Arts & Entertainment
Unfurling the Quilt
D.C. residents have multiple opportunities to see AIDS memorial in coming weeks
The 1 million annual visitors to the Smithsonian Folklife Festival have rarely expected to engage in an international discourse about AIDS at the event in the past. This year, however, attendees can tell their own stories regarding HIV/AIDS through a variety of creative outlets and add to the already massive AIDS Memorial Quilt that will blanket part of the National Mall.
For the first time in the festival’s history, the Smithsonian Center of Folklife and Cultural Heritage is collaborating with the NAMES Project Foundation with the program “Creativity and Crisis: Unfolding the AIDS Memorial Quilt.”
The NAMES Project Foundation, established in 1987, is the Atlanta-based international organization that houses and maintains the AIDS Memorial Quilt. About 8,000 of the quilt’s 48,000 panels will be featured at the Folklife Festival to commemorate the quilt’s 25th anniversary and educate visitors about how art has been utilized to address an international epidemic.
“It’s a lovely collaborative effort between the Smithsonian Center of Folklife and Cultural Heritage, who are the presenters along with us,” Julie Rhoad, executive director of the NAMES Project, says. “It’s been a delight working with the curatorial team at the Smithsonian.”
The festival starts Wednesday and will continue through July 1, and will be held again from July 4-8 on the National Mall between 7th and 14th streets. Admission to all events is free. Festival hours are from 11 a.m.-5:30 p.m. each day and special events such as concerts and dance parties begin at 6 p.m.
“Creativity and Crisis: Unfolding the AIDS Memorial Quilt” will include a multitude of craft demonstrations, dance and musical performances, theater, children’s activity areas and interactive discussions that will complement the presence of the quilt at the festival. Many of the featured performances will be by artists who have been affected by HIV and AIDS. Visitors will have the opportunity to help make panels that will be incorporated into the quilt, and to tell their own stories.
“We receive a new panel on the average every day, every year. Right now we have I think several hundred that are already in our possession that during the Folklife Festival we will have Gert, who’s been with us 25 years, bundle and sew them on the National Mall,” Rhoad says. “There’s a whole host of creativity and expression around HIV and AIDS and the domestic and global efforts in expression, all centered and viewed through the lens of what the quilt has done.”
In the event of a rain, the NAMES Project has an expertly organized plan called the “rain fold” to protect the quilt.
“Each time we’ve been in D.C. we’ve had to deploy the plan. Amazingly, what happens is we have plastic and we have a way it gets folded up, then we take it under tents,” Rhoad says. “It’s an amazing thing to see. It’s what happens when you’re in the presence of the quilt.”
In addition to their display at the Folklife Festival, many of the quilt’s 48,000 panels will be on the National Mall again from July 21-25 during the start of the International AIDS Conference. About 40 locations throughout the Washington metropolitan area will also display portions of the quilt through July 27. Visit quilt2012.org for more details on when and where the quilt will be displayed in the area.
“It’s important to work as hard as we can to get to D.C. and to make this display a reality. It certainly gets people talking. It certainly calls on society to really think about our humanity and to really think about our connection to one another,” Rhoad says. “What a gift to be on the Smithsonian stage.”
The NAMES Project staff deeply appreciates support from festival visitors for their cause.
“Support comes in many ways — time, talent, treasure. Each is valued by us,” Rhoad says. “It takes a great deal of support to move the quilt to D.C. It takes even more to get it ready for its next adventure.”
The Smithsonian and NAMES Project have collaborated with one another exceptionally well, revealing the power of cooperation in addressing a vital cause.
“The quilt is the ultimate in folk art. It is done by everybody. These are not professional quilters for the most part,” Arlene Reiniger, the Smithsonian’s curator for “Creativity and Crisis: Unfolding the AIDS Memorial Quilt,” says. “It’s been wonderful working with the NAMES Project Foundation. They are the ones with the knowledge behind the quilt, the knowledge and resources. What we do is work with them to translate all of this information into a festival program.”
For more information on “Creativity and Crisis: Unfolding the AIDS Memorial Quilt,” visit festival.si.edu.
Theater
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
Holly Twyford on new role and importance of listening to different opinions
‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org
When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles.
Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan).
Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial.
Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”
When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not.
“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”
Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew.
“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”
During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”
When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.”
At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”
“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.
“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today.
Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.”
She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”
Out & About
‘How We Survived’ panel set for March 25
‘Living History’ discussion to be held at Spark Social
Friends of Dorothy Cafe will host “Part One, Living History: How We Survived,” will take place on Wednesday, March 25 at 7:30 p.m. at Spark Social House.
This event will be moderated by Abby Stuckrath, host of the “Queering the District” podcast. Panelists include: Earline Budd, activist, trans rights advocate; TJ Flavell of Go Gay DC; DC LGBTQ+ Center Board Member David Bissette; and Alexa Rodriguez, founder and executive director, Trans-Latinx DMV.
This event is part of a four-part storytelling series called “Living History,” which centers LGBTQ elders, activists, artists, and icons sharing their lived experiences and reflections with younger generations. The conversations explore themes like resilience, community organizing, chosen family, and the lessons earlier generations hope today’s LGBTQ+ and ally communities will carry forward.
Saturday, March 21
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Sunday, March 22
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, March 23
Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Queer Book Club will be at 7 p.m. on Zoom. The Queer Book Club meets on the fourth Monday of the month to discuss queer books by queer authors. For more details, visit the DC Center’s website.
Tuesday, March 24
Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a safe space to share experiences about coming out and discuss topics as it relates to doing so — by sharing struggles and victories the group allows those newly coming out and who have been out for a while to learn from others. For more details, visit the group’s Facebook.
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit www.genderqueerdc.org or Facebook.
Wednesday, March 25
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Thursday, March 26
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
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