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Belles and beauticians

Feisty but flawed, Keegan’s ‘Magnolias’ production revives classic ‘80s dramedy

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‘Steel Magnolias’
Through Aug. 21
Keegan Theatre at Church Street
1742 Church Street, N.W.
$30-$35
703-892-0202

From left, Sheri Herren, Larissa Gallagher, Jane Petkofsky and Brianna Letourneau in Keegan Theatre’s production of ‘Steel Magnolias.’ (Photo by Jim Coates; courtesy of Keegan)

Before it was a hit film, “Steel Magnolias” won kudos and enjoyed a long and successful run as an off-Broadway play. Written by Robert Harling in response to his younger sister’s death, this drama wrapped in comedy explores solidarity in adversity and the resilience of women, particularly southern women. Keegan Theatre is now offering its own take on the popular work.

The story unfolds entirely in Truvy’s hair salon, a small town Louisiana beauty bastion inhabited exclusively by females, and while both stylists and clients frequently refer to their men who have names like Drum and Spud, the audience never actually meets them. At Truvy’s, women are able to let their hair down. In between shampoos and comb outs, they not only gossip but also share hopes and disappointments.

“Steel Magnolias’” more serious side concerns regular clients M’Lynn and daughter Shelby. The mother is justly worried about her diabetic offspring who marries young and proceeds to get pregnant against doctors’ advice. It’s a lot like a very long episode of the Atlanta-set sitcom “Designing Women” (fittingly Delta Burke was featured in Steel Magnolia’s all-star Broadway 2005 revival) with glib Southern white women dishing, bitching and commiserating. Only here someone dies.

Directed by Mark Rhea, the ensemble cast includes Sheri Herren and real life daughter Laura Herren as M’Lynn and Shelby. Linda High and Jane Petkofsky play cranky spitfire Ouiser and rich widow Clairee, respectively. As Truvy, Larissa Gallagher chats and does hair (in fact, she successfully tortures the big blonde wig that Herrin’s Shelby wears in act one into a respectable wedding up do); and Brianna Letourneau’s Annelle — Truvy’s anxious assistant — evolves markedly throughout the play’s four scenes but regrettably retains her questionable sartorial taste. She trades a frumpy polyester dress for a cowgirl getup.

There are some problems: The cast’s Louisiana accents are all over the place and the pacing of the show is inexplicably uneven. And while some of the actors have chosen to underplay their parts, others are going at it full throttle. Admirably, some of the cast are struggling to portray real characters and not simply caricatures, but given the material it’s not easy.

The play’s intimate setting is well-suited for the cozy Church Street Theater. Trena Weiss-Null’s set design isn’t the tacky beauty box one might expect, but rather a typical modest ‘80s salon with mint-green marbleized walls and black and gray stations. Similarly, costume designer Erin Nugent dresses the ladies in leggings, boxy power suits and other items totally redolent of the era.

A bona fide chick flick, the 1989 film version starring Sally Field and Julia Roberts as mother and daughter is also beloved by a lot of gay men, some of whom can irritatingly rattle off chunks of the film’s dialogue verbatim. Memorable lines include: Truvy’s “All gay men have track lighting and are name Rick, Mark or Steve,” and Ouiser’s “I’m not crazy M’Lynn. I’ve just been in a bad mood for the last 40 years!”

When “Steel Magnolias” opened in 1987 at the Lucille Lortel in Greenwich Village, theatergoers enjoyed meeting these feisty belles and their southern fried phrases, but certainly Shelby’s decision to fearlessly live life in the shadow of death’s specter must have resonated strongly with gay audiences who were around for some of the grimmest years of the AIDS crisis. More than two decades later, the play might feel a little stale, but that courageous spirit still resonates.

 

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a&e features

Author of new book empowers Black ‘fat’ femme voices

After suicidal thoughts, attacks from far right, a roadmap to happiness

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(Book cover image via Amazon)

In 2017, Jon Paul was suicidal. In nearly every place Paul encountered, there were signs that consistently reminded the transgender community that their presence in America by the far right is unwelcomed.

Former President Donald Trump’s anti-trans rhetoric is “partly” responsible for Paul’s suicidal contemplation. 

“I’m driving out of work, and I’m seeing all of these Trump flags that are telling me that I could potentially lose my life over just being me and wanting to be who I am,” Paul said. “So, were they explicitly the issue? No, but did they add to it? I highly would say yes.”

During Trump’s time as president, he often disapproved of those who identified as transgender in America; the former president imposed a ban on transgender individuals who wanted to join the U.S. military.

“If the world keeps telling me that I don’t have a reason for me to be here and the world is going to keep shaming me for being here. Then why live?” Paul added. 

