Arts & Entertainment
Save on gas and take a D.C. staycation this summer
A roundup of local events to keep you entertained all season
It’s summertime in Washington D.C., and the city is teeming with things to do. From new museum exhibitions to city events, and fine dining, there are countless ways to spend a weekend — or longer — in the city. And with gas hovering around $5 per gallon, these ideas will also save you some money.
FOOD
The RAMMYS 2022 – July 24. This year marks the 40th anniversary of the RAMMYS, D.C.’s annual restaurant and food service awards ceremony. The event will feature a silent auction, food, drinks, and a dance floor DJ-ed by music group Cash Cash.
A Taste of the DMV: Food, Culture & live music festival – July 30. Experience “Food, Culture, Music and Fun” at the Gateway D.C. Pavilion from 4-10 p.m. on July 30. Businesses from around the D.C.-Maryland-Virginia area will have booths, and there will also be contests, games, and live performances.
Jollof Festival 2022 – July 30. The Jollof Festival visits several cities each summer to host vendors cooking — and competing — for the title of best Jollof rice, a savory West African staple. The Jollof Festival will come to D.C. at the end of July, held in the new Sandlot Anacostia events space.
Metropolitan Washington Restaurant Week – Aug. 15-21. Join the Restaurant Association of D.C. for a week of fine dining, featuring “3-course menus for lunch, dinner and brunch,” according to their Instagram, in addition to “RW-To-Go dinner meals and cocktail pairings.”
Around the World Cultural Food Festival – Aug. 27. This festival boasts “the best of the best” food from every country, with only one restaurant chosen to represent each country in attendance. In addition to food and drink, there will be live song and dance and ethnic artisans and crafters, all hosted at Oronoco Bay Park in Alexandria, Va.
ARTS & CULTURE
Baltimore Museum of Art; Joan Mitchell – Through Aug. 14. The Baltimore Museum of Art has partnered with San Francisco MoMA to organize a comprehensive retrospective of Joan Mitchel, an American post-war artist who has received international acclaim. Mitchell broke into the male-dominated New York art scene of the 1950s before moving to spend nearly 40 years in France, and in addition to the exhibition’s 70 featured works, it includes a collection of photographs, poems and documents that flesh out an understanding of the artist’s multifaceted life.
Renwick Gallery; This Present Moment: Crafting a Better World – Through April 23, 2023. This nearly year-long exhibition at the Renwick Gallery of the Smithsonian Art Museum highlights art’s ability to create change and shape a more “relational and empathetic world.” It features craft mediums from the Renwick’s permanent collections as well as more than 100 new acquisitions, paying special attention to the often-overlooked history and contributions of BIPOC and women artists.
National Portrait Gallery; Watergate: Portraiture and Intrigue – Through Sept. 5. According to theNational Portrait Gallery’s website, “On the fiftieth anniversary of the Watergate break-in, this exhibition of photographs, paintings, sculpture, and works on paper from the National Portrait Gallery’s collection brings visitors face-to-face with the scandal’s cast of characters.” The exhibition delves into visual biography as a new way to contemplate questions raised by the crisis’s political and cultural fallout.
Capital Fringe Festival – July 14-17 and July 21-24. This summer’s Capital Fringe Festival is a performing arts showcase featuring “31 productions, 6 stages, 4 performance venues and one official festival bar,” all located in Georgetown. The event is back after a two-year break due to COVID-19, but its goal of creating an un-curated and unfiltered space for artistic exploration and performance has remained.
Fiesta Asia Street Fair – July 16. More than 1,000 performers, artisans and vendors will line Pennsylvania Avenue in front of Capitol Hill for a celebration of Asia’s rich and diverse heritage. The event is hosted by the Asia Heritage Foundation, and this summer will mark its 17th year commemorating the vast array of Asian culture and community.
Del Rey Artisans Summer Art Market – July 9-10. This two-day event held in Arlington will feature a different slate of local artists and artisans each day. Attendees can purchase “original handmade artwork” in a variety of media: ceramics, jewelry, glass, photography and more will all be on display.
DC JazzFest – Aug. 31 – Sept. 4. The 18th Annual D.C. JazzFest will feature live performances on multiple waterfront stages at The Wharf, in addition to the DCJazzPrix international band competition at Union Stage. The event is “DC’s Celebration of All Things Jazz,” and over 15 different jazz groups and performers will be featured.
MISCELLANEOUS
National Zoo; Birds in Flight – Through Sept. 5. Watch exotic birds take to the air under with acclaimed bird behaviorist Phung Luu at the Smithsonian’s National Zoo. The exhibition happens rain or shine, every day besides Tuesday, at the Zoo’s Great Meadow.
Movies
Few openly queer nominees land Oscar nominations
‘Sinners’ and ‘One Battle After Another’ lead the pack
This year’s Oscar nominees feature very few openly queer actors or creatives, with “KPop Demon Hunters,” “Come See Me in the Good Light,” and “Elio” bringing some much-needed representation to the field.
“KPop Demon Hunters,” which quickly became a worldwide sensation after releasing on Netflix last June, was nominated for best animated feature film and best original song for “Golden,” the chart-topping hit co-written by openly queer songwriter Mark Sonnenblick. “Come See Me in the Good Light,” a film following the late Andrea Gibson and their wife, Megan Falley, was nominated in the best documentary feature category. Finally, Pixar’s “Elio” (co-directed by openly queer filmmaker Adrian Molina) was nominated for best animated feature film alongside “Zootopia 2,” “Arco,” and “Little Amélie or the Character of Rain.”
Ethan Hawke did manage to land a best actor nomination for his work in Richard Linklater’s “Blue Moon,” a biopic that follows a fatal night in Lorenz Hart’s life as he reckons with losing his creative partner, Richard Rodgers. Robert Kaplow was also nominated for best original screenplay for penning the script. Amy Madigan, as expected, was recognized in the best supporting actress category for her work in “Weapons,” bringing celebrated gay icon Aunt Gladys to the Oscar stage.
While “Wicked: For Good” was significantly underperforming throughout the season, with Cynthia Erivo missing key nominations and the film falling squarely out of the best picture race early on, most pundits expected the film to still receive some recognition in craft categories. But in perhaps the biggest shock of Oscar nomination morning, “For Good” received zero nominations — not even for costume design or production design, the two categories in which the first film won just last year. Clearly, there was “Wicked” fatigue across the board.
There was also reasonable hope that Eva Victor’s acclaimed directorial debut, “Sorry, Baby,” would land a best original screenplay nod, especially after Julia Roberts shouted out Victor during the recent Golden Globes (which aired the day before Oscar voting started). A24, the studio that distributed “Sorry, Baby” in the U.S., clearly prioritized campaigns for “Marty Supreme” (to much success) and Rose Byrne in “If I Had Legs I’d Kick You,” leaving “Sorry, Baby” the indie darling that couldn’t quite crack the Oscar race.
However, with the Film Independent Spirit Awards taking place on Feb. 15, queer films like “Sorry, Baby,” “Peter Hujar’s Day,” and “Twinless” will finally get their time to shine. Maybe these films were just underseen, or not given a big enough PR push, but regardless, it’s unfortunate that the Academy couldn’t make room for just one of these when “Emilia Pérez” managed 13 nominations last year.
a&e features
MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
The 2026 Mr. Mid-Atlantic Leather competition was held at the Hyatt Regency Capitol Hill on Sunday. Seven contestants vied for the title and Gage Ryder was named the winner.
(Washington Blade photo by Michael Key)

















































