Arts & Entertainment
Social agenda for April 2
Friday, April 2
RAW returns to the Green Lantern, 1335 Green Court N.W., from 10 p.m.-3 a.m. RAW is inspired by gay parties of the early 80s, filled with fog, strobe lights and throbbing music, along with go-go boys. The hosts for the evening are Karl Marks and resident DJs, Shea and Bil. DJ RAD (of Pink Sock) will be the special guest DJ. Catch his set on the 1st floor from 10 p.m. to midnight. Entry is free before 11 p.m., and $3 after that. 21+
Gay District, a weekly, non-church affiliated discussion and social group for GBTQ men between 18 and 35 is held from 8:30-10:30 p.m. at St. Margaret’s Episcopal Church, 1820 Connecticut Ave., N.W. For more information, e-mail [email protected].
Nada Surf plays the 9:30 club, 815 V St., N.W., at 8 p.m. Tickets are $20.
“Little Shop of Horrors” is on stage at Ford’s Theatre, 511 10th St., N.W., at 7:30 p.m. Tickets range from $39-$55; call 202-496-4200 for information.
Friday Night Erev Shabbat Services are held from 8:30-10 p.m. at the Washington Jewish Community Center, 1529 16th St.
Saturday, April 3
Cherry Fund’s annual Cherry Weekend HIV/AIDS Fundraiser will be held at Freddie’s Beach Bar, 555 23rd St. S., Arlington, VA. A $5 donation is being asked that will help HIV/AIDS Prevention & Education Efforts in the region. DJ JFX returns from L.A. to throw down your favorite anthems, vocals and progressive house vibes. The party starts at 9 p.m.
The HomoSonic dance party will be held at the Black Cat Mainstage, 1811 14th. St., N.W., from 9:30 p.m.-3 a.m. The event is co-ed gay/mix, trans inclusive and straight friendly. Cover charge is $10.
CODE returns to Motley Bar above EFN Lounge, 1318 9th St. N.W., for its monthly installment. Gear, rubber, skin, uniform or leather dress code will be strictly enforced. Music provided by DJ Michael Hades. Admission is $10. Code is an 18+ event. There will be an open bar from 9-10 p.m.
The first Saturday of each month is ladies night with JAM at Mova, 1435 P St., N.W. Entry is free plus the first 50 people get a free beer courtesy of Miller Lite. Music will be provided by DJ GEMZ with a little something for everyone.
‘Laughter and Reflection with Carol Burnett’ at the Lyric Opera House, 140 W. Mount Royal Ave., Baltimore at 7 p.m. Tickets range from $42-$72, call 410-685-5086.
The Great Vigil of Easter is celebrated at the National Cathedral, a ministry for all faiths, at 8 p.m. Easter Sunday services at 8 and 11 a.m. Massachusetts and Wisconsin avenues, N.W. Visit nationalcathedral.org for more information.
Sunday, April 4
Easter services at Metropolitan Community Church of Washington, 474 Ridge St., N.W., at 9 a.m.
Dignity Washington, a group for LGBT Catholics, celebrates Easter Mass at 6 p.m. at St. Margaret’s Church, 1820 Connecticut Ave., N.W.
BurGREENdy – recycling during the National Cherry Blossom Festival. BCV is going to be working to encourage recycling during the National Cherry Blossom Festival. Volunteers will encourage festival attendees to recycle their empty beverage containers by placing them in recycling containers that are located around the Tidal Basin. There will be two shifts between 3:30-6:30 p.m. Visit burgundycrescent.org for more information.
Monday, April 5
The DC Center invites bears and their allies for the first “Bears do Yoga,” starting today. This four-week class will serve as an introduction to yoga for all different body types and physical abilities. Classes will take place four consecutive Monday evenings: April 5, 12, 19 and 26. Classes begin at 6:15 p.m. in the DC Center Activity Room and last for one hour. There is a suggested $5 donation. To RSVP for this class e-mail [email protected].
