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Amy Schneider becomes first woman $1M Jeopardy! winner

Schneider, 42, commenced her winning streak in November hitting the million mark during her 28th game this past Friday

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Amy Schneider (Courtesy of Sony Television & Pictures Corp.)

Amy Schneider, the Transwoman software engineering manager from Oakland, became the first woman and fourth $1 million Jeopardy! winner since the game show first aired on March 30, 1964.

 Schneider, 42, commenced her winning streak in November hitting the million mark during her 28th game this past Friday. “It’s not a sum of money I ever anticipated would be associated with my name,” Schneider said. “To be good at Jeopardy!,” Schneider added; “you just have to live a life where you’re learning stuff all the time.”

The New York Times reported that the other three $1 million Jeopardy! winners, Ken Jennings who went on to compete in a record 74-game run, won in 2004 after his 30th game. In 2019 the distinction was also won by James Holzhauern and this past Fall, 2021 by Matt Amodio.

GLAAD’s director of transgender representation, Nick Adams, in an emailed statement said; “Amy Schneider’s incredible run on Jeopardy! allows families all over the country to get to know her as someone who is great at word puzzles, has in-depth knowledge on a range of topics, and who also happens to be a transgender woman. Amy is using her history-making appearances and new platform to raise awareness of transgender issues and share a bit of her personal story too.”

After her early successes last November, Schneider told Newsweek that she had been trying to get on the show for over a decade. 

“I’m not sure quite how long [ago I first applied], but I remember trying out when I still lived in Ohio, and I’ve lived in Oakland since 2009, so it has to have been at least that amount of time,” she said.

Schneider also explained how her transition in 2017 might have helped her finally get a spot on the show. 

“The reality is that for the first few years of that, when I was trying out, I was, as far as any of us knew, a standard white guy,” she told the magazine. “And there’s just more competition for those slots on Jeopardy! They’re making a TV show, they don’t want everybody to look the same, and I looked a lot like many of the other contestants, and I think that definitely made it a little tougher for me at that time. I would have got on eventually — I was never gonna stop trying!”

In the post-Alex Trebek era, multiple trans contestants have appeared on the show, including Kate Freeman, who became the first out trans champion in “Jeopardy!” history last December. 

Schneider, who became the first trans contestant to qualify for the Tournament of Champions in November, was robbed at gunpoint over the New Year’s weekend in her home city of Oakland. 

“Hi all! So, first off: I’m fine. But I got robbed yesterday, lost my ID, credit cards, and phone,” she said. “I then couldn’t really sleep last night, and have been dragging myself around all day trying to replace everything,” she wrote in a tweet about the incident.

According to the Associated Press, Oakland police said they are investigating the armed robbery that occurred on Sunday afternoon. No arrests have been made. 

The robbery took place just days after Schneider won her 21st consecutive game, surpassing Julia Collins as the most winning woman in the show’s history. 

In an email statement to NBC News, a “Jeopardy!” spokesperson said, “We were deeply saddened to hear about this incident, and we reached out to Amy privately to offer our help in any capacity.”

Schneider, an engineering manager from Oakland, has been an inspiration to many during her historic run on the show. 

“Seeing trans people anywhere in society that you haven’t seen them before is so valuable for the kids right now that are seeing it,” she told ABC affiliate KGO-TV in November, adding: “I’m so grateful that I am giving some nerdy little trans kid somewhere the realization that this is something they could do, too.”

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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