Arts & Entertainment
Emerging epidemic
Belgian researcher recounts AIDS discoveries
(Image courtesy W.W. Norton)
Author and epidemiologist Peter Piot knows what it’s like to be on the ground floor of something important. He was there when two previously unknown viruses were identified and in “No Time to Lose,” he explains what that was like.
The package arrived in a blue plastic thermos. It wasn’t wrapped well; in fact, one of the vials inside had broken, mixing glass with blood that had been taken from a Belgian nun who bled to death in Zaire for reasons no one could explain.
Peter Piot was an infectious disease researcher in Antwerp, Belgium, and this kind of mystery made his “heart beat faster.” When his boss sent him to Kinshasa, along the river Congo, to learn more about the crisis, Piot was even more excited. He became part of a team that teased out the root of the sickness and how it traveled from patient to victim.
The virus, highly contagious and almost always deadly, was later named after a river in Africa. Piot is still aghast at the careless, cavalier attitude given to that initial, highly dangerous flask of Ebola he encountered.
After his work in Africa ended, Piot went to Swaziland to work with a colleague assigned to eliminate sexually transmitted disease there. The endeavor was, of course, ill-fated, but this led him to work with STD patients in Antwerp. There, an alarming situation was just starting to appear in the city’s gay population. It “seemed to be a new syndrome” and it seemed to be on the rise.
It was a virus that didn’t care “whether the sex is good, or about the color or gender of the person.” Researchers called it GRID at first, then renamed it AIDS.
Almost from the opening pages, “No Time to Lose” immerses readers in excitement. Author Peter Piot does such a fine job in describing his African surroundings and the people there that you can almost hear the surrounding jungle.
But Piot’s story is not meant for entertainment. There’s a heightened sense of urgency and force here; in fact, Piot repeatedly admits regret that he didn’t do enough, soon enough. Looking through a backward lens, though, readers will wonder why he questions himself. He writes of fighting bureaucracy and politics, establishing organizations to study and prevent of infection and the now-outrageous beliefs he battled.
That makes this a triumphant book with a coda of sadness for a job that seemed, to the author, unfinished.
This book is serious stuff and it’s filled with scientific terms, acronyms and world politics — but don’t let that scare you away. If you’ve got the time to give it the attention it deserves, you’ll enjoy “No Time to Lose” from the start.
Celebrity News
Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey
‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt
Uncloseted Media published this interview on July 7.
By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)
Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.
As Washington shifts right, Democratic Socialists gain ground
Susan Stewart could make history as Rehoboth’s first openly gay mayor
Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey
Madonna roundup: Reviews, sales, and love for ‘Danceteria’
Three overlooked court rulings limited White House anti-trans policies
‘Transcendent’ a tough but important read
Under-the-radar Delaware beach towns smart buyers are targeting
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
In Trump’s divided America, Michael Weinstein’s AHF responds
