Arts & Entertainment
Billy Porter brings national tour to D.C. ‘on his own terms’
‘Pose,’ Broadway, and musical star to perform at Warner Theater June 2
Actor, musician, writer, and director Billy Porter is embarking on his first-ever music tour this spring.
Porter, 53, will visit 25 cities across the United States. “The Black Mona Lisa Tour: Volume 1,” tells Porter’s life story through song.
The show will feature songs from his new album due this fall, “Black Mona Lisa,” and his well-loved hits like “Love Is on the Way” and “Love Yourself.” It also nods to his long Broadway career and role in “Pose.”
The tour kicked off in Seattle in late April and will end in Mashantucket, Conn., in early June. As part of the tour, Porter will visit his hometown of Pittsburgh and perform at the Warner Theater in Washington, D.C.
The process of crafting his new album was a collaborative one, Porter said. He had a clear vision for the project — to inspire, encourage, and motivate. Porter wants to bring people healing, joy, and peace through the show, and “give the world a big bear hug.”
“We’ve been in the middle of a very, very intense collective trauma, still in it,” Porter said in an interview with the Washington Blade. “And I believe that it’s inside of the gathering, that’s where the healing lies.”
For example, in the latest song released from his new album, “Fashion,” the idea of fashion is aligned with kindness, love and joy. It’s also about being Porter’s authentic self.
Porter has defied the rules of fashion in bold and theatrical ways on red carpets, at fashion weeks, and parties. Donning stylish sashaying skirts and sparkly suits, Porter has utilized fashion as a tool for change. Porter wasn’t always at the forefront of this movement, he said. As a kid and in his early career, he refrained from experimentation in fashion because of how much queerness was seen as an impediment.
But around 2017, the fashion designer Rick Owens, who is known for his gender-fluid designs, inspired Porter.
“It wasn’t until I became part of this revolution of the de-gendering of fashion that I realized it was a thing,” Porter said. “People could be so triggered by what other people chose to wear. I didn’t realize that the gendering of fashion had created such a fracture in our culture.”
There’s no question Porter inspires many in his way of unapologetically being himself. His own inspiration, he said, is his mother. She’s lived with a degenerative condition for her whole life and now resides in a nursing home. He’s watched her get up every day and be present, despite all of the curveballs life threw at her.
“She’s my hero. She is the one. If she can show up every day for her life, I don’t have no excuse,” Porter said.
A changing industry
Porter tried to go on a music tour before, he said, but the industry wasn’t ready for him.
“The music business was very homophobic and they kicked my Black gay ass out,” Porter said. “Now, it’s on my own terms.”
A lot has stayed the same in the music business, but the industry has shifted since Porter’s first album, “Untitled,” came out in 1997. He said he can exist to the fullest extent of who he is and being queer is no longer a full-on liability.
Career paths in show business aren’t linear, he said. If he could tell his younger self anything after all these years, it’s to keep going, stay in it, and focus on the work.
“I knew I had talent,” Porter said.
To purchase tickets, visit theebillyporter.com/#tour.
Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino
‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.
The Washington Blade hosted the inaugural WorldPride Boat Parade at The Wharf DC on Friday, June 6. NBC4’s Tommy McFly served as the emcee.
(Washington Blade photos by Michael Key)
The 2025 Capital Pride Honors awards ceremony and gala reception was held at the National Building Museum on Thursday, June 5. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams and SMYAL. Presenters and speakers included U.S. Rep. Mark Takano (D-Calif.), Amber Ruffin, Raven-Symoné and Paul Wharton.
(Washington Blade photos by Michael Key)
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