Arts & Entertainment
Deep in Tennessee
Obscure one acts by gay playwright produced at Shakespeare

Lynn Sharp Spears as Lucretia in ‘Portrait of a Madonna,’ Tennessee Williams’ one act precursor to ‘Streetcar Named Desire.’ (Photo courtesy Washington Shakespeare Company)
‘Tennessee Continuum: Two One-Act Plays by Tennessee Williams’
Through July 3
Washington Shakespeare Company
Artisphere
1101 Wilson Blvd, Arlington, VA.
$25-$35; pay what you can for Saturday matinees
888-841-2787
Like the name suggests, Washington Shakespeare Company is a little Bard-centric, but the Rosslyn-based troupe successfully interprets modern playwrights too, particularly Tennessee Williams. Currently the company is presenting two rarely performed pieces from different phases of the gay playwright’s epic career.
Though ostensibly not a bit alike, “Portrait of a Madonna” and “The Gnädiges Fräulein” (together billed as “Tennessee Continuum: Two One-Act Plays by Tennessee Williams), are both poignant and inhabited by tragic characters. They share some of the inescapable Williams’ themes of unrequited attachments and survival in an unkind world.
Written in 1940, “Madonna” is a precursor to Williams’ later, greater works. Set in a grim apartment in an unnamed city, it’s the story of Lucretia Collins, a kooky maiden lady who is haunted by an ill-fated romance from her genteel, small town southern past. Now poor and alone, the aging preacher’s daughter loses her mind: She believes the man she once loved invades her bedroom nightly to “indulge his senses” as she rather delicately puts it. When she calls the apartment management for help, they summon mental health professionals and not the cops.
Sensitively staged by Lynn Sharp Spears, the one act reeks with the stuff that made the young Williams famous: faded belles, gentleman callers and glimpses into madness — Annetta Dexter Sawyer’s Lucretia is certifiably nuts. Slice Hick’s empathetic, human porter and Bob Sheire as the mocking elevator operator give an idea of the variety of characters that a lady might encounter in the sometimes uncertain outside world.
In “Madonna’s” final scene, a kindly doctor (here played by Christopher Henley sporting a Tyrone Power-inspired haircut) comes to escort an increasingly disconnected Lucretia to a state asylum. Williams would rewrite this same situation a few years concerning another distressed lady — Blanche DuBois in “A Streetcar Named Desire.” Interestingly, after seeing Jessica Tandy play Lucretia in a West Coast production of Madonna in 1947, he cast her as Blanche in the original production of “Streetcar.”
After intermission, it’s “The Gnädiges Fräulein,” a very funny paean to human survival written in 1966 when Williams was no longer the darling of critics. In fact, this one act (which translates from German as “Gracious Young Lady”) originally closed on Broadway in less than a week. Set in Williams’ beloved Florida Keys, the oddball comedy was his first foray into the absurd and, many say, an allegory of his own artistic life.
In search of a scoop, society reporter Polly (Mundy Spears) shows up at an unconventional guest house owned by no-nonsense Molly (Emily Webbe). It’s a strange place: The front porch is dripping with blood and a vicious Cocaloony bird (Karin Abromaitis) is circling the property intimidating everyone it meets. And the tenants are equally unusual. Wearing just a tiny loincloth, pulchritudinous and platinum blond Indian Joe (James Finley) struts about and says very little. The orange-haired title Fraulein (Karin Rosnizeck) was once a performer. Now deaf and blind in one eye, she earns her keep by battling increasingly fearsome Cocaloonies for fisherman’s castoff catch down at the docks. When not trading Williams’ gloriously crafted barbs, frenemies Polly and Molly smoke joints and engage in furious, highly sexualized synchronized rocking.
Gay director Jay Hardee elicits just right performances from an excellent cast. His inspired staging effortlessly coaxes the show’s many aspects — campy humor, menace, and melancholy — to the fore. Elizabeth Jenkins McFadden’s nonintrusive set cleverly morphs from tenement flat to seaside abode with very little fuss.
“Tennessee Continuum” is now running in repertory at Artisphere with a production of “Night and Day” by Tom Stoppard — another of the company’s favorite playwrights.
