Arts & Entertainment
A weekend of art, music, and food in Brentwood
John Paradiso among artists featured in Arts, Beats, and Eats Festival
Survival, liberation, and celebration: those are the threads woven through John Paradiso’s work, and ones that also color the entirety of next weekend’s Arts, Beats, and Eats Festival at the Gateway Arts District in Brentwood.
More than 20 musicians, artists, and restaurateurs are joining creative forces on May 14. Paused by the pandemic, the festival is back in action after two years of hiatus.
Paradiso, though, has been crafting visual storytelling through his work for 30 years. Paradiso, a gay man, moved to the D.C. area more than two decades ago, initially working at Whitman Walker Health. He and his partner (also an artist) have made Brentwood their home for nearly as long, enlivening the already-progressive neighborhood.
“It’s a similar vibe to Takoma Park,” Paradiso says, “and we have felt comfortable and open here.”
Paradiso is a mixed-media artist, whose work initially drew from the impact of the early years of the AIDS epidemic and now incorporates themes of homophobia, aging, and sexuality.
“After moving to Washington, D.C.,” he says, “and reflecting on past visits to the AIDS Memorial Quilt on the National Mall, I was inspired to make quilts that spoke of survival and sexual liberation.”
His early work coalesced into his Men Working Series, and later his Soft Port and Paper Quilt/Collage series. The three “combine images of men and masculinity, using working methods that are considered traditionally feminine, such as sewing, embroidery, hand quilting, and scrap booking.”
Paradiso plays with gender norms, co-opting embroidery as a medium that channels the stitch work that his grandmothers were so adept at – and creating erotic images in his textiles.
The series removes the raw graphic nature and sexuality of pornography “and places it into the context of nostalgia, the home sewn, and a more romantic point of view,” he says.
While he has shown his work in the area for the entirety of his career, Paradiso more recently took a lead role at the Gateway Community Development Corporation’s Curator of Programs at the Gateway Arts Center. He is now a lead art consultant at the new nearby mixed-use developments, Studio 3807 and Artisan 4100.
Paradiso also oversees several studios in both buildings, in which he invites a rotating list of artists to show their work.
During the festival, these and other temporary exhibits will be on display, including Paradiso’s work at the Studio 3807 building. Other featured artists’ work will come alive at Artisan 4100. There, he and his team are transforming a loading dock into a vibrant arts space. The visual medium will be accompanied by the Beats aspect: Just Rock will play live music during the day from their own studio space.
Finally, the Eats portion takes place at the miXt Food Hall, also located at Studio 3807. Various chefs, bartenders, and others will set up live demonstrations during the day, featuring sessions like making lobster corn dogs and knife-sharpening skills. The hall will also host food and drink specials.
Once the Arts open studios and Beats live music finish at 5 p.m., miXt is hosting an after-party until 8 p.m.
Paradiso is proud to be part of an ongoing tradition of open-door studio work, emphasizing a community of openness and creativity. The miXt food hall, he notes, has held drag brunches for several years. “This is a celebration,” he says.
When the new developments were built in the Arts District, Paradiso worked hard to ensure that this atmosphere remained. “The festival underlines that this is still a dynamic Arts District, reinforcing that this is a gem and that we take care of the community. Having these studios filled with LGBTQ content shows that we can create the art that we want – there is space and something for everyone,” he says.
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)
The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)
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