Arts & Entertainment
Murder at St. Mark’s
Community players shine in lavish ‘Chicago’ production
‘Chicago’
music by John Kander and lyrics by Fred Ebb
based on book by Ebb and Bob Fosse
8 p.m. Friday-Saturday
4 p.m. Sunday
thru May 21
St. Mark’s Players
3rd and A Streets, S.E.
Washington
Tickets $20 ($18 seniors and students)
202-546-9670 or visit stmarksplayers.org
The Tony Award winning “Chicago: The Musical” — with its heart of purest bile, its lyrics by Fred Ebb, and its music by John Kander — mocks everything we claim to value in life (truth, love, justice, you name it). On the Capitol Hill stage of the St. Mark’s Players, consistently one of the area’s sharpest community theaters, it’s here through May 21.
This “Chicago” with its iconic choreography by Bob Fosse and later Ann Reinking is stylishly restaged by director Rick Hayes and choreographer Rikki Howie, sharply punched up with jokes and sight gags to fit this top-notch production neatly into the historic church’s tall-ceilinged but narrow nave. But it delivers the same signature Kander and Ebb tap-dance around a seedy world of jail cells, its story forever doomed.
The satirical story of Roxie Hart and Velma Kelly, and how they beat their respective murder raps, has been told many times before. At St. Mark’s it is staged with all the famed double-snap, wise crackle and syncopated pop that this show can be at its best.
Billy Flynn is portrayed by Eric Kennedy, who packs the part with animal appeal — a wolf’s whistle, a fox’s morals and a cat’s grin of self-satisfaction. Kennedy, who’s gay, imbues Billy with oodles of smarm and charm in the key role as the mercenary mouthpiece for the murderesses. But he’s more than being both sleazy and sleek in the role — Kennedy also has a great voice and a fine soft shoe to go with dark good looks.
Attention must also be paid to the three women playing the two roles of Velma and Roxie. Anya Nebel is Velma, with the voice and the lung power to belt it out and the comic tease to add sparkle to the part. Sharing the role of Roxie on different nights are the equally talented Kim Pyle (May 13-15) and choreographer Howie herself (May 20-21). All three ladies bring a comic sensibility as well as the chops and gams to sing and dance and just the right mix of curve, verve and nerve as they shimmy and shake and bring high-kicking whoopee to their dreams of making it big in show business.
Also noteworthy is Genevieve Williams as their jailor, Mama Morton, with her deep rumble of a contralto voice. With heavy hints that she is lesbian (Billy calls her “butch”), there’s real spice in this Mama’s gumbo.
Heather Cipu also deserves notice — she shines as Mary Sunshine, hitting every high note with her operetta-soprano ode to saccharine, “A Little Bit of Good,” though later she drops the goodie-two-shoes image and matronly frock to reveal a very different persona underneath. Finally, there is Stephen Yednock as poor, put-upon Amos Hart, the one and only decent person, Roxie’s good-natured but basically dimwitted husband who is prepared at every turn to take the fall for her if he can. Yednock brings real feeling to several songs, especially his solo lament, “Mister Cellophane.”
This staging of “Chicago” is simply great right down to the terrific ensemble who among them function like a chorus, singing and dancing different roles, including the females in a first-rate “Cell Block Tango,” wicked and wonderful in red lips and black leather, and in the opening song, “All That Jazz.” Other show-stoppers include “We Both Reached for the Gun” and “Nowadays.” Special kudos go to the show’s director, Rick Hayes, also the Players’ artistic director, and as the musical director, the veteran musician J. N. Wickert III, at the baton of an 11-piece orchestra. Both are gay, as is the Players’ president Jerry Dale Jr., who also serves as stage manager for this show.
Arts & Entertainment
The very few queer highlights of the Oscars
Streisand’s live performance, a shocking tie, and more
LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.
During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”
Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.
One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.
When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”
“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”
Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.
The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.
(Washington Blade photos by Michael Key)






















Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen.
At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon).
Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan. Arenastage.org
La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram
Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org
Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu
As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org
In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org
The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com
At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org
At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.
Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play. Jason Loewith directs.
Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org
British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.
And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org
Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.
Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net
Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the young five-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org
In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org
Exciting stuff ahead.
-
The White House4 days agoTrump proclamation targets trans rights as State Dept. shifts visa policy
-
Cameroon5 days agoGay Cameroonian immigrant will be freed from ICE detention — for now
-
Music & Concerts5 days agoGaga, Cardi B, and more to grace D.C. stages this spring
-
Opinions5 days agoRemembering Jesse Jackson