The rhetoric hasn’t slowed and has been a messaging tool Trump uses to galvanize his base by saying that Democrats like Vice President Kamala Harris “want to do transgender operations on illegal aliens that are in prison.” Trump made that claim at the presidential debate against Democratic presidential nominee Kamala Harris.  

Not only do Trump’s actions hurt Paul, but they also affect 17-year-old Jacie Michelleé, a transgender person at Friendly Senior High School.

“When former President Donald J. Trump speaks on transgender [individuals] in a negative light, it saddens my heart and makes me wonder what he thinks his personal gain is from making these comments will be,” Michelleé said.

“When these comments are made toward trans immigrants or the transgender community, it baffles me because it shows me that the times are changing and not for the better,” Michelleé added. 

The Congressional Black Caucus Foundation responded to Trump’s rhetoric that opposes the transgender community and how it affects democracy through programming at its Annual Legislative Conference in Washington.

“Our agendas are not set by what other groups are saying we should or shouldn’t do. It is set by our communities and what we know the needs and the most pressing needs are for the Black community, and we know that our global LGBTQAI+ communities have needs; they are a part of our community,” said Nicole Austin-Hillery, president and CEO of the Congressional Black Caucus Foundation.

One pressing need is suicide prevention, which the National Institute of Health deems necessary, as 82% of transgender individuals have reported having suicidal thoughts, while 40% have attempted suicide. This research applies to individuals like Paul, who reported contemplating suicide.

But instead of choosing to self-harm, Paul met Latrice Royale, a fourth-season contestant on “RuPaul’s Drag Race,” who was awarded the title of Miss Congeniality while on the show. Paul said that meeting brought meaning when there was barely any left.

“It was like I met them at a time where I really, truly, not only needed to see them, but I needed to be able to actively know ‘girl’ you can live and you can have a really a good life, right? And Latrice was that for me,” Paul said.

Though Trump is representative of a lot of movements that are clashing with society, the Democratic Party is actively pushing back against anti-transgender movements and says there is “still much work to be done.”

Not only did Royale model success for Paul, but they also share the same appearance. Paul proudly identifies as “fat” and uses this descriptor as a political vehicle to empower others in the book “Black Fat Femme, Revealing the Power of Visibly Queer Voices in the Media and Learning to Love Yourself.”

“My book, my work as a Black, fat femme, is inherently political. I say this at the very front of my book,” Paul said. “All three of those monikers are all three things in this world that the world hates and is working overtime to get rid of.”

“They’re trying to kill me as a Black person; they’re trying to get rid of me as a fat person. They are trying to get rid of me as a queer person,” Paul added.

Besides Paul’s political statements, the book’s mission is to give those without resources a blueprint to make it across the finish line.

“I want them to look at all the stories that I share in this and be able to say, ‘wow,’ not only do I see myself, but now I have a roadmap and how I can navigate all of these things that life throws at me that I never had, and I think that’s why I was so passionate about selling and writing the book,” Paul said.

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Out & About

Capital Pride to honor LGBTQ heroes

50 years of Pride in D.C. celebrated at Facebook Live event

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(Washington Blade file photo by Michael Key)

The Capital Pride Alliance, in partnership with Team Rayceen Productions and the 50th anniversary subcommittee of Pride in the Nation’s Capital, will host “An Evening with LGBTQ+ Heroes” on Tuesday, Oct. 1, at 7 p.m. on Facebook Live. 

Capital Pride will celebrate 50 years of Pride in D.C. by highlighting the heroes who were recognized at the Capital Pride Honors annual event, formerly called the Heroes Gala. The event will feature some of these honorees who will share their history and thoughts on what Pride means.

Panelists include Earline Budd, legendary community advocate, co-founder of Transgender Health Empowerment and Capital Pride Superhero; June Crenshaw, Co-Chair, 2025 World Pride Steering Committee, Executive Director, Wanda Alston Foundation; Jose Gutierrez, founder of the Latino GLBT History Project, the DC Latino Pride and co-founder of the Rainbow History Project; and Peter Rosenstein, activist, journalist and author “Born this Gay: My Life of Activism, Politics, Travel, and Coming Out.”

For more details, visit Facebook

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Out & About

DC Center brings regular voguing to D.C.

Sessions held every Saturday

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(Photo by New Africa/Bigstock)

The D.C. Center for the LGBT Community will begin hosting “Vogue Sessions” every Saturday beginning Saturday, Sept. 28 at 2 p.m.

This is an all-ages vogue session drop-in hosted by DMV Kiki Nights, open to all ages, genders, and experience levels, and will be facilitated each-one-teach-one. No shade, no drama, no categories. 

DJ Tony Play starts spinning at 3 p.m. Enter through the U Street facing glass doors and let security know you are going to the DC Center. 

For more details, email Danyela June Brown at [email protected].

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