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Rehoboth Beach summer events roundup

Stop by local drag shows, musical performances, Pride celebrations

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Miss Richfield 1981 performs at the Blue Moon on June 27.

The summer is almost upon us, and the Blade has compiled a list of Rehoboth Beach-area events you won’t want to miss. Stop by these local bars, restaurants, and community centers to keep the season packed with good memories and fun.

MAY

May 4-31: 30 Years in 30 Photos CAMP Rehoboth Visual Arts Exhibition. Visit the collection of more than 300 photographs of community-defining events curated from the local LGBTQ community center at 37 Baltimore Ave. and participate in an auction for your favorite pieces. 

May 20: 15th Annual Blade Foundation Summer Kick Off Party. Join The Blade as it celebrates the start of the summer, featuring a special appearance from Congresswoman Lisa Blunt Rochester. Festivities will begin at 5 p.m. at The Pines, 56 Baltimore Ave.

May 20: Kings & Queens of Comedy Variety Show. Come and watch a variety show hosted by The Pines, filled with skits and stand-up from comedians Kristina Kelly, Gray West, Anthony Brone, Alejandro Morales and Rob Stant. Doors open at 7 p.m. 

May 20 to 22: Clear Space Theatre Company presents “The Lightning Thief.” Bring your kids to see this musical production of the beloved Percy Jackson book at 20 Baltimore Avenue. 

Fridays beginning May 20: Piano Bar with Doug Repetti. Stop by The Pines each Friday from 6-8 p.m. to sing along to Repetti’s show, which features today’s pop hits, 80’s rock, 90’s pop and more. 

Second Friday of each month, beginning May 20: CAMP Rehoboth Community Center Monthly Youth Social. LGBTQ youth are welcome to hang out and play games with other community members through the CAMP Rehoboth Community Center at 6:30 p.m. on the second Friday of each month. 

May 21: Cocktails and Candles: Happy Hour. Have a drink at The Pines while enjoying artwork from The Lion’s Den Candle Company, a Rehoboth Beach small business. Held from 6-8 p.m. 

Saturdays beginning May 21: A Night of DIVA’s, hosted by Mona Lotts and Kristina Kelly. Share tapas and drinks at The Pines in a night of comedy and fun hosted by local queens. Doors open at 8:45 p.m. each week. 

Sundays beginning May 22: Drag Brunch with Mona Lotts and Kristina Kelly. Wake up with a laugh at The Pines at this weekly drag brunch and comedy performance. Doors open at 11:15 a.m., and the show concludes around 2 p.m. each week. 

Sundays beginning May 22: Blaqueout Trivia. Bring your friends to compete and win prizes in a night of hilarious trivia hosted by Rebecca Blaqueout and Jerry B at The Pines. Happy Hour begins at 5 p.m., and trivia starts at 5 p.m each week. 

Mondays beginning May 23: Flaming Pianos Steak & Show. For just $29, you can pair an 8oz filet with a glass of wine while listening to—and even participating in—the music and storytelling of dynamic duo John Flynn and Matthew Kenworthy at The Pines. Doors open at 6 p.m. each week. 

Every other Monday beginning May 23: Flaming Knitters. Open to those of all levels of experience, come practice or learn knitting at the CAMP Rehoboth Community Center at 6:30 p.m. 

May 25: The Vocal Diva Marcella Peters: One Night Only! Listen to the musical stylings of singer and Baltimore native Marcella Peters at The Pines. Doors open at 6 p.m. 

May 26 to 30: Memorial Day Weekend Salute. Enjoy a weekend of music and performances at Diego’s Bar & Nightclub, located at 37298 Rehoboth Ave. Doors open at 4 p.m., and music begins at 9:30 p.m. 

May 27: Memorial Day Kickoff Drag Show. Come enjoy a night of comedy and fashion at The Pines hosted by Kristina Kelly. Doors open at 8 p.m. 

May 30: Memorial Day Drag Brunch. Celebrate the long weekend at The Pines enjoying comedy, food and fun with local queens. Doors open at 11:00 a.m., and the show concludes around 2 p.m. 

May 31: Can’t Fool The Blues Band. Experience a musical mixture of rock, blues and R&B in this Rehoboth-based band’s performance at The Pines. Doors open at 7 p.m. 

Every Wednesday: Drag Bingo. Play a fun game of bingo hosted by local queen Ophelia Bottoms at Freddie’s Beach Bar & Restaurant, located at 3 S 1st St. Event begins at 8 p.m. each Wednesday. 

Every Thursday: Karaoke Night. Sing your heart out at karaoke nights at Freddie’s Beach Bar & Restaurant. Event begins at 8 p.m. each Thursday. 

Every Friday: Follies at the Beach Drag Show. Witness spectacular drag performances with special guests each week at Freddie’s Beach Bar & Restaurant. Show begins at 9 p.m. each Friday. 

