District of Columbia
D.C. ceremony welcomes affirming church as ‘full standing’ UCC congregation
Bishop Abrams officially installed as pastor of UCC Empowerment Liberation Cathedral
The Mt. Rainier, Md.-based Empowerment Liberation Cathedral, which Washington Blade readers have selected for five years as the D.C. area’s Best LGBTQ Church, was honored as an official United Church of Christ congregation in a ceremony on Sunday, Feb. 25, at the Plymouth United Church of Christ on North Capitol Street in D.C.
The ceremony, organized by the Potomac Association of the United Church of Christ, which admitted Empowerment Liberation Cathedral as a UCC congregation last fall, also officially installed lesbian Bishop Allyson Abrams as pastor of the now UCC-affiliated Empowerment Liberation Cathedral.
Abrams founded Empowerment Liberation Cathedral in 2014 at its original location in Silver Spring, Md., as a nondenominational Protestant church that she declared would be a welcoming and affirming congregation “where all of God’s children are welcomed,” including LGBTQ people of faith. Washington Blade readers have also named Abrams the D.C. area’s Best Clergy for seven years.
Although many consider Empowerment Liberation Cathedral a “gay” church, one of its spokespersons, Kedrick Keys, told the Washington Blade ELC considers itself a welcoming church and congregation open to everyone, even though he said a majority but not all of its members are LGBTQ.
A biography of Abrams prepared by the LGBTQ Religion Archives Network says her founding of Empowerment Liberation Cathedral came one year after she resigned as pastor of the Zion Progress Baptist Church in Detroit in 2013 and two years after she was consecrated as a bishop at Pneuma Christian Fellowship, a religious order in Orange County, Calif.
The biography says Abrams created a stir in 2013 shortly before her resignation as pastor of Zion Progressive Baptist Church, when she announced to the congregation that she had just married another female bishop, Diana Williams, who at the time was Bishop Emeritus of the Imani Temple African American Catholic Congregation.
A short time after that, Abrams and Williams moved to the D.C.-Maryland area where Abrams mapped out plans to open the Empowerment Liberation Cathedral known as ELC.
“Bishop Abrams came to the Washington, D.C. area with a new blitz about her marriage to another female bishop,” a statement released by ELC says. “She was outcast by many organizations and religious groups for declaring you could be gay and Christian,” the statement says.
“When Abrams decided to open a church in the Washington Metropolitan Area many media outlets discussed her keeping her faith and opening a church for those who have been marginalized and disenfranchised from the church and from their legacies in churches across America,” the statement continues.
“Bishop Abrams has remained on the forefront of ministry and has united with a denomination that believes in justice and equality for all – the United Church of Christ,” says the statement.
It was referring to the United Church of Christ’s status as an LGBTQ-affirming church that welcomes LGBTQ people into its services and congregations.
A separate ELC statement says among those attending and participating in the Feb. 25 ceremony at Plymouth Church were pastors, bishops, ministers, parishioners, community leaders, organizations affiliated with ELC and the United Church of Christ’s Potomac Association.
Among them was Japer Bowles, director of D.C. Mayor Muriel Bowser’s Office of LGBTQ Affairs, who delivered a statement from Bowser.
“As Mayor of Washington, D.C., I congratulate Empowerment Liberation Cathedral as you join the United Church of Christ (UCC) family and install Bishop Alyson Abrams as pastor,” the statement says. “As you gather to celebrate this momentous occasion, may both pastor and congregation be inspired to even higher heights of achievement and service to our communities,” the mayor’s statement says.
The Capital Pride Alliance, the group that organizes D.C.’s annual LGBTQ Pride parade and festival, issued its own statement congratulating Empowerment Liberation Cathedral. The statement mentions that in 2016, Capital Pride honored Bishop Abrams as a Capital Pride Hero “in acknowledgement of her work in the faith community for the acceptance and affirmation of LGBTQ+ Christians.”
ELC spokesperson Keys said the church holds its weekly Sunday services at the Mt. Rainier Arts Center at 3311 Rhode Island Ave., Mt. Rainier, Md.