Friday, March 27
Center Aging Monthly Luncheon With Yoga will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Go Gay DC will host “LGBTQ+ Happy Hour” at 7 p.m. at Dupont Italian Kitchen. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Trans and Genderqueer Game Night will be at 7 p.m. at the DC Center for the LGBT Community. This is a relaxing, laid-back evening of games and fun. All are welcome and there’ll be card and board games on hand. Feel free to bring your own games to share. For more details, visit the DC Center’s website.
Trans Discussion Group will be at 7 p.m. on Zoom. This event is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Saturday, March 28
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Black Lesbian Support Group will be at 1 p.m. on Zoom. This is a peer-led support group devoted to the joys and challenges of being a Black Lesbian. For more details, email [email protected].
Monday, March 30
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
“Tea Time! A Local DC Drag Comedy Show” will be at 3 p.m. at Spark Social. This is a live drag comedy show where drag legends TrevHER & Tiara Missou Sidora host spill all the tea in the DMV. This event is free and more details are available on Eventbrite.
Tuesday, March 31
Visibili-TEA Party will be at 6 p.m. at Restoration Station. Guests are encouraged to come sip, celebrate, and shine together. This event is a Trans Day of Visibility celebration and a special collaboration between Auntie’s Home and Damien Ministries. This is a boozy tea party with intention and the dress code reflects the vibe. More details are available on Eventbrite.
Wednesday, March 1
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Thursday, April 2
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
Unconventional Diner will host “Cherry Blossom Drag Bingo Party” on Friday, April 3, at 6:30 p.m.
Guests will be treated to an unforgettable night of drag performances, bingo, food and drink and prizes. Highlights of the evening include themed cocktails, drag performances and bingo prizes.
Tickets can be secured via Resy.
Sports
New IOC policy bans trans women from Olympics
New regulation to be in effect at 2028 summer games in Los Angeles
The International Olympic Committee on Thursday announced it will not allow transgender women from competing in female events at the Olympics.
“For all disciplines on the Sports Program of an IOC event, including individual and team sports, eligibility for any Female Category is limited to biological females,” reads the new policy.
The policy states “eligibility for the Female Category is to be determined in the first instance by SRY Gene screening to detect the absence or presence of the SRY Gene.”
“On the basis of the scientific evidence, the IOC considers that the SRY (sex-determining Region Y) Gene is fixed throughout life and represents highly accurate evidence that an athlete has experienced or will experience male sex development,” it reads. “Furthermore, the IOC considers that SRY Gene screening via saliva, cheek swab or blood sample is unintrusive compared to other possible methods. Athletes who screen negative for the SRY gene permanently satisfy this policy’s eligibility criteria for competition in the Female Category.”
The policy states the test “will be a once-in-a-lifetime test” unless “there is reason to believe a negative reading is in error.”
The new regulation will be in place for the 2028 Summer Olympics in Los Angeles.
“I understand that this a very sensitive topic,” said IOC President Kirsty Coventry on Thursday in a video. “As a former athlete, I passionately believe in the rights of all Olympians to take part in fair competition.”
“The policy that we have announced is based on science and it has been led by medical experts with the best interests of athletes at its heart. The scientific evidence is very clear: male chromosomes give performance advances in sport that rely on strength, power, or endurance,” she added. “At the Olympic Games, even the smallest margins can be the difference between victory and defeat. So, it is absolutely clear that it would not be fair for biological males to compete in the female category. In addition, in some sports it would simply not be safe.”
(Video courtesy of the IOC)
Laurel Hubbard, a weightlifter from New Zealand, in 2021 became the first trans woman to compete at the Olympics.
Imane Khelif, an Algerian boxer, won a gold medal at the 2024 Summer Olympics in Paris. Khelif later sued JK Rowling and Elon Musk for cyberstalking after they questioned her gender identity.
Ellis Lundholm, a mogul skier from Sweden, this year became the first openly trans athlete to compete in any Winter Olympics when he participated in Milan Cortina Winter Olympics in Italy.
President Donald Trump in February 2025 issued an executive order that bans trans women and girls from female sports teams in the U.S.
The U.S. Olympic and Paralympic Committee last July banned trans women from competing in female sporting events. Republican lawmakers have demanded the IOC ban trans athletes from women’s athletic competitions.
“I’m grateful the Olympics finally embraced the common sense policy that women’s sports are for women, not for men,” said U.S. Sen. Tom Cotton (R-Ark.) on X.
An IOC spokesperson on Thursday referred the Washington Blade to the press release that announced the new policy.
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