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Thousands expected for D.C. Pride festivities

Weekend’s parade and festival a ‘destination event’

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Pride Heroes

Capital Pride presented its annual Heroes and Engendered Spirit Awards at a ceremony on Tuesday night at the Embassy of Sweden; see story for full list of winners. (Blade photo by Michael Key)

As many as 250,000 people are expected to turn out for the D.C. Capital Pride parade and festival set for Saturday and Sunday, marking the D.C. area and the mid-Atlantic region’s largest two LGBT events of the year, according to Capital Pride organizers.

The two events serve as the highlight of dozens of Pride-related events that began on June 1 and included a broad and diverse representation of the LGBT community, organizers said, including events celebrating the transgender community and the LGBT Latino and Asian and Pacific Islander communities.

“This is the community’s event and the community pitches in every year,” said Bernie Delia, vice president of the Capital Pride board. “They’re the ones who put together the parade contingents and the floats on Saturday. And on Sunday, at the festival, they’re the ones who are staffing all those booths,” he said.

“They line the parade route and they come out in support of everybody at the festival, and it truly is a community event and it’s just wonderful to see this each and every year.”

Capital Pride spokesperson Scott Lusk said the festival’s headline entertainer, singer and Broadway actress Jennifer Holliday, was expected to make news on the main stage during her 5 p.m. performance when she debuts her new single “Magic,” representing the song’s world premiere.

Nationally acclaimed DJ and re-mixer Tony Moran of New York will accompany Holliday on the stage, where he will perform a special mix with Holliday, according to an announcement by Capital Pride.

“We’re thrilled that Tony Moran will join us at the Capital Pride Festival,” said Michael Lutz, president of the Capital Pride board. “With Tony joining Jennifer Holliday, we are set to have an afternoon of outstanding entertainment that will appeal to a wide audience.”

Other entertainers will perform on the main stage prior to Holliday’s appearance. They include the Gay Men’s Chorus of Washington, popular drag performer Ella Fitzgerald, and the D.C. Cowboys dancing group. A full list of the entertainers is available at HYPERLINK “http://www.capitalpride.org/”capitalpride.org.

As of May 8, 79 contingents had signed up for participation in the June 11 parade. Organizers said additional contingents were expected to sign up.

And as of May 21, 206 organizations, businesses and vendors had reserved space for booths at the June 12 Capital Pride festival, which takes place on Pennsylvania Avenue, N.W., between 3rd Street, near the U.S. Capitol, and 7th Street. As of Wednesday, the weather forecast looks good for the weekend with temperatures expected to be in the low 80s with only a chance of scattered storms on both days.

Similar to past years, dozens of LGBT organizations, both national and local, are slated to staff booths this year. Dozens of corporations and businesses seeking to do business with LGBT people also will have booths in this year’s festival.

Among them are America Online, Choice Hotels International, Geico, Walgreens pharmacies, Verizon Wireless, and Citibank, SunTrust, and Wachovia banks.

For the past four years, the Washington City Paper has named the Capital Pride Parade the city’s best parade of the year, and Delia said he expects this year’s parade to continue that tradition.

Delia and other Capital Pride organizers say a wide range of colorful floats and marching bands are slated to join the parade, which is set to begin at 5:30 p.m. Saturday at the intersection of 22nd and P Sts., N.W. next to P Street Beach Park.

Similar to past years, the parade will travel west on P Street to Dupont Circle, turn north along New Hampshire Avenue and take a right turn on R Street to 17th Street. It will travel south along 17th Street, passing several popular gay bars and restaurants, before returning to P Street, where it heads east to 14th Street. At that point, the parade travels south on 14th before ending at 14th and N Streets, N.W., near Thomas Circle.

The main parade reviewing stand, where Capital Pride judges will select winners of different categories of parade contingents, is located on the 1400 block of P Street, near the Whole Foods supermarket.

At a ceremony on Tuesday night at the Embassy of Sweden, which is among this year’s Capital Pride sponsors, the group presented its annual Capital Pride Heroes and Capital Pride Engendered Spirit Awards.

Those honored this year as Pride Heroes are Bil Browning, LGBT activist and founder of the Bilerico Project blog; June Crenshaw, a local African-American lesbian activist involved in health issues; Tyrone Hanley, HIV prevention advocate for LGBT youth; Dr. Theo Hodge, infectious disease specialist working on HIV/AIDS treatment; Rev. Jill McCrory, interim pastor at Open Door Metropolitan Community Church in Boyds, Md. and marriage equality advocate; and Rebecca Roose, environmental advocate promoting  “green” Capital Pride events.

Engendered Spirit award recipients include: Terri Moore, youth activist associated with D.C.’s Sexual Minority Youth Assistance League (SMYAL); Gabby Thomas, HIV/AIDS activist associated with the D.C. groups Us Helping Us and Transgender Health Empowerment; Mara Keisling, founding executive director of the National Center for Transgender Equality; Ruby Corado, advocate for transgender rights within the D.C. area Latino community and the broader LGBT community; Drs. Denis and Christine Wiley, co-pastors of the LGBT welcoming Covenant Baptist United Church in Southeast D.C.; and Joe Izzo, licensed social worker and longtime psychotherapist with Whitman-Walker Health specializing in transgender and substance abuse issues.

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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