Arts & Entertainment
Murder at St. Mark’s
Community players shine in lavish ‘Chicago’ production
‘Chicago’
music by John Kander and lyrics by Fred Ebb
based on book by Ebb and Bob Fosse
8 p.m. Friday-Saturday
4 p.m. Sunday
thru May 21
St. Mark’s Players
3rd and A Streets, S.E.
Washington
Tickets $20 ($18 seniors and students)
202-546-9670 or visit stmarksplayers.org
The Tony Award winning “Chicago: The Musical” — with its heart of purest bile, its lyrics by Fred Ebb, and its music by John Kander — mocks everything we claim to value in life (truth, love, justice, you name it). On the Capitol Hill stage of the St. Mark’s Players, consistently one of the area’s sharpest community theaters, it’s here through May 21.
This “Chicago” with its iconic choreography by Bob Fosse and later Ann Reinking is stylishly restaged by director Rick Hayes and choreographer Rikki Howie, sharply punched up with jokes and sight gags to fit this top-notch production neatly into the historic church’s tall-ceilinged but narrow nave. But it delivers the same signature Kander and Ebb tap-dance around a seedy world of jail cells, its story forever doomed.
The satirical story of Roxie Hart and Velma Kelly, and how they beat their respective murder raps, has been told many times before. At St. Mark’s it is staged with all the famed double-snap, wise crackle and syncopated pop that this show can be at its best.
Billy Flynn is portrayed by Eric Kennedy, who packs the part with animal appeal — a wolf’s whistle, a fox’s morals and a cat’s grin of self-satisfaction. Kennedy, who’s gay, imbues Billy with oodles of smarm and charm in the key role as the mercenary mouthpiece for the murderesses. But he’s more than being both sleazy and sleek in the role — Kennedy also has a great voice and a fine soft shoe to go with dark good looks.
Attention must also be paid to the three women playing the two roles of Velma and Roxie. Anya Nebel is Velma, with the voice and the lung power to belt it out and the comic tease to add sparkle to the part. Sharing the role of Roxie on different nights are the equally talented Kim Pyle (May 13-15) and choreographer Howie herself (May 20-21). All three ladies bring a comic sensibility as well as the chops and gams to sing and dance and just the right mix of curve, verve and nerve as they shimmy and shake and bring high-kicking whoopee to their dreams of making it big in show business.
Also noteworthy is Genevieve Williams as their jailor, Mama Morton, with her deep rumble of a contralto voice. With heavy hints that she is lesbian (Billy calls her “butch”), there’s real spice in this Mama’s gumbo.
Heather Cipu also deserves notice — she shines as Mary Sunshine, hitting every high note with her operetta-soprano ode to saccharine, “A Little Bit of Good,” though later she drops the goodie-two-shoes image and matronly frock to reveal a very different persona underneath. Finally, there is Stephen Yednock as poor, put-upon Amos Hart, the one and only decent person, Roxie’s good-natured but basically dimwitted husband who is prepared at every turn to take the fall for her if he can. Yednock brings real feeling to several songs, especially his solo lament, “Mister Cellophane.”
This staging of “Chicago” is simply great right down to the terrific ensemble who among them function like a chorus, singing and dancing different roles, including the females in a first-rate “Cell Block Tango,” wicked and wonderful in red lips and black leather, and in the opening song, “All That Jazz.” Other show-stoppers include “We Both Reached for the Gun” and “Nowadays.” Special kudos go to the show’s director, Rick Hayes, also the Players’ artistic director, and as the musical director, the veteran musician J. N. Wickert III, at the baton of an 11-piece orchestra. Both are gay, as is the Players’ president Jerry Dale Jr., who also serves as stage manager for this show.
Photos
Center for Black Equity honors leaders, activists at BE. Gala
Miyake-Mugler, Oakes co-host annual awards ceremony
The Center for Black Equity held its annual BE. Gala at Conrad Washington, D.C. on Saturday, Oct. 5. Lolita Leopard Miyake-Mugler and Anthony Oakes co-hosted the awards ceremony.
