Connect with us

Local

Protesters return to Smithsonian after ban lifted

‘Censored’ video triggered action; ‘Hide/Seek’ closes Sunday

Published

on

Two activists detained in December after protesting a decision by the Smithsonian Institution to remove a video from the “Hide/Seek” exhibit about gay art in America were officially permitted to return to the National Portrait Gallery, site of the exhibit, for a private tour sponsored by Washington Blade on Feb. 3.

After intervention by the Blade, David Ward, co-curator of the exhibit, agreed to seek an official end of the enforcement of any “ban” by Smithsonian security officials barring the two protesters — videographer/photographer Mike Iacovone, who is straight, and Mike Blasenstein, who is gay — from entering any Smithsonian museum. The two were detained following their protest of a decision in late November by Smithsonian Secretary Wayne Clough to remove a four-minute video, an extract from a longer video by the late gay artist David Wojnarowicz, who died of AIDS in 1993, showing for a few seconds ants crawling on a crucifix, imagery that a right-wing group, the Catholic League, claimed to be anti-Catholic.

They were detained when Blasenstein and Iacavone entered the National Portrait Gallery and Blasenstein displayed the video on an iPad hung around his neck. He was also holding a stack of fliers with text explaining his protest at the video’s removal from the exhibit. Iacaone was then also detained by Smithsonian police for filming Blasenstein’s run-in with security. Each was released but only after being made to sign letters pledging not to return to any Smithsonian facilities.

Explaining his decision to protest, Blasenstein later told the newsletter ArtInfo, that he joined in actions critical of the removal of the video because, he said, “I just felt this was an important issue.”

“I’m not really an artist or an activist,” Blasenstein said, “but when I heard that they took it down, it just seemed to send such a clear negative message. So I thought to myself, I would send my own message and bring this art back into the museum.”

Blasenstein later told the Blade that they were not only banned from the museum but during their detention they were “forcibly stripped of our materials, handcuffed, dragged into a stairwell, and told to sign papers thrust in front of us or be arrested.” They were then escorted from the building, he said, “without being given copies of what we had signed.”

Ward, an historian at the Portrait Gallery and co-curator of the exhibit with Jonathan D. Katz of the State University of New York in Buffalo, told the Blade that the ban was actually “never imposed” by the Smithsonian, but was instead “done by D.C. Metro,” the city’s police force, which was called to the scene, “without our knowledge or acquiescence.”

“They then passed the buck back to us to make us ‘lift’ a ban that wasn’t our doing,” he said. Ward personally welcomed both Iacovone and Blasentein to the exhibit for the private tour on behalf of the Blade, saying, “I hope this is the end of it.” He also stated he wanted to “move on” from the entire controversy over the edited video, one of 105 items in the exhibit, which opened in late November, and closes on Feb. 13.

Blasentein told the Blade that he never felt the ban was purely a paper reprimand, saying, “let me tell you, when everyone around you is wearing guns, nothing about the process feels ‘bureaucratic.'” He said that though “you could spend hours untangling this thing” Ward was correct to insist that the so-called ban was really triggered by the city’s police, but he added that “the sergeant I spoke to at MPD was pretty clear in his opinion that MPD doesn’t ban anybody, but merely enforces a ban on behalf of the property owner.” He also stressed that the Smithsonian management “to the best of our knowledge” never insisted on barring them from the museum. That action, he believes, “was solely a decision of Smithsonian police.”

Blasentein said that “the story here is not primarily our ban,” but rather the act of official censorship itself. However, he insists that “had we been allowed back into the building,” after the incident with the iPad and the leaflets, “our protest would have been a lot different.”

“The only reason a trailer is parked outside the National Portrait Gallery is because that was the closest we were legally allowed to get to the building. If the Smithsonian had let me stand there for seven and a half hours with the iPad, we would have mobilized volunteers to do the same every day until Feb.13,” the day the exhibit closes its doors.

Instead, Iacovone and Blasenstein secured paperwork from the city to park a trailer directly in front of the museum at its entrance in the 700 block of F Street, N.W., where what they call the Museum of Censored Art — to show “the art the Smithsonian won’t,” will remain open until Sunday from 11:30 a.m. to 7 p.m. Even though they can now legally enter the museum, Iacovone said their counter-exhibit in the trailers will continue to remain open, staffed by 12-15 volunteers through Sundayt.

Iacovone said they have spent more than $6,500 so far on trailer and parking space costs and for powering batteries to run the video player. He praised two art galleries — the Hamiltonian and Flashpoint, as well as two others, Transformer and Civilian — for assisting them in various ways. More than 4,000 people have entered the trailers and viewed the video, he said, noting that “our biggest day so far was over 500 people,” and he thinks by the time the Museum of Censored Art shuts down they will reach the 5,000-visitor mark.

