Arts & Entertainment
Back for round seven
Kaki King, the Shondes headline at this weekend’s PhaseFest
The Shondes are, from left, Allison Miller, Elijah Oberman, Louisa Rachel Solomon and Fureigh. (Photo by Frank Stefanko; courtesy the band).
PhaseFest Queer Music Festival
Phase 1 Lounge
525 8th Street, S.E.
Friday at 7 p.m.
$15 at the door
Saturday at 7 p.m.
$25 at the door
No presale
21 and up
Phase 1 manager Angela Lombardi is her usual self-deprecating self when it comes to the bar she runs.
Despite its historic significance, the original Phase 1 — the oldest continually operating lesbian bar in the country — inspires Lombardi to call it “our little lesbian dive bar.” At the helm for nearly a decade now, she’s gearing up for this weekend’s seventh annual PhaseFest Queer Music Festival, which she says — despite the hard work — is “my favorite time of year.”
Friday night, starting at 7, The Shondes, Glitter Lust, The Coolots, D.C. Kings, Freeform Radio, Company Calls and Tiik W/ Guts will perform. On Saturday, Belladonna, Pushovers, Sexual Side Effects, Jette Kelly, Frankie & Betty, Michelle Raymond Band and Lacy Liszt will play. Guitar legend Kaki King, whom the Blade interviewed in April when she was here for a Howard show, headlines.
PhaseFest — mostly through Lombardi’s persistence — has made a name for itself among queer musicians despite its humble origins.
“We’re pretty fortunate,” Lombardi says. “We’ve worked with so many headliners over the years. Sometimes they come with these insane managers or insane contracts and riders that call for this and that, dressing rooms for everybody. I’m like, ‘Uhhh, yeah. We have a basement.’ But we’ve worked with some really cool artists and some of them have made some real sacrifices from what they’re used to come play for us. Hopefully what we lack in amenities, we make up for in experience. It shows in how many of them come back year after year. It’s really a great thing to be a part of, from the musicians’ standpoint as well.”
Lombardi says this year’s lineup is about half D.C.-based bands versus half from other places. She says “pretty much” every act has performed either at PhaseFest previously or at the Phase some other time. Most years, about 800 attendees see the shows over the course of the weekend. All the bands are either partially or totally LGBT.
Louisa Rachel Solomon, lead singer and bassist for the New York-based Shondes, can’t remember if they’ve played Phase twice or three times previously. The band just put out its new album “The Garden” last week and their set tonight will be their first since the album dropped. It will be for sale in CD, vinyl and digital format at the show. Solomon calls it a “mix of almost an ‘80s-type rock vibe combined with punkier energy.”
“It’s such a cool place for us,” Solomon says during a phone chat this week. “It’s small, homey and the crew is amazing and lovable. They’re some of my favorite bartenders in the country. We’ll keep coming back as long as they let us.”
Solomon says her band “is comprised of people of various genders and sexual orientations” and that queer sensibility is one of the band’s hallmarks.
“We’re heavily rooted in the queer community,” she says.
Nathalie Vega is the lead singer of D.C.-based band Company Calls and she also plays bass. Company Calls is an all-lesbian band that started playing last September. They made their live debut at last year’s PhaseFest.
“We had such a great experience there last year,” she says. “A lot of doors opened for us just from playing at PhaseFest.”
Vega calls Company Calls’ music a “mix of influences from pop to punk to folk to indie-alternative.”
She says PhaseFest is important because it “gives us a musical community.”
“There are lots of place you can go have a drink, but this gives us both a lesbian and musical community as well,” she says.
Lombardi agrees.
“We’re like lesbian ‘Cheers,’” she says.
The Washington Blade held the seventh annual Pride on the Pier at The Wharf DC on Saturday, June 13.
(Washington Blade photos by Landon Shackelford)
The 2026 Lost River Pride Festival was held on the scenic grounds of the Lost River Farmers Market in Lost City, W.Va. on Saturday, June 13. Headliner Tom Goss performed at the festival and gave a second performance at the nearby Guesthouse Lost River.
(Washington Blade photos by Michael Key)
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Books
David Archuleta on Mormon faith, ‘Idol,’ more in new book
Unique memoir details religious upbringing, coming out
‘Devout: Losing My Faith to Find Myself’
By David Archuleta
c.2026, Gallery Books
$29/290 pages
So just make up your mind already.
The decision is very much in your control – or, at least that’s how it’s supposed to be. It’ll be your future, your path, and seizing it may not just be necessary, but mandatory. It’s your life, and no one can live it for you. As in the new memoir “Devout” by David Archuleta, that goes for career and for love, too.
Born to parents who both had musical careers before they wed, David Archuleta remembers an early childhood growing up in a Hispanic Mormon community in Florida, where kin was always nearby. He was six when his parents moved the immediate family to Utah; the first thing he remembers about that is the snow, and how it was so cold, it burned.
Because music was in his blood, Archuleta grew up singing and dancing, often with his mother whom he calls “my rock.” It was his father, however, who encouraged him to perform; first, with a gentle push, then a shove toward a career Archuleta didn’t really want.
But he did want to make his father happy, so he went along with the contests, embarrassing meet-and-greets with stars, and uncomfortable introductions. Slowly, though, performing became more fun, and Archuleta made friends.
Meanwhile, back home, everything was breaking apart. A “family friend” whom Archuleta refuses to name accused his father of abuse. He was exonerated, but it affected the family’s closeness and they stopped being affectionate.
That was a painful backdrop to Archuleta’s soaring career, his appearances on Star Search, friendships with other rising stars, his runner-up spot on “American Idol,” tours, and recording contracts. His father kept pushing him.
But there was one thing missing.
Since he was a boy, Archuleta had known that he was attracted to men, but his Mormon faith taught him that that was unacceptable. Kissing, his abuelita said, was wrong. He tried hard to date girls, in the most chaste way. Anything past that was against God – and anything at all with a man was unthinkable.
Though it absolutely favors his personal life and dwells on it a bit too much, “Devout” strikes an otherwise nice balance between that, author David Archuleta’s career, his sexuality, and his faith. The latter two are loaded with controversy.
You don’t need to be Mormon to fully understand the faith part; Archuleta offers non-Mormons a brief education, so readers can see the importance of the Church’s teachings in his life and why he felt the need to abandon it as his understanding of his bisexuality grew. It’s emotionally raw and honest, but also so respectful that it almost bears re-reading. Such candor and the heart-on-his-sleeve tone you’ll sense are features in the entire book, alongside Archuleta’s family’s struggles and his learning to strike out alone.
It’s harmonious in more ways than one, and fans will be happy.
So, too, will anyone who wants a unique memoir with a dose of faith, or someone who’s an “American Idol”watcher. Find “Devout” and be sure to share. You won’t mind.
The Blade may receive commissions from qualifying purchases made via this post.
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