Local
Protesters return to Smithsonian after ban lifted
‘Censored’ video triggered action; ‘Hide/Seek’ closes Sunday
Two activists detained in December after protesting a decision by the Smithsonian Institution to remove a video from the “Hide/Seek” exhibit about gay art in America were officially permitted to return to the National Portrait Gallery, site of the exhibit, for a private tour sponsored by Washington Blade on Feb. 3.
After intervention by the Blade, David Ward, co-curator of the exhibit, agreed to seek an official end of the enforcement of any “ban” by Smithsonian security officials barring the two protesters — videographer/photographer Mike Iacovone, who is straight, and Mike Blasenstein, who is gay — from entering any Smithsonian museum. The two were detained following their protest of a decision in late November by Smithsonian Secretary Wayne Clough to remove a four-minute video, an extract from a longer video by the late gay artist David Wojnarowicz, who died of AIDS in 1993, showing for a few seconds ants crawling on a crucifix, imagery that a right-wing group, the Catholic League, claimed to be anti-Catholic.
They were detained when Blasenstein and Iacavone entered the National Portrait Gallery and Blasenstein displayed the video on an iPad hung around his neck. He was also holding a stack of fliers with text explaining his protest at the video’s removal from the exhibit. Iacaone was then also detained by Smithsonian police for filming Blasenstein’s run-in with security. Each was released but only after being made to sign letters pledging not to return to any Smithsonian facilities.
Explaining his decision to protest, Blasenstein later told the newsletter ArtInfo, that he joined in actions critical of the removal of the video because, he said, “I just felt this was an important issue.”
“I’m not really an artist or an activist,” Blasenstein said, “but when I heard that they took it down, it just seemed to send such a clear negative message. So I thought to myself, I would send my own message and bring this art back into the museum.”
Blasenstein later told the Blade that they were not only banned from the museum but during their detention they were “forcibly stripped of our materials, handcuffed, dragged into a stairwell, and told to sign papers thrust in front of us or be arrested.” They were then escorted from the building, he said, “without being given copies of what we had signed.”
Ward, an historian at the Portrait Gallery and co-curator of the exhibit with Jonathan D. Katz of the State University of New York in Buffalo, told the Blade that the ban was actually “never imposed” by the Smithsonian, but was instead “done by D.C. Metro,” the city’s police force, which was called to the scene, “without our knowledge or acquiescence.”
“They then passed the buck back to us to make us ‘lift’ a ban that wasn’t our doing,” he said. Ward personally welcomed both Iacovone and Blasentein to the exhibit for the private tour on behalf of the Blade, saying, “I hope this is the end of it.” He also stated he wanted to “move on” from the entire controversy over the edited video, one of 105 items in the exhibit, which opened in late November, and closes on Feb. 13.
Blasentein told the Blade that he never felt the ban was purely a paper reprimand, saying, “let me tell you, when everyone around you is wearing guns, nothing about the process feels ‘bureaucratic.'” He said that though “you could spend hours untangling this thing” Ward was correct to insist that the so-called ban was really triggered by the city’s police, but he added that “the sergeant I spoke to at MPD was pretty clear in his opinion that MPD doesn’t ban anybody, but merely enforces a ban on behalf of the property owner.” He also stressed that the Smithsonian management “to the best of our knowledge” never insisted on barring them from the museum. That action, he believes, “was solely a decision of Smithsonian police.”
Blasentein said that “the story here is not primarily our ban,” but rather the act of official censorship itself. However, he insists that “had we been allowed back into the building,” after the incident with the iPad and the leaflets, “our protest would have been a lot different.”
“The only reason a trailer is parked outside the National Portrait Gallery is because that was the closest we were legally allowed to get to the building. If the Smithsonian had let me stand there for seven and a half hours with the iPad, we would have mobilized volunteers to do the same every day until Feb.13,” the day the exhibit closes its doors.
Instead, Iacovone and Blasenstein secured paperwork from the city to park a trailer directly in front of the museum at its entrance in the 700 block of F Street, N.W., where what they call the Museum of Censored Art — to show “the art the Smithsonian won’t,” will remain open until Sunday from 11:30 a.m. to 7 p.m. Even though they can now legally enter the museum, Iacovone said their counter-exhibit in the trailers will continue to remain open, staffed by 12-15 volunteers through Sundayt.
Iacovone said they have spent more than $6,500 so far on trailer and parking space costs and for powering batteries to run the video player. He praised two art galleries — the Hamiltonian and Flashpoint, as well as two others, Transformer and Civilian — for assisting them in various ways. More than 4,000 people have entered the trailers and viewed the video, he said, noting that “our biggest day so far was over 500 people,” and he thinks by the time the Museum of Censored Art shuts down they will reach the 5,000-visitor mark.
The exhibit is the first on the subject of same-sex desire in American art and shows the work of noted artists Thomas Eakins and John Singer Sargent as well as more recent icons such as Jasper Johns, Andy Warhol and Robert Mapplethorpe, the latter a photographer whose photo images showing explicit male sexuality caused the Corcoran Gallery to halt the exhibit planned of his work more than 20 years ago.