Vivian Green, a former backup singer for Jill Scott, plays the Birchmere, 3701 Mt. Vernon Ave. in Alexandria at 7:30 p.m. Tickets are $35; call 703-549-7000 for information.
Tuesday, April 6
Packing Party at EFN Lounge/Motley Bar, 1318 9th Street, N.W., from 7-8 p.m. Volunteers will be assembling safer sex kits and enjoying drink specials at Motley.
Wednesday, April 7
Maryland Attorney General Douglas Gansler will speak about his recent legal opinion regarding recognizing out-of-state same-sex marriages at 6:45 p.m., Govans Presbyterian Church, 5828 York Rd., Baltimore. A meal will be served at 5:45 p.m.; RSVP required for the meal, 410-435-9188.
Join the D.C. chapter of the National Lesbian & Gay Journalists Association for happy hour at Nellie’s Sports Bar, 900 U St., N.W., from 6:30-8:30 p.m. Get to know other professionals working in journalism, communications and related fields. Information on the 20th anniversary NLGJA convention this September in San Francisco will be available.
The Rainbow History Project presents readings from “Persistent Voices”: Poetry by Writers Lost to AIDS. Starting at 7 p.m. in the Lecture Hall at Summer School Museum and Archive, 1201 17th St., N.W. The anthology includes works by several D.C.-based poets, including Essex Hemphill. The evening will be moderated by Philip Clark, Rainbow History board member and co-editor of the book. Clark, Richard McCann, Kim Roberts and Bernard Welt will read selected poems from the anthology. For more information call 202-821-7532.
DC Ice Breakers, a GLBTQ social group, will meet and ice skate at the Kettler Capitals Iceplex in Ballston, on top of the Ballston Common Mall parking garage, 627 N. Glebe Road, Arlington. The ice skating events take place on first and third Wednesday nights, with a social after at a local bar. Skating is from 7:45-8:45 p.m. Ice skating novices are welcome. No membership fees and no RSVP needed (for most events), simply show up.
Verdi’s Rigoletto will be shown at 7 p.m. as part of the Opera and Ballet in Cinema series at the Atlas Performing Arts Center, 1333 H St., N.E. Tickets are $20 and can be purchased at the box office, at atlas arts.org/tickets or by calling 202-399-7993.
Career Development at the DC Center, 1810 14th St. N.W., from 3-4 p.m., brings trained and experienced volunteer human resource professionals to offer support with job searches, interviews skills, resume writing and individual career goal counseling. For more information, contact the Center at 202-682-2245 or careerdevelopmentthedccenter.org.
Thursday, April 8
The Cherry Fund presents “Cherry Weekend: A Return to Tradition.” The events of the weekend kick off on April 8 with the Opening Party at Mova, 1435 P St., N.W. from 10 p.m.-2 a.m. Music by DJ Jason Royce. Complimentary admission. The event is 21+.
DCBiWomen, the area’s social group for bisexual and bi-curious women, will meet from 7– 8 p.m. at Cafe Luna, 1633 P St., N.W., at 7 p.m. The group’s goal is to create an accepting, encouraging environment for bisexual women regardless of the gender of their partner or what they are looking for, meet other cool bi women and affirm the existence of the bi-identity. For more information visit http://www.dcbiwomen.org/index.asp.
Photos
PHOTOS: Independence Day Weekend in Rehoboth
Wicked Green Pool Party, fireworks among festivities

Vacationers and residents alike enjoyed Independence Day Weekend activities in Rehoboth Beach, Del. The Wicked Green Pool Party drew hundreds to the CAMP Rehoboth fundraiser on Saturday. That evening, revelers went to the rooftops to watch the fireworks display.
(Washington Blade photos by Daniel Truitt)













Music & Concerts
Red, White, and Beyoncé: Queen Bey takes Cowboy Carter to D.C. for the Fourth of July
The legendary music icon performed on July 4 and 7 to a nearly sold-out Northwest Stadium.

