Arts & Entertainment
Inside Chaz’s ‘Transition’
Despite flaws, Bono bio an engaging, uplifting read
The face in the mirror is yours.
Yes, you recognize that chin, the eyes that droop when fatigued, the mouth that’s etched parentheses around itself, as if to enclose something you said.
That’s your hair. Those are your ears. That’s your nose.
It’s you there in the mirror – the outside you – but inside, well, what you see isn’t what you know. In the new book “Transition” by Chaz Bono (with Billie Fitzpatrick), you’ll read what it’s like to feel like you’re in the wrong body, and how a tiny Hollywood darling became a man.
On the wall of his home, Chaz Bono has a picture of himself and his parents, taken when he was a toddler. They all look happy, Bono says, but he doesn’t remember that day, or much of his childhood.
What he does remember, though, is that he always felt like a boy, even though he was the daughter of Sonny and Cher.
Bono says that, as a child, he dressed in boy clothes as much as possible and answered to a boy’s nickname. He played with boys at school and his best friend was a boy. Nobody thought much about it, he says. That’s just the way it was.
Puberty was rough and Bono came out as a lesbian, but something still wasn’t quite right. He didn’t identify with women, gay or otherwise, and distant feelings of masculinity colored his relationships with them and with his family. Still, he lived his life as a woman: falling in love, starting a band, buying a house, and trying to stay out of the public eye.
Bono’s father seemed supportive of his lesbianism. His mother had trouble with it.
But happiness eluded Bono and he turned to drugs to cope with the frustration. By then, though, he thought he knew what he needed to do.
On March 20, 2009, he says “I drove myself to the doctor’s office… I felt only confident that what I was doing was right.”
“After all the years of fear, ambivalence, doubts, and emotional torture, the day had finally come. I was on testosterone, and I have never looked back – not once.”
Author Chaz Bono says at one point that he was never very good at transitions. He did a pretty good job at this one, with a few minor bumps.
“Transition” is filled with angst, anger, sadness and pain, topped off with wonderment and joy. It’s also repetitious, contains a few delicately squirmy moments, and its occasional bogginess is a challenge for wandering minds.
For wondering minds, Bono is quick to defend and explain away his family’s reluctance to accept his gender reassignment, but he’s also willing to admit to being hurt by it. Still, contentment and awe shine forth at the end of this book, and readers will breathe a sigh of relief for it.
If you can face the slowness that crops up in “Transition” now and then, you’ll find it to be a pretty good memoir. For you, it’s a book to put your hands on.
Arts & Entertainment
2026 Most Eligible LGBTQ Singles nominations
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Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.
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The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)
a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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