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Murder at St. Mark’s

Community players shine in lavish ‘Chicago’ production

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The St. Marks players in rehearsal for ‘Chicago.’ (Blade photo by Michael Key)

‘Chicago’
music by John Kander and lyrics by Fred Ebb
based on book by Ebb and Bob Fosse
8 p.m. Friday-Saturday
4 p.m. Sunday
thru May 21
St. Mark’s Players
3rd and A Streets, S.E.
Washington
Tickets $20 ($18 seniors and students)
202-546-9670 or visit stmarksplayers.org

The Tony Award winning “Chicago: The Musical” — with its heart of purest bile, its lyrics by Fred Ebb, and its music by John Kander — mocks everything we claim to value in life (truth, love, justice, you name it). On the Capitol Hill stage of the St. Mark’s Players, consistently one of the area’s sharpest community theaters, it’s here through May 21.

This “Chicago” with its iconic choreography by Bob Fosse and later Ann Reinking is stylishly restaged by director Rick Hayes and choreographer Rikki Howie, sharply punched up with jokes and sight gags to fit this top-notch production neatly into the historic church’s tall-ceilinged but narrow nave. But it delivers the same signature Kander and Ebb tap-dance around a seedy world of jail cells, its story forever doomed.

The satirical story of Roxie Hart and Velma Kelly, and how they beat their respective murder raps, has been told many times before. At St. Mark’s it is staged with all the famed double-snap, wise crackle and syncopated pop that this show can be at its best.

Billy Flynn is portrayed by Eric Kennedy, who packs the part with animal appeal — a wolf’s whistle, a fox’s morals and a cat’s grin of self-satisfaction. Kennedy, who’s gay, imbues Billy with oodles of smarm and charm in the key role as the mercenary mouthpiece for the murderesses. But he’s more than being both sleazy and sleek in the role — Kennedy also has a great voice and a fine soft shoe to go with dark good looks.

Attention must also be paid to the three women playing the two roles of Velma and Roxie. Anya Nebel is Velma, with the voice and the lung power to belt it out and the comic tease to add sparkle to the part. Sharing the role of Roxie on different nights are the equally talented Kim Pyle (May 13-15) and choreographer Howie herself (May 20-21). All three ladies bring a comic sensibility as well as the chops and gams to sing and dance and just the right mix of curve, verve and nerve as they shimmy and shake and bring high-kicking whoopee to their dreams of making it big in show business.

Also noteworthy is Genevieve Williams as their jailor, Mama Morton, with her deep rumble of a contralto voice. With heavy hints that she is lesbian (Billy calls her “butch”),  there’s real spice in this Mama’s gumbo.

Heather Cipu also deserves notice — she shines as Mary Sunshine, hitting every high note with her operetta-soprano ode to saccharine, “A Little Bit of Good,” though later she drops the goodie-two-shoes image and matronly frock to reveal a very different persona underneath. Finally, there is Stephen Yednock as poor, put-upon Amos Hart, the one and only decent person, Roxie’s good-natured but basically dimwitted husband who is prepared at every turn to take the fall for her if he can. Yednock brings real feeling to several songs, especially his solo lament, “Mister Cellophane.”

This staging of “Chicago” is simply great right down to the terrific ensemble who among them function like a chorus, singing and dancing different roles, including the females in a first-rate “Cell Block Tango,” wicked and wonderful in red lips and black leather, and in the opening song, “All That Jazz.” Other show-stoppers include “We Both Reached for the Gun” and “Nowadays.” Special kudos go to the show’s director, Rick Hayes, also the Players’ artistic director, and as the musical director, the veteran musician J. N. Wickert III, at the baton of an 11-piece orchestra. Both are gay, as is the Players’ president Jerry Dale Jr., who also serves as stage manager for this show.

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Theater

Voiceless ‘Antony & Cleopatra’ a spectacle of operatic proportions

Synetic production pulls audience into grips of doomed lovers’ passion

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Stella Bunch as Mardian and Irina Kavsadze as Cleopatra in Synetic Theatre's ‘Antony & Cleopatra.’ (Photo by Katerina Kato)

‘Antony & Cleopatra’
Through Jan. 25
Synetic Theater at
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Synetictheater.org

A spectacle of operatic proportions, Synetic Theater’s “Antony & Cleopatra” is performed entirely voiceless. An adaptation of the Bard’s original (a play bursting with wordplay, metaphors, and poetic language), the celebrated company’s production doesn’t flinch before the challenge. 

Staged by Paata Tsikurishvili and choreographed by Irina Tsikurishvili, this worthy remount is currently playing at Shakespeare Theatre Company’s Klein Theatre, the same venue where it premiered 10 years ago. Much is changed, including players, but the usual inimitable Synectic energy and ingenuity remain intact.  

As audiences file into the Klein, they’re met with a monumental pyramid bathed in mist on a dimly lit stage. As the lights rise, the struggle kicks off: Cleopatra (Irina Kavsadze) and brother Ptolemy (Natan-Maël Gray) are each vying for the crown of Egypt. Alas, he wins and she’s banished from Alexandria along with her ethereal black-clad sidekick Mardian (Stella Bunch); but as history tells us, Cleopatra soon makes a triumphant return rolled in a carpet.  