Just in time for Independence Day, Beyoncé lit up Landover’s Commanders Field (formerly FedEx Field) with fireworks and fiery patriotism, bringing her deeply moving and genre-defying “Cowboy Carter” tour to the Washington, D.C. area.
The tour, which takes the global icon across nine cities in support of her chart-topping and Grammy-winning country album “Cowboy Carter,” landed in Prince George’s County, Maryland, over the Fourth of July weekend. From the moment Beyoncé stepped on stage, it was clear this was more than just a concert — it was a reclamation.
Drawing from classic Americana, sharp political commentary, and a reimagined vision of country music, the show served as a powerful reminder of how Black Americans — especially Black women — have long been overlooked in spaces they helped create. “Cowboy Carter” released in March 2024, is the second act in Beyoncé’s genre-traversing trilogy. With it, she became the first Black woman to win a Grammy for Best Country Album and also took home the coveted Album of the Year.
The record examines the Black American experience through the lens of country music, grappling with the tension between the mythology of the American Dream and the lived realities of those historically excluded from it. That theme comes alive in the show’s opening number, “American Requiem,” where Beyoncé sings:
“Said I wouldn’t saddle up, but
If that ain’t country, tell me, what is?
Plant my bare feet on solid ground for years
They don’t, don’t know how hard I had to fight for this
When I sing my song…”
Throughout the performance, Beyoncé incorporated arresting visuals: Black cowboys on horseback, vintage American iconography, and Fox News clips criticizing her genre shift — all woven together with voiceovers from country legends like Dolly Parton and Willie Nelson. The result was a multimedia masterclass in storytelling and subversion.
The “Cowboy Carter” tour has been a social media sensation for weeks, with fans scrambling for tickets, curating elaborate “cowboy couture” outfits, and tailgating under the summer sun. At Commanders Field, thousands waited in long lines for exclusive merch and even longer ones to enter the stadium — a pilgrimage that, for many, felt more like attending church than a concert.
One group out in full force for the concert was Black queer men — some rocking “denim on denim on denim on denim,” while others opted for more polished Cowboy Couture looks. The celebration of Black identity within Americana was ever-present, making the concert feel like the world’s biggest gay country-western club.
A standout moment of the night was the appearance of Beyoncé’s 13-year-old daughter, Blue Ivy Carter. Commanding the stage with poise and power, she matched the intensity and choreography of her mother and the professional dancers — a remarkable feat for someone her age and a clear sign that the Carter legacy continues to shine.
It’s been nearly two decades since Beyoncé and Destiny’s Child parted ways, and since then, she’s more than lived up to her title as the voice of a generation. With “Cowboy Carter,” she’s not just making music — she’s rewriting history and reclaiming the space Black artists have always deserved in the country canon.
a&e features
From Prohibition to Pride: Queering the District podcast reveals local LGBTQ history
The new podcast explores the hidden history and enduring impact of queer spaces in Washington, D.C.

On June 25, as Pride month inched toward its end, three queer creators launched an ambitious project to honor the spaces that built D.C.’s LGBTQ community—and connect them to today’s queer life. The first episode of their podcast, Queering the District, hit streaming platforms that day, aiming to spotlight what host and co-creator Abby Stuckrath calls “third places”: bars, clubs, and gathering spots that have served as hubs for queer life across the city.
Each episode of the 10-part series delves into a different piece of D.C.’s queer past—from landmark clubs to untold personal stories—told through the voices of drag legends, activists, DJs, historians, and patrons who lived it. The show also threads together personal experiences from today’s community, bringing the listener on an auditory journey from Prohibition-era speakeasies to contemporary nights out at places like As You Are or Saints & Sinners.
Abby Stuckrath, alongside her sibling Ellie Stuckrath, and producer Mads Reagan, make up the podcast’s creative team. A recent journalism graduate of American University, Abby told the Blade that her passion for queer storytelling began during college—and that D.C. itself played a defining role in shaping her queer identity.
