.’ And you said, ” Williams says.
“I said what I said,” Burgess replies.
“Obviously it was wonderful working [with Murphy], and Andy might have been trying to trap you into saying something, and you didn’t say it,” Williams explains.
“Tituss will not be trapped,” Burgess retorts. “No. We have way too much work to do. We have far more important things to talk about.”
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)
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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
(Washington Blade photos by Michael Key)
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