National
HRC launches ‘Reality Flag’ campaign to boost Equality Act
Removal of 29 stars symbolizes states that lack LGBTQ protections
The Human Rights Campaign, the nation’s largest LGBTQ civil rights organization, announced it is launching a nationwide multimedia campaign to promote the approval by Congress of the LGBTQ nondiscrimination legislation known as the Equality Act.
In a Feb. 23 statement HRC says the campaign, among other things, will include a series of “powerful” video ads for social media and TV created by Emmy Award-winning director Joey Soloway that tell stories of how individual LGBTQ people are adversely impacted by discrimination.
At the center of the campaign as depicted in the videos is an American flag with 29 of the 50 stars removed to draw attention to the 29 states that do not have comprehensive legal protections for LGBTQ people that HRC is calling the “Reality Flag.”
In its official launch of the campaign on Feb. 23 HRC unveiled an 85-foot-long version of the Reality Flag on the outer wall of its headquarters building in D.C. that HRC points out is located just six blocks from the White House.
“The Reality Flag campaign is designed to point out the inequalities LGBTQ+ individuals face every day – in our own voice,” said Joni Madison, HRC’s interim president. “From housing and educational discrimination to denial of government and health services, LGBTQ+ people are confronted by hurdles to simply exist every day,” Madison said in a statement.
“This needs to change,” she said. “The Reality Flag not only calls out the 29 states where basic freedoms are still missing for millions of people but stands as a symbol of hope that communities can rally behind to enact meaningful change.”
HRC’s Reality Flag campaign comes at a time when most political observers unaffiliated with the Equality Act’s staunch supporters and opponents believe the bill has no chance of passing in the U.S. Senate any time soon, even though it passed in the U.S. House in February 2021 by a vote of 224 to 206. In the House vote, only three Republicans joined all 221 Democrats in voting for the measure.
Observers note that although Democrats have a slim majority in the 50 Democrat-50 Republican Senate with Vice President Kamala Harris set to break a tie vote in favor of Democrats, the Senate’s longstanding filibuster rule that Democrats are unable to change means the Equality Act needs a 60-vote majority to pass.
Forty-nine of the 50 Senate Democrats have signed on as co-sponsors of the Equality Act. Maverick Democratic Sen. Joe Manchin of West Virginia emerged as the sole Senate Democrat saying he cannot support the Equality Act in its current version due, in part, to what Manchin says is its provisions related to transgender nondiscrimination in school sports and school bathroom use.
Sources familiar with the Senate told the Washington Blade last May that even if the filibuster rule is eliminated, other Democratic senators from swing states would likely join Manchin in withholding support for the Equality Act due to efforts by some Republicans to turn transgender rights into an inflammatory wedge issue.
The official congressional website Congress.gov states that the Equality Act calls for prohibiting “discrimination based on sex, sexual orientation, and gender identity in areas including public accommodations and facilities, education, federal funding, employment, housing, credit, and the jury system.”
The Congress.gov site adds, “The bill prohibits an individual from being denied access to a shared facility, including a restroom, a locker room, and a dressing room, that is in accordance with the individual’s gender identity.”
Several moderate GOP senators, including Sen. Susan Collins (R-Maine), have said they support the principle of protections against discrimination for LGBTQ people and would be willing to vote for a revised Equality Act that includes what they call religious rights protections and some changes in the transgender provisions.
Some Republican observers have said enough Republicans would likely join Democrats to reach the needed 60 votes to pass the Equality Act in the Senate if Democrats agree to the changes proposed by the moderate Republicans.
Other Republicans, however, including the national LGBTQ GOP group Log Cabin Republicans, have said the Equality Act should be discarded altogether following the landmark U.S. Supreme Court decision in 2020 known as Bostock v. Clayton County. The decision declares that Title VII of the U.S. Civil Rights Act of 1964, which bans sex discrimination, also prohibits employers from discriminating on the basis of sexual orientation and gender identity.
Equality Act supporters have argued that the legislation is still needed to ensure that LGBTQ people are fully protected from discrimination in other areas such as housing and public accommodations.
Representatives of both sides have said negotiations have been taking place over possible changes in the Equality Act since at least the beginning of last year, but nothing has emerged from those reported negotiations as of this week.
Many LGBTQ advocacy organizations, including HRC, have said the GOP suggested changes to the Equality Act related to “religious freedom,” which the bill’s supporters say means a right to discriminate against LGBTQ people based on religious grounds in a nonreligious setting such as a private business open to the public, are unacceptable.
