Arts & Entertainment
Calendar: event listings through Oct. 21
Friday, Oct. 15
Raging Stallion adult star Adam Killian will be live and nude on stage tonight at Secrets. Cover is $5 before 10:30 p.m. and $10 after. Doors open at 9 p.m. For more information, visit secretsdc.com.
Baltimore Black Pride starts today with a meet and greet with the Board of Directors at Club Bunns (608 W. Lexington St., Baltimore) from 7 to 9 p.m.
Dakshina Dance Company presents Mallika Sarabhai and the Darpana Dance Company’s performance of Sampradayam (Traditions) at the Lincoln Theatre (1215 U St., N.W.) tonight at 7:30 p.m. This event is part of D.C.’s seventh annual Fall Festival of Indian Arts. Visit dakshina.org for more information and to purchase tickets.
The VelocityDC Dance Festival returns for a second year at the Shakespeare Theatre Company’s Sidney Harman Hall (610 F St., N.W.) at 8 p.m. featuring CityDance Ensemble, Urban Artistry, the Washington Ballet and more. Tickets are $18 and can be purchased at Shakespearetheatre.org.
Factory 449 presents “The Saint Plays” by Erik Ehn tonight at 8 p.m. at the Church Street Theatre (1742 Church St., N.W.).
The Black Squirrel (2427 18th St., N.W.) hosts its weekly LGBT night tonight at 9 p.m. There’s no cover charge. Must be 21 or older to enter. Visit blacksquirreldc.com to see a menu.
Sugarloft CraftsFestival starts today at the Montgomery County Fairgrounds in Gaithersburg from 10 a.m. to 6 p.m.. For more information, visit sugarloafcrafts.com.
This is the last weekend for Ganymede’s production of the gay-themed “Falsettos” at Noi’s Nook on 14th Street. Final performances are tonight and Saturday at 8 p.m. and Sunday at 7. Tickets are $30. Go to www.ganymedearts.org for more information.
Saturday, Oct. 9
Cotton Candy, a new 18-and-up gay dance party from event planner Jacob Pring, is tonight from 10 p.m. to 3 a.m. at Green Lantern. It will continue on the second Saturday of each month. Admission is $5 but is free for those with a college or military ID. Vodka drinks are free from 10 to 11 p.m. DJs David Merrill and Bryan Yamasaki will spin. Ten percent of proceeds go to the D.C. Center.
Baltimore Black Pride continues with the Living Red Ribbon Campaign from 9 a.m. to noon, rain or shine, at Rash Field, at the base of Federal Hill park, in Baltimore. Representatives from the Guinness World Records are expected to attend as attendees attempt to create the largest living red ribbon ever.
The 14th annual Human Rights Campaign national dinner is tonight at the Walter E. Washington Convention Center (801 Mount Vernon Place, N.W.). The dinner is sold out but people who still want to attend can be added to the wait list. Visit hrcnationaldinner.org for more information.
The VelocityDC Dance Festival continues today at the Shakespeare Theatre Company’s Sidney Harman Hall (610 F St., N.W.) at 2 and 8 p.m. The 8 p.m. event includes performances by EDGEWORKS, Erica Rebollar, Furia Flamenca and more. The 2 p.m. event features the same performances as Friday night.
The eighth annual Cultural Affair, a part of Baltimore Black Pride, will be at the Eubie Blake National Jazz Institute and Cultural Center (847 N. Howard St.) from 7 to 11 p.m. tonight.
Logo and RCN present Morgan McMiachels and Shannel from “RuPaul’s Drag Race” and “Drag U” tonight at Town (2009 8th St., N.W.) as part of the drag show starting at 10:30 p.m. Doors open at 10 p.m. Cover is $8 before 11 and $12 after. Attendees must be 21 or older.
Sunday, Oct. 10
LAMBDA SCI-FI will be holding its monthly meeting and social of LGBT science fiction, fantasy and horror fans at Brunswick House (1414 17th St., N.W.) at 1:30 p.m. for the meeting and 2 p.m. for the social. For more information call James at 202.232.3141 or e-mail to [email protected].
