National
Gay assemblyman introduces N.Y. marriage bill
Anti-gay group launches attack ads opposing measure
New York Assemblyman Daniel O’Donnell (D-Manhattan) (photo courtesy of O'Donnell)
New York Assemblyman Daniel O’Donnell (D-Manhattan), the gay brother of TV personality Rosie O’Donnell, introduced a bill this week to legalize same-sex marriage in the state.
O’Donnell’s action appears to have broken ranks with New York’s Democratic governor, Andrew Cuomo, who promised to introduce marriage equality legislation but has hesitated in doing so just weeks before the state legislature is scheduled to adjourn for the year.
Cuomo, a strong backer of same-sex marriage, reportedly has persuaded a coalition of LGBT advocacy groups campaigning for a marriage bill to support his plan to hold off on introducing the bill until enough votes could be lined up to pass it in the Republican-controlled state Senate.
“It is with great pride that I am introducing the Marriage Equality Act,” O’Donnell said in a statement. “Since the Assembly last passed the bill in 2009, there has been an overwhelming groundswell of support for marriage equality across our state.”
The Democratic-controlled Assembly has passed a same-sex marriage bill three times since 2007, and this is the fourth time O’Donnell has emerged as the lead sponsor of the bill. But the bill lost in the Senate in 2009 by an eight-vote margin at a time when Democrats controlled the body. It was the first time the Senate had taken a vote on the measure.
Josh Vlasto, a spokesperson for Cuomo, told the New York Times on Tuesday that the governor remains committed to seeing the bill pass before the legislature adjourns at the end of June.
“The question has never been the Assembly,” Vlasto told the Times. “The question has always been whether there are the votes in the Senate, and that remains the question.”
Vlasto’s comments came at a time when many political observers in the state were hopeful that between four and six Republican senators would join as many as 28 Senate Democrats to secure the bill’s passage. Most observers expect the Assembly to once again approve the bill.
Republicans have a 32-30 majority in the 62-member Senate.
Supporters, led by a coalition of LGBT groups, including the Empire State Pride Agenda (ESPA) and the Human Rights Campaign, have pointed to a recent public opinion poll showing that 58 percent of New Yorkers support the right of gay and lesbian couples to marry.
Advocates for the bill also note that Cuomo, who has a high public approval rating, is aggressively lobbying both Democratic and Republican lawmakers to vote for a marriage equality bill that he says he wants to personally introduce.
“We think the environment is strong,” said ESPA Executive Director Ross Levi. “To have such a popular governor so forcefully behind it, to have the public so solidly on our side at 58 percent, to have the LGBT community and so many strong allies working closely and coordinated together creates a good environment to work on this and achieve victory,” he said.
In a development that was long expected, the anti-gay National Organization for Marriage announced this week it is launching a $500,000 TV ad campaign to defeat the marriage bill. The group has also vowed to spend $1 million to defeat any Republican lawmaker who votes for the bill and to support the re-election of any Democratic legislator who votes no on the bill.
NOM President Brian Brown (Blade file photo by Michael Key)
“It’s become quite clear in recent days in New York that Gov. Cuomo and same-sex marriage advocates are targeting a select number of Democrat state senators, as well as some Republicans, in their desperate attempt to coerce legislators to support their agenda,” said NOM President Brian Brown.
“We want to be sure those courageous Democrats and Republicans who cast their vote of conscience in favor of traditional marriage will have a strong supporter if the radical gay activists come after them in their next election,” Brown said.
Similar to its practice in other states, NOM’s TV ad opposing the bill, which aired on TV stations this week, claims that legalizing same-sex marriage would result in elementary schools teaching children about gay marriage and how it benefits society.
The Human Rights Campaign has responded by launching its own campaign to challenge the NOM ads, saying the group is falsely linking marriage equality to school curricula.
“We’re fighting for loving committed gay and lesbian couples going down to the courthouse to get married, which has absolutely nothing to do with what is taught in schools,” said HRC President Joe Solmonese. “The ad is a piece of fiction,” he said. “School districts determine what is taught in schools.”
NOM’s Brown argues that the “message” it conveys in its TV ads has resonated in all states in which same-sex marriage bills have come before voters in a referendum. He said NOM’s campaign against same-sex marriage also has been successful in states where gay marriage surfaced in legislatures.
