Arts & Entertainment
Inside Chaz’s ‘Transition’
Despite flaws, Bono bio an engaging, uplifting read
The face in the mirror is yours.
Yes, you recognize that chin, the eyes that droop when fatigued, the mouth that’s etched parentheses around itself, as if to enclose something you said.
That’s your hair. Those are your ears. That’s your nose.
It’s you there in the mirror – the outside you – but inside, well, what you see isn’t what you know. In the new book “Transition” by Chaz Bono (with Billie Fitzpatrick), you’ll read what it’s like to feel like you’re in the wrong body, and how a tiny Hollywood darling became a man.
On the wall of his home, Chaz Bono has a picture of himself and his parents, taken when he was a toddler. They all look happy, Bono says, but he doesn’t remember that day, or much of his childhood.
What he does remember, though, is that he always felt like a boy, even though he was the daughter of Sonny and Cher.
Bono says that, as a child, he dressed in boy clothes as much as possible and answered to a boy’s nickname. He played with boys at school and his best friend was a boy. Nobody thought much about it, he says. That’s just the way it was.
Puberty was rough and Bono came out as a lesbian, but something still wasn’t quite right. He didn’t identify with women, gay or otherwise, and distant feelings of masculinity colored his relationships with them and with his family. Still, he lived his life as a woman: falling in love, starting a band, buying a house, and trying to stay out of the public eye.
Bono’s father seemed supportive of his lesbianism. His mother had trouble with it.
But happiness eluded Bono and he turned to drugs to cope with the frustration. By then, though, he thought he knew what he needed to do.
On March 20, 2009, he says “I drove myself to the doctor’s office… I felt only confident that what I was doing was right.”
“After all the years of fear, ambivalence, doubts, and emotional torture, the day had finally come. I was on testosterone, and I have never looked back – not once.”
Author Chaz Bono says at one point that he was never very good at transitions. He did a pretty good job at this one, with a few minor bumps.
“Transition” is filled with angst, anger, sadness and pain, topped off with wonderment and joy. It’s also repetitious, contains a few delicately squirmy moments, and its occasional bogginess is a challenge for wandering minds.
For wondering minds, Bono is quick to defend and explain away his family’s reluctance to accept his gender reassignment, but he’s also willing to admit to being hurt by it. Still, contentment and awe shine forth at the end of this book, and readers will breathe a sigh of relief for it.
If you can face the slowness that crops up in “Transition” now and then, you’ll find it to be a pretty good memoir. For you, it’s a book to put your hands on.
Photos
PHOTOS: Helen Hayes Awards
Gay Men’s Chorus, local drag artists have featured performance at ceremony
The 41st Helen Hayes Awards were held at The Anthem on Monday, May 19. Felicia Curry and Mike Millan served as the hosts.
A performance featuring members of the Gay Men’s Chorus of Washington and local drag artists was held at the end of the first act of the program to celebrate WorldPride 2025.
The annual awards ceremony honors achievement in D.C.-area theater productions and is produced by Theatre Washington.
(Washington Blade photos by Michael Key)
2025 D.C. Trans Pride was held at Martin Luther King, Jr. Memorial Library on Saturday, May 17. The day was filled with panel discussions, art, social events, speakers, a resource fair and the Engendered Spirit Awards. Awardees included Lyra McMillan, Pip Baitinger, Steph Niaupari and Hayden Gise. The keynote address was delivered by athlete and advocate Schuyler Bailar.
(Washington Blade photos by Michael Key)
a&e features
Looking back at 50 years of Pride in D.C
Washington Blade’s unique archives chronicle highs, lows of our movement
To celebrate the 50th anniversary of LGBTQ Pride in Washington, D.C., the Washington Blade team combed our archives and put together a glossy magazine showcasing five decades of celebrations in the city. Below is a sampling of images from the magazine but be sure to find a print copy starting this week.
The magazine is being distributed now and is complimentary. You can find copies at LGBTQ bars and restaurants across the city. Or visit the Blade booth at the Pride festival on June 7 and 8 where we will distribute copies.
Thank you to our advertisers and sponsors, whose support has enabled us to distribute the magazine free of charge. And thanks to our dedicated team at the Blade, especially Photo Editor Michael Key, who spent many hours searching the archives for the best images, many of which are unique to the Blade and cannot be found elsewhere. And thanks to our dynamic production team of Meaghan Juba, who designed the magazine, and Phil Rockstroh who managed the process. Stephen Rutgers and Brian Pitts handled sales and marketing and staff writers Lou Chibbaro Jr., Christopher Kane, Michael K. Lavers, Joe Reberkenny along with freelancer and former Blade staffer Joey DiGuglielmo wrote the essays.
The magazine represents more than 50 years of hard work by countless reporters, editors, advertising sales reps, photographers, and other media professionals who have brought you the Washington Blade since 1969.
We hope you enjoy the magazine and keep it as a reminder of all the many ups and downs our local LGBTQ community has experienced over the past 50 years.
I hope you will consider supporting our vital mission by becoming a Blade member today. At a time when reliable, accurate LGBTQ news is more essential than ever, your contribution helps make it possible. With a monthly gift starting at just $7, you’ll ensure that the Blade remains a trusted, free resource for the community — now and for years to come. Click here to help fund LGBTQ journalism.
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