Connect with us

Arts & Entertainment

Escapism on skates

Signature’s ‘Xanadu’ is well-executed camp fun

Published

on

‘Xanadu’
Signature Theatre
4200 Campbell Ave.
Arlington, VA
Through July 1
703-820-9771

Charlie Brady, center, as Sonny in Signature’s ‘Xanadu.’ (Photo by Scott Suchman; courtesy Signature)

The “Xanadu” chracter Muse Calliope is onto something when she says the roller derby in the show is like “children’s theater for 40-year-old gay people.”

On stage now at Arlington’s Signature Theatre, this trashy movie-turned-Tony-winning Broadway adaptation is near-perfect theatrical escapism.

It’s based on the 1980 turkey that derailed the budding movie career of singer Olivia Newton-John and that featured the last movie appearance of the legendary dancer Gene Kelly as the tycoon who has chosen commerce over art. The basic plot remains the same.

Clio (Erin Weaver) is the leader of the Muses, the Greek demigoddesses who bring artistic inspiration to mortals. Disguised an Australian woman named Kira (a comic nod to  Newton-John’s indelible cinematic performance), she descends to earth to bolster the confidence of Sonny (Charlie Brady), a sidewalk artist who dreams of opening a roller disco. She also encounters Danny, a real estate mogul who rejected Kira’s inspiration. Danny still owns the theater he built under her influence, and he and Sonny become business partners. Needless to say, despite a few curses, several broken rules, and some heartbreak and confusion, Sonny and Kira/Clio fall in love and skate off to their happy ending.

Writer Douglas Carter Beane (“The Little Dog Laughed” and “To Wong Foo, Thanks for Everything, Julie Newmar”) nimbly fleshes out the movie plot with campy pop culture references and a delicious new subplot featuring the nasty machinations of Clio’s jealous sisters, the muses Melpomene and Calliope. He also expands the movie soundtrack with other period pop tunes by Jeff Lynne (ELO) and John Farrar. As you might expect, the openly gay Beane brings a light touch to the clichéd plot, but he also brings some unexpected emotional depth to the story. Although the evening moves along briskly (90 minutes without an intermission), there are some slow spots (most notably the flashbacks between the ageless Clio and the young Danny) and Beane’s adaptation never fully embraces the movie’s sappy-yet-moving theme that the elusive Xanadu is the pursuit of love and art.

Under the assured hand of director and choreographer Matthew Gardiner, Signature Theatre’s openly gay associate artistic director, the creative team stitches together a frothy and effective show that is truly “an Acme of all the arts” (to use Sonny’s description of his roller disco dreams). Gardiner’s witty and energetic choreography cannily combines a send-up of disco moves for the mortals with a spoof of Martha Graham routines for the Muses and Greek gods.

He gets solid support from his designers, especially the lighting by Chris Lee (with the mandatory mirror balls) and the costumes by Kathleen Geldard (with lovely flowing Grecian robes, the requisite sequins and de rigueur leg warmers that play a surprisingly important role in the plot). They mine the comedy for all it’s worth, hit all of the right notes of the 1980s pop score (kudos to Music Director Gabriel Mangiante and his four-piece band) and put together lovely stage pictures.

Gardiner also gets strong performances from his likeable leads and a versatile ensemble that appear in a variety of roles from Centaurs to Muses to an endless array of back-up singers. Brady and Weaver play the comedy just right, with the proper balance of naiveté and campy self-awareness. Both are strong and attractive singers and dancers who bring unquenchable enthusiasm to the bubbly material.

The show shines most brightly, however, when Nora V. Payton takes center stage as Melpomene, the evil Muse of tragedy. She gets the best material in the script and she delivers with zest and finesse. Payton (who inspired audiences as Motormouth Maybelle in “Hairspray” and will no doubt thrill audiences as Effie in next season’s “Dreamgirls”) lights up the stage with her wicked sense of style, an incredible vocal presence and her gleeful delivery of verbal and physical zingers. She is given great comic and vocal support from her evil henchwoman Calliope (played by Sherri L. Edelen who also shines in a giddy cameo as a Francophile Aphrodite, goddess of love). Their duet of the rock classic “Evil Woman” is a highlight of the evening.

