Arts & Entertainment
Trey chic
Boise-based dance outfit at Harmon Hall this weekend
Trey McIntyre Project
8 p.m. tonight; 2 and 8 p.m. Saturday
Washington Performing Arts Society
at Sidney Harman Hall
610 F Street N.W.
Tickets $25-$75,
Wpas.org or shakespearetheatre.org/tickets
202-547-1122
When the Trey McIntyre Project performs tonight in Washington, viewers, obviously, will have a sense of what they’re in for. But that’s not always the case in Boise, Idaho, where the company is based.
The 41-year-old Trey McIntyre chose the unlikely locale after a nationwide search for a host city and, all things considered, found Boise the best fit. His dancers have made a splash there by launching what they call “SpUrgans” — spontaneous urban performances — where McIntyre says, “we will go into an office or into a park, or into a restaurant, do our dance and get out,” basically, guerilla-style dance done with a boom-box for music and flying feet and swiveling hips, startling observers.
The whole point of a “SpUrban,” he says, is to surprise, to connect viscerally and unexpectedly, site-specific however, seeing the dance environment writ large — to go directly where people live and work in the community itself. His dancers also perform at games of the Idaho Stampede, the local NBA team, where they sold 300 tickets to one performance.
This weekend’s performance, of course, will be less out of the blue.
At Harman Hall, McIntyre promises a high-profile presentation of three works, two of them — “Ma Maison” (2008) and “The Sweeter End” (2011) — he choreographed to be performed to the recorded music he commissioned from the New Orleans jazz band, Preservation Hall, in two salutes to “the Big Easy,” a city he has grown to love.
The brightly colored “Ma Maison” costumes feature Mardi Gras-style skeleton costumes and the dance is inspired by ritual and celebration of both death and the afterlife. “The Sweeter End” premiered in New Orleans in February. The troupe will also perform “In Dreams” (2007), a darkly lyrical ballet he created for five dancers set to the music of Roy Orbison songs, including the eponymous “In Dreams,” a song McIntyre remembered from its use in the 1986 film by David Lynch, “Blue Velvet.”
McIntyre is famed already after a star-studded career of more than two decades as a choreographer, with his canon of more than 80 works of contemporary ballet, set to scores as varied as classical music (Beethoven and Chopin), rock ‘n’ roll (from the Beatles and Beck to Roy Orbison), folk (Peter, Paul and Mary) and jazz (Preservation Hall Jazz Band).
McIntyre says he never came out per se. His parents asked him about it when he was 14 and matter of factly started dating a boy. The Wichita, Kan., native established his dance career after leaving home at 17 for the Houston Ballet Company. By 19 he was hired, enjoying a long run there that lasted until 2008 by which time he had been working as a choreographer, his own dancing days ending in the mid-’90s.
McIntyre’s partner of eight years, 29-year-old John Michael Schert, met in New York and knew early on they’d form a company together. It began in 2005 as a summer touring company and was established in 2008 as a full-time company, now with 10 dancers.
The dancers — now five males (including Schert) and five females, salaried for 35 weeks a year and with full health benefits — are happily settled in Boise. Now in their third year there, they are also touring with upcoming concerts at Harman Hall in Washington tonight and Saturday, hosted by the Washington Performing Arts Society (WPAS), and were scheduled to participate in a community “engagement” outreach with the Washington Ballet School, Maryland Youth Ballet and the Duke Ellington School for the Arts.
The company will also host tonight a free warm-up class and WPAS-sponsored performance for local schools at Harman Hall of excerpts from the three dances to be performed there tonight and Saturday.
Since arriving in Boise three years ago, the city has taken the Trey McIntyre Project to heart, bestowing a grant of $25,000 on the company, by far the city’s largest arts award ever, and naming the Project its first official cultural ambassador. Affiliated with Boise State University, which is renovating a 450-seat campus theater to make it suitable for dance, and housed for offices and studio space at Foothills School of Arts and Sciences, McIntyre and the company’s dancers have become virtual rock stars, recognizable wherever they go and showered with free gifts.
In 2005, the company began as a summer touring troupe, until landing on its feet full-time in Boise three years ago. Its now funded on a $1.5 million annual budget and boasts a blue ribbon national board and an advisory council with stars like Shirley MacLaine, Tony Award-winning actor Alan Cumming, and Lar Lubovich, legendary artistic director of the Lar Lubovich Dance Company.
The third annual Front Royal Pride was held at the Main Street Gazebo in Front Royal, Va. on Saturday, July 25.
(Washington Blade photos by Michael Key)














a&e features
Summer in the City: Free exhibits, movies, more fill D.C.’s calendar
America 250 celebrations continue
From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.
Museum exhibitions
The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.
The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.
The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.
The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.
Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.
The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.
At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.
The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.
The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.
Live performances
On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.
Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.
From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.
Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.
DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.
Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.
Other events
Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.
Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.
The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.
For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.
Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.
Theater
D.C. summer theater offers something for every taste
From family fare to ‘Brontë Sister House Party’
Staycation doesn’t preclude time travel.
For instance, Happenstance Theater’s production of “Adrift: A Medieval Wayward Folly” now playing at Round House Theatre in Bethesda invites audiences to go somewhere familiar but far from home.
A timely piece of theater, “Adrift” takes place shortly after an apocalypse, prompting a group of seafaring fools to ask “What do we do now?”