JUNE

June 3: The Return of Varla Jean Merman. Comedy queen Varla Jean Merman makes her return to The Pines in this night of comedy and fun. Two shows will be held, with doors opening at 6 and 9 p.m. 

June 3: Royal T Dance featuring Austin Armacost. Come dance on the patio at Diego’s Bar & Nightclub in a fun night out, with music provided by DJ Riddle. 

June 3 to 5: Clear Space Theatre Company presents “The Submission.” Come watch this impactful one-weekend performance which looks into race, gender and ignored prejudices. 

June 5. The Queen’s Platinum Jubilee featuring Austin Armacost. Enjoy a night out at Diego’s Bar & Nightclub in its Jubilee Party, which begins at 8 p.m. 

June 6: Lady Bunny brings her irreverent comedy to the Blue Moon, 35 Baltimore Ave., 9:30-11 p.m.

June 8: Milton PRIDE Pre-Party & Art Show. Take a quick drive away from the coast and enjoy this Pride Month and Celebration and art show in Milton, Del., hosted by Inn the Dog House Tiki Bar at 428 Chestnut St. from 6-9 p.m. 

First Friday of each month, beginning June 3: FURst Friday Happy Hour with the Rehoboth Beach Bears. Enjoy beers and dishes at The Pines in this monthly happy hour from 6-8 p.m. 

June 10: Magnolia Applebottom Drag Show. Watch a drag show at the Milton Theatre at 110 Union St. in Milton, and enjoy drinks and snacks while you’re at it. 

June 10: Whitney! The Music Of Whitney Houston. In this stroll down memory lane, The Pines is bringing Sheree Marcelle to perform musical renditions of Whitney Houston’s classic hits in a show written and produced by Mike Flanagan. Doors open at 8 p.m.

June 11: Queer Queens of Comedy. Witness the outrageous hilarity of three comedic powerhouses at the Milton Theatre. Doors open at 8 p.m. 

June 12: Philadelphia Freedom: Tribute to Elton John Matinee. Reminisce with this captivating rendition of Elton John’s works at the Milton Theatre. 

June 12: 2022 Tonys Party. Celebrate the Tony Awards this year with Clear Space Theatre Company, enjoying cocktails, dinner and entertainment at The Children’s Beach House, located at 1800 Bay Front Avenue in Lewes, Del. Festivities will be held 5-9 p.m. 

June 13: Beloved disco and soul singer Linda Clifford plays the Blue Moon 9:30-11 p.m. 

June 17: Betti and Bruce: Lost in Rehoboth. Have a night of songs and fun in this musical show at The Pines featuring Betti Blumenthal and Bruce Delmonico. Doors open at 8 p.m. 

June 20-Sept. 1: Acclaimed NYC pianist Nate Buccieri plays the Blue Moon, Mondays-Thursdays, 6-8:30 p.m. Reservations recommended.

June 24: Have A Gay Old Laugh! Pride Stand-Up Comedy Show. Drive over to the Milton Theatre for a night of laughter. Doors open at 8 p.m. 

June 24 and 25: Top of the Pines Welcomes Antonio Edwards. Witness the wonderful vocals of this singer and entertainer at The Pines in a show on Friday, June 24 from 8-10 p.m. or Saturday, June 25 from 6-8 p.m. 

June 24-Aug. 27: Clear Space Theatre Company presents “9 to 5.” Watch the local theater recreate this hilarious office satire.

June 25: Pride Day at the Brandywine Zoo. Stop by the Brandywine Zoo, located at 1001 N Park Drive in Wilmington, from 10 a.m. to 4 p.m. for a scavenger hunt, crafts, educational opportunities and all-around fun. 

June 27: Miss Richfield 1981 performs her new show “Cancel Cultured Pearls” at the Blue Moon, 9:30-11 p.m.

June 28 to Aug. 23: Clear Space Theatre Company presents “Grease.” Enjoy this beloved musical as recreated by local performers. 

JULY

July 1: Del Shores: The Tea is Spilled. Texas storyteller Del Shores is stopping by The Pines to bring you a night of entertainment and drama. Two shows will be held, with doors opening at 7:30 and 9:30 p.m. 

July 1 to Aug. 25: Clear Space Theatre Company presents “Joseph and the Amazing Technicolor Dreamcoat.” Watch as the local theater takes on a new rendition of this beloved musical comedy. 

July 2 to Aug. 20: Saturday Morning Children’s Theatre 2022. Bring your children to another Clear Space Theatre Company show including classics like Sleeping Beauty and Peter Pan. All shows held at 11 a.m. 

July 4: Lady Bunny returns to the Blue Moon, 9:30-11 p.m.

