District of Columbia
Chefs for Equality returns with 150 pros serving up their best
‘Restaurants are central to their neighborhoods’
One year after its fabulous post-pandemic re-debut, the Human Rights Campaign Foundation and hospitality veteran, food writer, and lead organizer David Hagedorn are hosting Chefs for Equality on Oct. 21, featuring 150 chefs, bakers, mixologists, sommeliers, and restaurateurs across 50 savory and 20 dessert stations, under the theme “Fully Committed.”
Proceeds from this night of culinary decadence and altruism support HRC Foundation’s fight for LGBTQ equality across the country.
Chefs for Equality, however, is more than an annual event. This year, for certain, it contains weight and meaning, coming days before a consequential election that may decide how inclusive, welcoming, and equity-focused state, local, and national governments will be.
While many industries and companies have pulled back on DEI efforts this year, the restaurant industry has maintained its strong stance on inclusivity. Research from the National Restaurant Association showed that even during difficult financial landscapes, restaurant operators still give back to their communities. According to the 2023 State of the Restaurant report, “84% of restaurant operators said that since 2020, they’ve made charitable contributions to assist those in need.”
This national report proves that the industry is deeply entrenched in the communities they serve and Hagedorn says the industry continues to serve in an inclusive way.
Echoing the survey findings, he says that in D.C., “The industry continues to step up for the LGBTQ+ community even though they have come through the hardest economic challenge they ever faced with the pandemic.”
Hagedorn, who has been part of the organizing committee since the event’s inception, says that the “chef community in D.C. is the most generous in the country. They have been supportive of Chefs for Equality since our first event in 2012.”
Indeed, even prior to Chefs for Equality, in 1990, Hagedorn started the annual Chef’s Best Dinner & Auction, a benefit for Food & Friends to support delivery of meals and nutrition counseling for people living with HIV/AIDS. Even then, he notes, the industry made an effort to support a highly marginalized community. He continued that the “industry in D.C. continues to support the diversity that is represented across our various communities. Looking at the participating businesses this year, there are more women and people of color represented than ever.”
Plus, he says that many restaurants have LGBTQ owners, staff, and family, and, of course, clientele. “We love to eat out and spend a lot of disposable income doing it.”
RaShawn Hawkins, Human Rights Campaign Foundation’s senior director of the Workplace Equality Program, echoed that, “LGBTQ+ people exist in all spaces. We’re managers, chefs, bartenders, and customers. By being fully committed to LGBTQ+ allyship, food and beverage businesses can not only create environments that people are excited and proud to work in, but they get to reap the financial benefits. LGBTQ+ allyship is not only better for people, it’s simply better for business.”
Those employees and leaders have come out in full force. Community members include Patrick O’Connell (Inn at Little Washington, one of the original participants) Jason Berry and Michael Reginbogin (KNEAD Hospitality), Harley Peet (Bas Rouge), Kareem Queeman (Mr. Bake Sweets) and Voula Tripolitsiotis (Blue Lace Cakes), AJ Johnson and JP Sabatier (Jane Jane; and on the planning committee), Joy Crump (FoodE), Ruth Gresser (Pizzeria Paradiso), and Jamie Leeds (Hank’s Oyster Bar), among others. Dozens of allies have participated for multiple years, underlining their personal and professional dedication to the LGBTQ community, including Michelle and Christophe Poteaux, Georgetown Cupcake, Todd Thrasher, Matt Adler, Amy Brandwein, Scott Drewno, Ris Lacoste, Mike Friedman, David Guas, and Jose Andres.
One of the strongest allies, participating chef Masako Morishita (and Beard Foundation Emerging Chef winner) from Perry’s, said that taking part carries special meaning for her. “The restaurant industry has historically been male dominated, even though women are integral to the space. As an immigrant woman myself, I have seen how elements of the industry can be oppressive or exclusive, and I have made it my priority to create an inclusive environment in my kitchen.”
Perry’s, she notes, has long been a champion of LGBTQ rights, and has hosted the longest-running drag brunch in D.C., dating to the 1980s. “As executive chef, I continue to celebrate the community. Working at a restaurant that champions LGBTQ+ culture, particularly drag culture, was important to me. Funnily enough, when I moved to the U.S., I picked up a lot of my English from watching ‘RuPaul’s Drag Race,’ which is still one of my favorite TV shows.”
Participating baker Kareem (“Mr. Bake”) Queeman said, “As a Black gay man who has hidden his sexuality in the food space in the past, this event truly shows the strength and community that we have here in the DMV. Still, he says, there’s more work to do, like “providing training to staff on cultural sensitivity and inclusive practices to create a more understanding and supportive work environment.”
