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Boise-based dance outfit at Harmon Hall this weekend

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Trey McIntyre Project
8 p.m. tonight; 2 and 8 p.m. Saturday
Washington Performing Arts Society
at Sidney Harman Hall
610 F Street N.W.
Tickets $25-$75,
Wpas.org or shakespearetheatre.org/tickets
202-547-1122

Trey McIntyre (Photo courtesy of Trey McIntyre Project)

When the Trey McIntyre Project performs tonight in Washington, viewers, obviously, will have a sense of what they’re in for. But that’s not always the case in Boise, Idaho, where the company is based.

The 41-year-old Trey McIntyre chose the unlikely locale after a nationwide search for a host city and, all things considered, found Boise the best fit. His dancers have made a splash there by launching what they call “SpUrgans” — spontaneous urban performances — where McIntyre says, “we will go into an office or into a park, or into a restaurant, do our dance and get out,” basically, guerilla-style dance done with a boom-box for music and flying feet and swiveling hips, startling observers.

The whole point of a “SpUrban,” he says, is to surprise, to connect viscerally and unexpectedly, site-specific however, seeing the dance environment writ large — to go directly where people live and work in the community itself. His dancers also perform at games of the Idaho Stampede, the local NBA team, where they sold 300 tickets to one performance.

This weekend’s performance, of course, will be less out of the blue.

At Harman Hall, McIntyre promises a high-profile presentation of three works, two of them — “Ma Maison” (2008) and “The Sweeter End” (2011)  — he choreographed to be performed to the recorded music he commissioned from the New Orleans jazz band, Preservation Hall, in two salutes to “the Big Easy,” a city he has grown to love.

The brightly colored “Ma Maison” costumes feature Mardi Gras-style skeleton costumes and the dance is inspired by ritual and celebration of both death and the afterlife. “The Sweeter End” premiered in New Orleans in February. The troupe will also perform “In Dreams” (2007), a darkly lyrical ballet he created for five dancers set to the music of Roy Orbison songs, including the eponymous “In Dreams,” a song McIntyre remembered from its use in the 1986 film by David Lynch, “Blue Velvet.”

McIntyre is famed already after a star-studded career of more than two decades as a choreographer, with his canon of more than 80 works of contemporary ballet, set to scores as varied as classical music (Beethoven and Chopin), rock ‘n’ roll (from the Beatles and Beck to Roy Orbison), folk (Peter, Paul and Mary) and jazz (Preservation Hall Jazz Band).

McIntyre says he never came out per se. His parents asked him about it when he was 14 and matter of factly started dating a boy. The Wichita, Kan., native established his dance career after leaving home at 17 for the Houston Ballet Company. By 19 he was hired, enjoying a long run there that lasted until 2008 by which time he had been working as a choreographer, his own dancing days ending in the mid-’90s.

McIntyre’s partner of eight years, 29-year-old John Michael Schert, met in New York and knew early on they’d form a company together. It began in 2005 as a summer touring company and was established in 2008 as a full-time company, now with 10 dancers.

The dancers — now five males (including Schert) and five females, salaried for 35 weeks a year and with full health benefits — are happily settled in Boise. Now in their third year there, they are also touring with upcoming concerts at Harman Hall in Washington tonight and Saturday, hosted by the Washington Performing Arts Society (WPAS), and were scheduled to participate in a community “engagement” outreach with the Washington Ballet School, Maryland Youth Ballet and the Duke Ellington School for the Arts.

The company will also host tonight a free warm-up class and WPAS-sponsored performance for local schools at Harman Hall of excerpts from the three dances to be performed there tonight and Saturday.

Since arriving in Boise three years ago, the city has taken the Trey McIntyre Project to heart, bestowing a grant of $25,000 on the company, by far the city’s largest arts award ever, and naming the Project its first official cultural ambassador. Affiliated with Boise State University, which is renovating a 450-seat campus theater to make it suitable for dance, and housed for offices and studio space at Foothills School of Arts and Sciences, McIntyre and the company’s dancers have become virtual rock stars, recognizable wherever they go and showered with free gifts.

In 2005, the company began as a summer touring troupe, until landing on its feet full-time in Boise three years ago. Its now funded on a $1.5 million annual budget and boasts a blue ribbon national board and an advisory council with stars like Shirley MacLaine, Tony Award-winning actor Alan Cumming, and Lar Lubovich, legendary artistic director of the Lar Lubovich Dance Company.

