Arts & Entertainment
Hazards of performing ‘Hamlet’ outdoors
Maryland Renaissance Festival offers range of entertainment
By CAROLYN SPEDDEN
Tackling what is arguably Shakespeare’s greatest tragedy would be a daunting task for any director and ensemble of actors. But performing “Hamlet” in an outdoor environment where a hurricane pelts rain on you during your first performance and horrific humidity follows for the next show, might send even the most devoted thespian scurrying back to the comfort of a castle in Denmark.
“Outdoor performance is really about survival as much as it is about being heard. After opening with a hurricane this year, that couldn’t be more apparent,” notes Graham Pilato, a Washington actor playing Horatio in the Festival’s production of “Hamlet.”
While the Renaissance Festival presents edited versions of classic plays each year, this 100-minute edition of Hamlet is the most ambitious so far — not least because the play is so famous.
Jack Powers, who plays Hamlet in the production, had to deal with that from the start. “You try to ignore the renown of the speeches and only try to pick up on the big thoughts in them, not the larger-than-life status of the speeches themselves.”
Director John Sadowsky also had the daunting task of editing Shakespeare’s longest play into two 50-minute acts. “I approached the job as telling the story in as simple, direct and entertaining a way as possible. First and foremost, I wanted to tell the basic story of Hamlet’s conflicts and revenge.”
And how does one approach one of the most iconic roles in theater? For Sadowsky, his view of the role changed at auditions. “I was going to go with the traditional 30-something, who just prefers to stay in and around his college until called back to Elsinore to assume the throne. But I saw something really special in Jack’s audition and decided to go with the 20-year-old Hamlet, a real college student who is genuinely pissed off at not succeeding his father and who could be goaded into action by the ghost of his father, real or imagined. He isn’t any more indecisive than any other 20-something and we can clearly see his vengeance plot take hold. I think our Hamlet is someone that young people in the audience can identify with, even those without uncles who killed their fathers and married their mothers. He has more fun in him and I hope people will see him sympathetically.”
The play is presented in two acts, beginning at 1 p.m. each day at the festival’s Globe Theatre. In addition of their roles in Hamlet, Pilato and Powers also do improvisational work in the pathways, directly connecting with the audience.
“For street work, it’s about gauging the audience to know what sort of bit to perform with them, to really make some quick judgments about what they might prefer to have me say or do, says Pilato. “I’m a huge fan of what we do. Being able to help provide that depth and wonder to audiences makes me really happy. It’s also lovely to have an opportunity to work and play with some really awesome talents — I’ve learned a lot about clowning, classical theater, voice and movement and improvisation in the company of these great folks.”
Director Sadowsky, who also performs at the Festival, agrees. “Audience interaction, the improvisation and sustaining a character for very long periods of time have tremendously helped my acting in more traditional theaters the rest of the year. I can easily handle anything that could go awry in live theater because of my experience in the Renaissance Festival.”
Absolutely. Because after performing in a hurricane, a drafty theater is a piece of cake.
The Maryland Renaissance Festival runs weekends until Oct. 23. For more information visit marylandrenaissancefestival.com.
Puerto Rico
Bad Bunny shares Super Bowl stage with Ricky Martin, Lady Gaga
Puerto Rican activist celebrates half time show
Bad Bunny on Sunday shared the stage with Ricky Martin and Lady Gaga at the Super Bowl halftime show in Santa Clara, Calif.
Martin came out as gay in 2010. Gaga, who headlined the 2017 Super Bowl halftime show, is bisexual. Bad Bunny has championed LGBTQ rights in his native Puerto Rico and elsewhere.
“Not only was a sophisticated political statement, but it was a celebration of who we are as Puerto Ricans,” Pedro Julio Serrano, president of the LGBTQ+ Federation of Puerto Rico, told the Washington Blade on Monday. “That includes us as LGBTQ+ people by including a ground-breaking superstar and legend, Ricky Martin singing an anti-colonial anthem and showcasing Young Miko, an up-and-coming star at La Casita. And, of course, having queer icon Lady Gaga sing salsa was the cherry on the top.”
La Casita is a house that Bad Bunny included in his residency in San Juan, the Puerto Rican capital, last year. He recreated it during the halftime show.
“His performance brought us together as Puerto Ricans, as Latin Americans, as Americans (from the Americas) and as human beings,” said Serrano. “He embraced his own words by showcasing, through his performance, that the ‘only thing more powerful than hate is love.’”
Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.
(Washington Blade photos by Landon Shackelford)



















Books
New book explores homosexuality in ancient cultures
‘Queer Thing About Sin’ explains impact of religious credo in Greece, Rome
‘The Queer Thing About Sin’
By Harry Tanner
c.2025, Bloomsbury
$28/259 pages
Nobody likes you very much.
That’s how it seems sometimes, doesn’t it? Nobody wants to see you around, they don’t want to hear your voice, they can’t stand the thought of your existence and they’d really rather you just go away. It’s infuriating, and in the new book “The Queer Thing About Sin” by Harry Tanner, you’ll see how we got to this point.
When he was a teenager, Harry Tanner says that he thought he “was going to hell.”
For years, he’d been attracted to men and he prayed that it would stop. He asked for help from a lay minister who offered Tanner websites meant to repress his urges, but they weren’t the panacea Tanner hoped for. It wasn’t until he went to college that he found the answers he needed and “stopped fearing God’s retribution.”
Being gay wasn’t a sin. Not ever, but he “still wanted to know why Western culture believed it was for so long.”
Historically, many believe that older men were sexual “mentors” for teenage boys, but Tanner says that in ancient Greece and Rome, same-sex relationships were common between male partners of equal age and between differently-aged pairs, alike. Clarity comes by understanding relationships between husbands and wives then, and careful translation of the word “boy,” to show that age wasn’t a factor, but superiority and inferiority were.
In ancient Athens, queer love was considered to be “noble” but after the Persians sacked Athens, sex between men instead became an acceptable act of aggression aimed at conquered enemies. Raping a male prisoner was encouraged but, “Gay men became symbols of a depraved lack of self-control and abstinence.”
Later Greeks believed that men could turn into women “if they weren’t sufficiently virile.” Biblical interpretations point to more conflict; Leviticus specifically bans queer sex but “the Sumerians actively encouraged it.” The Egyptians hated it, but “there are sporadic clues that same-sex partners lived together in ancient Egypt.”
Says Tanner, “all is not what it seems.”
So you say you’re not really into ancient history. If it’s not your thing, then “The Queer Thing About Sin” won’t be, either.
Just know that if you skip this book, you’re missing out on the kind of excitement you get from reading mythology, but what’s here is true, and a much wider view than mere folklore. Author Harry Tanner invites readers to go deep inside philosophy, religion, and ancient culture, but the information he brings is not dry. No, there are major battles brought to life here, vanquished enemies and death – but also love, acceptance, even encouragement that the citizens of yore in many societies embraced and enjoyed. Tanner explains carefully how religious credo tied in with homosexuality (or didn’t) and he brings readers up to speed through recent times.
While this is not a breezy vacation read or a curl-up-with-a-blanket kind of book, “The Queer Thing About Sin” is absolutely worth spending time with. If you’re a thinking person and can give yourself a chance to ponder, you’ll like it very much.
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