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Nina West spreads holiday cheer in two new videos

‘Drag Race’ vet says ‘Cha Cha Heels,’ ‘Quarantine Dream’ were labors of love

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Nina West, gay news, Washington Blade
Nina West says being on ‘Drag Race’ was a life-changing experience. (Photo courtesy West)

Nina West has two new videos she’s unleashed on the world.

In “Cha Cha Heels” she pays homage to John Waters playing iconic characters from three of his movies — Dawn Davenport in “Female Trouble,” Beverly Sutphin in “Serial Mom” and Tracy Turnblad in “Hairspray.” The song is from her 2019 Christmas EP “The West Christmas Ever.”

And in “Quarantine Dream” she worked with friend and Disney animator Dan Lund, a veteran of many classic movies such as “Frozen,” “Aladdin,” “The Lion King” and more, to mix live action/animation for the West-penned song about coping with COVID-19 induced quarantine. The three-and-a-half-minute mini-musical was filmed with a cell phone and inspired by the Disney classic “Mary Poppins.” Both are on YouTube.

West, aka Andrew Levitt, is a Columbus, Ohio-based drag performer who came to fame on season 11 of “RuPaul’s Drag Race,” where she finished sixth and was named Miss Congeniality. She made history at the 2019 Emmys for being the first to walk the red carpet in drag and was named one of the “most powerful drag queens in America” by New York Magazine the same year. West, 42, has been performing for 18 years.

Andrew Levitt, Nina West’s alter ego. (Photo courtesy West)

WASHINGTON BLADE: So how did the concept for the “Cha Cha Heels” video come about?

NINA WEST: I’d had this big idea of a big flash mob and this huge cast and filming in the street with a bunch of people and then COVID hit. So the intention was always to do a “Cha Cha Heels” video, but we had to really adjust quickly when the time came to pull the trigger and film the video because (of restrictions). I worked with a really great director, who is a tremendous John Waters fan named Brad Hammer, and he suggested doing three different female characters in three different John Waters movies. … We filmed it with a cast of four including myself, all people were already in my bubble, so we made all the adjustments we needed to make to have a safe shoot and went there and I think the video ended up being much better for it.

BLADE: Where was it shot?

WEST: We shot it in a day in two locations here in Columbus.

BLADE: Do you have to get permission from Waters or whomever owns the films before you do something like this or is it considered a parody and thus fair game?

WEST: Yeah, it’s seen as parody so you don’t have to get a green light really. We weren’t recreating it shot by shot or telling the same story but we were lucky enough that when John saw it last week, he sent me an e-mail … saying how much he loved it and how much Divine would have loved it … so that was pretty fantastic.

BLADE: Oh wow, that must have been incredible.

WEST: I practically fell over, yeah. I’m 42 so queer Andrew coming out, John Waters movies were a huge rite of passage just as I was coming into my queerness. I wanted this to be a love letter to a queer trailblazer who has had more impact and power than I think any of us really recognize.

BLADE: Tell us about “Quarantine Dream.” How do you know Dan Lund?

WEST: I worked with him on a project called “Coaster” where he was the executive producer and we have remained in touch. He’s one of these people who’s just always talking and dreaming. His brain is constantly rolling. The day after I flew home in March, he called ….

BLADE: Where had you been?

WEST: I was on tour in Europe and then I was going back and forth from New York to L.A. working on a couple projects and I ended up in New York and I was supposed to be going to the opening of the Broadway musical “Six,” but the day it was supposed to open everything was shut down. I was panicking trying to get a flight home.

BLADE: Oh wow.

WEST: Yeah. So he suggested this and I was like, “Sure, um, OK.” I didn’t really know what he meant but then he pitched this whole treatment inspired by “Mary Poppins,” which I’m a huge, through-and-through Disney queen and “Mary Poppins” is my favorite film of all time, so when you have a Disney artist who’s worked on all these cultural touchstones, yeah, OK, I’m not gonna say no. That’s how it happened. I worked with a songwriter Markaholic who is super prolific. If you’ve seen the RuPaul Old Navy commercials, he wrote that song, he’s worked with Ru a lot and is just super talented.

BLADE: So you basically are encouraging people to take the pandemic seriously but in a fun way?

WEST: Yes. We thought it was a fun way to say, “Hey, it sucks, but let’s all stay home and like instead of having the fatigue, maybe we can just take a step back and dream a little bit. We’re gonna get through this. We were gonna release it earlier in the year, but we felt like it wouldn’t have as much impact but now here we are, oddly enough, going into round two and people are getting more sick than ever before and this fatigue of anger and frustration has settled in … so I think the message it sends if very different than it would have been six months ago.

BLADE: How different has your year been?