What ensues is a gorgeously lit glimpse into the dark ages bursting with slapstick comedy and high art. Characters and mise-en-scène are inspired by the late Middle Ages/early Renaissance paintings of Hieronymus Bosch, and archetypes from the Tarot. Bosch’s surreal heaven and hellscapes are brought to life with music, devised and existing text, puppetry, and movement.
Sabrina Mandell, Happenstance’s charming co-artistic director and bona fide “visionary tornado” describes Happenstance, now marking its twentieth anniversary season, as small and agile, more interested in sustainability than growth. “It’s served us well. Our goal has never been to own a building,” she adds.
Over the years, the company has fostered an ensemble (Mandell, co-artistic director Mark Jaster, Gwen Grastorf, Sarah Olmsted Thomas, and Alex Vernon), an immensely creative team. In addition to performing, each member contributes in various ways: puppet making, social media, props, etc.
They play off each other endlessly. (“Sort of like the Carol Burnett Show only different?” I ask. “Exactly.” she agrees. They’ve been through a lot and have formed common vocabulary. Nostalgia buffs, they enjoy old films, art movements, and historical eras. The vibe is eccentric and there’s a bit of queer sensibility.
The two-time Helen Hayes Award winner for costume design, does it all — props and costumes and marketing. In “Adrift,” she plays both the oracle and a crone.
Mandell was born on the coast of Nova Scotia, Canada, the daughter of artists, and later lived in Montreal. As a young woman, she worked on schooners. For Mandell, it’s been a magical life filled with visuals marvels, she says.
When Happenstance begins rehearsal, there’s no fixed script: “We choose a territory and everyone does a deep dive. I’m interested in alchemy, the Tarot, mortality, and the Shaministic roots of theater. All of which are well represented in this production.”
The experience is also immersive. Audiences are encouraged to pose questions to the oracle. Much is whimsical, and in true Medieval fashion the 85-minute show is not without a hellmouth (the jaws of hell) and plenty of demons. Happenstancetheater.org
For staycationing kids, there’s “Pete the Cat: A Live Rock Musical” (through Aug. 2) at Imagination Stage in Bethesda. Follow Pete (played by Michael Perrie Jr.) and the Biddle family as they rock out in a fast-paced, globe-trotting musical based on the massively popular children’s book series. Imaginationstage.org.
There’s more family theater at Glen Echo Park in Maryland. Adventure Theatre MTC puts a spin on beloved fairytale with “Sleeping Beauty: The Time Traveler” (through Aug. 9). A humdrum summer changes when a young Rolly (Carl L. Williams) is whisked back in time to the Age of Charlemagne where he meets Aurora (Chelsea Majors), a bold 12-year-old princess with dreams of knighthood and adventure beyond her castle walls. (Chelsea Majors). Adventuretheatre-mtc.org.
Also at Glen Echo Park, The Puppet Co. presents “The Three Billy Goats Gruff” (through Aug. 23), ideal for kids 4+ and puppet aficionados of all ages. Thepuppetco.org
Broadway at the National on Pennsylvania Avenue presents “The Notebook” (through Aug. 30). Based on Nicholas Sparks’s best-selling novel that inspired the successful film, this romantic musical tells the story of unlikely couple Allie and Noah, who against all odds (hardship, separation, and Alzheimer’s disease) share a lifetime of love. Broadwayatthenational.com
In Vienna, Va., Wolf Trap takes you to Rome circa 1800 with Puccini’s “Tosca” (Aug. 4) presented by Wolf Trap Opera, in collaboration with the Washington National Opera Orchestra.
Following Puccini it’s a magical summer night with Diana Ross (Aug. 19). Expect to hear the superstar and two-time Grammy Lifetime Achievement Award winner perform many of her iconic hits including “I’m Coming Out,” “Ain’t No Mountain High Enough,” “Stop in the Name of Love” and more. Wolftrap.org
Nu Sass, a company that promotes marginalized genders in all aspects of theater, presents Courtney Bailey’s “Brontë Sister House Party” (Aug. 14-Sept. 12) at Van Ness on Main Street (4340 Connecticut Ave., NW). In life, the Brontë Sisters, Emily, Charlotte, and Anne, wrote their 19th century English lit classics in the virtual isolation of their father’s remote York parsonage. Now, stuck in purgatory, they’re suffering through party after party in an endless time loop. For them, hosting is truly hell, until they finally find a way to make it tolerable. Nusass.com
At Olney Theatre Center it’s “A Gentleman’s Guide to Love and Murder” (through Aug. 23), a Tony Award–winning musical farce about murder, manners, and money starring out actor Tom Story as all seven members of the rich, ill-fated D’Ysquith family. This fast-paced comedy promises to be a good time.
The Olney Outdoors summer series (Aug. 9-Sept. 12) also at the Olney Theatre Center features tribute bands, cabaret-style performances, comedy, drag, and family sing-alongs on the open-air Root Family Stage. Among the transportive tribute bands are “Space Oddity – The Ultimate David Brighton Bowie Experience” (Aug. 28) and for Labor Day weekend, it’s “Almost Queen” (Sept. 5) with Joseph Russo playing the band’s front man and queer icon Freddie Mercury. Olneytheatre.org
Signature Theatre in Arlington presents “Respect: Aretha Franklin” (Aug. 11-30), a musical tribute celebrating the Queen of Soul starring powerhouse performer Nova Y. Payton. Not to be missed. Sigtheatre.org
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