Smithsonian secretary G. Wayne Clough, the official responsible for the decision to order removal of the video, part of a larger work in 1987 called “A Fire in My Belly,” meanwhile, has been the target of calls for him to resign in the wake of that decision. Last week, about 30 protesters rallied outside the Smithsonian Castle on the Mall during a quarterly meeting of the Smithsonian Board of Regents, to demand that they fire him.
Organized by Art+ (positive), a New York City-based group that fights censorship and homophobia, and backed also by the activist group, People For the American Way, protesters declared that Clough had given in to right-wing pressures and should step down. They chanted “Hey, hey, ho, ho, Clough must go!” and “Ants in my pants, fire in my belly — Clough has got to go!”
The regents, however, announced after their meeting that they supported Clough, though even he subsequently acknowledged that perhaps it had been made in haste and that he would respond differently in the future.
“I’d like to think I’m a little wiser than I was six months ago or three months ago,” he said at a news conference following the meeting with the regents, which reviewed the entire controversy and then issued a statement backing him. However, a three-member panel reporting to the regents implicitly criticized the way the censorship decision was made and communicated. And regents repeatedly asked by reporters whether Clough had made the right decision refused to answer directly.
Another rebuke, this time more direct, came from the board of a Smithsonian member institution, the Hirshhorn Museum and Sculpture Garden, that met last week and issued an open letter, saying they were “deeply troubled by the precedent” of the November decision to pull the video from the show.
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Congratulations to Jamie Leeds, chef extraordinaire, and owner of Hank’s Oyster Bars, as she ventures into some new areas. Leeds is an award-winning Washington, D.C.–area chef, restaurateur, and entrepreneur with more than three decades of experience shaping the region’s dining scene.
Her first new venture is a restaurant opening in Alexandria this week. It will be called Hank’s Pasta Bar, bringing a personalized twist to classic Italian dining with a hiddenrestaurant-inside-a-restaurant in Old Town, Alexandria. The new trattoria is above Hank’s Oyster Bar, and will feature a build-your-own menu, marking a new direction for Leeds in partnership with chef Darren Norris. Norris brings more than three decades of experience to Hank’s Pasta Bar, with a foundation grounded in Italian cooking. The grand opening was scheduled for May 14. The elevated casual eatery blends an inventive chef-driven menu with an easy-going, sit-down dining experience that puts guests in charge. Hank’s Pasta Bar bridges the gap between elevated fast casual, like Norris’s Shibuya, and full-service dining, like Leeds’s Hank’s Oyster Bar. Diners order electronically at the table, but unlike fast casuals, food and beverages are delivered on plate ware, and a server is on site at all times.
The restaurant-inside-a-restaurant, welcomes guests to dine in with a full bar, including Italian wines and craft cocktails, maintaining its focus on traditional Italian fare with contemporary touches, including a build-your-own pasta bowl experience starting at $16. Create your own pasta bowl from seven artisanal pastas (including gluten-free), nine made-in-house sauces, proteins, vegetables, and toppings. Leeds said, “It’s the kind of place you’d find down a side street in a Tuscan hill town, after being tipped off by a friend who says, ‘trust me.’ If you know, you know.”
The restaurant will continue Hank’s community partnerships, including with Real Food for Kids, supporting programs that improve school food and nutrition equity.
In addition to this you should try Jaimie’s other new venture. Back Door Taco at Hank’s in Dupont Circle. You walk down the alley from 17th Street to the back door of Hank’s, and enter a small patio to partake of great tacos and interesting cocktails.
District of Columbia
HIV Vaccine Awareness Day set for May 18
Whitman-Walker joins nationwide recognition of efforts to develop vaccine
Whitman-Walker Health, the D.C.-based community healthcare center that specializes in HIV/AIDS and LGBTQ-related health services, will join health care advocates from across the country to support efforts to develop an HIV vaccine on HIV Vaccine Awareness Day on May 18.
“HIV Awareness Day, observed annually on May 18, was established to recognize and thank the volunteers, scientists, health professionals, and community members working toward a safe and effective prevention HIV vaccine,” Whitman-Walker said in a statement.
“Led by the National Institutes of Health’s National Institute of Allergy and Infectious Diseases (NIAID), the day is also an opportunity to educate communities about the critical importance of preventive HIV vaccine research,” the statement says.
It adds, “The reality is that any new vaccine discovery must be built community by community, institution by institution, and then it must reach everyone – especially the communities who have carried the heaviest burden of this epidemic.”
On its own website, the National Institutes of Health says HIV Vaccine Awareness Day also highlights its longstanding efforts, coordinated by its Office of AIDS Research, to support researchers’ efforts to develop an HIV vaccine.
“Researchers are making promising headway in efforts to develop a safe, effective HIV vaccine,” it says in a statement on its website.
A Whitman-Walker spokesperson said Whitman-Walker was not holding a specific event to observe HIV Vaccine Awareness Day, but it will recognize the day as a way of encouragement for its ongoing work to address the AIDS epidemic and support for vaccine research.