WEST: Oh my god, I started off with a full calendar and full plate and watched it all disappear. Some things are being rescheduled, some things have been canceled, some things are being reimagined. I hate the word pivot, but that’s kind of what we’ve all been doing. …. I never thought I would be doing drag primarily by phone for almost a year of my life (laughs).

BLADE: Who was your favorite season 11 celebrity guest judge on “Drag Race”?

WEST: Oh my gosh, I really love Bobby Moynihan. I’m an SNL fanatic so he was on my season. I also was really gagged when we had Lena Waithe and Wanda Sykes. That was the episode I went home, but it was still pretty awesome because I’m gigantic fans of both of them.

BLADE: What was your favorite challenge?

WEST: Probably the magic challenge. It was supremely challenging but it allowed me to show off all my skills in one 10-minute segment. I was glad I got that in before I went home. Some of them were really hard, just really, really arduous. “Trump the Rusical” was so hard. When they say it’s the drag Olympics, it really is.

BLADE: You were a fan of the show a long time before you were on it. What seemed the most different seeing it all in real life vs. watching it on TV?

WEST: Oh wow, my brain is going in like 17 different directions. It was all overwhelming. You never forget walking into the workroom for the first time. … Also seeing RuPaul for the first time is really overwhelming. People always ask why we always react so wildly seeing him walk in the workroom. It’s the same person coming through the same door and you know it’s gonna happen, but he really is just so larger than life, I don’t know how else to explain it. He’s so magnetic and so those moments to me were always supremely overwhelming.

BLADE: I can imagine that.

WEST: One thing I didn’t expect that wasn’t so great was realizing later that there are parts of the fandom that are extremely toxic. When I was eliminated and saw the anger and disgust and vitriol and poison directed at Silky (Nutmeg Ganache), that was surprising. It’s not the show’s fault but there are sections of the fandom that cultivates and allows itself to breed this incestuous, toxic hate.

BLADE: What are your plans for the holidays?

WEST: My parents live about 10 minutes away from me so we talked about maybe doing a quarantine for two weeks then a rapid test before Christmas, and I’m willing to do that, but my siblings and I are all just trying to be super responsible so we may just do a Zoom Christmas. I know it’s really hard but I think it’s important for all of us to work collectively to pull ourselves out of this any way we can.

BLADE: Are you and the queens from your season all constantly on group text and Zoom and all that. Whom are you closest with?

WEST: Yeah, I’m in touch with several people from my season. I talk to Silky, I talk to Brooke Lynn (Hytes). I talk to Vanjie once in a while. … Those relationships from that six-week experience, I can’t explain it — you come to rely on these people in a whole other way. It’s not something tangible or that you can even explain. It’s very life changing to go through that together.

BLADE: What’s gonna happen with season 13? Did they do something this summer?

WEST: I don’t know anything official but yesterday I saw a casting call for season 14 so that tells me season 13 must be in the can. I think it’s like full speed ahead for “Drag Race,” which is great because we all love to watch it and fall in love with new people.

BLADE: You auditioned many times before you got on. Was it discouraging or were you just that tenacious you weren’t gonna be deterred or what?

WEST: Oh no, no, no. (laughs) I’m positive but girl, I’m not that positive. I was broken. It really broke me. My last audition was authentically gonna be my last audition and I don’t even remember who said this to me but on of the production people said it had been stated that, “Nina is either on this season or she’s not, this is the last time we’re watching these tapes.” I don’t know if that’s true or not, but I think we all just felt it had come to like a shit-or-get-off-the-pot type moment. I had to move on with my life in a way. I wanted it so badly and for so many years it just was not happening. Finally my last time, I was the most like, “I don’t care, let’s just get it done, whatever,” and that was the one that got me on. So I think tenacity is one thing, but wearing them down is another.

Nina West channels Divine in a scene from her new video ‘Cha Cha Heels,” an homage to ‘Female Trouble.’ (Photo by Staley Munro)
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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

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Lily Erin, one of Rainbows in Revolt’s signature artists, performed at Capital Pride in June. (Photo courtesy of Rainbows in Revolt)

Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!

The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?

There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?

Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.

The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.

Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.

Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.

In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.

I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.

Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.

Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.

A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.” 

Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”

The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.

Rainbows in Revolt is just getting started bridging gaps and building community.

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Summer in the City: Free exhibits, movies, more fill D.C.’s calendar

America 250 celebrations continue

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Cynthia Erivo and Ariana Grande star in ‘Wicked,’ screening Sept. 12 at Union Market. (Photo courtesy of Universal Pictures)

From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.

Museum exhibitions

The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free. 

The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.

The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.

The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.

Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.

The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.

At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.

The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.

The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3. 

Live performances

On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game. 

Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.

From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.

Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances. 

DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace. 

Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.

Other events

Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.

Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary. 

The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.

For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.

Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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