The exhibit is the first on the subject of same-sex desire in American art and shows the work of noted artists Thomas Eakins and John Singer Sargent as well as more recent icons such as Jasper Johns, Andy Warhol and Robert Mapplethorpe, the latter a photographer whose photo images showing explicit male sexuality caused the Corcoran Gallery to halt the exhibit planned of his work more than 20 years ago.

Smithsonian secretary G. Wayne Clough, the official responsible for the decision to order removal of the video, part of a larger work in 1987 called “A Fire in My Belly,” meanwhile, has been the target of calls for him to resign in the wake of that decision. Last week, about 30 protesters rallied outside the Smithsonian Castle on the Mall during a quarterly meeting of the Smithsonian Board of Regents, to demand that they fire him.

Organized by Art+ (positive), a New York City-based group that fights censorship and homophobia, and backed also by the activist group, People For the American Way, protesters declared that Clough had given in to right-wing pressures and should step down. They chanted “Hey, hey, ho, ho, Clough must go!”  and “Ants in my pants, fire in my belly — Clough has got to go!”

The regents, however, announced after their meeting that they supported Clough, though even he subsequently acknowledged that perhaps it had been made in haste and that he would respond differently in  the future.

“I’d like to think I’m a little wiser than I was six months ago or three months ago,” he said at a news conference following the meeting with the regents, which reviewed the entire controversy and then issued a statement backing him. However, a three-member panel reporting to the regents implicitly criticized the way the censorship decision was made and communicated. And regents repeatedly asked by reporters whether Clough had made the right decision refused to answer directly.

Another rebuke, this time more direct, came from the board of a Smithsonian member institution, the Hirshhorn Museum and Sculpture Garden, that met last week and issued an open letter, saying they were “deeply troubled by the precedent” of the November decision to pull the video from the show.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Maryland

Montgomery County police chief discusses arrest of trans student charged with planned school shooting

County executive tells news conference student’s trans identity is irrelevant to criminal charge

Published

on

(Photo by jiawangkun/Bigstock)

Montgomery County, Md., Police Chief Marcus Jones joined other county and law enforcement officials at a news conference on Friday, April 19, to provide details of the police investigation and arrest of an 18-year-old high school student charged two days earlier with threats of mass violence based on information that he allegedly planed a mass shooting at the high school and elementary school he attended in Rockville, Md.

In charging documents and in a press released issued on April 18, Montgomery County Police identified the arrested student as “Andrea Ye, of Rockville, whose preferred name is Alex Ye.”

One of the charging documents states that a friend of Ye, who police say came forward as a witness who played a crucial role in alerting authorities to Ye’s threats of a school shooting, noted that Ye told the witness that Ye identified as the transgender student he wrote about as character in a 129-page manifesto outlining plans for a school shooting. Police have said Ye told them the manifesto was a fictional story he planned to publish.  

At the news conference on Friday, Police Chief Jones and other law enforcement officials, including an FBI official and Montgomery County Executive Marc Elrich, referred to the student as Alex Ye and Mr. Ye. None of the officials raised the issue of whether Ye identified as a transgender man, seven though one of the police documents identifies Ye as a “biological female.”

County Executive Elrich appeared to express the views of the public officials at the news conference when one of the media reporters, during a question-and-answer period, asked Elrich why he and the others who spoke at the news conferment failed to “admit that this individual was transgender.”

“Because it’s not a lead,” Elrich replied, asking if the press and law enforcement authorities should disclose that someone arrested for murder is “a white Christian male who’s heterosexual.” Elrich stated, “No, you don’t – You never publish somebody’s sexual orientation when we talk about this. Why you are focusing on this being a transgender is beyond me. It’s not a news story. It is not a crime to  be transgender.”

The reporter attempted to respond but was cut off by the press conference moderator, who called on someone else to ask the next question.

In his remarks at the press conference Chief Jones praised the so far unidentified witness who was the first to alert authorities about Ye’s manifesto appearing to make threats of a mass school shooting.

“Now, this is a situation that highlights  the critical importance of vigilance and community involvement in preventing potential tragedies,” Jones said. “I commend the collaborative efforts of the Montgomery County Police Department, the Federal Bureau of Investigation,  the Rockville City Police Department, and the Montgomery County Public Schools, as well as Montgomery County Health and Human Services,” he told the gathering.

“Thanks to their swift action and cooperation a potentially catastrophic event was prevented,” Jones said.