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Eastern Shore chef named James Beard Finalist

Harley Peet creates inventive food in an inclusive space

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Chef Harley Peet works to support the LGBTQ community inside and outside of the kitchen.

In a small Eastern Shore town filled with boutiques, galleries, and the occasional cry of waterfowl from the Chesapeake, Chef Harley Peet is most at home. In his Viennese-inflected, Maryland-sourced fine-dining destination Bas Rouge, Peet draws from his Northern Michigan upbringing, Culinary Institute of America education, and identity as a gay man, for inspiration.

And recently, Peet was named a James Beard Finalist for Best Chef: Mid-Atlantic – the first “Best Chef: Mid-Atlantic” finalist representing the Eastern Shore.

Peet, after graduation from the Culinary Institute of America, took a position as sous chef at Tilghman Island Inn, not far from Bas Rouge. Falling in love with the Eastern Shore, he continued his passion for racing sailboats, boating, gardening, and fishing, and living his somewhat pastoral life as he opened Bas Rouge in 2016 as head chef, a restaurant part of the Bluepoint Hospitality group, which runs more than a dozen concepts in and around Easton, Md.  

Coming from a rural area and being gay, Peet knew he had his work cut out for him. He was always aware that the service and hospitality industry “can be down and dirty and rough.”

 Now as a leader in the kitchen, he aims to “set a good example, and treat people how I want to be treated. I also want to make sure if you’re at our establishment, I’m the first to stand up and say something.” 

The Bas Rouge cuisine, he says, is Contemporary European. “I’m inspired by old-world techniques of countries like Austria, Germany, and France, but I love putting a new spin on classic dishes and finding innovative ways to incorporate the bounty of local Chesapeake ingredients.”

His proudest dish: the humble-yet-elevated Wiener Schnitzel. “It is authentic to what one would expect to find in Vienna, down to the Lingonberries.” From his in-house bakery, Peet dries and grinds the housemade Kaiser-Semmel bread to use as the breadcrumbs.

Peet works to support the LGBTQ community inside and outside of the kitchen. “I love that our Bluepoint Hospitality team has created welcoming spaces where our patrons feel comfortable dining at each of our establishments. Our staff have a genuine respect for one another and work together free of judgment.” 

Representing Bluepoint, Peet has participated in events like Chefs for Equality with the Human Rights Campaign, advocating for LGBTQ rights.

At Bas Rouge, Peet brings together his passion for inclusion steeped in a sustainability ethic. He sees environmental stewardship as a way of life. Peet and his husband have lived and worked on their own organic farm for several years. Through research in Europe, he learned about international marine sourcing. Witnessing the impacts of overfishing, Peet considers his own role in promoting eco-friendly practices at Bas Rouge. To that end, he ensures responsible sourcing commitments through his purveyors, relationships that have helped create significant change in how people dine in Easton.

“I have built great relationships in the community and there’s nothing better than one of our long-standing purveyors stopping in with a cooler of fresh fish from the Chesapeake Bay. This goes especially for catching and plating the invasive blue catfish species, which helps control the species’ threat to the local ecosystem.

Through his kitchen exploits, Peet expressed a unique connection to another gay icon in a rural fine-dining restaurant: Patrick O’Connell, of three Michelin starred Inn at Little Washington. In fact, Peet’s husband helped design some of O’Connell’s kitchen spaces. They’ve both been able to navigate treacherous restaurant-industry waters, and have come out triumphant and celebrated. Of O’Connell, Peet says that he “sees [his restaurants] as canvas, all artistry, he sees this as every night is a show.” But at the same time, his “judgment-free space makes him a role model.”

Being in Easton itself is not without challenges. Sourcing is a challenge, having to either fly or ship in ingredients, whereas urban restaurants have the benefit of trucking, he says. The small town “is romantic and charming,” but logistics are difficult – one of the reasons that Peet ensures his team is diverse, building in different viewpoints, and also “making things a hell of a lot more fun.”

Reflecting on challenges and finding (and creating) space on the Eastern Shore, Peet confirmed how important it was to surround himself with people who set a good example, and “if you don’t like the way something is going … move on.”

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PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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