Arts & Entertainment
Azealia Banks apologizes for homophobic anti-PrEP rant
It’s taken awhile, but rapper Azealia Banks has made an apology for a profanity-laced rant she posted earlier this year on Instagram about PrEP and the men who use it.
In October, Banks posted an Instagram story criticizing out queer singer Frank Ocean for launching a club event called “PrEP+” and implying that gay men use the drug as an excuse for promiscuous behavior.
The rapper, who is known for her no-holds-barred and often controversial public discourse, returned to Instagram on Tuesday with a simple post apologizing for her previous comments:
“Hey guys, So…. a few weeks ago I went on a rant about Pre-exposure prophylaxis meds and I am just doubling back to say…… I’m sorry [sad face emoji] It’s not my place. It was extremely insensitive. Who cares if I meant well, that wasn’t the way. I’m really really sorry.”
The original post was Banks’ response to news of Ocean’s NYC club night, the first of a series of events described by the “Nikes” singer as an “homage to what could have been of the 1980s’ NYC club scene if the drug… had been invented in that era.”
In the October rant, which was part of a longer video, Banks said:
“Clearly I have a lot of gay male friends. Do not take that PrEP shit, okay? There’s no reason for you to need to have a fucking pill so you can just fuck whoever you want to fuck and just be all fucking nasty out there on the streets acting a fucking fool. The boys are still getting HIV, the girls are getting fucking renal failure, they’re getting liver fucking failure, they’re getting anal warts, they’re getting anal cancer, OK? That’s a fucking death trap.
“And for that dumbass n**** Frank Ocean to sit up there and promote that to y’all gays like that’s something that y’all need? It’s evil, and he’s probably getting paid by some white gay corporation to do this shit. Y’all stay off that fucking PrEP.
“Y’all stay off that fucking PrEP. You don’t need to have everybody running up in your fucking asshole all day. If you got a sex addiction like that, that you need a fucking pill so you can go fuck and suck and do all that, then you need to go see a fucking psychiatrist.”
Banks faced immediate backlash for the remarks, being called out by LGBTQ commenters on social media for spreading misinformation about the drug and “slut-shaming” its users. Among them was out singer Olly Alexander of the group Years and Years, who tweeted:
“Pls don’t listen to azealia banks talk about prep if you want some information i highly recommend @TeamPrepster and this page here.”
Alexander also added, “i ask for people to be a little thoughtful before they start labeling people on prep as – in azealia’s case, just whores who want it raw. it’s homophobic and actually it does not concern you in the slightest.”
Banks’ followers have responded positively to her apology. In response to one commenter who said, “who cares ur still that girl,” the rapper replied:
“i care. I have all these ‘tough love’ and anger styles of expressing myself which have surely been passed down through generations of oppression. It’s time i let that generational debris go. It didn’t help turn any of the people in my family into happy healthy humans and it sure as hell has been holding me back from true happiness. I’m not making excuses… but I really gotta let that anger go, ESPECIALLY since I know it ultimately comes from angry slave master teachings. I don’t want to be a reflection of that. I don’t want to be a relic of the past anymore.”
The rapper was banned on Twitter in 2016 for calling One Direction singer Zayn Malik a “faggot,” a “sand n***a,” a “dick rider” and a “paki.” She went on to say that the British-Pakistani singer was “only apart of 1d to draw brown attention,” and insulted Malik’s mother by calling her “a dirty refugee who won’t be granted asylum.”
When DJ Bok Bok responded to that outburst by asking her to delete all of his music, Banks referred to him as a “fudgepacker.”
You can watch the original rant below.
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In some fowl fiction foreshadowing, a gay-owned chicken joint has come home to roost on U Street, taking a page from the chicken window subplot on the HBO show “Looking.”
Last Friday, Lucky Pollo – much more than just a takeout window – stretched its wings atop the busy nightlife corner of 14th and U Streets NW.
Behind the poultry production place is Zach Renovátes, a D.C.-based nightlife operator and managing partner of LGBTQ venues Bunker and District Eagle, as well as the LGBTQ event production company KINETIC Presents.
Renovátes opened Bunker in February 2023 and District Eagle in January of this year. Lucky Pollo is the third in his growing gay empire, though this time there are noshes.
“Lucky Pollo was meant to be fun and a little provocative,” Renovátes said.
Based around its Peruvian-style rotisserie chicken, Lucky Pollo is a quick-service restaurant boasting a small menu of poultry and sides. Renovátes says that the dishes are deeply rooted in Peruvian culinary tradition, “a playful experience alongside seriously good food.”
Lucky Pollo’s signature chicken is steeped in a dozen-plus-spice marinade for 24 hours. The meat is then slow-roasted, rotisserie-style, over oak-wood charcoal. Chicken options include quarter, half, and whole.
Helming the kitchen at Lucky Pollo is Chef Luis Herrera, who brings Peruvian recipes passed down through three generations, including his grandmother Laura’s original creations.
Beyond the full bird, the menu features Peruvian-inspired sides like yuca fries (“I personally love these,” says Renovátes) and fried plantains, as well as comfort classics such as mac and cheese and mashed potatoes, and bowls, wraps, and salads. Herrera oversees development of the multiple sauces (including staff favorite, the “secret green sauce”), crafted in-house using traditional Peruvian ingredients.
Lucky Pollo, in its streetside perch, is an independent concept from District Eagle, open to the public and staying open late (3 a.m. on weekends) to serve both nightlife guests and the wider U Street crowd hungry for late-night bites. However, just beyond the kitchen, tucked in the back lies a vintage 1950s candy machine—labeled “Out of Order,” which serves as the door leading to subterranean District Eagle.
Renovátes notes that when District Eagle is open, security staff will maintain a strict two-line policy, ensuring that those seeking meat to eat will not get entwined with those looking to gain access to District Eagle.
Lucky Pollo unites the need for sustenance with the idea of a bit of fortune, given its motto, “Get Lucky” and the whimsical brand mascot: a leather-booted chicken perched on a horseshoe. Renovátes and his District Eagle business partner had always been interested in opening a restaurant, and the Lucky Pollo space was indeed lucky: It already came with a functional kitchen. Plus, he says, the nearby fast-casual places around 14th and U streets “don’t offer a lot of quality options,” so opening the chicken spot “was a no-brainer.”
The space, designed by NYC creative Jasin Cadic, blends theatrical street-art-style vibes with Keith Haring-inspired wall prints, neon signs, and ceiling-hung chicken figurines —”some edgy, some sweet,” says Renovátes —creating an immersive, playful atmosphere. Lucky Pollo and District Eagle maintain separate amenities for their respective customers.
Lucky Pollo opened last week with a competition to devour a whole rotisserie chicken in the fastest time, with the winner earning $1,000 and a framed spot on the restaurant’s “Wall of Fame.” The opening also featured other games and prizes, and a full crowd spilling out the door.
“We want it to be a great place to eat, but also serve as a playful front for something completely unexpected.” Renovátes says.
On weekends especially, he jokes, the motto will be, ‘Come for the chicken, stay for the cock.’”
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