“In Maryland and Rhode Island we just won great victories for marriage,” he said. “Our opponents tried to claim that same-sex marriage was inevitable in both states. They were wrong. Once our message got out and legislators heard from their constituents, same-sex marriage was stopped dead,” he said. “We expect the same to happen in New York.”
Levi said the New York coalition working to pass marriage equality legislation has learned from mistakes made by advocates in other states, including Maryland.
The coalition, called New Yorkers United for Marriage, includes ESPA, HRC, Freedom to Marry, and Log Cabin Republicans. It has launched its own TV ads in support of the marriage equality bill in all parts of the state, according to Levi.
He said more than 1,200 LGBT advocates and their allies descended on the state capital in Albany on Monday in an ESPA-led rally in support of the marriage bill. Participants, among other things, visited the offices of senators as Assembly members to urge them to vote for the measure.
HRC, meanwhile, has been releasing a series of videos in the state featuring testimonials in support of the bill by celebrities, including actors Julianne Moore and Sam Waterston and President George W. Bush’s daughter, Barbara Bush. Former President Bill Clinton issued a written statement supporting the bill last week.
New York Rangers star hockey player Sean Avery surprised the sports world by agreeing to appear in one of HRC’s videos expressing strong support for the marriage bill, becoming one of the nation’s first major sports figures to embrace a gay rights issue.
Levi said the timing of introducing a same-sex marriage bill in the New York Legislature isn’t as important as securing the support from the speaker of the Assembly and the majority leader of the Senate, who have full control over which bills come up for a vote. The Assembly speaker has long been supportive of the bill.
Senate Majority Leader Dean Skellos (R-Long Island) has said he would allow the bill to reach the Senate floor for a vote even though Skellos announced he would vote against it.
According to Levi, the November 2010 election in New York resulted in at least two more senators who have publicly committed to voting for the marriage measure. But Levi was cautious about predicting the outcome of a Senate vote, saying he was optimistic that the bill would pass.
“We’re not taking anything for granted and we’re working carefully in both chambers, particularly talking to new legislators about why this issue is important,” he said. “We’re doing that in both the Assembly and the Senate.”
Vice President JD Vance and his wife, second lady Usha Vance, will visit Hungary next week.
An announcement the White House released on Thursday said the Vances will be in Budapest, the Hungarian capital, from April 7-8.
JD Vance “will hold bilateral meetings with” Hungarian Prime Minister Viktor Orbán. The announcement further indicates the vice president “will also deliver remarks on the rich partnership between the United States and Hungary.”
The Vances will travel to Hungary less than a week before the country’s parliamentary elections take place on April 12.
Orbán, who has been in office since 2010, and his Fidesz-KDNP coalition government have faced widespread criticism over its anti-LGBTQ crackdown.
The Associated Press notes polls indicate Orbán is trailing Péter Magyar and his center-right Tisza party.
President Donald Trump removed Attorney General Pam Bondi from her post Thursday, following growing criticism over how she and the Department of Justice handled a range of issues, including matters related to sex offender and Trump ally Jeffrey Epstein.
Trump announced Bondi’s removal on Truth Social, where he also said Todd Blanche will serve as acting head of the Justice Department.
“Pam Bondi is a great American patriot and a loyal friend, who faithfully served as my attorney general over the past year,” Trump wrote on the platform. “Pam did a tremendous job overseeing a massive crackdown on crime across our country, with murders plummeting to their lowest level since 1900.”
Trump was seen as recently as Wednesday with the now-former attorney general at a Supreme Court hearing on citizenship.
The decision contrasts with Trump’s previous public praise of Bondi, the 87th U.S. attorney general and former 37th attorney general of Florida, who served in that role from 2011-2019 before joining the Trump-Vance administration. He has frequently lauded her loyalty and said he speaks with her often. Bondi was also one of president’s defense lawyers during his first impeachment trial.
Privately, however, Trump had grown frustrated that Bondi was not “moving quickly enough” to prosecute critics and political adversaries he wanted to face criminal charges, according to multiple sources. The New York Times reported that her inability to charge former FBI Director James B. Comey and New York Attorney General Letitia James with any crimes is a large factor in the president’s choice to fire her from the government’s primary law enforcement agency.