Honorees included journalist and producer Justin Stewart; nonprofit leader Nikki Alexander; HIV advocate Marlene McNeese; the nonprofit organization FreeLux Project; actress Monroe Alise; public health advocate Tori Cooper; Manassas Park Vice Mayor Darryl G. Moore; Rev. Dr. Carmarion D. Anderson; Bishop Steven Sawyer; government relations professional Courtney Snowden; Senior Deputy Director of HAHSTA at D.C. Health, Clover Barnes; and Texas state Rep. Venton C. Jones.
The event was sponsored by Gilead.
(Washington Blade photos by Michael Key)






























Books
In ‘The Lost Brontë,’ a complicated lie can lead to danger
New book features sweetly romantic girl-meets-girl twist
‘The Lost Brontë’
By Catherine Friend
c.2026, Bywater Books
$22.95/335 pages
Mom always said to tell the truth.
One lie leads to another and another and you have to remember them all until pretty soon, you’re caught. Fibs are hard, mistruths are messy, even little white social lies can destroy trust. Worst of all, as in the new novel, “The Lost Brontë” by Catherine Friend, a complicated lie can lead to danger.

Though Lilianne Loxley was very young when she lost her parents, she understood that her uncle didn’t really want her. As time passed, though, Lily made herself useful to Uncle, writing and signing letters for him and she became a good companion, helping him with his collection of Brontë memorabilia. Uncle was a keen enthusiast.
She had no idea that his obsession was out of control and he was deeply in arrears. The day Lily learned of his debt was the day she learned that he’d agreed to send her to his debtor’s home to work off the money owed.
It was so sudden. One minute, Lily was at Loxley House, happy and loved by Uncle’s staff … and five hours later, she was at Crag Thorn Manor, home of Lord Bexton, who informed her that she’d be working on his ledgers – work that seemed routine, but Lily tackled it.
Uncle always did say she was headstrong.
But would headstrong be enough to survive, when she was restricted from most of the Manor, when she was forced to dine with Brexton and his slimy friend, or – the worst! – when Brexton told Lily that her next task was to forge a letter from Emily Brontë? And then an entire manuscript?
Lily struggled to do what was right. She had to get Uncle out of debt but this last order horrified her. Did she dare refuse Brexton’s orders and commit a crime? It was unthinkable!
The only brightness in the whole situation was Wren, the ladies’ maid assigned to Lily’s room. Wren was adorable with freckles and the sweetest smile. But with everything else happening at Crag Thorn Manner, could Lily act upon her feelings?
This time of year, you may come to crave dark, spooky stories, and “The Last Brontë” fits those needs perfectly with its Gothic deliciousness. Think: Daphne du Maurier-type, stormy-night squirms with a dangerously chaste, sweetly romantic girl-meets-girl twist for fun.
If it’s been awhile since you’ve read a Gothic novel, you’re in for a nice reminder of why you love them here. You can almost tick off the must-haves: a novel like this is nothing without a foreboding stone manor with damp walls; stone steps to a dank basement; a mysterious portrait; and a nearby bog, and author Catherine Friend gives readers every one of them. You’d be disappointed if there was no ghost, wouldn’t you? Ha. You can practically feel the cold blow through the attic, right? Yeah, it’s that kind of book.
If you’re a fan of the Brontës, you’ll like this novel. If you love Gothic mysteries or Victorian romances, ditto. “The Lost Brontë” is good, no lie.
The Blade may receive commissions from qualifying purchases made via this post.
Out & About
CAMP Rehoboth Block Party returns Oct. 18
Expect performances, vendors and more at annual celebration
CAMP Rehoboth will host its annual Block Party celebration on Sunday, Oct.18 at 11 a.m. on the second block of Baltimore Avenue in downtown Rehoboth Beach.
CAMP Rehoboth invites all community members to join in the festivities and to expect magnificent performances and dozens of vendors, including artists, craftspeople, non-profits, businesses, and more.
The event started in 2015 in celebration of CAMP Rehoboth’s 25th anniversary. This year, attendees can expect to shop sea glass art, pottery, jewelry, Pride merch, body care, clothing, and learn more about local non-profit causes and businesses.
Attendance is free. For more details, visit CAMP Rehoboth’s website.
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