Arts & Entertainment
Maintaining mystery
Out actor Spinella says ‘Velocity’ better experienced blind
Estelle Parsons as Alexandra and Stephen Spinella as Chris in “The Velocity of Autumn’ at Arena Stage at the Mead Center for American Theater. It runs through Oct. 20. (Photo by Teresa Wood; courtesy Arena)
‘The Velocity of Autumn’
Through Oct. 20
Arena Stage
1101 Sixth Street, SW
$40-90
Arenastage.org
Broadway star Stephen Spinella almost never leaves New York City to work.
“I’ll only go for incredibly special situations,” he says. “I love my apartment. I have a great support system of friends. I’m just not a happy camper outside of New York. It’s got to be something really great to tempt me.”
Playing opposite Academy Award-winning actress Estelle Parsons in Arena Stage’s “The Velocity of Autumn” is one of those impossible-to-refuse situations.
“Last winter I got a call from Molly Smith [Arena’s artistic director and ‘Velocity’s’ director] offering me the job,” says Spinella, who is gay. “I asked why they’d reached out to me. Molly said I was Parsons’ first choice to play her son. You don’t say no to that.”
Penned by Cleveland-based playwright Eric Coble, the two-character play focuses on 79-year-old Alexandra, who is experiencing the early signs of dementia. Holed up in her Brooklyn brownstone with a cache of homemade explosives, she threatens to blow up the house and herself rather than rethink a less independent living arrangement. It’s then that her estranged gay son Chris is brought in to mediate.
Spinella, widely known for his brilliant Tony Award-winning performances as Prior Walter (a gay man with AIDS) in “Angels in America: Millennium Approaches” and “Angels in America: Perestroika,” won’t reveal much — he believes an audience should experience a play blind. But he will say that in 90 uninterrupted minutes, Chris and Alexandra must find out where they’ve been, where they are now and how they’re going to resolve her issues. It’s a lot to cover.
In real life, Spinella’s 90-year-old mother suffers from dementia. She lives in a care facility in Arizona. But unlike his mother, says Spinella, “Alexandra is still very alert and aware. She’s an artist and very self-reliant. Her character is processing what is happening to her and what she wants to do. That’s a big part of what the play is about.”
And while we’re told Spinella’s character is gay, it’s mentioned rather offhandedly. The straight playwright Coble, says he was intrigued with the idea of Chris’ sexuality not being the focal point.
“So often when being gay is used as a dramatic device it’s the entire focus of the character,” Coble says. “I wanted to write a character who’s not struggling with his sexuality. There are other reasons why he needed to get out of New York City and live far from his mother and more conventionally successful siblings.”
Spinella concurs: “The fact that he’s gay is almost completely unimportant to the play. It’s a minor revelation. When he left home, it was probably more important but it’s essentially dissolved in the way that it has for so many of us in this country.”
For Coble, having Parsons (who won her Oscar for “Bonnie and Clyde” and hilariously played Bev on “Roseanne” for a decade) and Spinella bring his characters to life has been a joy and slightly unnerving. “They’re so good and so smart,” he says. “Their ‘truthometers’ are very high — they have a way at getting at the kernel of truth in every moment. It’s an incredible thing to see and experience.”
And Spinella is rhapsodic about 85-year-old Parsons: “She has that frank New England aspect. It’s great for the character. She’s always surprising — incredibly smart and sensitive with a steel trap mind. She and her husband Peter are both like jocks. They cycle, walk, swim and hike. They’re also fun — really wonderful people.”
Next year, Spinella can be seen HBO’s movie version of Larry Kramer’s seminal AIDS play “The Normal Heart.” He describes the experience as fantastic and intense. His part (Sanford) is small but important. “Early in the play his KS lesions are revealed in the doctor’s office,” says Spinella. “And later, in a newly added scene set in a hospital, he is wild with dementia, calling for his dog. He totally loses it and falls apart.”
But for today, Spinella is happily immersed in “Velocity.” When the show closes next month, he returns to New York City, that place he hates to leave.
Arts & Entertainment
The very few queer highlights of the Oscars
Streisand’s live performance, a shocking tie, and more
LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.
During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”
Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.
One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.
When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”
“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”
Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.
The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.
(Washington Blade photos by Michael Key)
Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen.
At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon).
Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan. Arenastage.org
La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram
Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org
Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu
As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org
In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org
The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com
At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org
At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.
Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play. Jason Loewith directs.
Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org
British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.
And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org
Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.
Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net
Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the four-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org
In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org
Exciting stuff ahead.
Thomas A. Decker of Arlington dies at 73
Gay candidate running for D.C. congressional delegate seat
Idaho advances bill to restrict bathroom access for transgender residents
Report: US to withhold HIV aid to Zambia unless mineral access expanded
‘They took him!’ Gay married couple torn apart by ICE
Gay Venezuelan man ‘forcibly disappeared’ to El Salvador files claim against White House
BMA celebrates enduring influence of Henri Matisse
Ensuring safer drinking water
PHOTOS: Awesome Con
