Local
Protesters return to Smithsonian after ban lifted
‘Censored’ video triggered action; ‘Hide/Seek’ closes Sunday
Two activists detained in December after protesting a decision by the Smithsonian Institution to remove a video from the “Hide/Seek” exhibit about gay art in America were officially permitted to return to the National Portrait Gallery, site of the exhibit, for a private tour sponsored by Washington Blade on Feb. 3.
After intervention by the Blade, David Ward, co-curator of the exhibit, agreed to seek an official end of the enforcement of any “ban” by Smithsonian security officials barring the two protesters — videographer/photographer Mike Iacovone, who is straight, and Mike Blasenstein, who is gay — from entering any Smithsonian museum. The two were detained following their protest of a decision in late November by Smithsonian Secretary Wayne Clough to remove a four-minute video, an extract from a longer video by the late gay artist David Wojnarowicz, who died of AIDS in 1993, showing for a few seconds ants crawling on a crucifix, imagery that a right-wing group, the Catholic League, claimed to be anti-Catholic.
They were detained when Blasenstein and Iacavone entered the National Portrait Gallery and Blasenstein displayed the video on an iPad hung around his neck. He was also holding a stack of fliers with text explaining his protest at the video’s removal from the exhibit. Iacaone was then also detained by Smithsonian police for filming Blasenstein’s run-in with security. Each was released but only after being made to sign letters pledging not to return to any Smithsonian facilities.
Explaining his decision to protest, Blasenstein later told the newsletter ArtInfo, that he joined in actions critical of the removal of the video because, he said, “I just felt this was an important issue.”
“I’m not really an artist or an activist,” Blasenstein said, “but when I heard that they took it down, it just seemed to send such a clear negative message. So I thought to myself, I would send my own message and bring this art back into the museum.”
Blasenstein later told the Blade that they were not only banned from the museum but during their detention they were “forcibly stripped of our materials, handcuffed, dragged into a stairwell, and told to sign papers thrust in front of us or be arrested.” They were then escorted from the building, he said, “without being given copies of what we had signed.”
Ward, an historian at the Portrait Gallery and co-curator of the exhibit with Jonathan D. Katz of the State University of New York in Buffalo, told the Blade that the ban was actually “never imposed” by the Smithsonian, but was instead “done by D.C. Metro,” the city’s police force, which was called to the scene, “without our knowledge or acquiescence.”
“They then passed the buck back to us to make us ‘lift’ a ban that wasn’t our doing,” he said. Ward personally welcomed both Iacovone and Blasentein to the exhibit for the private tour on behalf of the Blade, saying, “I hope this is the end of it.” He also stated he wanted to “move on” from the entire controversy over the edited video, one of 105 items in the exhibit, which opened in late November, and closes on Feb. 13.
Blasentein told the Blade that he never felt the ban was purely a paper reprimand, saying, “let me tell you, when everyone around you is wearing guns, nothing about the process feels ‘bureaucratic.'” He said that though “you could spend hours untangling this thing” Ward was correct to insist that the so-called ban was really triggered by the city’s police, but he added that “the sergeant I spoke to at MPD was pretty clear in his opinion that MPD doesn’t ban anybody, but merely enforces a ban on behalf of the property owner.” He also stressed that the Smithsonian management “to the best of our knowledge” never insisted on barring them from the museum. That action, he believes, “was solely a decision of Smithsonian police.”
Blasentein said that “the story here is not primarily our ban,” but rather the act of official censorship itself. However, he insists that “had we been allowed back into the building,” after the incident with the iPad and the leaflets, “our protest would have been a lot different.”
“The only reason a trailer is parked outside the National Portrait Gallery is because that was the closest we were legally allowed to get to the building. If the Smithsonian had let me stand there for seven and a half hours with the iPad, we would have mobilized volunteers to do the same every day until Feb.13,” the day the exhibit closes its doors.
Instead, Iacovone and Blasenstein secured paperwork from the city to park a trailer directly in front of the museum at its entrance in the 700 block of F Street, N.W., where what they call the Museum of Censored Art — to show “the art the Smithsonian won’t,” will remain open until Sunday from 11:30 a.m. to 7 p.m. Even though they can now legally enter the museum, Iacovone said their counter-exhibit in the trailers will continue to remain open, staffed by 12-15 volunteers through Sundayt.
Iacovone said they have spent more than $6,500 so far on trailer and parking space costs and for powering batteries to run the video player. He praised two art galleries — the Hamiltonian and Flashpoint, as well as two others, Transformer and Civilian — for assisting them in various ways. More than 4,000 people have entered the trailers and viewed the video, he said, noting that “our biggest day so far was over 500 people,” and he thinks by the time the Museum of Censored Art shuts down they will reach the 5,000-visitor mark.