Most LGBTQ advocacy groups have also declared as unacceptable GOP proposals to weaken or remove protections for transgender people in the legislation, saying such proposals are being promoted by people who have been misled or are themselves misleading others to believe cisgender women in sports and in public restrooms as well as in school bathrooms and showers would be adversely impacted by the current version of the legislation.
With both sides in what most Capitol Hill observers consider to be a complete deadlock, Senate Democrats, including Senate Majority Leader Charles Schumer (D-N.Y.), have not indicated a willingness to bring the Equality Act up for a vote in the Senate this year.
Schumer’s office didn’t reply to an inquiry from the Blade last week asking whether Schumer would consider bringing the Equality Act to the Senate floor for a vote this year or next year if Democrats retain control of the Senate in the 2022 midterm elections.
With that as a backdrop, David Stacy, HRC’s Government Affairs Director, told the Blade in a Feb. 25 statement that passage of the Equality Act remains a high priority for HRC and the LGBTQ+ community.
“Getting any legislation through the U.S. Senate is not easy,” Stacy said. “In the meantime, support continues growing for the bill, and we believe the Reality Flag campaign will continue to generate the awareness and education needed to continue growing support and pressure for action,” he said.
“We’ve already seen since our launch people coming out saying they had no idea LGBTQ+ people didn’t already have these protections, and that’s what we aim to do here: educate people and inspire them to take action at the grassroots level across the country – call their senators and make it clear that it’s time we need this done,” Stacy said. “Some people may be ready to give up. We are not,” he said.
In its three-page statement announcing the launch of its Reality Flag campaign, HRC says the campaign is being produced in partnership with a team of advertising and public relations agencies affiliated with the international marketing and communications company giant WPP.
“While the campaign seeks to galvanize public support for the Equality Act and driving audiences to take action at RealityFlag.com, it also underscores the importance of lifting up and showcasing the real stories and lived experiences of LGBTQ+ people impacted by discrimination,” the statement continues.
It says the stories about individual LGTQ people will primarily be featured in “video vignettes” created by TV writer and director Joey Soloway, the Emmy Award-winning creator of “Transparent,” an original Amazon Studios streaming television comedy-drama series about a transgender woman and her family. Soloway identifies as non-binary and gender non-conforming.
“These stories … will be amplified through both an advertising campaign, including partnerships with 20 national media platforms, achieving an anticipated 30 million-plus impressions during launch, including TV, print, display, video, audio, cinema, OOH, social, and search,” the HRC statement says.
Access to some of the video ads slated for the HRC Reality Flag campaign can be found at RealityFlag.com.
Vice President JD Vance and his wife, second lady Usha Vance, will visit Hungary next week.
An announcement the White House released on Thursday said the Vances will be in Budapest, the Hungarian capital, from April 7-8.
JD Vance “will hold bilateral meetings with” Hungarian Prime Minister Viktor Orbán. The announcement further indicates the vice president “will also deliver remarks on the rich partnership between the United States and Hungary.”
The Vances will travel to Hungary less than a week before the country’s parliamentary elections take place on April 12.
Orbán, who has been in office since 2010, and his Fidesz-KDNP coalition government have faced widespread criticism over its anti-LGBTQ crackdown.
The Associated Press notes polls indicate Orbán is trailing Péter Magyar and his center-right Tisza party.
President Donald Trump removed Attorney General Pam Bondi from her post Thursday, following growing criticism over how she and the Department of Justice handled a range of issues, including matters related to sex offender and Trump ally Jeffrey Epstein.
Trump announced Bondi’s removal on Truth Social, where he also said Todd Blanche will serve as acting head of the Justice Department.
“Pam Bondi is a great American patriot and a loyal friend, who faithfully served as my attorney general over the past year,” Trump wrote on the platform. “Pam did a tremendous job overseeing a massive crackdown on crime across our country, with murders plummeting to their lowest level since 1900.”
Trump was seen as recently as Wednesday with the now-former attorney general at a Supreme Court hearing on citizenship.
The decision contrasts with Trump’s previous public praise of Bondi, the 87th U.S. attorney general and former 37th attorney general of Florida, who served in that role from 2011-2019 before joining the Trump-Vance administration. He has frequently lauded her loyalty and said he speaks with her often. Bondi was also one of president’s defense lawyers during his first impeachment trial.
