Arts & Entertainment
Calendar for Aug. 6
Friday, Aug. 6, to Thursday, Aug. 12
Friday, Aug. 6
Open Mic Night tonight at the DC Center, 1318 U St., N.W., at 8 p.m. hosted by Mike Brazell. Everyone is welcome to a night of queer poetry and spoken word and is encouraged to come prepared to share.
Gloss presents First Fridays Ladies Night tonight at Apex, 1415 22nd St., N.W., featuring the DC Kings and the DC Gurly Show. DJ Rosie will be in the main hall. There is a $10 cover charge. Must be 18 to enter and 21 to drink.
Annie Oakley Wild West Festival starts tonight with an opening dance at the Governor’s Hall at Sailwinds Park, 200 Byrn St., Cambridge, Md., from 7 to 11 p.m. There is a $20 cover charge. The festival is a new event to celebrate famous sharpshooter Annie Oakley. The festival continues through the weekend. There will be music, pony rides, arts and crafts, re-enactments, food and beverages.
Bugs Bunny at the Symphony, created and conducted by George Daugherty, will be at Wolf Trap’s Filene Center, 1551 Trap Rd., Vienna, Va., tonight at 8:30 p.m. The NSO provides live accompaniment as everyone’s favorite bunny brings new cartoons and music to life on large screens in-house and on the lawn, including classics “The Rabbit of Seville,” “What’s Opera, Doc?” and more.
The GLBT Arts Consortium and Capitol Hill Arts Workshop will offer Gilbert & Sullivan’s most popular opera “The Mikado” at CHAW, 545 7th St., S.E., at 7 p.m. Return to a time when merely flirting was punishable by death, and a poor tailor must compete with a second trombone for the favors of a beauty named Yum-Yum, and a formidable lady can be won with a pack of flattering lies and a sad, lovelorn song. And that’s only the beginning.
Saturday, Aug. 7
Ever wanted to dance like the crews on ABDC such as Poreotixs or Soreal Cru? Join the Joy of Motion Dance Center, 5207 Wisconsin Ave., N.W., at 11 a.m. for an Autobots vs. Decepticons workshop that will show all the latest street moves fused with illusions, tutting, popping and turfing and video choreography based on today’s hottest dance moves and concepts. Visit Joyofmotion.org for more information.
The DC Center and Tongues Afire DC invite queer women of color to a poetry workshop taking place at the DC Center, 1318 U St., N.W., at 1:30 p.m. Come explore your creative spirit in a workshop facilitated by local poet Jade Foster. For more information, contact Jade at: [email protected]
No Scrubs ‘90s Dance Party with DJs Will Eastman and Brian Billion at 9:30 club at 9 p.m. No Scrubs began in 2004 as a one-off concept party by Eastman and Billion. The idea was simple: play both guilty pleasures and underground classics you listened to growing up in the 90s. Tickets are $15 and can be purchased at 930.com.
Drag Days of Summer by Scena at the H Street Playhouse, 1365 H. St., N.E., is a party following a performance of “The Importance of Being Earnest” by Oscar Wilde. There will be complimentary wine, beer and German food by Biergarten Haus. Drag attire is welcomed. Tickets can be purchased at scenatheater.org.
Sunday, Aug. 8
Hippiefest at Wolftrap’s Filene Center, 1551 Trap Rd., Vienna, Va., at 8 p.m. This “groovy” tradition continues with the best of the ‘70s featuring Jack Bruce of Cream, War, Mitch Ryder and Rare Earth.
Monday, Aug. 9
“Women to Watch 2010 Body of Work: New Perspectives on Figure Painting” at the National Museum of Women in the Arts, 1250 New York Ave., N.W. NMWA’s newest installment in the Women to Watch exhibition series centers on contemporary figurative painting. The 16 works in the exhibition reflect myriad styles and approaches, but all highlight figure painters’ embrace of the slow, subtle and singular processes involved in painting people.
Tuesday, Aug. 10
Join the Dance Institute of Washington for an innovative, family-friendly adaptation of a celebrated classic, West Side Story, at the Children’s Theatre-in-the-Woods at Wolf Trap, 1551 Trap Road, Vienna, Va., at 10 a.m. When the Hip Hops challenge the Techni-Ques to a lively dance-off, it seems like everyone’s choosing sides. This fun, age-appropriate competition is the backdrop for a love story that makes two rivals reevaluate their differences and honor the importance of acceptance through their love of dance. Visit wolftrap.org to purchase tickets.
Wednesday, Aug. 11
Tribute to the British Invasion at Strathmore, 5301 Tuckerman Lane, at 7:30 p.m. Sixty of the D.C. area’s best performers, including Tommy Lepson, Eric Brace & Last Train Home, 4 Out of 5 Doctors, Margot MacDonald, Julia Nixon and more honor singers and bands that forever changed America’s musical landscape. Highlighting the years of 1964-1966, this show features hits originally performed by The Beatles, The Rolling Stones, The Who, Dusty Springfield and more.
Play Loteria, the Mexican version of bingo, but played with icons instead of letters and numbers, at The Palace of Wonders, 1210 H St., N.E., at 6:30 p.m. The icons were done by 54 of DC/MD’s top artists including David Amoroso, Kevin Sherry, Cameron Wolf and former Blade staffer Alan Defibaugh. The evening is hosted by burlesque waitress, Shortstaxx and alt drag performer, Lucrezia Blozia.
Thursday, Aug. 12
DCBiWomen, the area’s social group for bisexual and bi-curious women, will meet at Cafe Luna, 1633 P St., N.W., at 7 p.m. The group’s goal is to create an accepting, encouraging environment for bisexual women regardless of the gender of their partner or what they are looking for, meet other cool bi women, and affirm the existence of the bi-identity.
Jason Wu’s fashion collection meets its fine art inspiration at a special Phillips After 5 at The Phillips Collecton, 1600 21st St., N.W., from 5 to 8:30 p.m. Wu cites Robert Ryman’s painting as the muse for his fall 2010 TSE cashmere collection. For one evening, models act as living works of art in the Ryman exhibition, bringing Wu’s designs face-to-face with their fine art inspiration. A video of Wu’s fall 2010 ready-to-wear runway show is on view in the café, and a scavenger hunt leads visitors through the museum, collecting fashion and fine art facts for a chance to win prizes. Tickets are $12 for adults, $10 for students and visitors 62 and over, and free for members and visitors 18 and under and they can be purchased at phllipscollection.org/calendar.
Celebrity News
D.C. goes gaga for Gaga
Bisexual icon brought ‘The Mayhem Ball’ tour to Washington this week
Lady Gaga this week took D.C. by storm.
The bisexual icon and LGBTQ rights champion brought “The Mayhem Ball” tour to Capital One Arena on Monday and Tuesday.
“Abracadabra,” “Paparazzi,” “Applause,” and “Bad Romance” are among the songs Lady Gaga performed during the 2 1/2-hour long concert. Lady Gaga also celebrated her many queer fans.
“You are precious to us,” she said on Tuesday night before she performed “Born This Way.”
Photos
PHOTOS: Capital Stonewall Democrats 50th anniversary
D.C. LGBTQ political group celebrates milestone at Pepco Edison Place Gallery
The Capital Stonewall Democrats held a 50th anniversary celebration at Pepco Edison Place Gallery on Friday. Rayceen Pendarvis served as the emcee.
(Washington Blade photos by Michael Key)
























Theater
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
Holly Twyford on new role and importance of listening to different opinions
‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org
When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles.
Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan).
Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial.
Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”
When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not.
“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”
Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew.
“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”
During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”
When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.”
At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”
“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.
“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today.
Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.”
She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”