The exhibit is the first on the subject of same-sex desire in American art and shows the work of noted artists Thomas Eakins and John Singer Sargent as well as more recent icons such as Jasper Johns, Andy Warhol and Robert Mapplethorpe, the latter a photographer whose photo images showing explicit male sexuality caused the Corcoran Gallery to halt the exhibit planned of his work more than 20 years ago.
Smithsonian secretary G. Wayne Clough, the official responsible for the decision to order removal of the video, part of a larger work in 1987 called “A Fire in My Belly,” meanwhile, has been the target of calls for him to resign in the wake of that decision. Last week, about 30 protesters rallied outside the Smithsonian Castle on the Mall during a quarterly meeting of the Smithsonian Board of Regents, to demand that they fire him.
Organized by Art+ (positive), a New York City-based group that fights censorship and homophobia, and backed also by the activist group, People For the American Way, protesters declared that Clough had given in to right-wing pressures and should step down. They chanted “Hey, hey, ho, ho, Clough must go!” and “Ants in my pants, fire in my belly — Clough has got to go!”
The regents, however, announced after their meeting that they supported Clough, though even he subsequently acknowledged that perhaps it had been made in haste and that he would respond differently in the future.
“I’d like to think I’m a little wiser than I was six months ago or three months ago,” he said at a news conference following the meeting with the regents, which reviewed the entire controversy and then issued a statement backing him. However, a three-member panel reporting to the regents implicitly criticized the way the censorship decision was made and communicated. And regents repeatedly asked by reporters whether Clough had made the right decision refused to answer directly.
Another rebuke, this time more direct, came from the board of a Smithsonian member institution, the Hirshhorn Museum and Sculpture Garden, that met last week and issued an open letter, saying they were “deeply troubled by the precedent” of the November decision to pull the video from the show.
District of Columbia
David Archuleta, Monroe Alise named D.C. Pride parade marshals
Honorees ‘live authentically’ and ‘power of sharing your story’
The Capital Pride Alliance has announced that David Archuleta and Monroe Alise will be the grand marshals for the Pride parade on June 20.
Ryan Bos, the Capital Pride Alliance’s president, said the two were chosen for the way that they exemplify the theme “Exist. Resist. Have the Audacity!”
Archuleta is the “American Idol” season 7 runner-up and a strong supporter of the LGBTQ community.
He grew up religious and has been clear about his struggle to reconcile his faith, identity, and self-expression. In 2021, he publicly came out and has since been a major voice for LGBTQ visibility and acceptance. This year, Archuleta published the memoir “Devout,” which details his lived experience as a closeted Mormon teenager.
Alise is a transgender advocate and a D.C. native.
She has appeared in the shows “P-Valley” and “The Chi.” She also grew a major online following through her social media series “I’m CLOCKABLE,” where she discusses topics such as dating, culture, and self-discovery from the perspective of a queer person.
“Together, they represent to live authentically and the power of sharing your story to create change,” Bos said in a statement.
As grand marshals, the two will kick off celebrations leading up to the parade and participate in it. Alise will join the Crack of Noon Parade Brunch from 12-3 p.m. at Viceroy Washington, alongside honorees such as D.C. Mayor Muriel Bowser.
The parade will kick off at 3 p.m. at the intersection of 14th and T Streets, N.W., before moving straight down 14th Street and ending at Pennsylvania Avenue at 7 p.m. The parade is free for anyone to watch at designated viewing areas.
More information about celebrations throughout Pride and the parade can be found at www.capitalpride.org.
District of Columbia
Hundreds of thousands expected to attend D.C. Pride events
Parade to take place on June 20
Hundreds of thousands of people are expected to attend Pride events in D.C. this month.
The Capital Pride Alliance is marking its 51st year with a full slate of events, including a parade, festival, concert, parties, and community events across the city. This year’s theme is “EXIST. RESIST. Have the Audacity!”
“Our audacity is our collective strength. Against the forces that try to diminish us, we must remain bold, courageous, visible and heard, in a world that questions our humanity and challenges our rights. Together, let’s have the audacity to live, thrive, be joyful, and proud!” Capital Pride Alliance said in a statement.
Capital Pride’s signature weekend events will center on the June 20 parade and June 21 festival and concert.
The parade and concert will not take place on the second weekend of June, as they have in the past, to avoid conflicts with America’s 250th anniversary celebration.
The parade route is expected to begin at 14th and T Streets, N.W., and end at Pennsylvania Avenue and 9th Street, N.W. Free viewing areas will be available, though reservations are required for seating at designated locations across the route.
Leading up to the parade, a family event will be hosted from 11 a.m. to 3 p.m. at Stead Park in Dupont Circle. Activities will include crafts, glitter tattoos, hair tinsel, photo ops, and an inflatable obstacle course. The event is free, but a prior reservation is required.