The move comes as Trump has sought to minimize public turmoil within his administration, avoiding the perception of a revolving-door Cabinet that defined his first term.
Lee Zeldin, a former Republican congressman from New York who unsuccessfully ran for governor, has emerged as a leading contender to lead the Justice Department. He has been one of Trump’s most reliable allies.
“He’s our secret weapon,” Trump said of Zeldin in February during a White House event promoting the coal industry, adding, “He’s getting those approvals done in record-setting time.”
Bondi has also growing faced scrutiny from Congress.
The House Oversight Committee recently subpoenaed her to testify about the department’s handling of certain files, where she declined to answer key questions during a contentious House Judiciary Committee hearing in February.
The Tampa native has a long history of opposing LGBTQ rights through her roles in government. As Florida attorney general, she fought against the legalization of same-sex marriage, arguing it would cause “serious public harm,” pushing forward a legal battle that cost taxpayers nearly half a million dollars. She also asked the Florida Supreme Court to overturn a lower court ruling that found the state’s same-sex marriage ban unconstitutional.
More recently, Bondi established a “Title IX Special Investigations Team” within the Justice Department focused on restricting transgender women and girls from participating in women’s and girls’ sports teams and accessing facilities aligned with their gender identity. She also told Children’s Hospital of Philadelphia to turn over the medical records of anyone under 19 who received gender-affirming care.
Her removal follows Trump’s decision last month to oust another controversial female Cabinet figure, Kristi Noem.
The White House
VIDEO: Gay journalist detained for booing Trumps at ‘Chicago’ opening night
Eugene Ramirez booed first family at Kennedy Center
President Donald Trump and first lady Melania Trump attended the opening night of “Chicago” at the John F. Kennedy Center for the Performing Arts on Tuesday. They were greeted by a mix of cheers, applause, and some audible boos.
Among them was Eugene Ramirez, a gay Washington resident, who later shared his account of the night after being briefly detained by security for booing the president and giving a thumbs-down gesture — an expression of what many would call a textbook definition of constitutionally protected speech to criticize the government.
Ramirez attended the opening night performance with a group of friends, hoping to catch a final show before the center undergoes two years of major changes under Trump oversight. The musical, based on a 1926 play of the same name, has become synonymous with Broadway success.
With music by John Kander, lyrics by Fred Ebb, and a book by Ebb and Bob Fosse, “Chicago” has cemented itself as a cultural staple — known for its signature Fosse choreography, stripped-down staging, and sleek, campy aesthetic. The story follows Roxie Hart and Velma Kelly, women who murder their husbands but — with the help of the manipulative, charismatic, and narcissistic attorney Billy Flynn — walk away scot-free.
It remains the longest-running American musical in Broadway history, and its 2002 film adaptation famously won the Academy Award for Best Picture. On this night, however, the production also became the backdrop for a very modern moment of political protest.
“I accompanied five friends to opening night of ‘Chicago’, as a way to enjoy a final performance in the Kennedy Center as we know it,” Ramirez began to recount to the Washington Blade, describing the moment his group settled into their seats inside the ornate Opera House theater.
Just before the performance began, the twice impeached president and first lady appeared in the balcony box, drawing immediate attention from the audience below. Theatergoers stood, cheered, clapped, and waved, while Ramirez made a different choice.
While accounts of the crowd’s reaction have varied, Ramirez said his response was intentional, immediate, and within his rights. Moments after booing and giving a thumbs-down while recording on his iPhone, security intervened.
The video of Ramirez booing the Trump’s is here:
“Within moments, the director [of security] and another guard approached and escorted me to a side area where several other security guards were waiting,” he said. “I was detained until everyone was seated and the lights dimmed.”
As he was escorted away, Ramirez said his instincts as a journalist kicked in. A former lead anchor for Sinclair’s national evening news broadcast, he said the situation immediately felt off — or more aptly put — as if he could see the strings being pulled from someone attempting to control the narrative.
“Journalism is a vocation, not just a job. I immediately knew there wasn’t just an uncomfortable interaction with security,” he said. “The Kennedy Center is a federally funded cultural institution, and being questioned about speech related to the president in that setting felt like something the public should know about.”
Ramirez explained the difference between a standard visit by a public official and this performance: the president’s appearance wasn’t just ceremonial; it was very clearly a media moment.