COLAGE celebrates its 20th anniversary today from 2 to 5 p.m. at the Mansion (O St., N.W.) Wilson Cruz, Angel from “Rent” will be emceeing the event.
Baltimore Black Pride will be having a National Coming Out Day party at the Comfort Inn Downtown Baltimore (8 E. Pleasant St.) from 2 to 4 p.m. Dress is casual and comfortable.
Pocket Gays hosts Sour Patch Sunday School today from 3 to 9 p.m. on the rooftop of Local 16 (1602 U St., N.W.). There will be drink specials and raffles including list spots to the “WTF” (What The Fuck?) party at Town the same night.
The fall festival ends Baltimore Black Pride at Club Bunns (608 W. Lexington St.) from 4 to 11 p.m. There is a $3 cover charge.
Women of Color Productions presents 10-10-10 The Unveiling of Epiphany Toi Williams from 6 p.m. to midnight tonight at Remington’s (639 Pennsylvania Ave., S.E.). This event is the true life account of Williams shared through spoken word, musical performances, dance ensemble and more.
Monday, Oct. 11
Zoom presents a picnic brunch at the National Arboretum (3501 New York Ave., N.E.) today from 1 to 4 p.m. There will be garden games including, twister, tug of war and more. Attendees are to bring their own picnic baskets. Well-trained pets are welcome. This event is free.
West Coast Swing Flash Mob choreography will be taught at Remington’s (639 Pennsylvania Ave., S.E.) tonight at 8:30 p.m. The choreography will be used to join a group from the D.C. area doing a flash mob on Oct. 16.
Hope Operas, whose founder is openly gay, has its second week of five new shows tonight to raise money for charity. The shows are at 8 p.m. at the Comedy Spot, in Ballston Mall (4238 Wilson, Blvd.), in Arlington. Each show benefits a different charity. Tickets are $12 per show. For more information call 323.788.8970 or e-mail [email protected].
Tuesday, Oct. 12
SpeakeasyDC will be at Town (2009 8th St., N.W.) tonight at 8 p.m. with “Coming Out: Stories about revelations, debuts and proclamations” in honor of National Coming Out Day. There is a $10 cover and attendees must be 21 or older. Doors open at 6:30 p.m.
Mautner Project presents a stress relief workshop tonight from 7 to 8 p.m. at Metropolitan Community Church (474 Ridge St., N.W.). Vanita Leatherwood will lead a small group through six sessions of ways to relieve stress. There is a $30 registration fee. E-mail to [email protected] or call 202-332-5536 for more information and to register.
Masters and Slaves Together will be holding its monthly meeting tonight from 7:30 to 9 p.m. at the D.C. Center (1318 U St., N.W.). For more information about the group, visit its website, mastwashington.org.
Wednesday, Oct. 13
Rainbow Response will be holding its monthly meeting tonight from 7 to 8 p.m. at D.C. Coalition Against Domestic Violence (5 Thomas Circle, N.W.). The meeting is open to all who are interested.
Green Lantern (1331 Green Court, N.W.) will host the weekly Poz D.C. happy hour upstairs from 8 p.m. to midnight. DJs, C-Dubz, Keith Hoffman, Jason Horswill and T-N-T Music factory will be spinning. Jacob Nathaniel Pring will host and bartend.
Thursday, Oct. 14
A new party dubbed “Homolicious” is at MOVA tonight from 7 p.m. to 2 a.m. from MAG 7 Productions. Drag queen Stormy Vain and Allen Sexton will host. Downstairs from 7 to midnight, Jacob Pring and Justin Croft will bartend. Erik Lars Evans and Bryan Yamasaki will spin. Upstairs Mr. Gay D.C. 2010 Aaron Alexander will bartend and David Merrill will spin. “Homo” snow cones will be served. Those with birthdays the week of Oct. 10 to 16 will get a free drink.