The 2024 version of Chefs for Equality features 13 personal chef tables, providing an opportunity to dine with celebrity chefs for a lavish five-course meal in the middle of the action.
Last year, the event premiered the Speed Diner Drag Brunch, during which five chefs prepare a 20-minute brunch while three of D.C.’s top queens — Shelita Ramen, Tara Hoot and Shi-Queeta Lee — put on a show. Upstairs, VIP ticketholders gain access to an exclusive Upper Tier Apero Champagne and Petrossian and Caviar Lounge; there is also an after-party at the Mayflower Club.
“It’s the largest LGBTQ+-focused event of its kind in D.C., if not the entire country. The chefs always seem to make more of an effort for CFE — the food is truly remarkable,” says Hagedorn. “Restaurants are central to their neighborhoods, and I don’t see their support for our community wavering,” Hagedorn concluded.
Tickets are available at chefsforequality.org.
District of Columbia
Over 2,000 turn out for Hands Around the Kennedy Center protest
Drag performer Tara Hoot serves as MC, Gay Men’s Chorus of DC performs, attendees shout for Trump to keep ‘hands off’ Kennedy Center
More than 2,000 supporters of the John F. Kennedy Center for the Performing Arts turned out on Sept. 18, for a rally in support of the performing arts center and a vocal protest against President Donald Trump’s threats to permanently close the center and possibly demolish it.
The event was organized by a group called Hands Off the Arts, which initially called for participants to form a “human chain” around the Kennedy Center’s main building following a rally on the plaza in front of the building.
However, due to a decision by the Trump-controlled Kennedy Center’s board of trustees to close the center earlier in the week and install fencing around part of the building, participants could only form the chain around part of the building, according to organizers.
Drag performer Tara Hoot, who co-organized the event and served as master of ceremonies for the rally preceding the “human chain,” said the large turnout could have fully surrounded the building at least twice had the fencing not prevented a full encirclement.
Among the musicians and singing groups that performed at the rally was the Gay Men’s Chorus of Washington, which, like other rally performers, had performed at the Kennedy Center in past years. They drew loud applause after singing one of their favorite songs from the Broadway musical show Ragtime, which includes the lyrics, “Will justice be demanded by 10 million men? Make them hear you. When they hear you, I’ll be near you again.”
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Prior to their performance, Gay Men’s Chorus of Washington’s artistic director, Thea Kano, spoke at the rally, reminding participants that shortly after the Trump takeover of the center last year, Kennedy Center officials cancelled a concert the chorus was scheduled to perform there for World Pride 2025.
A Kennedy Center spokesperson said the cancellation was due to a scheduling conflict, but chorus members and LGBTQ activists believe it resulted from policies put in place by Trump and his leadership team at the Kennedy Center following Trump’s statements that he would end controversial “woke” performances that he claimed the majority of Americans disapprove of.
“Now this building sits empty in silence,” Kano told the crowd at the rally. “Let us raise our voices together and bring back the Kennedy Center as it was intended, a place where American culture could be celebrated and elevated, embracing the vibrancy with the spectrum of identify without censure and without politics,” she said.
Among the others who spoke at the rally were U.S. Rep. Don Beyer (D-Va.), U.S. Rep. Jonathan Jackson (D-Ill.), and D.C. Councilmember Robert White (D-At-Large).
Most speakers, along with LGBTQ participants in the hands-around-the-building event expressed strong opposition to Trump’s demand that the Kennedy Center name be changed from the John F. Kennedy Center for the Performing Arts to the Donald J. Trump and the John F. Kennedy Center for the Performing Arts.
At Trump’s request, his appointed board initially made that name change and placed Trump’s name on the front wall of the building along with the Kennedy name. But following legal action taken by opponents who pointed out that Congress must approve such a name change, a judge ordered the removal of Trump’s name from the building. Trump has said he will take steps to reverse that order and has said he will stop plans to renovate the Kennedy Center building and possibly demolish it if his name is not restored in the Kennedy’s Center’s official name.
Throughout the Sept. 18 rally, LGBTQ participants repeatedly responded to the Trump threats by shouting, “Hands Off!”
Chris Raleigh, one of the founders of Hands Off the Arts and a lead organizer of the Sept. 18 event at the Kennedy Center who spoke at the event told the Washington Blade that more similar events are being planned and he welcomes the support the event has received from the LGBTQ community.
“The LGBTQ community was here first, and we’re following them,” he said. “They’ve been the spearhead; they’ve been the vanguard. And I’m so thankful for heroes like Tara Hoot,” he said, adding, “It’s because they know what it means and how this is a safe place – the theater – for many LGBTQ people.”
