Arts & Entertainment
Amy Schneider becomes first woman $1M Jeopardy! winner
Schneider, 42, commenced her winning streak in November hitting the million mark during her 28th game this past Friday
Amy Schneider, the Transwoman software engineering manager from Oakland, became the first woman and fourth $1 million Jeopardy! winner since the game show first aired on March 30, 1964.
Schneider, 42, commenced her winning streak in November hitting the million mark during her 28th game this past Friday. “It’s not a sum of money I ever anticipated would be associated with my name,” Schneider said. “To be good at Jeopardy!,” Schneider added; “you just have to live a life where you’re learning stuff all the time.”
The New York Times reported that the other three $1 million Jeopardy! winners, Ken Jennings who went on to compete in a record 74-game run, won in 2004 after his 30th game. In 2019 the distinction was also won by James Holzhauern and this past Fall, 2021 by Matt Amodio.
GLAAD’s director of transgender representation, Nick Adams, in an emailed statement said; “Amy Schneider’s incredible run on Jeopardy! allows families all over the country to get to know her as someone who is great at word puzzles, has in-depth knowledge on a range of topics, and who also happens to be a transgender woman. Amy is using her history-making appearances and new platform to raise awareness of transgender issues and share a bit of her personal story too.”
After her early successes last November, Schneider told Newsweek that she had been trying to get on the show for over a decade.
“I’m not sure quite how long [ago I first applied], but I remember trying out when I still lived in Ohio, and I’ve lived in Oakland since 2009, so it has to have been at least that amount of time,” she said.
Schneider also explained how her transition in 2017 might have helped her finally get a spot on the show.
“The reality is that for the first few years of that, when I was trying out, I was, as far as any of us knew, a standard white guy,” she told the magazine. “And there’s just more competition for those slots on Jeopardy! They’re making a TV show, they don’t want everybody to look the same, and I looked a lot like many of the other contestants, and I think that definitely made it a little tougher for me at that time. I would have got on eventually — I was never gonna stop trying!”
In the post-Alex Trebek era, multiple trans contestants have appeared on the show, including Kate Freeman, who became the first out trans champion in “Jeopardy!” history last December.
Schneider, who became the first trans contestant to qualify for the Tournament of Champions in November, was robbed at gunpoint over the New Year’s weekend in her home city of Oakland.
“Hi all! So, first off: I’m fine. But I got robbed yesterday, lost my ID, credit cards, and phone,” she said. “I then couldn’t really sleep last night, and have been dragging myself around all day trying to replace everything,” she wrote in a tweet about the incident.
Hi all! So, first off: I’m fine. But I got robbed yesterday, lost my ID, credit cards, and phone. I then couldn’t really sleep last night, and have been dragging myself around all day trying to replace everything.
— Amy Schneider (@Jeopardamy) January 4, 2022
According to the Associated Press, Oakland police said they are investigating the armed robbery that occurred on Sunday afternoon. No arrests have been made.
The robbery took place just days after Schneider won her 21st consecutive game, surpassing Julia Collins as the most winning woman in the show’s history.
In an email statement to NBC News, a “Jeopardy!” spokesperson said, “We were deeply saddened to hear about this incident, and we reached out to Amy privately to offer our help in any capacity.”
Schneider, an engineering manager from Oakland, has been an inspiration to many during her historic run on the show.
“Seeing trans people anywhere in society that you haven’t seen them before is so valuable for the kids right now that are seeing it,” she told ABC affiliate KGO-TV in November, adding: “I’m so grateful that I am giving some nerdy little trans kid somewhere the realization that this is something they could do, too.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
The Blade may receive commissions from qualifying purchases made via this post.
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