Arts & Entertainment
Covering the action
New online sports network devoted to LGBT athletic tournaments
(Photo courtesy of the CCE Sports Network)
The recognition of LGBT sports in the United States has reached new levels in the past few years with help from the support of advocacy groups, politicians and straight allies.
The emergence in 2012 of the CCE Sports Network is the latest stamp of validation for the growing LGBT sports movement. The CCE Sports Network is the nation’s only live web streaming sports network dedicated to the LGBT sports community.
The United States is home to more than 200 LGBT sports tournaments and the Network is presenting a portion of those events to athletes, family members, friends, fans and supporters all over the world.
The Network, which launched in May 2012, is the brainchild of Thomas Garnet and Adrian Uribazo who bring 17 years of video experience to their company.
“We had been searching for something new and different,” says Garnet. “We had been considering Pride Festivals, but that was already being covered.”
During the Miami Pride Festival, the pair stumbled across the tennis booth, which was promoting a tournament in Key Biscayne. The Sunshine Tennis Cup would become their first tournament coverage.
As of September 2013, the Network has filmed 12 live broadcasts in cities such as Miami, Atlanta, Indianapolis, Las Vegas, New York City, Fort Lauderdale, Orlando and Washington. The sports covered so far have been tennis, soccer, swimming, water polo, diving and synchronized swimming. They recently covered the Capital Classic XXI tennis tournament in D.C.
“Our goal for 2014 is 20 tournaments,” says Garnet. “We are also planning on adding volleyball, flag football, basketball, rugby and softball to the sports line up.”
The network’s production workflow is set up for a multi-camera live web streaming, complete with play-by-play commentary, score updates, social media updates, live chats, commercials and music. Upgrades can be made to the broadcast to make it look and feel more like traditional sports television.
“Guest commentators have been a big hit for us,” says Garnet. “We invite player-athletes into the booth to give their own perspective and insight into the players and matches. It ends up being informative and funny.”
My first interaction with the CCE Sports Network was at the International Gay and Lesbian Aquatics Championships (IGLA) in Seattle last month. I walked into the natatorium, saw their equipment and was immediately intrigued. I finished my swimming races for the day and Kris Pritchard of the Washington Wetskins told me their next water polo match was that afternoon.
After returning to my hotel room, I logged onto the CCE website and there was the water polo match; live and with commentary. I was overwhelmed that this network has set up a platform to profile and recognize the skill, talent and athleticism of the LGBT athlete.
The stories that that emerged as a result of the CCE Sports Network coverage of IGLA were incredibly touching.
A water polo athlete went up to the commentator booth and asked to give a shout out to his brother, who was serving in the Paktika Province in Afghanistan and was watching his little brother play water polo on his iPad.
A sister got to watch her brother compete in swimming for the first time since high school and a father almost missed his flight at Chicago’s O’Hare Airport; he wanted to watch his little girl compete.
Similar stories were heard after the CCE coverage of the Capital Classic tennis tournament, here in D.C. From their Twitter feed:
@CCESportNetwork I’m thrilled w/ your coverage! I hadn’t been able to see my brother compete since HS! I still can’t get over how fun it was to watch my brother play again! I missed getting to cheer for him!
With the CCE Sports Network still ramping up their operations, there will be many more feel-good moments to come for athletes and their friends and families.
“By 2015, we hope to have weekly live tournament broadcasts along with our own monthly sports show,” says Garnet.
For now, CCE is working on gaining new sponsorships, building their video archives and acquiring connections in the European market. The visibility they’re providing in showcasing the athleticism of the LGBT sports athlete will certainly help to further the cause of the LGBT sports movement to rid the playing field of homophobia.
You can see the Capital Tennis Association players, the Washington Wetskins water polo players and the District of Columbia Aquatics Club swimmers in action in their video archives at ccesportsnetwork.com.
The Petal Release Party and Drag Show was held at Spark Social on Friday, July 31. Performers included Tiara-Missou, Labianna and Darcy de la Cuadra.
(Washington Blade photos by Landon Shackelford)
Celebrity News
Madonna headlines World Pride Music Festival in Amsterdam
Kylie Minogue made surprise appearance alongside gay icon
AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.
The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.
“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.
Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.
Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”
(Washington Blade video by Michael K. Lavers)
“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”
Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.
Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.
Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.
“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”
Theater
Reggie White relishing first season as artistic director of Woolly Mammoth
First five shows a reminder that ‘pressure is a privilege’
Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.
White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.
A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.
White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?”
Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor.
“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.”
WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?
REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real.
BLADE: Are you curating the upcoming 2026–2027 season?
WHITE: Yes, I am. It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard.
I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work.
These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV.
Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.
BLADE: As a queer artistic director, what makes you unique?
WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.
I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].
BLADE: Will we see familiar faces?
WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work.
BLADE: How do you think queer audiences will receive the season?
WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.
Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.
PHOTOS: Petal Release Party
Madonna headlines World Pride Music Festival in Amsterdam
Reggie White relishing first season as artistic director of Woolly Mammoth
PHOTOS: Amsterdam Pride Canal Parade
Amsterdam Pride Canal Parade draws hundreds of thousands
BLADE ENDORSEMENT: Susan Stewart for mayor of Rehoboth Beach
PHOTOS: Lambda Legal in the Pines
Calendar: July 31-August 6
Taiwan’s government has failed to update process to change gender markers on ID documents
