Arts & Entertainment
Sympathetic siblings
Memoir chronicles journey through a transition

Cover to ‘My Brother My Sister.’ (Image courtesy of Viking)
‘My Brother My Sister’
By Molly Haskell
Viking
$26.95
213 pages
Mom always said you were two of a kind.
You and your favorite sibling: yin and yang, two halves of a whole. A lot of film was spent documenting your lives. A lot of memories are shared when you get together.
Once upon a time, you knew exactly what your sib was thinking — or did you? Read the new book “My Brother My Sister” by Molly Haskell, and you might wonder.
Growing up in Richmond , Va., in the post-WWII years, Molly Haskell, her brother Chevey and their friends enjoyed the same clubs, schools, cotillions and churches. She remembers a childhood of privilege and happiness.
Her brother remembers sneaking up to Haskell’s closet to try on her clothes.
Of course, that was unknown to Haskell until years later, when Chevey came to her in New York and told her that he’d decided to act on something that had vexed him for decades: nervously, he explained that he had gender dysphoria. He’d been on hormones for months. Years ago, he’d thought of himself as “Ellen,” the woman he knew he was inside.
It was something that Haskell never saw coming.
Chevey had been married twice. His first wife knew of his feelings, as did his second wife, but the latter was struggling with acceptance. So, in fact, was Haskell, though she was also curious to know the particulars.
When did Chevey know? (At age 7). How did he decide to do this? (The urge was so strong that he could do nothing else). Why did he wait 50-some years to transition? (Many reasons, including family). He likened his gender to a “birth defect.” It was time to make things right.
As Chevey became Ellen, Haskell mourned the loss of her brother. When Ellen informed the rest of the family of her news, Haskell kept “waiting for the sky to fall” but nothing happened. Yes, there were slips, gaffes, hurts and a few surprising revelations, but the world didn’t end.
“Lucky for me,” says Haskell, “my newly minted sister is still the magnificent human being my brother was.”
There’s an awful lot of “poor-me”-ing in the beginning of “My Brother My Sister;” a lot of hand-wringing from author Molly Haskell, and too much fretting about how her brother’s transformation would affect her. While some readers might imagine how they’d feel in the same situation, it’s pretty tedious, angst-ridden reading.
Thankfully, the book gets better.
Once Haskell’s story gets around to acceptance, readers are treated to a more relaxing read, one of discovery (both on Haskell’s part, and that of her sister), devotion, and of delight. That’s the raison d’etre of this book. What you’ll find from there to the end is why you’d want to read this book in the first place.
Aside from a bumpy beginning and some surgery descriptions that are TMI-overload, “My Brother My Sister” is ultimately satisfying, especially for those who may be going through these same issues.
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The Gay Men’s Chorus of Washington held the annual Spring Affair gala at the Ritz Carlton Washington, D.C. on Saturday. The theme for this year’s fete was “Sapphire & Sparkle.” The chorus celebrated 45 years in D.C. with musical performances, food, entertainment, and an awards ceremony.
Gay Men’s Chorus of Washington Executive Director Justin Fyala and Artistic Director Thea Kano gave welcoming speeches. Opening remarks were delivered by Spring Affair co-chairs Tracy Barlow and Tomeika Bowden. Uproariously funny comedian Murray Hill performed a stand-up set and served as the emcee.
There were performances by Gay Men’s Chorus of Washington groups Potomac Fever, 17th Street Dance, the Rock Creek Singers, Seasons of Love, and the GenOUT Youth Chorus.

Anjali Murthy, a member of the chorus and a graduate of the GenOUT Youth Chorus, addressed the attendees of the gala.
“The LGBTQ+ community isn’t bound by blood ties: we are brought together by shared experience,” Murthy said. “Being Gen Z, I grew up with Ellen [DeGeneres] telling me through the TV screen that it gets better: that one day, it’ll all be okay. The sentiment isn’t wrong, but it’s passive. What I’ve learned from GMCW is that our future is something we practice together. It exists because people like you continue to show up for it, to believe in the possibilities of what we’re still becoming”
The event concluded with the presentation of the annual Harmony Awards. This year’s awardees included local drag artist and activist Tara Hoot, the human rights organization Rainbow Railroad as well as Rocky Mountain Arts Association Executive Director, Dr. Chipper Dean.
(Washington Blade photos and videos by Michael Key)































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(Washington Blade photos by Daniel Truitt)