“Today, no one has to die from HIV,” said Whitman-Walker’s Health System division’s CEO, Dr. Heather Aaron in the Whitman-Walker statement. “We have the treatments, the technology, and the research to change outcomes, and yet people in our community are still dying from HIV//AIDS,” she said in the statement.
“That is unacceptable, and it is exactly why our work continues,” she added. “Here in D.C. with more focus on Southeast D.C., the Whitman-Walker Health System remains committed to making a difference through cutting-edge research, policy advocacy, and philanthropy, because fair access to life-saving treatment is not a privilege. It is a right.”
District of Columbia
Capital Stonewall Democrats endorses Janeese Lewis George for D.C. mayor
Group also backed D.C. Council, Congressional delegate, AG candidates
The Capital Stonewall Democrats, D.C.’s largest local LGBTQ political organization, announced on May 14 that it has endorsed D.C. Councilmember Janeese Lewis George (D-Ward 4) for mayor in the city’s June 16 Democratic primary.
Lewis George along with former D.C. Councilmember Kenyan McDuffie (D-At-Large) are considered by political observers to be the two leading candidates among the seven candidates competing in the Democratic primary election for mayor.
Both have strong, long-standing records of support on LGBTQ issues, indicating Capital Stonewall Democrats members, like LGBTQ voters across the city, are likely choosing a candidate based on non-LGBTQ related issues.
In a May 14 statement, the group announced its endorsements in seven other Democratic primary races, including D.C. Council Chair Phil Mendelson, who is running unopposed in the primary. Also endorsed is D.C. Councilmember Robert White (D-At-Large), who is one of five Democratic candidates competing for the position of D.C. delegate to the U.S. House of Representatives.
D.C. Councilmember Brooke Pinto (D-Ward 2) is among the four candidates competing with White for that post, and who like White has a strong record of support on LGBTQ issues.
In the At-Large D.C. Council race for which incumbent Anita Bonds is not running for re-election, Capital Stonewall Democrats has endorsed community activist and LGBTQ ally Oye Owolewa in a nine candidate race.
For the Ward 1 D.C. Council election, in which five LGBTQ supportive candidates are competing, the group did not make an endorsement because none of the candidate received a required 60 percent of the endorsement vote cast by Capital Stonewall Democrats members, according to the group’s former president, Howard Garrett.
The statement announcing its endorsements shows that it decided to list its “Preferred Ranking” of each of the Ward 1 Democratic candidates as part of the city’s newly implemented ranked choice voting system. It lists gay candidate Miguel Trindade Deramo as first, bisexual candidate Aparna Raj second, Jackie Reyes Yanes third, Rashida Brown fourth, and Terry Lynch fifth.
In the remaining ward Council races, Capital Stonewall Democrats endorsed Councilmember Matt Fruman (D-Ward 3), who is running unopposed for re-election; Councilmember Zachary Parker (D-Ward 5), the Council’s only gay member who is being challenged by two opponents; and Councilmember Charles Allen (D-Ward 6), who is running unopposed for re-election.
The group also chose not to make an endorsement in the special election for another At-Large D.C. Council seat that became vacant when then-Independent Councilmember McDuffie resigned to enable him to run for mayor as a Democrat. Under the city’s Home Rule Charter adopted by Congress, that at large sweat is restricted to a “non-majority party” candidate, meaning a non-Democrat.
The three candidates running for the seat, all Independents, include incumbent Doni Crawford, who was appointed to the seat earlier this year; former D.C. Councilmember Elissa Silverman; and Jacque Patterson. All three have expressed support on LGBTQ related issues.
“The organization’s endorsement process included candidate questionnaires, public forums, and direct voting by active CSD members,” the statement announcing its endorsements says. “Each endorsement reflects the collective voice of 173 LGBTQ+ Democrats who voted in the process and are committed to building lasting political power in the District,” according to the statement. “Candidates that reached 60 percent support received the endorsement.”
Garrett, the group’s former president, acknowledged that with nearly all candidates running in D.C. elections expressing strong support for the LGBTQ community, many if not most of the group’s members most likely chose a candidate based on issues other than LGBTQ related issues.
He said he believes Lewis George, who he is supporting and is viewed as a progressive candidate who self-identifies as a Democratic Socialist, compared to McDuffie, who is viewed as a moderate Democrat, captured the group’s endorsement based on the view that she is the best person to lead the city going forward.
“I believe that Capital Stonewall members voted for Janeese Lewis George because we’re tired of the status quo and we need a new, bold leader to not only move our city forward but also to stand up to Donald Trump and his administration,” Garrett told the Washington Blade.
McDuffie’s LGBTQ supporters, including former Capital Stonewall Democrats presidents David Meadows and Kurt Vorndran, have argued that McDuffie’s positions on a wide range of issues, including LGBTQ issues, show him to be the best candidates to lead the city at this time and In future years.
The group’s endorsement of Lewis George comes one week after GLAA DC, a nonpartisan LGBTQ advocacy group, awarded her its highest candidate rating of +10.
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