July 8: Friday Fever Show: The Boys of Summer. Watch special performances and enjoy drinks at The Pines. Doors open at 8 p.m. 

July 15: The Dozen Divas Show. Appreciate the amazing costumes and exciting performances of America’s Got Talent Finalist Dorothy Bishop. Show runs from 8 to 11 p.m.

July 16: Hair and Heels Dance Party. Come to The Pines in your favorite wig and pair of heels and dance to the stylings of DJ Chord. Doors open at 9 p.m. 

July 17: Hair and Heels Drag Brunch. Wake up with a laugh by heading to brunch at The Pines. Doors open at 11 a.m. 

July 17: Hair and Heels Closing Party. Bring your wig and best heels to the dance floor at The Pines. Doors open at 8 p.m. 

July 18: Sherry Vine brings her latest show “Potty Mouth” to the Blue Moon, 9:30-11 p.m.

July 22: Big Red Miss Meghan Murphy. Listen to this musical performance covering styles from pop parodies to jazz at The Pines. Seating begins at 7 p.m. 

July 27: The Boy Band Project. Allow this musical performance hosted by The Pines to transport you to the era of boy band craze. Seating begins at 7 p.m. 

July 29: A Golden Girls Musical Adventure. Come watch this hilarious revamp of The Golden Girls hosted by The Pines. Doors open at 7 p.m. and show begins at 8 p.m. 

AUGUST

Aug. 25: Coco Peru: Bitter, Bothered, and Beyond. Listen to Miss Coco Peru’s take on the world in an evening performance at The Pines. Doors open at 8 p.m. 

Aug. 27: The White Party with Chord Bezerra. Dress up in white and stay out late having fun at Diego’s Bar & Nightclub. Music begins at 9:30 p.m. 

SEPTEMBER

September 2: Hunks: The All Male Review. Stop by The Pines for a personal and intimate male dance show incorporating lights, choreography, costumes and music. Doors open at 7 p.m. 

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Photos

PHOTOS: The Bonnet Ball

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Sirene Noir Sidora Jackson dances at The Bonnet Ball at JR.'s Bar on Sunday, April 5. (Washington Blade photo by Michael Key)

The Bonnet Ball was held at JR.’s Bar (1519 17th St., N.W.) on Sunday.

(Washington Blade photos and video by Michael Key)

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Books

Risking it all for love during World War II

New book follows story of Black, gay expat in Paris

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(Book cover image courtesy Viking)

‘The Remarkable Life of Reed Peggram’
By Ethelene Whitmire
c.2026, Viking
$30/308 pages

You couldn’t escape it.

When you fell in love, that was it: you were there for good. Leaving your amour’s side was unthinkable, turning away was impossible. You’d do anything for that person you loved – even, as in the new biography, “The Remarkable Life of Reed Peggram” by Ethelene Whitmire, you’d escape toward danger.

On Aug. 28, 1938, Reed Peggram boarded a ship from Hoboken, N.J., hoping to “become a proper gentleman” and fulfill his dreams. A prolific writer and Harvard scholar of comparative literature, he’d recently been awarded the Rosenwald Fellowship, which put him in the company of literary stars like Du Bois, Hurston, and Hughes.

Both Peggram’s mother and grandmother were then domestic workers, and they had big expectations for him. Reed himself was eager to study abroad, for professional and personal reasons; he was “determined to become a French professor and an accomplished linguist” and “He also hoped to find love.”

What better place to do it than in Paris?

Outgoing and confident, Peggram made friends easily and had no trouble moving “through the world of his white male peers.” Where he faltered was in his lack of funds. He relied on the kindness of his many friends – one of whom introduced Peggram to a “man who would become so pivotal in his life,” a Danish man named Arne.

Peggram and Arne had a lot in common, and they began to enmesh their lives and dreams of living in the United States. But there were complications: homosexuality was largely forbidden, World War II was in its early stages, and it quickly became apparent that it was dangerous to stay in Europe.

And yet, Peggram loved Arne. He refused to leave without him and so, while most visiting Black Americans fled the war in Europe, “Reed was trying to stay.”

There’s so much more to the story inside “The Remarkable Life of Reed Peggram,” so much to know about Reed himself. Problem is, it’s a long haul to get to the good stuff.

In her introduction, author Ethelene Whitmire explains how she came to this tale and yes, it needs telling but probably not with the staggering number of inconsequential details here. Peggram moved homes a lot, and many people were involved in keeping him in Europe. That alone can be overwhelming; add the fact that costs and other monetary issues are mentioned in what seems like nearly every page, and you may wonder if you’ll ever find the reason for the book’s subtitle.

It’s there, nearly halfway through the book, which is when the tale takes a tender, urgent turn — albeit one with determination, rashness, and a dash of faux nonchalance. Also, if you’re expecting an unhappily-ever-after because, after all, it’s a World War II tale, don’t assume anything.