DCBiWomen will be having its monthly dinner at Café Luna (1633 P St., N.W.) tonight from 7 to 8 p.m For more information, visit dcbiwomen.org.
Zenith Gallery (1111 Pennsylvania Ave., N.W.) has extended its Transparency exhibit of glass sculptures by Jackie L. Braitman. The gallery is open weekdays from 8 am to 7 p.m. For more information, visit zenithallery.com.
Theater
Trans performer, juggler premiering one-woman show

Circus of the Self
May 29-June 6
Spooky Action Theater
1810 16th St., N.W.
Pay-What-You-Can: May 2
All other performances: $35
Spookyaction.org
For Lucy Eden, tricks have proved a way into theater.
The Oakland, Calif.-based trans performer and juggler is premiering her one-woman show “Circus of the Self” at Spooky Action Theater in conjunction with WorldPride.
Directed by Spooky Action’s artistic director Elizabeth Dinkova, the autobiographical busking show is a unique blend of circus and serious storytelling.
Juggler first met director several years ago in Atlanta. Eden explains, “She was working at a theater down the street from the juggling club where I spent a lot of time. She needed people for a street fair. I agreed. Another collaboration soon followed.”
Previously, Eden had worked mostly as a roaming performer at Atlanta corporate events and street style pre-game shows for the Braves: “Those environments were a good way to work on material, to learn what tricks make people stop their talking and turn their attention to me,” she says.
Now based in Oakland, Calif., Eden, 40, has created a 77-minute-long one-woman show infused with burlesque, expert juggling, and a personal, sometimes difficult, story.
While she hesitates to say it’s the obligation of all trans people to tell their stories, she says, “In these times, if you get the opportunity, I believe you ought to take it.”
Recently, she took a break from preparations, to talk life and showbiz.
BLADE: How exactly did you learn circus tricks?
EDEN: I’m autodidactic. I taught myself to juggle in the last semester of college. Things had gone wrong and I was looking for distraction. So, when I found a “three ball learn to juggle” kit, I never looked back. That lead to advanced juggling, unicycling, and balancing objects on my face.
Things began to look up. Today, I try to resist everything in my life going back to circus tricks, it almost always does.
BLADE: It sounds almost preordained.
EDEN: For sure. It changed everything. Circus skills force you to face your own failure. When you drop a ball, you can’t convince yourself or the audience that it didn’t happen. Performing, like life, forces you to develop capacities to deal with internal and external failures.
It teaches us not take ourselves, societal rules, or the idea of what’s success too seriously.
BLADE: Juggling at a cocktail party to baring your past before a rapt audience must be quite a stretch.
EDEN: It is, but rather than making a dramatic leap, I leveraged the fun and draw of circus to engage people in a more difficult conversation.
BLADE: Spooky Action’s website warns about “frank discussions of transphobia and mental health.”
EDEN: Well yeah, I grew up in rural Georgia in the 1990s. You can only imagine. Trans is integral to my identity, and a hot button term right now. I think everyone sees and hears a lot of things about trans people that don’t in fact come from actual trans people.
A big part of why I wrote this show and brought it to D.C. is because I really want audiences to have as intimate and revealing look at me as a trans persona as I can give them. I think it’s only through knowing that we can get beyond all the noise, misinformation, and fear mongering.
BLADE: Lately I hear a lot of artists bandying about the term “queer joy.” Woolly’s website uses the term in describing aspects of your show. What does it mean to you?
EDEN: It’s an important thingfor us all to be focused on right now, but we’re in a place where joy is hard to access. So, to me, it’s complex; it’s an important yet nuanced pursuit.
BLADE: As a part of the vast and promising WorldPride (through June 8) entertainment lineup, what makes your show stand out?
EDEN: It’s fun. I wrote “Circus of the Self” with a queer audience in mind. I spend a lot of time and creative energy performing for a general audience. I want this to be different. As far as I know, there’s nothing quite like my show out there.