Meanwhile, in the increasingly dangerous Rome, Caesar (memorably played by Tony Amante) is assassinated by a group of senators. Here, his legendary Ides of March murder is rather elegantly achieved by silver masked politicians, leaving the epic storytelling to focus on the titular lovers. 

The fabled couple is intense. As the Roman general Antony, Vato Tsikurishvili comes across as equal parts warrior, careerist, and beguiled lover. And despite a dose of earthiness, it’s clear that Kavsadze’s Cleopatra was born to be queen.

Phil Charlwood’s scenic design along with Colin K. Bills’ lighting cleverly morph the huge pyramidic structure into the throne of Egypt, the Roman Senate, and most astonishingly as a battle galley crashing across the seas with Tsikurishvili’s Antony ferociously at the helm.

There are some less subtle suggestions of location and empire building in the form of outsized cardboard puzzle pieces depicting the Mediterranean and a royal throne broken into jagged halves, and the back-and-forth of missives.

Of course, going wordless has its challenges. Kindly, Synectic provides a compact synopsis of the story. I’d recommend coming early and studying that page. With changing locations, lots of who’s who, shifting alliances, numerous war skirmishes, and lack of dialogue, it helps to get a jump on plot and characters.

Erik Teague’s terrific costume design is not only inspired but also helpful. Crimson red, silver, and white say Rome; while all things Egyptian have a more exotic look with lots of gold and diaphanous veils, etc. 

When Synetic’s voicelessness works, it’s masterful. Many hands create the magic: There’s the direction, choreography, design, and the outrageously committed, sinewy built players who bring it to life through movement, some acrobatics, and the remarkable sword dancing using (actual sparking sabers) while twirling to original music composed by Konstantine Lortkipanidze.

Amid the tumultuous relationships and frequent battling (fight choreography compliments of Ben Cunis), moments of whimsy and humor aren’t unwelcome. Ptolemy has a few clownish bits as Cleopatra’s lesser sibling. And Antony’s powerful rival Octavian (ageless out actor Philip Fletcher) engages in peppy propaganda featuring a faux Cleopatra (played by Maryam Najafzada) as a less than virtuous queen enthusiastically engaged in an all-out sex romp. 

When Antony and Cleopatra reach their respective ends with sword and adder, it comes almost as a relief. They’ve been through so much. And from start to finish, without uttering a word, Kavsadze and Tsikurishvili share a chemistry that pulls the audience into the grips of the doomed lovers’ palpable passion.

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Out & About

Love board games and looking for love?

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(Image by VLADGRIN/Bigstock)

Quirk Events will host “Board Game Speed Dating for Gay Men” on Thursday, Jan. 22 at 7 p.m. at KBird DC. 

Searching for a partner can be challenging. But board games are always fun. So what if you combined board games and finding a partner?

Picture this: You sit down for a night of games. A gaming concierge walks you through several games over the course of the night. You play classics you love and discover brand new games you’ve never heard of, playing each with a different group of fun singles. All while in a great establishment. 

At the end of the night, you give your gaming concierge a list of the folks you met that you’d like to date and a list of those you met that you’d like to just hang out with as friends. If any two people put down the same name as each other in either column, then your gaming concierge will make sure you get each other’s e-mail address and you can coordinate a time to hang out.

Tickets cost $31.80 and can be purchased on Eventbrite

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Calendar

Calendar: January 16-22

LGBTQ events in the days to come

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Friday, January 16

Friday Tea Time will be at 12 p.m. at the DC Center for the LGBT Community. This is a social hour for older LGBTQ+ adults. Bring your beverage of choice. For more information, contact Mac ([email protected]).

Trans and Genderqueer Game Night will be at 7 p.m. at the DC LGBTQ+ Community Center. This is a relaxing, laid-back evening of games and fun. For more details, visit the DC Center’s website

Go Gay DC will host “LGBTQ+ Social in the City” at 7 p.m. at Hotel Zena. This event is ideal for making new connections and community building or just to unwind and enjoy extended happy hour. Attendance is free and more details are available on Eventbrite.

Saturday, January 17

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

The DC LGBTQ+ Community Center and SMYAL will host a free film screening of “Mama Bears” celebrating queer youth, resilience, and the power of living authentically. Whether you’re a movie lover, looking to make new friends, or simply want a safe, affirming space to relax, this event is for you. Click this link to RSVP

LGBTQ People of Color will be at 7 p.m. on Zoom. This peer support group is an outlet for LGBTQ people of color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. There will be all sorts of activities like watching movies, poetry events, storytelling, and just hanging out with others. For more details, visit thedccenter.org/poc or facebook.com/centerpoc.

Sunday, January 18

Go Gay DC will host “LGBTQ+ Community and Conversation” at noon at As You Are. This event is for those looking to make more friends and meaningful connections in the LGBTQ+ community. Look for the Go Gay DC sign on the long table near the front window. Attendance is free and more details are available on Eventbrite.

Monday, January 19

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Tuesday, January 20

Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting.Visit Facebook or Meetup for more information.

Tae Kwon Do Class with Avi Rome will be at 12:30 p.m. This inclusive and beginner-friendly class, led by Instructor Avi Rome, offers a light warm-up, stretching, and instruction in basic techniques, patterns, and striking padded targets. Each session is designed to be adaptable for all ability and mobility levels, creating a welcoming space for everyone to build strength, confidence, and community through martial arts. For more details, visit the DC Center’s website.

Wednesday, January 21

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Thursday, January 22

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

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