Arts & Entertainment

Flocking together

Gay playwright explores celebrated bird pairings

Published

15 years ago

July 14, 2011

Patrick Folliard

‘Birds of a Feather’
Through Aug. 7
The Hub Theatre @
The New School
9431 Silver King Court, Fairfax
703-674-3177

From left, Matt Dewberry, Jjana Valentiner, playwright Marc Acito, director Shirley Serotsky, Dan Crane and Eric Messner. (Photo by C. Stanley Photography; courtesy of Hub Theatre)

Much of gay writer Marc Acito’s work is ripped from the headlines. This applies to his National Public Radio commentaries, and it’s also true about his funny new play “Birds of a Feather” now making its world premiere at the Hub Theatre in Fairfax.

Inspired by two Manhattan stories that got a lot of press about seven years ago, the comedy focuses on gay penguins that fall in love and hatch an egg in the Central Park Zoo, and a messy-but-devoted pair of straight hawks who famously make their home high atop a tony Fifth Avenue co-op. Acito explores what he imagines to be the birds’ motivations as well as the ways in which humans react to these two feathered families.

“What most interested me about the bird stories,” says Acito by phone from his home in New York, “is that both elicited such a huge response from the public. There was a lot of anthropomorphizing going on — the hawk Pale Male was praised as a good father, and the co-op was accused of attempting to unjustly evict a lovely family. The hetero normative hawks were pretty much unanimously supported.”

On the other hand, says Acito, 45, the longtime pair-bonded male penguins Silo and Roy who together hatched an abandoned egg weren’t entirely celebrated. In fact, an award winning children’s book about the penguins’ nontraditional family “And Tango Makes Three” ranks as one of America’s most controversial books, and has been challenged or banned in numerous libraries and school districts.

When “Birds of a Feather” was first read two summers ago at JAW Playwright’s Festival in Portland, (Acito’s home from around 1990 until last year), Hub Theatre artistic director Helen Pafumi contacted Acito. She was eager to mount the show in Fairfax. “There had been controversy about the children’s book in neighboring Loudon County, and Helen thought my play was relevant to the community. Part of Hub’s mission is to facilitate conversation among different factions who live side by side.”

“Hub is a real gem waiting to be discovered,” Acito says. “I realize it might be a little out of way, but I’m hoping gay theatergoers will be willing to make the trek out of curiosity. They can attend a matinee and be back in town for happy hour. If nothing else I know my audiences.”

Staged by Shirley Serotsky, “Birds of a Feather” features a talented quartet who play the penguin and hawk couples (the aptly named Dan Crane and Matt Dewberry), a female zookeeper (Jjana Valentiner) whose best friend is gay man, a birder (Eric Messner), as well as myriad other characters including Mary Tyler Moore, Paula Zahn and a bevy of Catholic school girls.

“All the facts of the play are true, but of course I fictionalize what the birds are thinking,” Acito says. “I certainly feel qualified to write about relationships. My partner and I have been together for 25 years. And while gay relationships are unique in many ways, the fundamentals of living with a partner are the same for everyone.”

Growing up in New Jersey, Acito starred in high school musicals. He describes himself as the guy darting about in Capezio dance shoes and leg warmers. Later he dropped out of Carnegie Mellon’s drama program due to “artistic differences.”

“I thought I could act. They didn’t,” he says.

After more study, he began a professional opera career: “I played character parts — drunks and hunchbacks mostly. It was fun and I learned a lot about comedy and western history, but for me opera was a shoe that never really fit. Ultimately I decided that I needed to create art rather than recreate it onstage, so I began writing.”

He started with the gay press. Next he wrote “How I Paid for College: A Novel of Sex, Theft, Friendship and Musical Theater,” a cult novel about theater people. A successful sequel followed. When the bottom fell out of publishing, he returned to theater and relocated to New York, but this time as a writer. Currently he’s collaborating with composer Jeffrey Stock on a musical adaptation of E.M. Forster’s classic “A Room with a View” slated to premiere at the Old Globe in San Diego next spring. Buzz is good.

Today Acito is thrilled to have found new meaning in his life and career. “There’s an audience that understands my message and aesthetic, and they’re very much in the theater. This time, I feel that I’ve found the shoe that really fits.”

Related Topics:Birds of a Feather Dan Crane Eric Messner Hub Theatre Marc Acito matt Dewberry

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Voiceless ‘Antony & Cleopatra’ a spectacle of operatic proportions

Synetic production pulls audience into grips of doomed lovers’ passion

Published

1 day ago

January 17, 2026

Patrick Folliard

Stella Bunch as Mardian and Irina Kavsadze as Cleopatra in Synetic Theatre's ‘Antony & Cleopatra.’ (Photo by Katerina Kato)

‘Antony & Cleopatra’
Through Jan. 25
Synetic Theater at
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Synetictheater.org

A spectacle of operatic proportions, Synetic Theater’s “Antony & Cleopatra” is performed entirely voiceless. An adaptation of the Bard’s original (a play bursting with wordplay, metaphors, and poetic language), the celebrated company’s production doesn’t flinch before the challenge.

Staged by Paata Tsikurishvili and choreographed by Irina Tsikurishvili, this worthy remount is currently playing at Shakespeare Theatre Company’s Klein Theatre, the same venue where it premiered 10 years ago. Much is changed, including players, but the usual inimitable Synectic energy and ingenuity remain intact.

As audiences file into the Klein, they’re met with a monumental pyramid bathed in mist on a dimly lit stage. As the lights rise, the struggle kicks off: Cleopatra (Irina Kavsadze) and brother Ptolemy (Natan-Maël Gray) are each vying for the crown of Egypt. Alas, he wins and she’s banished from Alexandria along with her ethereal black-clad sidekick Mardian (Stella Bunch); but as history tells us, Cleopatra soon makes a triumphant return rolled in a carpet.

