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Can’t get her out of our head

Kylie on her new show, love of Britney and passion for pancakes

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Kylie Minogue (photo courtesy of EMI)

Some of us have been Kylie Minogue fans for longer than we care to remember, dating back to her days as a soap star on the Australian hit “Neighbours.” Others caught Kylie fever after her first hit single “Locomotion” landed at No. 3 on the U.S. charts in 1988. Still others in the U.S. never heard of her until 2001’s ubiquitous worldwide smash “Can’t Get You Out of My Head.”

There have been movie roles, a cancer scare, 60 million records sold and multiple tours, yet Kylie never quite reached the pop heights of Madonna or Janet in the U.S. But that doesn’t stop her from trying.

On Saturday, Minogue brings her latest show, “Aphrodite — Les Folies Tour,” to the Patriot Center. It’s a scaled back production compared to the over-the-top, Greek-themed, $25 million spectacle complete with “splash zone seating” that she’s delivered to adoring audiences in Europe.

“There are changes for the states,” Minogue said in a recent interview with the Blade.  “I would love to bring everything, but that’s not possible so I’m bringing all I can to do a great show.”

Among the props she’s leaving behind are a giant Pegasus statue and fountains designed by the team responsible for the Bellagio’s in Vegas. And even though she’s a much bigger star overseas, Minogue said she enjoys performing in the United States.

“The energy is out of control, the passion of the audience [in the U.S.],” she said, adding that she would make up for the lack of props “with my passion and emotion.”

Of course, Minogue is keenly aware of her gay appeal and fan base and she’s rewarded them by including an entourage of muscled, leather-clad backup dancers in the show.

“Gays are a great influence in my life — I’m surrounded basically,” she said. “There’s a group of supporters who’ve been with me for a long time … but I’m so thrilled to share that history with you. It feels like we’re members of a secret society.”

What does she like best about touring the United States?

“I love really crappy diners in America, bad coffee and a stack of pancakes,” Minogue said. “And I can walk around without being recognized.”

The American artist she’s been listening to lately is Britney Spears. Minogue said she’d welcome the chance to do a duet with her and added that the song she can’t get out of her head right now is Spears’s “He About to Lose Me.”

As for the future, Minogue said she is considering an “anti-tour — no lights, dancers, just music and doing songs that are much loved by super fans but will never be heard anywhere in a live environment. B-sides and covers … it would be really cool to be in a tiny, tiny venue somewhere and just strip everything back and do songs that uber fans would cry for.”

And if that doesn’t pan out, she’d consider something splashier, like a Las Vegas residency.

“A Vegas residency could be out of control,” she said. “Imagine what it would be like if we had the luxury of being in one place … I would be excited to do something like that.”

Minogue will draw from her impressive catalogue of hits for Saturday’s D.C.-area show, including material from 2010’s “Aphrodite.” The show starts at 8 p.m. at the Patriot Center in Fairfax, Va. Tickets are still available at centerboxoffice.org.

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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