Privately, however, Trump had grown frustrated that Bondi was not “moving quickly enough” to prosecute critics and political adversaries he wanted to face criminal charges, according to multiple sources. The New York Times reported that her inability to charge former FBI Director James B. Comey and New York Attorney General Letitia James with any crimes is a large factor in the president’s choice to fire her from the government’s primary law enforcement agency.
The move comes as Trump has sought to minimize public turmoil within his administration, avoiding the perception of a revolving-door Cabinet that defined his first term.
Lee Zeldin, a former Republican congressman from New York who unsuccessfully ran for governor, has emerged as a leading contender to lead the Justice Department. He has been one of Trump’s most reliable allies.
“He’s our secret weapon,” Trump said of Zeldin in February during a White House event promoting the coal industry, adding, “He’s getting those approvals done in record-setting time.”
Bondi has also growing faced scrutiny from Congress.
The House Oversight Committee recently subpoenaed her to testify about the department’s handling of certain files, where she declined to answer key questions during a contentious House Judiciary Committee hearing in February.
The Tampa native has a long history of opposing LGBTQ rights through her roles in government. As Florida attorney general, she fought against the legalization of same-sex marriage, arguing it would cause “serious public harm,” pushing forward a legal battle that cost taxpayers nearly half a million dollars. She also asked the Florida Supreme Court to overturn a lower court ruling that found the state’s same-sex marriage ban unconstitutional.
More recently, Bondi established a “Title IX Special Investigations Team” within the Justice Department focused on restricting transgender women and girls from participating in women’s and girls’ sports teams and accessing facilities aligned with their gender identity. She also told Children’s Hospital of Philadelphia to turn over the medical records of anyone under 19 who received gender-affirming care.
Her removal follows Trump’s decision last month to oust another controversial female Cabinet figure, Kristi Noem.
The White House
VIDEO: Gay journalist detained for booing Trumps at ‘Chicago’ opening night
Eugene Ramirez booed first family at Kennedy Center
President Donald Trump and first lady Melania Trump attended the opening night of “Chicago” at the John F. Kennedy Center for the Performing Arts on Tuesday. They were greeted by a mix of cheers, applause, and some audible boos.
Among them was Eugene Ramirez, a gay Washington resident, who later shared his account of the night after being briefly detained by security for booing the president and giving a thumbs-down gesture — an expression of what many would call a textbook definition of constitutionally protected speech to criticize the government.
Ramirez attended the opening night performance with a group of friends, hoping to catch a final show before the center undergoes two years of major changes under Trump oversight. The musical, based on a 1926 play of the same name, has become synonymous with Broadway success.
With music by John Kander, lyrics by Fred Ebb, and a book by Ebb and Bob Fosse, “Chicago” has cemented itself as a cultural staple — known for its signature Fosse choreography, stripped-down staging, and sleek, campy aesthetic. The story follows Roxie Hart and Velma Kelly, women who murder their husbands but — with the help of the manipulative, charismatic, and narcissistic attorney Billy Flynn — walk away scot-free.
It remains the longest-running American musical in Broadway history, and its 2002 film adaptation famously won the Academy Award for Best Picture. On this night, however, the production also became the backdrop for a very modern moment of political protest.
“I accompanied five friends to opening night of ‘Chicago’, as a way to enjoy a final performance in the Kennedy Center as we know it,” Ramirez began to recount to the Washington Blade, describing the moment his group settled into their seats inside the ornate Opera House theater.
Just before the performance began, the twice impeached president and first lady appeared in the balcony box, drawing immediate attention from the audience below. Theatergoers stood, cheered, clapped, and waved, while Ramirez made a different choice.
While accounts of the crowd’s reaction have varied, Ramirez said his response was intentional, immediate, and within his rights. Moments after booing and giving a thumbs-down while recording on his iPhone, security intervened.
The video of Ramirez booing the Trump’s is here:
“Within moments, the director [of security] and another guard approached and escorted me to a side area where several other security guards were waiting,” he said. “I was detained until everyone was seated and the lights dimmed.”
As he was escorted away, Ramirez said his instincts as a journalist kicked in. A former lead anchor for Sinclair’s national evening news broadcast, he said the situation immediately felt off — or more aptly put — as if he could see the strings being pulled from someone attempting to control the narrative.
“Journalism is a vocation, not just a job. I immediately knew there wasn’t just an uncomfortable interaction with security,” he said. “The Kennedy Center is a federally funded cultural institution, and being questioned about speech related to the president in that setting felt like something the public should know about.”
