Arts & Entertainment
Azealia Banks apologizes for homophobic anti-PrEP rant

It’s taken awhile, but rapper Azealia Banks has made an apology for a profanity-laced rant she posted earlier this year on Instagram about PrEP and the men who use it.
In October, Banks posted an Instagram story criticizing out queer singer Frank Ocean for launching a club event called “PrEP+” and implying that gay men use the drug as an excuse for promiscuous behavior.
The rapper, who is known for her no-holds-barred and often controversial public discourse, returned to Instagram on Tuesday with a simple post apologizing for her previous comments:
“Hey guys, So…. a few weeks ago I went on a rant about Pre-exposure prophylaxis meds and I am just doubling back to say…… I’m sorry [sad face emoji] It’s not my place. It was extremely insensitive. Who cares if I meant well, that wasn’t the way. I’m really really sorry.”

The original post was Banks’ response to news of Ocean’s NYC club night, the first of a series of events described by the “Nikes” singer as an “homage to what could have been of the 1980s’ NYC club scene if the drug… had been invented in that era.”
In the October rant, which was part of a longer video, Banks said:
“Clearly I have a lot of gay male friends. Do not take that PrEP shit, okay? There’s no reason for you to need to have a fucking pill so you can just fuck whoever you want to fuck and just be all fucking nasty out there on the streets acting a fucking fool. The boys are still getting HIV, the girls are getting fucking renal failure, they’re getting liver fucking failure, they’re getting anal warts, they’re getting anal cancer, OK? That’s a fucking death trap.
“And for that dumbass n**** Frank Ocean to sit up there and promote that to y’all gays like that’s something that y’all need? It’s evil, and he’s probably getting paid by some white gay corporation to do this shit. Y’all stay off that fucking PrEP.
“Y’all stay off that fucking PrEP. You don’t need to have everybody running up in your fucking asshole all day. If you got a sex addiction like that, that you need a fucking pill so you can go fuck and suck and do all that, then you need to go see a fucking psychiatrist.”
Banks faced immediate backlash for the remarks, being called out by LGBTQ commenters on social media for spreading misinformation about the drug and “slut-shaming” its users. Among them was out singer Olly Alexander of the group Years and Years, who tweeted:
“Pls don’t listen to azealia banks talk about prep if you want some information i highly recommend @TeamPrepster and this page here.”
Alexander also added, “i ask for people to be a little thoughtful before they start labeling people on prep as – in azealia’s case, just whores who want it raw. it’s homophobic and actually it does not concern you in the slightest.”
Banks’ followers have responded positively to her apology. In response to one commenter who said, “who cares ur still that girl,” the rapper replied:
“i care. I have all these ‘tough love’ and anger styles of expressing myself which have surely been passed down through generations of oppression. It’s time i let that generational debris go. It didn’t help turn any of the people in my family into happy healthy humans and it sure as hell has been holding me back from true happiness. I’m not making excuses… but I really gotta let that anger go, ESPECIALLY since I know it ultimately comes from angry slave master teachings. I don’t want to be a reflection of that. I don’t want to be a relic of the past anymore.”
The rapper was banned on Twitter in 2016 for calling One Direction singer Zayn Malik a “faggot,” a “sand n***a,” a “dick rider” and a “paki.” She went on to say that the British-Pakistani singer was “only apart of 1d to draw brown attention,” and insulted Malik’s mother by calling her “a dirty refugee who won’t be granted asylum.”
When DJ Bok Bok responded to that outburst by asking her to delete all of his music, Banks referred to him as a “fudgepacker.”
You can watch the original rant below.
Theater
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
Holly Twyford on new role and importance of listening to different opinions
‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org
When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles.
Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan).
Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial.
Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”
When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not.
“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”
Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew.
“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”
During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”
When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.”
At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”
“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.
“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today.
Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.”
She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”
Out & About
‘How We Survived’ panel set for March 25
‘Living History’ discussion to be held at Spark Social
Friends of Dorothy Cafe will host “Part One, Living History: How We Survived,” will take place on Wednesday, March 25 at 7:30 p.m. at Spark Social House.
This event will be moderated by Abby Stuckrath, host of the “Queering the District” podcast. Panelists include: Earline Budd, activist, trans rights advocate; TJ Flavell of Go Gay DC; DC LGBTQ+ Center Board Member David Bissette; and Alexa Rodriguez, founder and executive director, Trans-Latinx DMV.
This event is part of a four-part storytelling series called “Living History,” which centers LGBTQ elders, activists, artists, and icons sharing their lived experiences and reflections with younger generations. The conversations explore themes like resilience, community organizing, chosen family, and the lessons earlier generations hope today’s LGBTQ+ and ally communities will carry forward.
Saturday, March 21
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Sunday, March 22
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, March 23
Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Queer Book Club will be at 7 p.m. on Zoom. The Queer Book Club meets on the fourth Monday of the month to discuss queer books by queer authors. For more details, visit the DC Center’s website.
Tuesday, March 24
Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a safe space to share experiences about coming out and discuss topics as it relates to doing so — by sharing struggles and victories the group allows those newly coming out and who have been out for a while to learn from others. For more details, visit the group’s Facebook.
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit www.genderqueerdc.org or Facebook.
Wednesday, March 25
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Thursday, March 26
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
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