Arts & Entertainment
Emerging epidemic
Belgian researcher recounts AIDS discoveries
(Image courtesy W.W. Norton)
Author and epidemiologist Peter Piot knows what it’s like to be on the ground floor of something important. He was there when two previously unknown viruses were identified and in “No Time to Lose,” he explains what that was like.
The package arrived in a blue plastic thermos. It wasn’t wrapped well; in fact, one of the vials inside had broken, mixing glass with blood that had been taken from a Belgian nun who bled to death in Zaire for reasons no one could explain.
Peter Piot was an infectious disease researcher in Antwerp, Belgium, and this kind of mystery made his “heart beat faster.” When his boss sent him to Kinshasa, along the river Congo, to learn more about the crisis, Piot was even more excited. He became part of a team that teased out the root of the sickness and how it traveled from patient to victim.
The virus, highly contagious and almost always deadly, was later named after a river in Africa. Piot is still aghast at the careless, cavalier attitude given to that initial, highly dangerous flask of Ebola he encountered.
After his work in Africa ended, Piot went to Swaziland to work with a colleague assigned to eliminate sexually transmitted disease there. The endeavor was, of course, ill-fated, but this led him to work with STD patients in Antwerp. There, an alarming situation was just starting to appear in the city’s gay population. It “seemed to be a new syndrome” and it seemed to be on the rise.
It was a virus that didn’t care “whether the sex is good, or about the color or gender of the person.” Researchers called it GRID at first, then renamed it AIDS.
Almost from the opening pages, “No Time to Lose” immerses readers in excitement. Author Peter Piot does such a fine job in describing his African surroundings and the people there that you can almost hear the surrounding jungle.
But Piot’s story is not meant for entertainment. There’s a heightened sense of urgency and force here; in fact, Piot repeatedly admits regret that he didn’t do enough, soon enough. Looking through a backward lens, though, readers will wonder why he questions himself. He writes of fighting bureaucracy and politics, establishing organizations to study and prevent of infection and the now-outrageous beliefs he battled.
That makes this a triumphant book with a coda of sadness for a job that seemed, to the author, unfinished.
This book is serious stuff and it’s filled with scientific terms, acronyms and world politics — but don’t let that scare you away. If you’ve got the time to give it the attention it deserves, you’ll enjoy “No Time to Lose” from the start.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)
a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
(Washington Blade photos by Michael Key)
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