He said a nonprofit community services organization created by ELC called Empowerment Justice Center, is located at 1015 15th Street, N.W., Room 653 in D.C. The church office is also at that location, Keys said.
Further information about church services and events can be obtained by contacting ELC at 202-798-4371 or at empowermentliberationcathedral.org.
But Keys said the church’s location in Maryland had not been updated on the website, which lists its former location in Lanham, Md., rather than its current location in Mt. Rainier.
District of Columbia
Hands Off the Arts to form ‘human chain’ around Kennedy Center
Drag performer Tara Hoot among event organizers
An organization called Hands Off the Arts has announced it is holding a protest on Friday, Sept. 18, in which between 400 and 800 participants are expected to create a “human chain” around the Kennedy Center to voice their strong objection to President Donald Trump’s call for possibly demolishing the Kennedy Center.
“Hands Off the Arts is organizing a rally Sept. 18 against the president’s defacing of JFK’s memorial, his removal and censorship of art, and the threat to demolish the center if he can’t remake the site in his image,” a statement released by the group says.
The statement says the event will start with a rally at 6:30 p.m. on the Kennedy Center steps and culminate with a “human chain” around the building. “There will be musical performances, testimonials from current and former employees, along with other special guest speakers,” it says
A separate announcement by the group says longtime D.C. drag performer Tara Hoot, who has performed at the Kennedy Center in past years, was among the organizers of the Sept. 18 protest.
The planned protest follows Trump’s decision last year to use his authority to replace the existing members of the Kennedy Center’s board of directors with new members loyal to him. Over the objection of longtime Kennedy Center supporters, the Trump-appointed board changed the name of the center, at Trump’s request, from the John F. Kennedy Memorial Center for the Performing Arts to the Donald J. Trump and the John F. Kennedy Center for the Performing Arts.
But following the threat of legal action by opponents who pointed out that the name change could not be legally made unless approved by Congress, the name change was cancelled, with Trump saying he would take steps to restore it later.
The Washington Post, meanwhile, reports in a Sept. 13 news story that because of negative publicity related to Trump’s actions, the Kennedy Center was facing “fiscal collapse” and possible bankruptcy and could be forced to shut down as early as this week.
According to the Post report, a 57-page document presented to the Kennedy Center’s board of trustees says the center was facing a financial and structural building crisis, with the recent collapse of part of the building’s inside ceiling, indicating the building was unsafe for employees and the public. Among other things, the document says the Kennedy Center may not be able to make payroll or pay for routine maintenance “within a matter of weeks,” the Post reports.
Some LGBTQ advocates were among those who joined others in boycotting the Kennedy Center to express their objections to Trump’s actions, including a statement by Trump that he objected to the Kennedy Center’s practice of hosting drag performances.
The Gay Men’s Chorus of Washington has been among the LGBTQ performing arts groups and artists that have performed at the Kennedy Center.
“With the future still very much uncertain, now more than ever, the Center needs you to stand up for freedom of expression and against authoritarian overreach into arts and culture institutions,” the Hands Off the Arts group says in its announcement of the Hands Around the Kennedy Center protest.
“You have the opportunity to make a difference — show up with Hands Off the Arts and show your power as part of Hands Around the Kennedy Center,” it says.
A spokesperson for the Kennedy Center couldn’t immediately be reached for comment.
District of Columbia
Blade welcomes fall intern
Alexis McLean is student at University of North Florida
The Washington Blade this week welcomed Alexis McLean as its fall intern.
Alexis is studying political science at the University of North Florida in Jacksonville, Fla. She is interning with the Blade as part of a continued partnership with the Washington Center.
“I am looking forward to spending my time in the fall with the Washington Blade, as this is a new experience for me,” said Alexis. “I have not experienced any journalist jobs in the past so this would be my first time, and I am excited to better my writing and communications skills with this internship.”
Alexis’s internship with the Blade ends in early December.