The skating, under the guidance of Gregory Vander Ploeg, is impressively staged and includes the tender duets between Kira and Sonny, Kira’s hilarious descent down on a staircase wearing only one skate, and the rollicking finale which brings the entire cast to the new roller disco.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Celebrity News

Rob Reiner, wife killed in LA home

Director was prominent LGBTQ ally

Published

on

Rob Reiner and Michele Singer Reiner attend the Human Rights Campaign Los Angeles Dinner on March 30, 2019. (Photo by kathclick/Bigstock)

Rob Reiner, most known for directing untouchable classics like “The Princess Bride,” “Misery,” “When Harry Met Sally…,” and “Stand by Me,” died Dec. 14 alongside his wife, Michele Singer Reiner, in their Los Angeles residence. While investigations are actively underway, sources have told PEOPLE Magazine that the pair’s son, Nick Reiner, killed his parents and has been taken into custody.

Reiner was a master of every genre, from the romantic comedy to the psychological thriller to the coming-of-age buddy movie. But in addition to his renowned work that made him a household name, Reiner is also remembered as a true advocate for the LGBTQ community. In 2009, Reiner and his wife co-founded the American Foundation for Equal Rights, helping fight against California’s Prop 8 same-sex marriage ban. They were honored at the 2015 Human Rights Campaign Las Vegas Gala.

In a statement, HRC President Kelley Robinson said: “The entire HRC family is devastated by the loss of Rob and Michele Reiner. Rob is nothing short of a legend — his television shows and films are a part of our American history and will continue to bring joy to millions of people across the world. Yet for all his accomplishments in Hollywood, Rob and Michele will most be remembered for their gigantic hearts, and their fierce support for the causes they believed in — including LGBTQ+ equality. So many in our movement remember how Rob and Michele organized their peers, brought strategists and lawyers together, and helped power landmark Supreme Court decisions that made marriage equality the law of the land — and they remained committed to the cause until their final days. The world is a darker place this morning without Rob and Michele — may they rest in power.” 

Reiner’s frequent collaborators have also spoken out as the industry is in mourning, including figures like Ron Howard and John Cusack.

A joint statement from Jamie Lee Curtis and Christopher Guest (who starred in Reiner’s “This is Spinal Tap”) reads: “Christopher and I are numb and sad and shocked about the violent, tragic deaths of our dear friends Rob and Michele Singer Reiner and our ONLY focus and care right now is for their children and immediate families and we will offer all support possible to help them. There will be plenty of time later to discuss the creative lives we shared and the great political and social impact they both had on the entertainment industry, early childhood development, the fight for gay marriage, and their global care for a world in crisis. We have lost great friends. Please give us time to grieve.”

While attending the 2019 HRC Los Angeles Dinner, Reiner spoke out about the need for equality: “We have to move past singling out transgender, LGBTQ, black, white, Jewish, Muslim, Latino. We have to get way past that and start accepting the idea that we’re all human beings. We’re all human beings, we all share the same planet, and we should all have the same rights, period. It’s no more complicated than that.”

Continue Reading

Photos

PHOTOS: The Holiday Show

Gay Men’s Chorus of Washington performs at Lincoln Theatre

Published

on

The Gay Men's Chorus of Washington performs at Lincoln Theatre. (Washington Blade photo by Michael Key)

The Gay Men’s Chorus of Washington perform “The Holiday Show” at Lincoln Theatre (1215 U St., N.W.). Visit gmcw.org for tickets and showtimes.

(Washington Blade photos by Michael Key)

Continue Reading

Books

The best books to give this holiday season

Biographies, history, music, and more

Published

on

(Book cover images via Amazon)

Santa will be very relieved.

You’ve taken most of the burden off him by making a list and checking it twice on his behalf. The gift-buying in your house is almost done – except for those few people who are just so darn hard to buy for. So what do you give to the person who has (almost) everything? You give them a good book, like maybe one of these.

Memoir and biography

The person who loves digging into a multi-level memoir will be happy unwrapping “Blessings and Disasters: A Story of Alabama” by Alexis Okeowo (Henry Holt). It’s a memoir about growing up Black in what was once practically ground zero for the Confederacy. It’s about inequality, it busts stereotypes, and yet it still oozes love of place. You can’t go wrong if you wrap it up with “Queen Mother: Black Nationalism, Reparations, and the Untold Story of Audley Moore” by Ashley D. Farmer (Pantheon). It’s a chunky book with a memoir with meaning and plenty of thought.

