Arts & Entertainment
Whitman’s Washington
Local group honors gay poet with lecture/discussion

Walt Whitman, left, with his companion Peter Doyle. (Photo by M.P. Rice public domain)
Overbeck History Lecture Series
Walt Whitman in Washington
Washington Friends of Walt Whitman
Naval Lodge Hall
330 Pennsylvania Ave., S.E.
Tuesday at 7:30 p.m.
RSVP requested to [email protected]

Martin Murray, a local gay Walt Whitman scholar, at the north entrance of the Dupont Circle Metro stop where a Whitman quote is prominently displayed. (Washington Blade photo by Michael Key)
Local historian Martin Murray is founder of the Washington Friends of Walt Whitman, a group that conducts tours showing spots in the District that are significant to the late, great poet who was spent a large portion of his adult life here from 1862-1873.
On Tuesday, Murray will lecture at the Naval Lodge Hall in a discussion of the gay poet’s many roles here. Here are a few highlights from a lengthy conversation with Murray this week about why the “Leaves of Grass” author still matters. His comments have been heavily edited for length.
WASHINGTON BLADE: How did you come to be so interested in Whitman?
MURRAY: I was introduced to him in 1976 when I was a student at Rutgers. It was the year of the Bicentennial and there was a series on famous Americans. One was on Walt Whitman in which he was portrayed by Rip Torn. I was in college and coming to terms with my own sexuality. The portrayal was very sensitively drawn, but they made it clear he was gay… which I thought was pretty forward for 1976. I hadn’t studied him much in school, but after that, I was very interested.
BLADE: You’ve done some substantial research on Whitman. What are some of the things you’ve discovered?
MURRAY: I had been interested in his role as a journalist during the war and I found about a dozen additional pieces of Whitman’s journalism that hadn’t been noted before. … Also in some of the things he jotted down during his time visiting wounded soldiers, he would often jot down their names or initials. I thought it would be interesting to find out more about them, so by doing some research at the National Archives where military service records are held and pension records as well, I was able to find a lot. This was about 15 years ago. … I also wrote a biographical essay on (Whitman confidante and probably lover) Peter Doyle that was published in the Walt Whitman Quarterly Review.
BLADE: Whitman lived here many years. What was his view of his life in Washington?
MURRAY: He was basically here from the last week of December of 1862 until July of 1873. As the war was ending, he got more secure government work. … He had a lot of connections here and worked until he had a stroke in January of 1873 in his office at the Treasury Building where he worked in the Attorney General’s office. He was basically paralyzed I believe on the left side. He tried as best he could to recover but eventually realized he couldn’t stay, so he went to Camden, New Jersey where he lived with his brother. … I think he would have stayed if his health had allowed.
BLADE: Do we know if there were any networks of gay men in Washington at the time or if they had any way of finding each other outside of random encounters?
MURRAY: It’s really hard to say. There probably were networks like that but trying to find firm evidence of it is really difficult. We know Whitman was writing poems about romance among gay soldiers, that there were references in the press suggesting his homosexuality and people he was intimate with in D.C., but it’s hard to say if there was any kind of gay society in that day.
BLADE: What significance does it hold for gays today to have historical figures such as Whitman be recognized as gay forefathers?
MURRAY: Even with the great progress that’s been made, there’s always a struggle, always something to grapple with when we start to realize we’re gay. People need to be able to look back and realize we’re not freaks. People of my kind have always existed and there’s a continuity there that goes all the way back through recorded time.
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
