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Queery: Don Michael Mendoza

The visionary behind a new Black Fox Lounge cabaret night answers 20 gay questions

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Don Michael Mendoza (Blade photo by Michael Key)

Spoken word performance and musical theater may seem like distant cousins at best to some, but not to Don Michael Mendoza. Sensing a gulf between the two performance worlds, he and friend Regie Cabico created a space for the two worlds to come together.

They co-host La-To-Do, a cabaret series that runs every Monday night at Black Fox Lounge from 8:30 to 10 p.m. It launched in January and, according to Mendoza, has been a hit.

“We’d done a show together last summer at the Fringe Festival and just started a conversation about how there’s really no cabaret culture in D.C.,” Mendoza says. “We wanted something more than just an open mic, where anyone can just go up there and it’s not always the best quality. We just found there is a lot of misunderstanding between the two worlds. Musical theater types think the spoken word people are just strange people who studied English and sit at home all day like Sylvia Plath and the spoken word people think the theater folks are just doing mass-produced stuff like ‘Wicked.’ We’ve found there’s a lot more to both worlds.”

Mendoza and Cabico, both gay, co-host the series and take turns performing. The show spotlights two guest entertainers each week as well, mostly volunteers whom the two co-hosts have vetted. They’re also hoping to make the event a hot networking spot for local artistic types.

“We’re still kind of figuring it out,” Mendoza says. “We’re not trying to change the world or anything. Just trying to provide some fun and entertainment on a Monday night where people can go there, be themselves, see good art and also perform.”

There’s a $10 cover to attend, which includes a drink. Visit the group on Facebook for more information.

Mendoza, a 23-year-old Pittsburgh native, came to Washington in 2006 to study at American University. He graduated with double majors — broadcast journalism and musical theater. He worked for the college in media relations after graduating but went to Vida Metropole on 15th and P about six weeks ago for a change of pace. He’d eventually like to do something full time in performance but is still figuring that out.

Mendoza is single and lives in Logan Circle. He enjoys working out, travel and theater in his free time. (Blade photos by Michael Key)

How long have you been out and who was the hardest person to tell?

I’ve been out since I was 20, so three years, and the hardest person to tell was my mother. Even though she always told me it would be OK if I ever were, I knew that it would still flip her world and image of me upside down.

Who’s your LGBT hero?

MSNBC’s Thomas Roberts because he’s the first news anchor to publicly come out in a world that usually masks LGBT people behind a straight news persona. His coming out was due to a tragic personal event, but he didn’t let it ruin his determination. He was not afraid to be who he is and strive for journalistic excellence at the same time, which got him to where he is today, and I hope to follow the same ethical and moral path in what I do.

What’s Washington’s best nightspot, past or present? 

Not to be biased, but I really love Black Fox Lounge because of the calm, jazzy atmosphere, good food and drinks and the friendly owners and staff.

Describe your dream wedding.

It will be a big wedding. I want my partner and I to be surrounded by everyone who matters most in our lives. I want it to be at a location in the countryside and it will be the definition of class. Everything would be tasteful and well thought out.

What non-LGBT issue are you most passionate about?

Representation for D.C. residents in Congress. I maintain my Pennsylvania license because I like voting in a state where my voice matters and until D.C. residents have full voting rights, I refuse to become a full resident of the District.

What historical outcome would you change?

The results of the 2000 presidential election.

What’s been the most memorable pop culture moment of your lifetime?

The tragedy of  9-11 because, like the JFK assassination was for my parents, I will always remember exactly where I was and what I was doing the moment I heard the news.

On what do you insist?

That the dishes are washed and the apartment is clean for the many friends I always have over for dinner parties.

What was your last Facebook post or Tweet?

“Smiling is an understatement for me these days. Ah, me. :)”

If your life were a book, what would the title be?

“I’ll be your fortune, cookie!”

If science discovered a way to change sexual orientation, what would you do?

I wouldn’t do it. It took me 20 years to figure it out what makes me happy! Why would I ever want to change it?

What do you believe in beyond the physical world? 

I believe that there is a God, but that all the religious tension and conflict stem out of people’s imposed beliefs on something that none of us really understand.

What’s your advice for LGBT movement leaders?

Keep on doing what you’re doing. Any and all progress is good.

What would you walk across hot coals for?

I like the soles of my feet, so I don’t think I would do it for anything.

What LGBT stereotype annoys you most?

That if you’re lesbian you have to be butch and if you’re a gay man you have to be feminine. Your sexual preference has nothing to do with the way you carry yourself.

What’s your favorite LGBT movie?

“The Weekend” because I think all gay men, single or in a relationship, need to watch it for the lessons it has to offer, especially in a city where finding a stable relationship is difficult to pursue.

What’s the most overrated social custom?

Playing hard to get when you start seeing someone. Just be honest about what you’re doing. It makes everything less complicated.

What trophy or prize do you most covet?

It’s not really a trophy or a prize, but I would like to be on the cover of GQ one day. I’ve enjoyed the magazine since I knew how to dress well, and to be featured in a fashion spread in that publication would be amazing!

What do you wish you’d known at 18?

That life after college brings so much unexpected crap and that nothing can ever prepare you for the joys and pains of adulthood no matter how much advice you receive ahead of time.

Why Washington?

It was always a second home to me since we moved to Pittsburgh when I was a toddler because we visited so often. I chose to come to college here and when it came to deciding on where to start my adult life, I couldn’t see any other option.

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Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

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Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?” 

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor. 

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.” 

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real. 

BLADE: Are you curating the upcoming 2026–2027 season? 

WHITE: Yes, I am.  It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard. 

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work. 

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV. 

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique? 

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work. 

BLADE: How do you think queer audiences will receive the season? 

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.

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PHOTOS: Amsterdam Pride Canal Parade

Annual LGBTQ celebration held in Dutch city during World Pride

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A scene from the 2026 Amsterdam Pride Canal Parade. (Washington Blade photo by Michael Key)

Editor’s note: International News Editor Michael K. Lavers and Photo Editor Michael Key are on assignment in the Netherlands through Aug. 10.

AMSTERDAM — The 2026 Amsterdam Pride Canal Parade was held on Saturday, Aug. 1.

(Washington Blade photos by Michael Key and Michael K. Lavers)

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PHOTOS: Lambda Legal in the Pines

Fundraiser held at ‘Normal Heart’ house

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A scene from the 'Lambda Legal in the Pines' fundraiser on July 25. (Photo by Santiago Felipe)

The LGBTQ organization Lambda Legal held its annual “Lambda Legal in the Pines” fundraiser on Saturday, July 25. The event was held at a house on Fire Island featured in Ryan Murphy’s 2014 HBO film, “The Normal Heart.”

Organizers say over $500,000 was raised to support Lambda Legal’s national litigation and advocacy work.

(Photos by Santiago Felipe)

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