For the giftee on your list who loves to laugh, wrap up “In My Remaining Years” by Jean Grae (Flatiron Books). It’s part memoir, part comedy, a look back at the late-last-century, part how-did-you-get-to-middle-age-already? and all fun. Wrap it up with “Here We Go: Lessons for Living Fearlessly from Two Traveling Nanas” by Eleanor Hamby and Dr. Sandra Hazellip with Elisa Petrini (Viking). It’s about the adventures of two 80-something best friends who seize life by the horns – something your giftee should do, too.

If there’ll be someone at your holiday table who’s finally coming home this year, wrap up “How I Found Myself in the Midwest” by Steve Grove (Simon & Schuster). It’s the story of a Silicon Valley worker who gives up his job and moves with his family to Minnesota, which was once home to him. That was around the time the pandemic hit, George Floyd was murdered, and life in general had been thrown into chaos. How does someone reconcile what was with what is now? Pair it with “Homestand: Small Town Baseball and the Fight for the Soul of America” by Will Bardenwerper (Doubleday). It’s set in New York and but isn’t that small-town feel universal, no matter where it comes from?

Won’t the adventurer on your list be happy when they unwrap “I Live Underwater” by Max Gene Nohl (University of Wisconsin Press)? They will, when they realize that this book is by a former deep-sea diver, treasure hunter, and all-around daredevil who changed the way we look for things under water. Nohl died more than 60 years ago, but his never-before-published memoir is fresh and relevant and will be a fun read for the right person.

If celeb bios are your giftee’s thing, then look for “The Luckiest” by Kelly Cervantes (BenBella Books). It’s the Midwest-to-New-York-City story of an actress and her life, her marriage, and what she did when tragedy hit. Filled with grace, it’s a winner.

Your music lover won’t want to open any other gifts if you give “Only God Can Judge Me: The Many Lives of Tupac Shakur” by Jeff Pearlman (Mariner Books). It’s the story of the life, death, and everything in-between about this iconic performer, including the mythology that he left behind. Has it been three decades since Tupac died? It has, but your music lover never forgets. Wrap it up with “Point Blank (Quick Studies)” by Bob Dylan, text by Eddie Gorodetsky, Lucy Sante, and Jackie Hamilton (Simon & Schuster), a book of Dylan’s drawings and artwork. This is a very nice coffee-table size book that will be absolutely perfect for fans of the great singer and for folks who love art.

For the giftee who’s concerned with their fellow man, “The Lost and the Found: A True Story of Homelessness, Found Family and Second Chances” by Kevin Fagan (One Signal / Atria) may be the book to give. It’s a story of two “unhoused” people in San Francisco, one of the country’s wealthiest cities, and their struggles. There’s hope in this book, but also trouble and your giftee will love it.

For the person on your list who suffered loss this year, give “Pine Melody” by Stacey Meadows (Independently Published), a memoir of loss, grief, and healing while remembering the person gone.

LGBTQ fiction

For the mystery lover who wants something different, try “Crime Ink: Iconic,” edited by John Copenhaver and Salem West (Bywater Books), a collection of short stories inspired by “queer legends” and allies you know. Psychological thrillers, creepy crime, cozies, they’re here.

Novel lovers will want to curl up this winter with “Middle Spoon” by Alejandro Varela (Viking), a book about a man who appears to have it all, until his heart is broken and the fix for it is one he doesn’t quite understand and neither does anyone he loves.

LGBTQ studies – nonfiction

For the young man who’s struggling with issues of gender, “Before They Were Men” by Jacob Tobia (Harmony Books) might be a good gift this year. These essays on manhood in today’s world works to widen our conversations on the role politics and feminism play in understanding masculinity and how it’s time we open our minds.

If there’s someone on your gift list who had a tough growing-up (didn’t we all?), then wrap up “Im Prancing as Fast as I Can” by Jon Kinnally (Permuted Press / Simon & Schuster). Kinnally was once an awkward kid but he grew up to be a writer for TV shows you’ll recognize. You can’t go wrong gifting a story like that. Better idea: wrap it up with “So Gay for You: Friendship, Found Family, & The Show That Started It All” by Leisha Hailey & Kate Moennig (St. Martin’s Press), a book about a little TV show that launched a BFF-ship.

Who doesn’t have a giftee who loves music? You sure do, so wrap up “The Secret Public: How Music Moved Queer Culture from the Margins to the Mainstream” by Jon Savage (Liveright). Nobody has to tell your giftee that queer folk left their mark on music, but they’ll love reading the stories in this book and knowing what they didn’t know.

The Blade may receive commissions from qualifying purchases made via this post.

Continue Reading

Popular