Arts & Entertainment
Whitman’s Washington
Local group honors gay poet with lecture/discussion
Walt Whitman, left, with his companion Peter Doyle. (Photo by M.P. Rice public domain)
Overbeck History Lecture Series
Walt Whitman in Washington
Washington Friends of Walt Whitman
Naval Lodge Hall
330 Pennsylvania Ave., S.E.
Tuesday at 7:30 p.m.
RSVP requested to [email protected]
Martin Murray, a local gay Walt Whitman scholar, at the north entrance of the Dupont Circle Metro stop where a Whitman quote is prominently displayed. (Washington Blade photo by Michael Key)
Local historian Martin Murray is founder of the Washington Friends of Walt Whitman, a group that conducts tours showing spots in the District that are significant to the late, great poet who was spent a large portion of his adult life here from 1862-1873.
On Tuesday, Murray will lecture at the Naval Lodge Hall in a discussion of the gay poet’s many roles here. Here are a few highlights from a lengthy conversation with Murray this week about why the “Leaves of Grass” author still matters. His comments have been heavily edited for length.
WASHINGTON BLADE: How did you come to be so interested in Whitman?
MURRAY: I was introduced to him in 1976 when I was a student at Rutgers. It was the year of the Bicentennial and there was a series on famous Americans. One was on Walt Whitman in which he was portrayed by Rip Torn. I was in college and coming to terms with my own sexuality. The portrayal was very sensitively drawn, but they made it clear he was gay… which I thought was pretty forward for 1976. I hadn’t studied him much in school, but after that, I was very interested.
BLADE: You’ve done some substantial research on Whitman. What are some of the things you’ve discovered?
MURRAY: I had been interested in his role as a journalist during the war and I found about a dozen additional pieces of Whitman’s journalism that hadn’t been noted before. … Also in some of the things he jotted down during his time visiting wounded soldiers, he would often jot down their names or initials. I thought it would be interesting to find out more about them, so by doing some research at the National Archives where military service records are held and pension records as well, I was able to find a lot. This was about 15 years ago. … I also wrote a biographical essay on (Whitman confidante and probably lover) Peter Doyle that was published in the Walt Whitman Quarterly Review.
BLADE: Whitman lived here many years. What was his view of his life in Washington?
MURRAY: He was basically here from the last week of December of 1862 until July of 1873. As the war was ending, he got more secure government work. … He had a lot of connections here and worked until he had a stroke in January of 1873 in his office at the Treasury Building where he worked in the Attorney General’s office. He was basically paralyzed I believe on the left side. He tried as best he could to recover but eventually realized he couldn’t stay, so he went to Camden, New Jersey where he lived with his brother. … I think he would have stayed if his health had allowed.
BLADE: Do we know if there were any networks of gay men in Washington at the time or if they had any way of finding each other outside of random encounters?
MURRAY: It’s really hard to say. There probably were networks like that but trying to find firm evidence of it is really difficult. We know Whitman was writing poems about romance among gay soldiers, that there were references in the press suggesting his homosexuality and people he was intimate with in D.C., but it’s hard to say if there was any kind of gay society in that day.
BLADE: What significance does it hold for gays today to have historical figures such as Whitman be recognized as gay forefathers?
MURRAY: Even with the great progress that’s been made, there’s always a struggle, always something to grapple with when we start to realize we’re gay. People need to be able to look back and realize we’re not freaks. People of my kind have always existed and there’s a continuity there that goes all the way back through recorded time.
The 2026 Mr. Mid-Atlantic Leather competition was held at the Hyatt Regency Capitol Hill on Sunday. Seven contestants vied for the title and Gage Ryder was named the winner.
(Washington Blade photo by Michael Key)
Theater
Voiceless ‘Antony & Cleopatra’ a spectacle of operatic proportions
Synetic production pulls audience into grips of doomed lovers’ passion
‘Antony & Cleopatra’
Through Jan. 25
Synetic Theater at
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Synetictheater.org
A spectacle of operatic proportions, Synetic Theater’s “Antony & Cleopatra” is performed entirely voiceless. An adaptation of the Bard’s original (a play bursting with wordplay, metaphors, and poetic language), the celebrated company’s production doesn’t flinch before the challenge.