Reading this book will take a certain amount of patience, so skip it if you don’t have that fortitude. If you’re OK with minuscule details and want a heart-pounder, though, “The Remarkable Life of Reed Peggram” might be a good escape.

The Blade may receive commissions from qualifying purchases made via this post.

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Theater

Iconic Eddie Izzard takes on 23 characters in ‘Hamlet’

Energized take on role offers accessible way to enjoy Shakespeare

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Eddie Izzard in ‘The Tragedy of Hamlet.’ (Photo by Carol Rosegg)

‘The Tragedy of Hamlet’
Through April 11
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Tickets start at $90
Shakespearetheatre.org

Eddie Izzard is an icon.  

Best known for her innovative standup and film roles, the famed British performer is also a queer activist who over the years has good-naturedly shared details from her decades long trans journey. What’s more, Izzard has remarkably run 43 marathons in 51 days for charity. 

And now, Izzard finds a towering new challenge with the worldwide tour of “The Tragedy of Hamlet” (at Shakespeare Theatre Company’s Klein Theatre through April 11), in which she plays 23 characters (Hamlet, King Claudius, Queen Gertrude, the ghost, etc.) in a solo performance running just over two hours. 

At a recent performance, Izzard, before slipping into character, appeared on the unadorned stage to say that though infused with comedy, “Hamlet” is definitely a tragedy, a story of a family and country both tearing themselves apart. She also warns that there’ll be a lot of breaking the fourth wall. After all, it didn’t exist in 1600 around the time when “Hamlet” was written.

The play unfolds in flurry of movement and scandal as the Danish prince begins to plot revenge after learning that his father, the old king was conspired against and murdered. 

While some of Izzard’s character shifts are shown only by a subtle change in stance or modulation of voice, others are more obviously displayed like court sycophant Polonius walking with a stiff leg and mimed cane, or his ill-fated daughter Ophelia trotting girlishly across the upstage platform.

Delivered downstage at the intimate Klein venue, Izzard’s Hamlet soliloquies are performed with striking clarity. The one actor play is adapted and edited by Mark Izzard (the star’s older brother) and directed by Selina Cadell who successfully fosters the visceral connection between the actor and the house. Directly addressing an audience is something Izzard does exceedingly well. You feel as if she’s looking at/speaking to only you. 

Cuts and choices are made that might not please traditionalists. The stabbing of eavesdropping Polonius might prove disappointingly underplayed to some. Whereas, the subsequent satisfying dual/death scene is long and precisely choreographed. Fear not, Izzard doesn’t flag a bit, not even when battling a cough (as was the case on the night of No Kings Day).

Not surprisingly, Izzard leans into the comedy. Her deliciously placed pauses, lines read ironically, and double takes, all gifts of comedy sharpened to perfection over a long career that kicked off as a street performer in the early eighties in London’s Covent Garden.

The play within a play scene finds Hamlet slyly rattling the conscience of King Claudius. As played by Izzard, it’s wickedly delightful and especially good. And the back and forth between the grave diggers done as a clever Cockney and his green assistant is a master class in how to play a Shakespearean clown.

Kitted out in a black peplum jacket over leather leggings and boots, Izzard gives gender fluid shades of contemporary diehard scenester and a Renaissance courtier. (Design and styling by Tom Piper and Libby DaCosta)

Attention has been paid to the blonde high ponytail, crimson lips and matching lacquered nails. The hands are important. Whether balled into fists or fingers fluttering, they’re in use, especially when playing Hamlet’s ex-friends Rosencrantz and Guildenstern (a clever surprise that can’t be spoiled).

Tom Piper’s set is wonderfully minimal. It’s an empty white walled space with three narrow windows that appear cut deeply into stone like those of a castle. These white flats serve as the ideal canvas for lighting designer Tyler Elich’s looming shadows, ghostly green light, and other unexpected flourishes of drama.

Izzard fills the stage. Her presence is huge, and her acting first-rate. At times, you forget it’s a one-person show.  

I’d like to say, prior knowledge of the Bard’s best tragedy isn’t necessary to enjoy this fast-paced production. Despite a halved runtime and obscure words replaced with modern equivalents (“tedious old git” Hamlet says of Polonius), familiarity with the play is helpful. 

With “The Tragedy of Hamlet,” Izzard secures a place among fellow queer Brits like Miriam Margolyes (“Dickens’ Women”), Sir Ian Mckellan (“Ian McKellen on Stage”), and more recently Andrew Scott (“Vanya”) in the solo players’ pantheon. 

Izzard’s energized take on Hamlet is terrific. The way her powerful public persona bleeds into the work without taking over is exciting, and a uniquely accessible way to enjoy Shakespeare. 

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