There are a lot of shows that are a combination of storytelling and circus parts but they tend to be surface level entertainment. I think of this as more standup with circus layered on; it’s modeled after queer comedians like Hannah Gadsby and Tig Notaro whose work is driven more by personality than jokes.
I have tried to write a show for a queer audience. It has all the things I need to see for myself but never have.
Movies
‘Things Like This’ embraces formula and plus-size visibility
Enjoyable queer romcom challenges conventions of the genre

There’s a strange feeling of irony about a spring movie season stacked with queer romcoms – a genre that has felt conspicuously absent on the big screen since the disappointing reception met by the much-hyped “Bros” in 2022 – at a time when pushback against LGBTQ visibility is stronger than it’s been for 40 years.
Sure, part of the reason is the extended timeline required for filmmaking, which tells us, logically, that the numerous queer love stories hitting theaters this year – including the latest, the Manhattan-set indie “Things Like This,” which opened in limited theaters last weekend – began production long before the rapid cultural shift that has taken place in America since a certain convicted fraudster’s return to the White House.
That does not, however, make them any less welcome; on the contrary, they’re a refreshing assertion of queer existence that serves to counter-balance the hateful, politicized rhetoric that continues to bombard our community every day. In fact, the word “refreshing” is an apt description of “Things Like This,” which not only celebrates the validity – and joy – of queer love but does so in a story that disregards “Hollywood” convention in favor of a more authentic form of inclusion than we’re ever likely to see in a mainstream film
Written, starring, and directed by Max Talisman and set against the vibrant backdrop of New York City, it’s the story of two gay men named Zack – Zack #1 (Talisman) is a plus-sized hopeful fantasy author with a plus-sized personality and a promising-but-unpublished first novel, and Zack #2 (Joey Pollari) an aspiring talent agent dead-ended as an assistant to his exploitative “queen-bee” boss (Cara Buono) – who meet at an event and are immediately attracted to each other. Though Zack #2 is resigned to his unsatisfying relationship with longtime partner Eric (Taylor Trensch), he impulsively agrees to a date the following night, beginning an on-again/off-again entanglement that causes both Zacks to re-examine the trajectories of their respective lives – and a lot of other heavy baggage – even as their tentative and unlikely romance feels more and more like the workings of fate.
Like most romcoms, it relies heavily on familiar tropes – adjusted for queerness, of course – and tends to balance its witty banter and starry-eyed sentiment with heart-tugging setbacks and crossed-wire conflicts, just to raise the stakes. The Zacks’ attempts at getting together are a series of “meet-cutes” that could almost be described as fractal, yet each of them seems to go painfully awry – mostly due to the very insecurities and self-doubts which make them perfect for each other. The main obstacle to their couplehood, however, doesn’t spring from these mishaps; it’s their own struggles with self-worth that stand in the way, somehow making theirs more of a quintessentially queer love story than the fact that both of them are men.
All that introspection – relatable as it may be – can be a downer without active energy to stir things up, but fortunately for “Things Like This,” there are the inevitable BFFs and extended circle of friends and family that can help to get the fun back on track. Each Zack has his own support team backing him up, from a feisty “work wife” (Jackie Cruz, “Orange is the New Black”) to a straight best friend (Charlie Tahan, “Ozark”) to a wise and loving grandma (veteran scene-stealer Barbara Barrie, “Breaking Away” and countless vintage TV shows) – that fuels the story throughout, providing the necessary catalysts to prod its two neurotic protagonists into taking action when they can’t quite get there themselves.
To be sure, Talisman’s movie – his feature film debut as a writer and director – doesn’t escape the usual pitfalls of the romcom genre. There’s an overall sense of “wish fulfillment fantasy” that makes some of its biggest moments seem a bit too good to be true, and there are probably two or three complications too many as it approaches its presumed happy ending; in addition, while it helps to drive the inner conflict for Zack #2’s character arc, throwing a homophobic and unsupportive dad (Eric Roberts) into the mix feels a bit tired, though it’s hard to deny that such family relationships continue to create dysfunction for queer people no matter how many times they’re called out in the movies – which means that it’s still necessary, regrettably, to include them in our stories.
