Arts & Entertainment
Billy Porter brings national tour to D.C. ‘on his own terms’
‘Pose,’ Broadway, and musical star to perform at Warner Theater June 2
Actor, musician, writer, and director Billy Porter is embarking on his first-ever music tour this spring.
Porter, 53, will visit 25 cities across the United States. “The Black Mona Lisa Tour: Volume 1,” tells Porter’s life story through song.
The show will feature songs from his new album due this fall, “Black Mona Lisa,” and his well-loved hits like “Love Is on the Way” and “Love Yourself.” It also nods to his long Broadway career and role in “Pose.”
The tour kicked off in Seattle in late April and will end in Mashantucket, Conn., in early June. As part of the tour, Porter will visit his hometown of Pittsburgh and perform at the Warner Theater in Washington, D.C.
The process of crafting his new album was a collaborative one, Porter said. He had a clear vision for the project — to inspire, encourage, and motivate. Porter wants to bring people healing, joy, and peace through the show, and “give the world a big bear hug.”
“We’ve been in the middle of a very, very intense collective trauma, still in it,” Porter said in an interview with the Washington Blade. “And I believe that it’s inside of the gathering, that’s where the healing lies.”
For example, in the latest song released from his new album, “Fashion,” the idea of fashion is aligned with kindness, love and joy. It’s also about being Porter’s authentic self.
Porter has defied the rules of fashion in bold and theatrical ways on red carpets, at fashion weeks, and parties. Donning stylish sashaying skirts and sparkly suits, Porter has utilized fashion as a tool for change. Porter wasn’t always at the forefront of this movement, he said. As a kid and in his early career, he refrained from experimentation in fashion because of how much queerness was seen as an impediment.
But around 2017, the fashion designer Rick Owens, who is known for his gender-fluid designs, inspired Porter.
“It wasn’t until I became part of this revolution of the de-gendering of fashion that I realized it was a thing,” Porter said. “People could be so triggered by what other people chose to wear. I didn’t realize that the gendering of fashion had created such a fracture in our culture.”
There’s no question Porter inspires many in his way of unapologetically being himself. His own inspiration, he said, is his mother. She’s lived with a degenerative condition for her whole life and now resides in a nursing home. He’s watched her get up every day and be present, despite all of the curveballs life threw at her.
“She’s my hero. She is the one. If she can show up every day for her life, I don’t have no excuse,” Porter said.
A changing industry
Porter tried to go on a music tour before, he said, but the industry wasn’t ready for him.
“The music business was very homophobic and they kicked my Black gay ass out,” Porter said. “Now, it’s on my own terms.”
A lot has stayed the same in the music business, but the industry has shifted since Porter’s first album, “Untitled,” came out in 1997. He said he can exist to the fullest extent of who he is and being queer is no longer a full-on liability.
Career paths in show business aren’t linear, he said. If he could tell his younger self anything after all these years, it’s to keep going, stay in it, and focus on the work.
“I knew I had talent,” Porter said.
To purchase tickets, visit theebillyporter.com/#tour.
The fourth annual Equality Prince William Pride was held at the Harris Pavilion in Manassas, Va. on Saturday, May 17.
(Washington Blade photos by Michael Key)
The Washington Blade held its 18th annual Summer Kickoff Party in Rehoboth Beach, Del., on Friday, May 16. Delaware Gov. Matt Meyer spoke along with State Sen. Russ Huxtable, CAMP Rehoboth Executive Director Kim Leisey, Blade Editor Kevin Naff, and Clear Space Theatre Managing Director Joe Gfaller. The event raises funds for the Steve Elkins Memorial Fellowship in Journalism, which was awarded to AU student Abigail Hatting.
(Washington Blade photos by Daniel Truitt)
In some fowl fiction foreshadowing, a gay-owned chicken joint has come home to roost on U Street, taking a page from the chicken window subplot on the HBO show “Looking.”
Last Friday, Lucky Pollo – much more than just a takeout window – stretched its wings atop the busy nightlife corner of 14th and U Streets NW.
Behind the poultry production place is Zach Renovátes, a D.C.-based nightlife operator and managing partner of LGBTQ venues Bunker and District Eagle, as well as the LGBTQ event production company KINETIC Presents.
Renovátes opened Bunker in February 2023 and District Eagle in January of this year. Lucky Pollo is the third in his growing gay empire, though this time there are noshes.
“Lucky Pollo was meant to be fun and a little provocative,” Renovátes said.
Based around its Peruvian-style rotisserie chicken, Lucky Pollo is a quick-service restaurant boasting a small menu of poultry and sides. Renovátes says that the dishes are deeply rooted in Peruvian culinary tradition, “a playful experience alongside seriously good food.”
Lucky Pollo’s signature chicken is steeped in a dozen-plus-spice marinade for 24 hours. The meat is then slow-roasted, rotisserie-style, over oak-wood charcoal. Chicken options include quarter, half, and whole.
Helming the kitchen at Lucky Pollo is Chef Luis Herrera, who brings Peruvian recipes passed down through three generations, including his grandmother Laura’s original creations.
Beyond the full bird, the menu features Peruvian-inspired sides like yuca fries (“I personally love these,” says Renovátes) and fried plantains, as well as comfort classics such as mac and cheese and mashed potatoes, and bowls, wraps, and salads. Herrera oversees development of the multiple sauces (including staff favorite, the “secret green sauce”), crafted in-house using traditional Peruvian ingredients.
Lucky Pollo, in its streetside perch, is an independent concept from District Eagle, open to the public and staying open late (3 a.m. on weekends) to serve both nightlife guests and the wider U Street crowd hungry for late-night bites. However, just beyond the kitchen, tucked in the back lies a vintage 1950s candy machine—labeled “Out of Order,” which serves as the door leading to subterranean District Eagle.
Renovátes notes that when District Eagle is open, security staff will maintain a strict two-line policy, ensuring that those seeking meat to eat will not get entwined with those looking to gain access to District Eagle.
Lucky Pollo unites the need for sustenance with the idea of a bit of fortune, given its motto, “Get Lucky” and the whimsical brand mascot: a leather-booted chicken perched on a horseshoe. Renovátes and his District Eagle business partner had always been interested in opening a restaurant, and the Lucky Pollo space was indeed lucky: It already came with a functional kitchen. Plus, he says, the nearby fast-casual places around 14th and U streets “don’t offer a lot of quality options,” so opening the chicken spot “was a no-brainer.”
The space, designed by NYC creative Jasin Cadic, blends theatrical street-art-style vibes with Keith Haring-inspired wall prints, neon signs, and ceiling-hung chicken figurines —”some edgy, some sweet,” says Renovátes —creating an immersive, playful atmosphere. Lucky Pollo and District Eagle maintain separate amenities for their respective customers.
Lucky Pollo opened last week with a competition to devour a whole rotisserie chicken in the fastest time, with the winner earning $1,000 and a framed spot on the restaurant’s “Wall of Fame.” The opening also featured other games and prizes, and a full crowd spilling out the door.
“We want it to be a great place to eat, but also serve as a playful front for something completely unexpected.” Renovátes says.
On weekends especially, he jokes, the motto will be, ‘Come for the chicken, stay for the cock.’”
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