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Billy Porter brings national tour to D.C. ‘on his own terms’

‘Pose,’ Broadway, and musical star to perform at Warner Theater June 2

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Billy Porter, 53, will visit 25 cities across the United States this spring. (Photo courtesy Republic Records)

Actor, musician, writer, and director Billy Porter is embarking on his first-ever music tour this spring. 

Porter, 53, will visit 25 cities across the United States. “The Black Mona Lisa Tour: Volume 1,” tells Porter’s life story through song. 

The show will feature songs from his new album due this fall, “Black Mona Lisa,” and his well-loved hits like “Love Is on the Way” and “Love Yourself.” It also nods to his long Broadway career and role in “Pose.”  

The tour kicked off in Seattle in late April and will end in Mashantucket, Conn., in early June. As part of the tour, Porter will visit his hometown of Pittsburgh and perform at the Warner Theater in Washington, D.C.

The process of crafting his new album was a collaborative one, Porter said. He had a clear vision for the project — to inspire, encourage, and motivate. Porter wants to bring people healing, joy, and peace through the show, and “give the world a big bear hug.” 

“We’ve been in the middle of a very, very intense collective trauma, still in it,” Porter said in an interview with the Washington Blade. “And I believe that it’s inside of the gathering, that’s where the healing lies.”

For example, in the latest song released from his new album, “Fashion,” the idea of fashion is aligned with kindness, love and joy. It’s also about being Porter’s authentic self. 

Porter has defied the rules of fashion in bold and theatrical ways on red carpets, at fashion weeks, and parties. Donning stylish sashaying skirts and sparkly suits, Porter has utilized fashion as a tool for change. Porter wasn’t always at the forefront of this movement, he said. As a kid and in his early career, he refrained from experimentation in fashion because of how much queerness was seen as an impediment. 

But around 2017, the fashion designer Rick Owens, who is known for his gender-fluid designs, inspired Porter.

“It wasn’t until I became part of this revolution of the de-gendering of fashion that I realized it was a thing,” Porter said. “People could be so triggered by what other people chose to wear. I didn’t realize that the gendering of fashion had created such a fracture in our culture.” 

There’s no question Porter inspires many in his way of unapologetically being himself. His own inspiration, he said, is his mother. She’s lived with a degenerative condition for her whole life and now resides in a nursing home. He’s watched her get up every day and be present, despite all of the curveballs life threw at her.  

“She’s my hero. She is the one. If she can show up every day for her life, I don’t have no excuse,” Porter said. 

A changing industry 

Porter tried to go on a music tour before, he said, but the industry wasn’t ready for him. 

“The music business was very homophobic and they kicked my Black gay ass out,” Porter said. “Now, it’s on my own terms.” 

A lot has stayed the same in the music business, but the industry has shifted since Porter’s first album, “Untitled,” came out in 1997. He said he can exist to the fullest extent of who he is and being queer is no longer a full-on liability. 

Career paths in show business aren’t linear, he said. If he could tell his younger self anything after all these years, it’s to keep going, stay in it, and focus on the work.

“I knew I had talent,” Porter said. 

To purchase tickets, visit theebillyporter.com/#tour

Billy Porter (Photo courtesy of Republic Records)
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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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