Staged by Paata Tsikurishvili and choreographed by Irina Tsikurishvili, this worthy remount is currently playing at Shakespeare Theatre Company’s Klein Theatre, the same venue where it premiered 10 years ago. Much is changed, including players, but the usual inimitable Synectic energy and ingenuity remain intact.
As audiences file into the Klein, they’re met with a monumental pyramid bathed in mist on a dimly lit stage. As the lights rise, the struggle kicks off: Cleopatra (Irina Kavsadze) and brother Ptolemy (Natan-Maël Gray) are each vying for the crown of Egypt. Alas, he wins and she’s banished from Alexandria along with her ethereal black-clad sidekick Mardian (Stella Bunch); but as history tells us, Cleopatra soon makes a triumphant return rolled in a carpet.
Meanwhile, in the increasingly dangerous Rome, Caesar (memorably played by Tony Amante) is assassinated by a group of senators. Here, his legendary Ides of March murder is rather elegantly achieved by silver masked politicians, leaving the epic storytelling to focus on the titular lovers.
The fabled couple is intense. As the Roman general Antony, Vato Tsikurishvili comes across as equal parts warrior, careerist, and beguiled lover. And despite a dose of earthiness, it’s clear that Kavsadze’s Cleopatra was born to be queen.
Phil Charlwood’s scenic design along with Colin K. Bills’ lighting cleverly morph the huge pyramidic structure into the throne of Egypt, the Roman Senate, and most astonishingly as a battle galley crashing across the seas with Tsikurishvili’s Antony ferociously at the helm.
There are some less subtle suggestions of location and empire building in the form of outsized cardboard puzzle pieces depicting the Mediterranean and a royal throne broken into jagged halves, and the back-and-forth of missives.
Of course, going wordless has its challenges. Kindly, Synectic provides a compact synopsis of the story. I’d recommend coming early and studying that page. With changing locations, lots of who’s who, shifting alliances, numerous war skirmishes, and lack of dialogue, it helps to get a jump on plot and characters.
Erik Teague’s terrific costume design is not only inspired but also helpful. Crimson red, silver, and white say Rome; while all things Egyptian have a more exotic look with lots of gold and diaphanous veils, etc.
When Synetic’s voicelessness works, it’s masterful. Many hands create the magic: There’s the direction, choreography, design, and the outrageously committed, sinewy built players who bring it to life through movement, some acrobatics, and the remarkable sword dancing using (actual sparking sabers) while twirling to original music composed by Konstantine Lortkipanidze.
Amid the tumultuous relationships and frequent battling (fight choreography compliments of Ben Cunis), moments of whimsy and humor aren’t unwelcome. Ptolemy has a few clownish bits as Cleopatra’s lesser sibling. And Antony’s powerful rival Octavian (ageless out actor Philip Fletcher) engages in peppy propaganda featuring a faux Cleopatra (played by Maryam Najafzada) as a less than virtuous queen enthusiastically engaged in an all-out sex romp.
When Antony and Cleopatra reach their respective ends with sword and adder, it comes almost as a relief. They’ve been through so much. And from start to finish, without uttering a word, Kavsadze and Tsikurishvili share a chemistry that pulls the audience into the grips of the doomed lovers’ palpable passion.
Out & About
Love board games and looking for love?
Quirk Events will host “Board Game Speed Dating for Gay Men” on Thursday, Jan. 22 at 7 p.m. at KBird DC.
Searching for a partner can be challenging. But board games are always fun. So what if you combined board games and finding a partner?
Picture this: You sit down for a night of games. A gaming concierge walks you through several games over the course of the night. You play classics you love and discover brand new games you’ve never heard of, playing each with a different group of fun singles. All while in a great establishment.
At the end of the night, you give your gaming concierge a list of the folks you met that you’d like to date and a list of those you met that you’d like to just hang out with as friends. If any two people put down the same name as each other in either column, then your gaming concierge will make sure you get each other’s e-mail address and you can coordinate a time to hang out.
Tickets cost $31.80 and can be purchased on Eventbrite.
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Comings & Goings