The DMV’s own furry group was on full display on the Metro on Sept. 12.
Shutterpaws is a volunteer-led 501(c)(3) non-profit organization located in Maryland.
The furry group has been doing the FurRide event since 2024 and has blown up in popularity for furries around DMV. They showcased themselves on the Silver and Blue Lines near the Smithsonian on Sept. 12.
“A lot of careful planning goes into running these events, with the goal being a seamless and enjoyable experience for everyone who attends,” says Zayre, a Shutterpaws staff member. “There’s a lot that you learn just by trial and error, and as Shutterpaws hosts more and more events, our team of event organizers continues to learn and refine our approach to keep things running smoothly and finding new ways to engage with our community.”
With a larger growth of participation in the community comes many challenges with the group, especially when it comes to the Metro rides and organizing.
“The biggest challenge that we face as organizers is keeping things fresh and finding new and engaging venues to host events,” says Zayre. “Recently we saw a lot of success hosting a meet at On Target Battlezone, an indoor NERF gun battle arena where our crew was welcome to show up and play both with and without a fur suit.”
Nevertheless, Shutterpaws receive overwhelming support from the community and partners.
“Across the DMV there are so many amazing places to host a Shutterpaws event so we can pursue our mission of helping connect fur suiters and photographers, and we’re blown away with the amount of support we’ve received from our community partners,” says Zayre.
Shutterpaws plans to do more events for anyone in the DMV who is interested.
Their next event in collaboration with DC Fur Meet will take place at Pitchers (2317 18th St., N.W.) on Saturday. Visit Shutterpaws’ website for more information.
District of Columbia
Hands Off the Arts to form ‘human chain’ around Kennedy Center
Drag performer Tara Hoot among event organizers
An organization called Hands Off the Arts has announced it is holding a protest on Friday, Sept. 18, in which between 400 and 800 participants are expected to create a “human chain” around the Kennedy Center to voice their strong objection to President Donald Trump’s call for possibly demolishing the Kennedy Center.
“Hands Off the Arts is organizing a rally Sept. 18 against the president’s defacing of JFK’s memorial, his removal and censorship of art, and the threat to demolish the center if he can’t remake the site in his image,” a statement released by the group says.
The statement says the event will start with a rally at 6:30 p.m. on the Kennedy Center steps and culminate with a “human chain” around the building. “There will be musical performances, testimonials from current and former employees, along with other special guest speakers,” it says
A separate announcement by the group says longtime D.C. drag performer Tara Hoot, who has performed at the Kennedy Center in past years, was among the organizers of the Sept. 18 protest.
The planned protest follows Trump’s decision last year to use his authority to replace the existing members of the Kennedy Center’s board of directors with new members loyal to him. Over the objection of longtime Kennedy Center supporters, the Trump-appointed board changed the name of the center, at Trump’s request, from the John F. Kennedy Memorial Center for the Performing Arts to the Donald J. Trump and the John F. Kennedy Center for the Performing Arts.
But following the threat of legal action by opponents who pointed out that the name change could not be legally made unless approved by Congress, the name change was cancelled, with Trump saying he would take steps to restore it later.
The Washington Post, meanwhile, reports in a Sept. 13 news story that because of negative publicity related to Trump’s actions, the Kennedy Center was facing “fiscal collapse” and possible bankruptcy and could be forced to shut down as early as this week.
According to the Post report, a 57-page document presented to the Kennedy Center’s board of trustees says the center was facing a financial and structural building crisis, with the recent collapse of part of the building’s inside ceiling, indicating the building was unsafe for employees and the public. Among other things, the document says the Kennedy Center may not be able to make payroll or pay for routine maintenance “within a matter of weeks,” the Post reports.
Some LGBTQ advocates were among those who joined others in boycotting the Kennedy Center to express their objections to Trump’s actions, including a statement by Trump that he objected to the Kennedy Center’s practice of hosting drag performances.
The Gay Men’s Chorus of Washington has been among the LGBTQ performing arts groups and artists that have performed at the Kennedy Center.
“With the future still very much uncertain, now more than ever, the Center needs you to stand up for freedom of expression and against authoritarian overreach into arts and culture institutions,” the Hands Off the Arts group says in its announcement of the Hands Around the Kennedy Center protest.
“You have the opportunity to make a difference — show up with Hands Off the Arts and show your power as part of Hands Around the Kennedy Center,” it says.
A spokesperson for the Kennedy Center couldn’t immediately be reached for comment.
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