Arts & Entertainment
Netflix comedy implying “Gay Jesus” stirs conservative wrath
A Netflix Christmas special which heavily suggests Jesus is gay has drawn the ire of religious conservatives in Brazil.
The Brazilian-produced show, titled “A primeira tentação de Cristo” (“The First Temptation of Christ”), is a 46-minute comedy in Portuguese, in which Jesus (Gregório Duvivier) brings home his new friend, the obviously gay Orlando (Fábio Porchat), for a 30th-birthday visit with his family – Mary, Joseph, and God (whom Jesus has been told is his uncle) – after the two have spent 40 days in the desert together. The show strongly implies that they are lovers, with Orlando trying to reveal their relationship while Jesus repeatedly changes the subject.
The short film is the product of Brazilian comedy troupe Porta dos Fundos (Backdoor), who began sharing their satirical videos through their You Tube channel in 2012. Their popularity led to a show on Fox Network Brazil in 2014 and a theatrical film, “Contrato Vitalício,” in 2016. The group’s 2018 special “The Last Hangover” – which was also streamed on Netflix – won an International Emmy for Best Comedy Web TV Special.
After the new Christmas special premiered on Netflix on December 3, it quickly become a target for religious conservatives in the heavily Catholic Brazil. An online petition was organized demanding that the show be removed from the streaming service’s catalogue, that its creators be “held responsible for the crime of vilification of the faith,” and that Netflix issue a “public retraction, for they have seriously offended Christians.” At the time of this writing, the petition had collected over 2 million signatures.
According to Vice, fundamentalist leaders and opponents of pro-LGBT agendas have taken further action, including calling for boycotts of Netflix, demanding a Parliamentary investigation of the comedy group, and suing the government to censor the episode.
Federal Congressman Eduardo Bolsonaro joined the fray by tweeting, “We are in favor of freedom of expression, but is it worth attacking the faith of 86% of the population?”
The congressman is the son of far-right President Jair Bolsonaro, whose government has taken an aggressive stance against LGBTQ equality, and who recently objected to a ruling by the country’s Supreme Court criminalizing homophobia and characterizing it as a form of racism by saying he is a “proud homophobe” and that he would prefer a “dead son to a gay son.”
As for the show’s creators, they have taken a characteristically humorous approach in their response to the backlash, with Porchat (who is one of the founders of Porta dos Fundos as well as appearing in the special) tweeting, “Guys, you can let me work it out with God, that’s fine, you don’t have to worry about it. Now you can get angry again with the inequality that destroys our country. But you have to be outraged with equal passion, okay?”
He also told Variety in an interview last week that protest against the special was “homophobic,” and that Netflix had been supportive. “They haven’t said anything to us like, ‘Maybe we should stop making the special available’,” he said. “They support freedom of speech.”
When asked for comment last Monday, Netflix declined. However, on Tuesday, it was reported that the comedy special had become the best performing Brazilian program in the streaming network’s history, and that Porta dos Fundos had been commissioned to create a third Christmas special in 2020.
The show remains available on Netflix. You can watch the trailer below:
Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.
(Washington Blade photos by Michael Key)
Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP
Theater
National tour of ‘Gatsby’ comes to National Theatre
Out actor Edward Staudenmayer talks playing the show’s gangster
‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com
Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.
Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.
It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”
Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).
While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.
WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?
EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].
There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.
BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.
STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].
BLADE: When did the 1925 novel first surface on your radar?
STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.
Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.
BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?
STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.
Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.
BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?
STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.
BLADE: Have you had to do that in your career?
STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.
It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.
BLADE: What was your coming of age like?
STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.
BLADE: Did he live to see your success in theater?
STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.
BLADE: Looking ahead, is there a part you’d especially like to play?
STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.
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