District of Columbia
‘People don’t see me. They see a trend’
New popularity of all things Asian warps view of multiple cultures
As I was growing up, my parents often shared stories about how they were bullied when they were my age, just for being Asian. My mom is Cambodian and my dad is “Wasian,” Chinese and white. Students teased them for their looks, their homemade lunches, and treated their traditional holidays as jokes.
I once asked my mom when I was little if she could pack me dumpling leftovers for lunch. “Yes,” she said with a surprised look, adding, “I would have never wanted to bring dumplings to school when I was your age because I would always get bullied for them. I’m glad times have changed.”
At the time, I was confused. Whenever I brought a homemade Asian dish to school for lunch, I was happy to hear intriguing and curious questions from the other kids. It felt good to have my meal be popular and different from the Lunchables everyone else had.
Though times have changed, racism still continues. It just has a new face. Today, social media pretends to flatter our cultures in an insincere way trying to gain popularity just for clicks. Think anything from K-pop to Japan’s surge in international tourism. Even Starbucks has added drinks with the flavor of ube yam, native to the Philippines, onto its menu.
I feel that now when people see me, they don’t see me, they see a trend.
For years, Asian people have been portrayed as foreign or exotic. The new embrace of foods and fashion at first felt good. Asians have never been represented as much as they’ve deserved.
But this new popularity warps what non-Asians see. Instead of the blunt and direct racism my parents faced, everything now is a gray area, more discreetly hidden behind some TikTok video. It actually normalizes racism and stereotypes.
Whitewashing my culture
As a 15-year-old Asian American who lives in D.C., I’ve always been one of the few Asian kids in school; my high school today counts less than 2 percent of students as being of Asian descent. I remember always being called “that one Asian girl” or some slur a kid learned from their parents. Every time I search for something related to Asian culture, such as a recipe or maybe a holiday, it’s always the same thing: some white person whitewashing my culture.
Social media is the main culprit, of course. I realized this when I entered high school and got a phone and was introduced to the internet. That is when I realized how messed up the new stereotypes around Asians are.
One pattern I started to notice was people wanting to be Asian just because it was popular. It was hurtful, patronizing, and annoying. They made assumptions about our race and then only found us “cool” because we were trending. How can people go from hating us or finding us weird, to then only liking us because we’re popular?
There was a trend going around on TikTok called “race change to another” or RCTA. It is this trend of people manifesting certain physical traits to change their appearance in order to change races. According to journalist Emi Tran, writing then as an intern for NBC Digital, the trend started when a white woman wanted to be Japanese. The woman began posting TikTok videos of herself wishing for different features such as monolids. Tran wrote in that 2023 article that “the overwhelming majority of the RCTA community wants to be East Asian.”
People also look up to K-pop culture, idolizing the pop groups pulled together by big entertainment companies. Most people expect all Koreans to be K-pop fans. Korean friends are asked about K-pop all the time even though they are not into the South Korean music genre.
Although I am not South Korean — I am half Cambodian and Chinese — I still get asked, almost like I’m expected, “You’re really into this group, right?” or “Can you tell me how to pronounce this member’s name?”
I was asked even worse questions during COVID-19. Suddenly, discrimination and violence were increasing specifically toward Asians everywhere. Suddenly, almost everyone was blaming Chinese people for spreading and causing COVID-19.
I remember going to school for one of the last times before quarantine had started and hearing kids whisper, “Oh, she’s going to give us the Coronavirus.” President Donald Trump had publicly posted his opinions about the situation on social media, blaming China for the pandemic, even calling it the “Chinese Virus” or the “Wuhan Virus.” According to NPR, anti-Asian hate crimes in U.S. cities surged 149 percent that year.

The topic of Asians in the media has always been complicated. One moment people can hate us for being weird and different and the next we’re suddenly popular and cool for the same reasons.
I feel conflicted on whether I should feel happy that we’re being represented or angry that it’s all for the wrong reason and has the wrong effects.
Lily Brugman is a sophomore at Benjamin Banneker Academic High School, one of Youthcast Media Group’s journalism class partners. She worked with YMG volunteer and Professor Emerita in journalism at American University Amy Eisman on this piece.