“The White House press pool was there, and it was clear this was an effort to manage the president’s image in the media,” Ramirez continued. “The irony was not lost on me that this was happening on opening night of ‘Chicago’, a musical about manipulating the press to shape public perception.”
According to Ramirez, the explanation he received from Kennedy Center Director of Safety and Security Karles C. Jackson Sr., was brief, but illuminating.
“He said, ‘they don’t want booing,’ and even called out my thumbs-down gesture. He never clarified who ‘they’ were, but whether it was the administration or the Kennedy Center, the distinction felt meaningless,” he explained. “Mr. Jackson ultimately told me he was just trying to do his job, shook my hand, and allowed me to return to my seat once the lights dimmed and the overture started playing.”
Ramirez said he didn’t blame the guard individually, noting the broader context of the Kennedy Center’s uncertain future and the pressures staff were under.
“With the center closing in the coming months, some of these security guards being pressured to restrict our freedom of speech may only have a few weeks of work left.”
He believes the decision to remove him was driven less by disruption than optics, particularly given the presence of the press.
“It was very clearly about protection — whether protecting the president from visible dissent, or his image before the media present. There was no disruption as almost everyone was standing and reacting loudly to the arrival of the president and first lady, with cheers, applause, and hand gestures. The difference was that my reaction, unlike most, was negative.”
Drawing on his experience covering public officials, Ramirez said the incident felt more about controlling perception than security.
“Usually, law enforcement may monitor or intervene if there’s a disruption, but here there was no disruption at all. Simply expressing dissent in a public, cultural space drew the attention of security. It made it feel less like a matter of decorum and more like an effort to control the narrative around the president,” he said. “It’s about what happens when dissent is treated as disruption rather than a right.”
“The show hadn’t started. I threatened no one. Billy Flynn would have approved of the optics. The rest of us should be paying attention.”
Ramirez framed the incident as part of a broader constitutional concern, one that is plaguing the Trump-Vance administration as they continue to reject rules and normalcy set forth by other reserved presidents.
“Being singled out by security at a federally funded institution for expressing dissent shouldn’t be brushed off; it undermines the First Amendment,” he said, looking at it slightly distanced from it now. “Being of Cuban heritage, and a journalist, it’s a right I’m not willing to give up readily.”
“Publicly funded cultural institutions should allow visible dissent, even in politically charged moments,” he added. “Of course, I understand the need to manage disruptions during a performance, but that was not the case here.”
The themes of “Chicago”, a long-running satire about media manipulation and public perception, added another layer of irony to the experience, Ramirez explained.
“The satire truly leapt off the stage! A show about controlling the narrative, manipulating the press, and covering up truths by leaning on showmanship and distractions. The show is decades old, but could’ve been written today. We’re being razzle-dazzled daily and it’s getting harder to tell fact from fiction, no matter where you get your news.”
He, being gay, also acknowledged how hard it must have been for the performers on stage, assuming that at least some in the cast were also members of the LGBTQ community — and artists — two things Trump doesn’t always get along with.
“It was not lost on me that many of the actors on that stage, that the president and first lady presumably applauded, are members of the LGBTQ community which this administration has rolled back protections for under the guise of religious liberty and free speech, resulting in blatant discrimination.”
He pointed to a particular number that felt surreal given the circumstances.
“Its ‘Razzle Dazzle’ number celebrates keeping audiences off balance; at its climax, a massive American flag descends as the song celebrates blinding audiences to what is real. Watching that scene after being detained for a thumbs-down was surreal.”
Ramirez said the show’s closing lines were especially sharp given the presidential audience and what he just experienced.
“At the end of the show,
Velma says: ‘You know, a lot of people have lost faith in America.’
Roxie replies: ‘And for what America stands for.’
Velma: ‘But we are the living examples of what a wonderful country this is.’
Roxie: ‘So we’d just like to say thank you and God bless you.’
They had both just gotten away with murder!”
His closing lines, however, were a bit more pointed than “scintillating sinners” Roxie Hart and Velma Kelly’s were in the show.
“Democracy only works when citizens are allowed to boo,” he said. “Tuesday night at the Kennedy Center, ‘Chicago’ made that point better than I ever could.”
The Blade reached out to the Kennedy Center but did not receive a comment back.
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