Crack of Noon Parade Brunch, a 21+ event featuring an all-you-can-eat buffet, will also take place earlier on June 20 at the Viceroy Washington at 1430 Rhode Island Ave., N.W.
The 17th Street Block Party, presented by Absolut, will also take place from noon to 10 p.m. on 17th Street in Dupont Circle. It will feature local food, an adult beverage garden, and other events.
On June 21, the Capital Pride Festival will run from noon to 10 p.m. on Pennsylvania Avenue The festival includes the Capital Pride Concert at Capitol Stage. The lineup of artists for the festival concert includes Maren Morris, queer rapper Leikeli47, Lisa Lisa, “Heated Rivalry” DJ Harrison, Tracy Young, and Myki Meeks.
“In a moment when LGBTQ+ people are being challenged across the country, the Capital Pride Concert is a space where our community is fully seen and heard,” said Capital Pride Alliance President Ryan Bos in a news release regarding the concert lineup.
Tickets to the concert are free, with exclusive pit and VIP experiences available for purchase.
The night will end with a “Capitol” Sunset Dance Party from 8-10 p.m., directly following the concert. It is available to all ages.
Other stages for concerts include the Monument and Dupont Dance Stage, with the artist lineup yet to be announced.
Three main parties will be available leading up to and during the parade: Riot!: The Official Pride Opening Party on June 19, featuring Bob the Drag Queen with a DJ set and headliner Myki Meeks. ELIX-Her on June 20 is a women-centered event at Decades and is 21+. On the same night, KINETIC: Toyland will feature headliner Alaska, “RuPaul’s Drag Race All Stars 2” winner.
Before the parade and festival weekend, community events, and celebrations will take place throughout the city.
The Washington Blade will host Pride on the Pier on June 13 from 4-9 p.m. at The Wharf. The free event will feature Pride365 Radio, a drag show with Venetian, DJ Chord, and dancing.
Capital Pride will have Night of Expression on June 10 at 7 p.m. at Busboys and Poets (14th and V streets). The event will feature an open mic and other performances.
Capital Pride Honors
Beyond its public celebrations, the Capital Pride Alliance will also recognize community leaders through its annual Capital Pride Honors program. This year’s honorees were selected based on how their work reflected the 2026 theme of Pride.
The winners were awarded at the Audacity Brunch: In Full Fuchsia, which is part of a fundraiser with Pride365, on Sunday.
Honorees included D.C. Del. Eleanor Holmes Norton, who received the Paving the Way Award; D.C. Mayor Muriel Bowser, who received the Key to Capital Pride Award; and the Heroes Award recipients Benjamin Coy, Charity Blackwell, Darryl Hamilton, Thea Kano, Kendall Martinez-Wright, and Lee Levingston Perine.
Dylan Drobish and Tyler Hack received the SaVanna Wanzer Visibility Award, while Patrick Magee and Judy Schloss were honored with the Bill Miles Award for Outstanding Volunteer Service.
Darrell Wood and Tyler Cargill received the Breaking Barriers: Community Impact Award, and Dai Nguyen received the Bernie Delia Award.
Maryland
‘Girlfriends’ wanted for murder in Silver Spring, Md.
Montgomery County police say two charged with killing mother of one of them
The Montgomery County, Md., Department of Police announced on June 4 that it is seeking the public’s help in locating two women, who they identify as a couple, who are charged with first-degree murder for allegedly killing the mother of one of them.
In a statement police identified the two women as Vanessa Tjongarero-Henderson of Clarksburg, Md., and her girlfriend Samantha Raebel of Phoenix, Ariz. The statement says the two are charged with the murder of Hilde Henderson, 67, the mother of Vanessa.
According to the statement, officers with the department’s 3rd District found Hilde Henderson deceased on Tuesday, May 26, 2026, at her home at the Charter House apartments in the 1300 block of Fenwick Lane in Silver Spring after being called to check on the resident’s welfare.
“Henderson was transported to the Office of the Chief Medical Examiner, where an autopsy was conducted,” the statement says. “The cause of death was ruled a homicide.”
It adds, “Through the course of the investigation, detectives identified Henderson’s daughter, Vanessa Tjongarero-Henderson and Vanessa’s girlfriend, Raeble, as the suspects.” It says detectives obtained an arrest warrant against the two women, charging both with first-degree murder.
“Anyone with information regarding the location of these suspects or this crime is asked to call 911 or to visit the Crime Solvers of Montgomery County, Md. website at crimesolversmcmd.org,” the statement says, or to call the tip line at 1-866-411-8477.
“Tips with information leading to an arrest may be eligible for a reward from $250 up to $10,000,” it says, adding that tips may remain anonymous.
A spokesperson for Montgomery County police didn’t immediately respond to a request from the Washington Blade for information not disclosed in the police statement, including the physical-medical cause of death for Hilde Henderson and whether detectives have determined a motive for the murder.
