Local
Warhol Foundation to withhold Smithsonian money
The Andy Warhol Foundation for the Visual Arts, a major funder of the “Hide/Seek” exhibit about the presence of same-sex desire in American art, has decided to withhold all future funding for all Smithsonian Institution museums in the wake of the decision by Smithsonian Secretary G. Wayne Clough to pull down a video about AIDS from the exhibit.
The decision was announced on Monday in a letter from Joel Wachs, the foundation’s president, in a letter to Clough demanding that “you restore the censored work immediately,” an action that Wachs said was decided unanimously by the foundation board of directors last week.
In the letter, made public by Wachs, he told Clough that the action to remove a video artwork from the exhibit, a four-minute video titled “A Fire in the Belly,” by painter, filmmaker and performance artist David Wojnarowicz, was “blatant censorship” and “unconscionable” and “inimical to everything the Smithsonian Institution should stand for.”
After noting that the foundation has previously donated more than $375.000 over the past three years to fund several exhibits at various Smithsonian museums, including $100,000 to help stage “Hide/Seek,” Wachs told Clough: “we cannot stand by and watch the Smithsonian bow to the demands of bigots who have attacked the exhibition out of ignorance, hatred and fear.”
In early December, the Catholic League complained over several seconds in the short silent video which ants are shown crawling on a crucifix — a familiar use of the insects in the artist’s work, in this case to represent the agony of HIV/AIDS. Wojnarowicz, prominent in the New York City art world in the 1980s, died of AIDS-related complications in 1992 at the age of 37. But the Catholic League claimed the work to be offensive to Roman Catholics and was anti-Catholic “hate speech,” a theme quickly taken up by two Republican House leaders including incoming Speaker John Boehner.
After these complaints, Clough consulted with National Portrait Gallery director Martin Sullivan and Smithsonian art historian David Ward, co-curator of the exhibit, but not with the other curator, Jonathan D. Katz, who was then in London lecturing at the Tate Modern. The decision to remove the video was made by Clough over the objections of Ward and late also from Katz.
Ward told the Washington Post that the video “is not anti-religion or sacriligious. It is a powerful use of imagery.” He said the action was reminiscent of the Corcoran gallery of Art decision in 1989 to cancel an exhibit of Robert Maplethorpe’s photography — ironically, Maplethorpe is featured in the current NPG exhibit. “Once again,” said Ward, that same weapon” — to halt federal funding of the arts — “is being brandished, and once again we cower.”
Katz also denounced the decision, adding that it’s unfortunate that “the exhibition itself is being lost in the mudslinging” and that “homophobia and raw politics” were at the root of the action.” However, said Katz, the show itself, “by remaining up, continues to resist the politics.”
On Dec. 9, NPG commissioner James T. Bartlett resigned in protest. Earlier, on Dec. 2, activists marched from the Transformer Gallery, which showed the video briefly following its removal from the exhibit, to the Portrait Gallery, and on Dec. 5 two protesters were detained by police and barred from the gallery for holding leaflets while one of men, Mike Blasenstein, was wearing an iPad running the Wojnarowicz video, an action forbidden by Smithsonian policy.
Wachs told Clough that the Warhol Foundation action was necessary because “the decision to censor this important work” put the donors in this position.
The Comings & Goings column is about sharing the professional successes of our community. We want to recognize those landing new jobs, new clients for their business, joining boards of organizations and other achievements. Please share your successes with us at [email protected].
The Comings & Goings column also invites LGBTQ college students to share their successes with us. If you have been elected to a student government position, gotten an exciting internship, or are graduating and beginning your career with a great job, let us know so we can share your success.
Congratulations to Yadiel Meléndez, on their new role as Community Associate, with the Wanda Alston Foundation. Meléndez is piloting a new role as a Community Associate at the Wanda Alston Foundation, where they support queer and trans young people in finding their footing, building independence, and experiencing a housing community where they are seen, valued, and affirmed. They are coming into this role with more than a decade of experience as a community organizer and operations specialist, supporting diverse communities through service, advocacy, and program coordination.
Previously they worked for Right Proper Brewing Shaw as a server and bartender and at Sephora, Washington, DC, and at FreshFarm, DC, in bilingual food access. They also worked freelance to build foundational structures for local queer BIPOC performance art coalitions, producing variety shows to curate space for marginalized performance artists in the community. They were a production manager for Haus of Hart Productions, a BIPOC centric performance art production. They also worked as field staff with the American Foundation for Suicide Prevention in Stafford, Va.
Meléndez is bilingual, Spanish and English. Their work is guided by a commitment to dignity, safety, and trauma-informed engagement, particularly within LGBTQ and BIPOC communities.
Congratulations also to Ben Rosen LICSW, on his new role as program director, with the Wanda Alston Foundation. Rosen previously worked with Fountain House’s OnRamps program, helping to build a new, innovative outreach program for individuals considered chronically homeless, and living with serious mental illness, in the Times Square area of New York. Rosen is a Psychotherapist, having worked with SG Psychotherapy, and as the psychotherapist with the Nest Community Health Center (URAM).
Rosen has a B.F.A. in Theatre Arts: Musical Theatre, Minor in Psychology (Cum Laude) from Malloy University Conservatory; and his M.S.W. in Clinical Practice with Individuals, Families, and Groups, from The Silberman School of Social Work, Hunter College, N.Y. He is independently licensed in New York and Washington, D.C.
Rehoboth Beach
BLUF leather social set for April 10 in Rehoboth
Attendees encouraged to wear appropriate gear
Diego’s in Rehoboth Beach hosts a monthly leather happy hour. April’s edition is scheduled for Friday, April 10, 5-7 p.m. Attendees are encouraged to wear appropriate gear. The event is billed as an official event of BLUF, the free community group for men interested in leather. After happy hour, the attendees are encouraged to reconvene at Local Bootlegging Company for dinner, which allows cigar smoking. There’s no cover charge for either event.
District of Columbia
Celebrations of life planned for Sean Bartel
Two memorial events scheduled in D.C.
Two celebrations of life are planned for Sean Christopher Bartel, 48, who was found deceased on a hiking trail in Argentina on or around March 15. Bartel began his career as a television news reporter and news anchor at stations in Louisville, Ky., and Evansville, Ind., before serving as Senior Video Producer for the D.C.-based International Brotherhood of Electrical Workers union from 2013 to 2024.
A memorial gathering is planned for Friday, April 10, 11:30 a.m.-1:30 p.m. at the IBEW International Office (900 7th St., N.W.), according to a statement by the DC Gay Flag Football League, where Bartel was a longtime member. A celebration of life is planned that same evening, 6-8 p.m. at Trade (1410 14th St., N.W.).