Ramirez explained the difference between a standard visit by a public official and this performance: the president’s appearance wasn’t just ceremonial; it was very clearly a media moment.
“The White House press pool was there, and it was clear this was an effort to manage the president’s image in the media,” Ramirez continued. “The irony was not lost on me that this was happening on opening night of ‘Chicago’, a musical about manipulating the press to shape public perception.”
According to Ramirez, the explanation he received from Kennedy Center Director of Safety and Security Karles C. Jackson Sr., was brief, but illuminating.
“He said, ‘they don’t want booing,’ and even called out my thumbs-down gesture. He never clarified who ‘they’ were, but whether it was the administration or the Kennedy Center, the distinction felt meaningless,” he explained. “Mr. Jackson ultimately told me he was just trying to do his job, shook my hand, and allowed me to return to my seat once the lights dimmed and the overture started playing.”
Ramirez said he didn’t blame the guard individually, noting the broader context of the Kennedy Center’s uncertain future and the pressures staff were under.
“With the center closing in the coming months, some of these security guards being pressured to restrict our freedom of speech may only have a few weeks of work left.”
He believes the decision to remove him was driven less by disruption than optics, particularly given the presence of the press.
“It was very clearly about protection — whether protecting the president from visible dissent, or his image before the media present. There was no disruption as almost everyone was standing and reacting loudly to the arrival of the president and first lady, with cheers, applause, and hand gestures. The difference was that my reaction, unlike most, was negative.”
Drawing on his experience covering public officials, Ramirez said the incident felt more about controlling perception than security.
“Usually, law enforcement may monitor or intervene if there’s a disruption, but here there was no disruption at all. Simply expressing dissent in a public, cultural space drew the attention of security. It made it feel less like a matter of decorum and more like an effort to control the narrative around the president,” he said. “It’s about what happens when dissent is treated as disruption rather than a right.”
“The show hadn’t started. I threatened no one. Billy Flynn would have approved of the optics. The rest of us should be paying attention.”
Ramirez framed the incident as part of a broader constitutional concern, one that is plaguing the Trump-Vance administration as they continue to reject rules and normalcy set forth by other reserved presidents.
“Being singled out by security at a federally funded institution for expressing dissent shouldn’t be brushed off; it undermines the First Amendment,” he said, looking at it slightly distanced from it now. “Being of Cuban heritage, and a journalist, it’s a right I’m not willing to give up readily.”
“Publicly funded cultural institutions should allow visible dissent, even in politically charged moments,” he added. “Of course, I understand the need to manage disruptions during a performance, but that was not the case here.”
The themes of “Chicago”, a long-running satire about media manipulation and public perception, added another layer of irony to the experience, Ramirez explained.
“The satire truly leapt off the stage! A show about controlling the narrative, manipulating the press, and covering up truths by leaning on showmanship and distractions. The show is decades old, but could’ve been written today. We’re being razzle-dazzled daily and it’s getting harder to tell fact from fiction, no matter where you get your news.”
He, being gay, also acknowledged how hard it must have been for the performers on stage, assuming that at least some in the cast were also members of the LGBTQ community — and artists — two things Trump doesn’t always get along with.
“It was not lost on me that many of the actors on that stage, that the president and first lady presumably applauded, are members of the LGBTQ community which this administration has rolled back protections for under the guise of religious liberty and free speech, resulting in blatant discrimination.”
He pointed to a particular number that felt surreal given the circumstances.
“Its ‘Razzle Dazzle’ number celebrates keeping audiences off balance; at its climax, a massive American flag descends as the song celebrates blinding audiences to what is real. Watching that scene after being detained for a thumbs-down was surreal.”
Ramirez said the show’s closing lines were especially sharp given the presidential audience and what he just experienced.
“At the end of the show,
Velma says: ‘You know, a lot of people have lost faith in America.’
Roxie replies: ‘And for what America stands for.’
Velma: ‘But we are the living examples of what a wonderful country this is.’
Roxie: ‘So we’d just like to say thank you and God bless you.’
They had both just gotten away with murder!”
His closing lines, however, were a bit more pointed than “scintillating sinners” Roxie Hart and Velma Kelly’s were in the show.
“Democracy only works when citizens are allowed to boo,” he said. “Tuesday night at the Kennedy Center, ‘Chicago’ made that point better than I ever could.”
The Blade reached out to the Kennedy Center but did not receive a comment back.
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