Arts & Entertainment
Amy Schneider becomes first woman $1M Jeopardy! winner
Schneider, 42, commenced her winning streak in November hitting the million mark during her 28th game this past Friday
Amy Schneider, the Transwoman software engineering manager from Oakland, became the first woman and fourth $1 million Jeopardy! winner since the game show first aired on March 30, 1964.
Schneider, 42, commenced her winning streak in November hitting the million mark during her 28th game this past Friday. “It’s not a sum of money I ever anticipated would be associated with my name,” Schneider said. “To be good at Jeopardy!,” Schneider added; “you just have to live a life where you’re learning stuff all the time.”
The New York Times reported that the other three $1 million Jeopardy! winners, Ken Jennings who went on to compete in a record 74-game run, won in 2004 after his 30th game. In 2019 the distinction was also won by James Holzhauern and this past Fall, 2021 by Matt Amodio.
GLAAD’s director of transgender representation, Nick Adams, in an emailed statement said; “Amy Schneider’s incredible run on Jeopardy! allows families all over the country to get to know her as someone who is great at word puzzles, has in-depth knowledge on a range of topics, and who also happens to be a transgender woman. Amy is using her history-making appearances and new platform to raise awareness of transgender issues and share a bit of her personal story too.”
After her early successes last November, Schneider told Newsweek that she had been trying to get on the show for over a decade.
“I’m not sure quite how long [ago I first applied], but I remember trying out when I still lived in Ohio, and I’ve lived in Oakland since 2009, so it has to have been at least that amount of time,” she said.
Schneider also explained how her transition in 2017 might have helped her finally get a spot on the show.
“The reality is that for the first few years of that, when I was trying out, I was, as far as any of us knew, a standard white guy,” she told the magazine. “And there’s just more competition for those slots on Jeopardy! They’re making a TV show, they don’t want everybody to look the same, and I looked a lot like many of the other contestants, and I think that definitely made it a little tougher for me at that time. I would have got on eventually — I was never gonna stop trying!”
In the post-Alex Trebek era, multiple trans contestants have appeared on the show, including Kate Freeman, who became the first out trans champion in “Jeopardy!” history last December.
Schneider, who became the first trans contestant to qualify for the Tournament of Champions in November, was robbed at gunpoint over the New Year’s weekend in her home city of Oakland.
“Hi all! So, first off: I’m fine. But I got robbed yesterday, lost my ID, credit cards, and phone,” she said. “I then couldn’t really sleep last night, and have been dragging myself around all day trying to replace everything,” she wrote in a tweet about the incident.
Hi all! So, first off: I’m fine. But I got robbed yesterday, lost my ID, credit cards, and phone. I then couldn’t really sleep last night, and have been dragging myself around all day trying to replace everything.
— Amy Schneider (@Jeopardamy) January 4, 2022
According to the Associated Press, Oakland police said they are investigating the armed robbery that occurred on Sunday afternoon. No arrests have been made.
The robbery took place just days after Schneider won her 21st consecutive game, surpassing Julia Collins as the most winning woman in the show’s history.
In an email statement to NBC News, a “Jeopardy!” spokesperson said, “We were deeply saddened to hear about this incident, and we reached out to Amy privately to offer our help in any capacity.”
Schneider, an engineering manager from Oakland, has been an inspiration to many during her historic run on the show.
“Seeing trans people anywhere in society that you haven’t seen them before is so valuable for the kids right now that are seeing it,” she told ABC affiliate KGO-TV in November, adding: “I’m so grateful that I am giving some nerdy little trans kid somewhere the realization that this is something they could do, too.”
Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.
(Washington Blade photos by Michael Key)
Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP
Theater
National tour of ‘Gatsby’ comes to National Theatre
Out actor Edward Staudenmayer talks playing the show’s gangster
‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com
Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.
Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.
It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”
Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).
While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.
WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?
EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].
There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.
BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.
STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].
BLADE: When did the 1925 novel first surface on your radar?
STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.
Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.
BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?
STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.
Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.
BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?
STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.
BLADE: Have you had to do that in your career?
STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.
It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.
BLADE: What was your coming of age like?
STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.
BLADE: Did he live to see your success in theater?
STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.
BLADE: Looking ahead, is there a part you’d especially like to play?
STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.
America’s broken pipeline of mental healthcare for trans youth
GLAA releases ratings for 18 candidates running for D.C. mayor, Council, AG
Blade finalist for D.C. Society of Professional Journalists awards
He is 16 and sitting in a Cuban prison
From the Capitol to the coast: Rep. Sarah McBride shares Rehoboth favorites
Maren Morris to headline Capital Pride Concert
Va. Supreme Court invalidates Democrat-backed redistricting plan
Celebrate Pride in Lost River, a slice of rural heaven
Learn more about queer love
