Arts & Entertainment
Queery: Brian Crane
The ‘Country Girl’ actor answers 20 gay questions
Brian Crane did some acting in high school and college but largely set it aside for several years while he pursued career and academia.
Since 2004 he’s been acting on a semi-pro level in various productions with American Century Theater, Washington Shakespeare Company and other local outfits. He opens tonight in a production of Clifford Odets’ “The Country Girl,” the play that was adapted into the film version that won Grace Kelly an Oscar in the title role, at American (meeting at the Gunston Arts Center Theater II, 2700 South Lang St. in Arlington) — visit americancentury.org for details).
Crane says his role, Frank, is an artistic challenge.
“It’s a very emotional part,” he says. “Frank goes through these really big swings and it’s got some interesting challenges. It’s harsh and there’s plenty not to like about Frank but you have to make him lovable or the play doesn’t work. There’s something lovable and vulnerable about this man I could identify with. He lies, he manipulates but at the same time he has this disarming charm, like a grown-up kid.”
Crane, a 47-year-old Pittsburgh native, came to Washington in 1992 to do a pre-doctoral fellowship in anthropology at the Smithsonian. He’d been in Philadelphia for college (grad and undergrad) for 10 years before that. By day, he’s director of Cultural Resources Division at Versar, a global project management company based in Springfield, Va.
Crane and his partner, Murray Scheel, an attorney, live together in Foggy Bottom and have been together for 16 years. Crane enjoys theater, backpacking and photography in his free time. He also loves to squeeze in Saturday afternoon naps when he can.
How long have you been out and who was the hardest person to tell?
I’ve been out since graduate school, about 25 years. My mom was the hardest to tell because she and my dad took my brother’s coming out so hard.
Who’s your LGBT hero?
I’m not sure, maybe Walt Whitman, or Oscar Wilde for being so wonderfully flamboyant in their art. Among the living, maybe Stephen Fry; he has such a charming and gentle wit, and he had the guts to give Shakespeare in Klingon a try.
What’s Washington’s best nightspot, past or present?
I still have fond memories of Tracks: that was the first place I ever went dancing in D.C.
Describe your dream wedding.
I’m not sure Murray is the marrying type, but if we did, I would want it in our home church, St. Thomas Parish, with all our friends and family with us.
What non-LGBT issue are you most passionate about?
The environment
What historical outcome would you change?
That’s hard. There are so many awful things, how could I choose? But in my own lifetime, the election of 2000 was such a rotten turning point for this country, and it left us so divided.
What’s been the most memorable pop culture moment of your lifetime?
I guess the advent of social media. It’s brought me back in touch with so many people that I had lost contact with.
On what do you insist?
Not nearly enough, I’m not very assertive. But I always make sure I get breakfast, a meal before shows and rehearsals, and a nap when I can get away with it. I get really grumpy if I don’t eat right. Just ask Murray.
What was your last Facebook post or Tweet?
“Roosevelt was right when he said, “There is nothing to fear but fear itself.” We have paid dearly for our paranoia.” It was about an article on slate.com about the true costs of 9-11.
If your life were a book, what would the title be?
“The Trials and Tribulations of Living Small in a Big World”
If science discovered a way to change sexual orientation, what would you do?
Not a thing. “I was born this way” (thank you Lady Gaga)
What do you believe in beyond the physical world?
That death does not have the last word, and that at the end of things, there will be wonderful surprises.
What’s your advice for LGBT movement leaders?
I miss ACT-UP.
What would you walk across hot coals for?
To see my father again.
What LGBT stereotype annoys you most?
Can’t think of one.
What’s your favorite LGBT movie?
“Parting Glances” made a big impression on me coming out. So did “Torch Song Trilogy,” but that was because I had a big crush on Matthew Broderick.
What’s the most overrated social custom?
Valentines
What trophy or prize do you most covet?
I really admire the work of those actors I know who have won the Helen Hayes award.
What do you wish you’d known at 18?
That it gets better.
Why Washington?
I came here to work at the Smithsonian as a pre-doctoral fellow, and just stayed. And I love the theater scene here.
More than 40 openly LGBTQ athletes are expected to compete in the Milan Cortina Winter Olympics that open on Friday.
Outsports.com notes eight Americans — including speedskater Conor McDermott-Mostowy and figure skater Amber Glenn — are among the 44 openly LGBTQ athletes who will compete in the games. The LGBTQ sports website also reports Ellis Lundholm, a mogul skier from Sweden, is the first openly transgender athlete to compete in any Winter Olympics.
“I’ve always been physically capable. That was never a question,” Glenn told Outsports.com. “It was always a mental and competence problem. It was internal battles for so long: when to lean into my strengths and when to work on my weaknesses, when to finally let myself portray the way I am off the ice on the ice. That really started when I came out publicly.”
McDermott-Mostowy is among the six athletes who have benefitted from the Out Athlete Fund, a group that has paid for their Olympics-related training and travel. The other beneficiaries are freestyle skier Gus Kenworthy, speed skater Brittany Bowe, snowboarder Maddy Schaffrick, alpine skier Breezy Johnson, and Paralympic Nordic skier Jake Adicoff.
Out Athlete Fund and Pride House Los Angeles – West Hollywood on Friday will host a free watch party for the opening ceremony.
“When athletes feel seen and accepted, they’re free to focus on their performance, not on hiding who they are,” Haley Caruso, vice president of the Out Athlete Fund’s board of directors, told the Los Angeles Blade.
Four Italian LGBTQ advocacy groups — Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano — have organized the games’ Pride House that will be located at the MEET Digital Culture Center in Milan.
Pride House on its website notes it will “host a diverse calendar of events and activities curated by associations, activists, and cultural organizations that share the values of Pride” during the games. These include an opening ceremony party at which Checcoro, Milan’s first LGBTQ chorus, will perform.
ILGA World, which is partnering with Pride House, is the co-sponsor of a Feb. 21 event that will focus on LGBTQ-inclusion in sports. Valentina Petrillo, a trans Paralympian, is among those will participate in a discussion that Simone Alliva, a journalist who writes for the Italian newspaper Domani, will moderate.
“The event explores inclusivity in sport — including amateur levels — with a focus on transgender people, highlighting the role of civil society, lived experiences, and the voices of athletes,” says Milano Pride on its website.
The games will take place against the backdrop of the U.S. Olympic and Paralympic Committee’s decision to ban trans women from competing in women’s sporting events.
President Donald Trump last February issued an executive order that bans trans women and girls from female sports teams in the U.S. A group of Republican lawmakers in response to the directive demanded the International Olympics Committee ban trans athletes from women’s athletic competitions.
The IOC in 2021 adopted its “Framework on Fairness, Inclusion and Nondiscrimination on the Basis of Gender Identity and Sex Variations” that includes the following provisions:
• 3.1 Eligibility criteria should be established and implemented fairly and in a manner that does not systematically exclude athletes from competition based upon their gender identity, physical appearance and/or sex variations.
• 3.2 Provided they meet eligibility criteria that are consistent with principle 4 (“Fairness”, athletes should be allowed to compete in the category that best aligns with their self-determined gender identity.
• 3.3 Criteria to determine disproportionate competitive advantage may, at times, require testing of an athlete’s performance and physical capacity. However, no athlete should be subject to targeted testing because of, or aimed at determining, their sex, gender identity and/or sex variations.
The 2034 Winter Olympics are scheduled to take place in Salt Lake City. The 2028 Summer Olympics will occur in Los Angeles.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
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