Meanwhile, in the increasingly dangerous Rome, Caesar (memorably played by Tony Amante) is assassinated by a group of senators. Here, his legendary Ides of March murder is rather elegantly achieved by silver masked politicians, leaving the epic storytelling to focus on the titular lovers.

The fabled couple is intense. As the Roman general Antony, Vato Tsikurishvili comes across as equal parts warrior, careerist, and beguiled lover. And despite a dose of earthiness, it’s clear that Kavsadze’s Cleopatra was born to be queen.

Phil Charlwood’s scenic design along with Colin K. Bills’ lighting cleverly morph the huge pyramidic structure into the throne of Egypt, the Roman Senate, and most astonishingly as a battle galley crashing across the seas with Tsikurishvili’s Antony ferociously at the helm.

There are some less subtle suggestions of location and empire building in the form of outsized cardboard puzzle pieces depicting the Mediterranean and a royal throne broken into jagged halves, and the back-and-forth of missives.

Of course, going wordless has its challenges. Kindly, Synectic provides a compact synopsis of the story. I’d recommend coming early and studying that page. With changing locations, lots of who’s who, shifting alliances, numerous war skirmishes, and lack of dialogue, it helps to get a jump on plot and characters.

Erik Teague’s terrific costume design is not only inspired but also helpful. Crimson red, silver, and white say Rome; while all things Egyptian have a more exotic look with lots of gold and diaphanous veils, etc.

When Synetic’s voicelessness works, it’s masterful. Many hands create the magic: There’s the direction, choreography, design, and the outrageously committed, sinewy built players who bring it to life through movement, some acrobatics, and the remarkable sword dancing using (actual sparking sabers) while twirling to original music composed by Konstantine Lortkipanidze.

Amid the tumultuous relationships and frequent battling (fight choreography compliments of Ben Cunis), moments of whimsy and humor aren’t unwelcome. Ptolemy has a few clownish bits as Cleopatra’s lesser sibling. And Antony’s powerful rival Octavian (ageless out actor Philip Fletcher) engages in peppy propaganda featuring a faux Cleopatra (played by Maryam Najafzada) as a less than virtuous queen enthusiastically engaged in an all-out sex romp.

When Antony and Cleopatra reach their respective ends with sword and adder, it comes almost as a relief. They’ve been through so much. And from start to finish, without uttering a word, Kavsadze and Tsikurishvili share a chemistry that pulls the audience into the grips of the doomed lovers’ palpable passion.

Out & About

Love board games and looking for love?

Published

3 days ago

January 16, 2026

Tinashe Chingarande

(Image by VLADGRIN/Bigstock)

Quirk Events will host “Board Game Speed Dating for Gay Men” on Thursday, Jan. 22 at 7 p.m. at KBird DC.

Searching for a partner can be challenging. But board games are always fun. So what if you combined board games and finding a partner?

Picture this: You sit down for a night of games. A gaming concierge walks you through several games over the course of the night. You play classics you love and discover brand new games you’ve never heard of, playing each with a different group of fun singles. All while in a great establishment.

At the end of the night, you give your gaming concierge a list of the folks you met that you’d like to date and a list of those you met that you’d like to just hang out with as friends. If any two people put down the same name as each other in either column, then your gaming concierge will make sure you get each other’s e-mail address and you can coordinate a time to hang out.

Tickets cost $31.80 and can be purchased on Eventbrite.

Calendar

Calendar: January 16-22

LGBTQ events in the days to come

Published

3 days ago

January 16, 2026

Tinashe Chingarande

Friday, January 16

Friday Tea Time will be at 12 p.m. at the DC Center for the LGBT Community. This is a social hour for older LGBTQ+ adults. Bring your beverage of choice. For more information, contact Mac ([email protected]).

Trans and Genderqueer Game Night will be at 7 p.m. at the DC LGBTQ+ Community Center. This is a relaxing, laid-back evening of games and fun. For more details, visit the DC Center’s website.

Go Gay DC will host “LGBTQ+ Social in the City” at 7 p.m. at Hotel Zena. This event is ideal for making new connections and community building or just to unwind and enjoy extended happy hour. Attendance is free and more details are available on Eventbrite.

Saturday, January 17

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

The DC LGBTQ+ Community Center and SMYAL will host a free film screening of “Mama Bears” celebrating queer youth, resilience, and the power of living authentically. Whether you’re a movie lover, looking to make new friends, or simply want a safe, affirming space to relax, this event is for you. Click this link to RSVP.

LGBTQ People of Color will be at 7 p.m. on Zoom. This peer support group is an outlet for LGBTQ people of color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. There will be all sorts of activities like watching movies, poetry events, storytelling, and just hanging out with others. For more details, visit thedccenter.org/poc or facebook.com/centerpoc.

Sunday, January 18

Go Gay DC will host “LGBTQ+ Community and Conversation” at noon at As You Are. This event is for those looking to make more friends and meaningful connections in the LGBTQ+ community. Look for the Go Gay DC sign on the long table near the front window. Attendance is free and more details are available on Eventbrite.

Monday, January 19

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Tuesday, January 20

Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting.Visit Facebook or Meetup for more information.

Tae Kwon Do Class with Avi Rome will be at 12:30 p.m. This inclusive and beginner-friendly class, led by Instructor Avi Rome, offers a light warm-up, stretching, and instruction in basic techniques, patterns, and striking padded targets. Each session is designed to be adaptable for all ability and mobility levels, creating a welcoming space for everyone to build strength, confidence, and community through martial arts. For more details, visit the DC Center’s website.

Wednesday, January 21

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Thursday, January 22

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.