“I went to American University. I graduated last year and studied journalism. When I was in school, I always wanted to focus on queer stories – especially in D.C., because I’m from Denver, Colorado, I’ve never lived in a place like this before. D.C. has always just kind of been a place I call home when it comes to my queer identity.”
But breaking into the media to tell those stories wasn’t easy. Stuckrath quickly learned that editorial support—and funding—for queer-focused projects is limited. So she decided to do it her own way.
“I kind of found out that if you want to tell stories, you kind of have to do it on your own– especially when it comes to queer stories. There’s not a lot of people begging for us to talk about queer people and to pay you for it. So I was like, ‘Okay, let’s just do it on my own.’”
The idea for the podcast first took root in conversations with Ellie, Abby’s sibling and biggest supporter. Ellie had also moved to D.C. to find more space to explore and express their queer and gender identities. Together, the two began shaping a vision that would combine storytelling, sound design, and grassroots community input.
“I was like, ‘I don’t know what exactly I want to do yet, but I want it to be queer, and I want it to be about D.C., and it’s going to be called Queering the District, and we’re going to find out what that means.’ And Ellie is my biggest supporter, and my best friend. And they were like, ‘Hell yeah. Like, let’s do this.’ And so we decided to just do it together.”
The name stuck—and so did the mission. The team began researching queer D.C. history and found a city overflowing with stories that had rarely been documented, especially in mainstream archives.
“We started looking up the history of queer culture in D.C., and it kind of just clicked from there,” Stuckrath said. “I did not know anything about how rich our history is in the city until one Google search, and then I just kept learning more and more. I was kind of pissed because I studied gender studies in school in D.C. and didn’t learn shit about this.”
Season one focuses on the role of third places—non-work, non-home spaces where queer people could gather, exist fully, and build community.
“Third places have always been the epicenter of queer life… places outside of just your own personal home, because sometimes that isn’t a safe place. And of course, the work most commonly in the past and still today, isn’t a safe place for queer people to be full of themselves. So like, bars were the first place for queer people to really thrive and meet each other.”
To make the show participatory, Queering the District includes a twist: a voicemail line where anyone can call in and share a memory or question. The team calls the phone “Fifi”—a nod to the kind of retro guestbooks often used at weddings, but reimagined for queer nightlife and history.
“We wanted to find a way for people to share their stories with us anonymously… so even though we start in Prohibition, we wanted to connect it to now—like, those people who were singing jazz to each other in a white queer bar are connected to you singing karaoke on a Sunday night at your favorite gay bar. We’re all interconnected by this third place of queer bars in D.C.”
Those connections are emotional as well as historical. While building the series, one realization hit Stuckrath particularly hard: the immense loss of queer spaces in D.C., especially in neighborhoods that have since been heavily redeveloped.
“Every time I go to a Nats game, I think about, well, this just replaced five gay bars that used to be here. It used to be the home of Ziegfeld’s… Tracks, which was almost 2,000 square feet, with a volleyball court in the back, a fire pit, and iconic light show. I just didn’t know that we had that, and it made me sad for the queer elders that are in our city now who walk the streets and don’t see all those places they used to call home.”
That sense of loss—alongside the joy and resilience of queer community—is what the show aims to capture. As the podcast continues, Abby hopes it serves as both a celebration and an educational tool, especially for young LGBTQ people arriving in D.C. without realizing the queer foundations they’re walking on.
“D.C. is a unique city, and specifically young queer people who are hoping to move to the city—to know that you’ve got to know your history to be here. I hope this serves as an easier way for you to consume and learn about queer history, because queer history defines how we move in life.”
And for all the voices still left out, Abby is clear: this podcast is an open door, not a final word.
“This is a perfectly imperfect podcast. We should just be a starting point. We shouldn’t be the ending point.”
New episodes of Queering the District drop every Wednesday on all major platforms.
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