Arts & Entertainment
Mind-numbing minutia
‘Untold story of Queen’ offers too many details for casual fans
‘Is This the Real Life? The Untold Story of Queen’
By Mark Blake
c.2011, Da Capo
$25/410 pages
Sometimes it seems as though the building might fall down.
Stomp-stomp-clap. Stomp-stomp-clap. Sports fans know how to make noise, but it’s not the cheers that raise the rafters during games, tournaments and playoffs. No, the stadium shakes at a sound that rattles the roof, supports the team and is awfully fun to do. Stomp-stomp-clap, and when your team wins, it gets better: there’s the other half of the song to sing.
You know where that tune came from. You might even remember where you first heard it. In “Is This the Real Life? The Untold Story of Queen” by Mark Blake, you’ll learn about the band that brought sports fans that anthem, and more.
If you were going to create a musical group, you’d be hard-pressed to find a more motley crew.
Farrokh Bulsara was born on an island near Zanzibar into a family that was wealthy enough to afford domestic staff. Young Farrokh — usually called Freddie — was a popular boy who loved music and adored Jimi Hendrix, was self-conscious about his teeth, and had a flair for the dramatic. His friends tolerated Freddie’s eccentricities, figuring them to be “just Fred.”
Brian May didn’t live far from Fred Bulsara once Freddie, who was gay and died of AIDS in 1991, landed in England, but May later came to realize that they’d been at the same Hendrix concert once. May, who would go on to earn a bachelor’s degree in astrophysics, loved to improvise on guitar, just like Jimi.
Roger Taylor remembers banging on his mother’s pans as a child. He joined May in a band after seeing an ad in a local drum shop. And John Deacon, a relative late-comer, had gone to school to be an electrical engineer as a fall-back career, in case his musical career didn’t pan out.
And while May, Taylor and Deacon were playing together and with other musicians, growing their experience and honing their talents, they had one very exacting, particular fan: a roadie named Fred who liked to give them advice after their gigs.
With so much attention to detail, so many little tidbits for fans, and so many memories it evokes, it’s hard to hate a book like “Is This the Real Life?”
But it’s hard to love it, too.
Author Mark Blake doesn’t seem to have missed one single event in the lives of the men who were Queen, or the few women who were peripherally involved with those men. While some of those finer points make this book trivia heaven for Queen fans, much of it plods along: lengthy accounts of concert dates, musicians who came and went throughout the decades, people that the four band members knew as children, and other minutiae that die-hard musicians and rabid followers will be mindful of, but that most of us will find mind-numbing.
If your iPod is filled with greatest hits and you couldn’t look at this book without singing the title, “Is This the Real Life?” will be a royal treat for you. If you’re not quixotic on Queen, though, just stomp away.
And if you’ve already located your Queen on vinyl and are searching for a good place to curl up and reminisce, you’ll also want to find “Queen: The Ultimate Illustrated History of the Crown Kings of Rock” by Phil Sutcliffe (Voyageur Press, 2011). Jam-packed with pictures, poster reproductions, and lots more information on the boys in the band, this huge paperback book will thrill rock ‘n roll fans and will show youngsters how rock was really done.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
(Washington Blade photos by Michael Key)


