And in truth, “calling out” toxic tropes – the ones that reflect society’s negative assumptions and perpetuate them through imitation – is part of Talisman’s agenda in “Things Like This,” which devotes its very first scene to shutting down any objections from “fat shamers” who might decry the movie’s “opposites attract” scenario as unbelievable. Indeed, he has revealed in interviews that he developed the movie for himself because of the scarcity of meaningful roles for plus-sized actors, and his desire to erase such conventional prejudices extends in every direction within his big-hearted final product.
Even so, there’s no chip-on-the-shoulder attitude to sour the movie’s spirit; what helps us get over its sometimes excessive flourishes of idealized positivity is that it’s genuinely funny. The dialogue is loaded with zingers that keep the mood light, and even the tensest scenes are laced with humor, none of which feels forced. For this, kudos go to Talisman’s screenplay, of course, but also to the acting – including his own. He’s eminently likable onscreen, with wisecracks that land every time and an underlying good cheer that makes his appeal even more visible; crucially, his chemistry with Pollari – who also manages to maintain a lightness of being at his core no matter how far his Zack descends into uncertainty – isn’t just convincing; it’s enviable.
Cruz is the movie’s “ace in the hole” MVP as Zack #2’s under-appreciated but fiercely loyal bestie, and Buono’s hilariously icy turn as his “boss from hell” makes for some of the film’s most memorable scenes. Likewise, Tahan, along with Margaret Berkowitz and Danny Chavarriaga, flesh out Zack #1’s friend group with a real sense of camaraderie that should be recognizable to anyone who’s ever been part of an eclectic crew of misfits. Trensch’s comedic “ickiness” as Zack #2’s soon-to-be-ex makes his scenes a standout; and besides bigger-name “ringers” Roberts and Barrie (whose single scene is the emotional climax of the movie), there’s also a spotlight-grabbing turn by Diane Salinger (iconic as Francophile dreamer Simone in “Pee-Wee’s Big Adventure”) as the owner of a queer bar where the Zacks go on one of their dates.
With all that enthusiasm and a momentum driven by a sense of DIY empowerment, it’s hard to be anything but appreciative of “Things Like This,” no matter how much some of us might cringe at its more unbelievable romcom devices. After all, it’s as much a “feel-good” movie as it is a love story, and the fact that we actually do feel good when the final credits role is more than enough to earn it our hearty recommendation.

Friday, May 23
“Center Aging Monthly Luncheon and Yoga” will be at 12 p.m. in person at the DC Center for the LGBT Community. For more details, email [email protected].
Trans Discussion Group will be at 7 p.m. on Zoom. This group is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity and/or expression. For more details, email [email protected].
Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at DIK Bar. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, May 24
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar and Restaurant. This fun weekly event brings the DMV area LGBTQ community, including Allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Black Lesbian Mixer will be at 11 a.m. on Zoom. This is a support group dedicated to the joys of being a Black lesbian. For more details, email [email protected].
Sunday, May 25
“The Queen’s Table: A Women’s Empowerment Brunch” will be at 11 a.m. at Zooz. This event will celebrate queer women’s strength. For more details visit Eventbrite.
Monday, May 26
“Center Aging Monday Coffee and Conversation” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Tuesday, May 27
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary. Whether you’re bigender, agender, genderfluid, or just know you’re not 100 percent cis — this is your group. For more details, visit genderqueerdc.org or Facebook.
Coming Out Discussion Group will be at 7 p.m. on Zoom. This support group is a safe space to share experiences about coming out and discuss topics as it relates to doing so. For more details, visit the group’s Facebook.
Wednesday, May 28
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Thursday, May 29
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. To be fairer with who is receiving boxes, the program is moving to a lottery system. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
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