Jones pointed out that during the current school year, police have received reports of 140 threats to the public schools in Montgomery County. He said after a thorough investigation, none of them rose to the level where an arrest was made. Instead, police and school officials took steps to arrange for the student making the threats and their parents to take remedial action, including providing  mental health services.

“But this case is different,” Jones said. “This case is entirely different that takes it to a different level. It was a concerned witness who brought this matter to light by rereporting the suspect’s manifesto to the authorities. This underscores the value of community engagement and the ‘see something say something’ approach,” he said.

Jones mentioned at the press conference that Ye was  being held without bond since the time of his arrest but was scheduled to appear in court for a bond hearing on Friday shortly after the press conference took place to determine whether he should be released while awaiting trial or continue to be held.

In his manifesto obtained by police, Ye writes about committing a school shooting, and strategizes how to carry out the act. Ye also contemplates targeting an elementary school and says that he wants to be famous.

In charging documents reported on by WJLA 7 and WBAL 11, the 129-page document, which Ye has referred to as a book of fiction, included writings that said, in part:

“I want to shoot up a school. I’ve been preparing for months. The gun is an AR-15. This gun is going to change lives tomorrow … As I walk through the hallways, I cherry pick the classrooms that are the easiest targets. I need to figure out how to sneak the gun in. I have contemplated making bombs. The instructions to make them are surprisingly available online. I have also considered shooting up my former elementary school because little kids make easier targets. High school’s the best target; I’m the most familiar with the layout. I pace around my room like an evil mastermind. I’ve put so much effort into this. My ultimate goal would be to set the world record for the most amount of kills in a shooting. If I have time, I’ll try to decapitate my victims with a knife to turn the injuries into deaths.”

Continue Reading

Maryland

Rockville teen charged with plotting school shooting after FBI finds ‘manifesto’

Alex Ye charged with threats of mass violence

Published

on

Alex Ye (Photo courtesy of the Montgomery County Police Department)

BY BRETT BARROUQUERE | A Montgomery County high school student is charged with what police describe as plans to commit a school shooting.

Andrea Ye, 18, of Rockville, whose preferred name is Alex Ye, is charged with threats of mass violence. Montgomery County Police and the FBI arrested Ye Wednesday.

The rest of this article can be found on the Baltimore Banner’s website.

Continue Reading

District of Columbia

New D.C. LGBTQ+ bar Crush set to open April 19

An ‘all-inclusive entertainment haven,’ with dance floor, roof deck

Published

on

Crush (Washington Blade photo by Michael Key)

D.C.’s newest LGBTQ+ bar called Crush is scheduled to open for business at 4 p.m. on Friday, April 19, in a spacious, two-story building with a dance floor and roof deck at 2007 14th St., N.W. in one of the city’s bustling nightlife areas.

A statement released by co-owners Stephen Rutgers and Mark Rutstein earlier this year says the new bar will provide an atmosphere that blends “nostalgia with contemporary nightlife” in a building that was home to a popular music store and radio supply shop.

Rutgers said the opening comes one day after Crush received final approval of its liquor license that was transferred from the Owl Room, a bar that operated in the same building before closing Dec. 31 of last year. The official opening also comes three days after Crush hosted a pre-opening reception for family, friends, and community members on Tuesday, April 16.

Among those attending, Rutgers said, were officials with several prominent local LGBTQ organizations, including officials with the DC Center for the LGBTQ Community, which is located across the street from Crush in the city’s Reeves Center municipal building. Also attending were Japer Bowles, director of the Mayor’s Office of LGBTQ Affairs, and Salah Czapary, director of the Mayor’s Office of Nightlife and Culture.  

Rutgers said Crush plans to hold a grand opening event in a few weeks after he, Rutstein and the bar’s employees become settled into their newly opened operations.

“Step into a venue where inclusivity isn’t just a promise but a vibrant reality,” a statement posted on the Crush website says. “Imagine an all-inclusive entertainment haven where diversity isn’t just celebrated, it’s embraced as the very heartbeat of our venue,” the statement says. “Welcome to a place where love knows no bounds, and the only color or preference that matters is the vibrant tapestry of humanity itself. Welcome to Crush.”

The website says Crush will be open Tuesdays and Wednesdays from 4 p.m. to 12 a.m., Thursdays from 4 p.m. to 2 a.m., Fridays from 4 p.m. to 3 a.m., Saturdays from 2 p.m. to 3 a.m., and Sundays from 2 p.m. to 12 a.m. It will be closed on Mondays.

Crush is located less than two blocks from the U Street Metro station.

Continue Reading
Advertisement
Advertisement

Sign Up for Weekly E-Blast

Follow Us @washblade

Advertisement

Popular