Arts & Entertainment
Pictures at an exhibition
Season’s gallery exhibits feature bounty of mixed-media wonders

‘The Good Switch’ is part of Rams Brisueño's ‘Conversations with Flowers’ series which will be on display as part of the "Travelin' Shoes" exhibit at Fleckenstein Gallery. It’s one of several gay offerings this fall. (Image courtesy Fleckenstein)
The Washington/Baltimore region, with its bounty of galleries, never ceases to astound with its endless bounty of art. Among the season’s highlights are:
The Fleckenstein Gallery (3316 Keswick Rd.) in Baltimore has a new exhibit, “Travelin’ Shoes” opening Oct. 5 featuring the work of Schroeder Cherry, Kylis Winborne and gay artist Rams Brisueño.
Brisueño portrays male and female figures, some asexual and some with gender-bending qualities. His profile on the Baker Artist Awards website says he uses collage and painting to show layers of experiences and differences.
“By organically letting the work be painted over, rubbed out or scribbled on top of, but with great attention to the surfaces of things … to texture and intuitive response, and with a conscientious distinction between spontaneous doodles and selected text, composition and personal associations come together in themes of mythmaking … and compositional unity through space, shape and color,” Brisueño says of his work.
This exhibit is in affiliation with the Black Male Identity Project and is part of Free Fall Baltimore.
Gallery plan b (1530 14th St., N.W.) has two exhibits scheduled to open this fall. The first, which opens today, will feature paintings by Kevin H. Adams. The second exhibit, which opens Oct. 19, will feature photographs by Kermit Berg and paintings by Delna Dastur.
Industry Gallery (1358 Florida Ave., N.E., Suite 200) presents “Meltdown” featuring new work by Tom Price, which opens Saturday with a reception from 6 to 8 p.m. This is the British artist and designer’s first U.S. solo exhibition. He specializes in modern furniture products, sculpture and lighting design.
“I like to think of myself as working in collaboration with materials, processes and phenomena and that the final physical outcome is a product of mutual consent,” Price says in a press release.
Zenith Gallery’s newest exhibit, which features monumental and pedestal sculpture and three-dimensional wall art by Julie Girardini, David Hubbard, Joan Konkel, Barton Rubenstein and Paul Martin Wolff, opened Thursday and will run through Jan. 7 at the Eleven Eleven Sculpture Gallery (1111 Pennsylvania Ave., N.W.).
The Virginia Museum of Fine Arts (200 North Blvd.) in Richmond has several exhibits scheduled to open this fall. First up, opening today, is “Vision from the Congo,” a two-part installation of bear sculptures. The first section features four sculptures by artists from the Pende culture, of the Congo’s Kwilu and Kasai regions that relate to the disruptions experienced by the Pende in the early 20th century. The second part features life-size sculptures by Renée Stout and Alison Saar, who draw from African art and culture in creating their works.
Dec. 23 brings the opening of “Elvis at 21,” which features 57 photographs taken by Alfred Wertheimer when Elvis was on the brink of international stardom. For information on these exhibits and more, visit vmfa.museum/exhibitions.
The National Gallery of Art (4th and Constitution Ave., N.W.) has a new exhibit, “Warhol: Headlines” which opens Sept. 25. This is said to be the first exhibition to full examine the works Andy Warhol, who was gay, created on the theme of news headlines by present about 80 works including paintings, drawing, photographs and more based largely on tabloid news.
Warhol’s headline works also chart the shift in mainstream media’s ways of delivering the news from a printed format to an electronic format. The headline motif encompasses Warhol’s key subjects, including celebrity, death, disaster and contemporary events.
Celebrity News
Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey
‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt
Uncloseted Media published this interview on July 7.
By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)













Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.
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