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Unequivocally gay

Oregon-based theater vet brings collaboration to Arena

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‘Equivocation’
Through Jan. 1
Arena Stage
1101 Sixth Street, SW
$40-$80
202-488-3300
arenastage.org

Bill Rauch, director of the Oregon Shakespeare Festival, brought his company’s ‘Equivocation’ to Washington for a collaboration with Arena Stage. (Blade photo by Michael Key)

Bill Rauch openly admits he has a gay agenda.

“Of course I do,” he says. “As a gay man I want to see LGBT lives reflected on the stage. For me it’s all part of the human experience.”

While “Equivocation” — the political thriller he’s brought to Arena Stage from the Tony Award-winning Oregon Shakespeare Festival where Rauch is artistic director — features a gay British monarch, it was the work’s clarity, force and theatricality that first caught his attention. “It’s a period piece that’s entirely contemporary in language and the way it explores the overlapping of politics, religion and art. As I read the script for the first time my heart began pounding harder and harder. That doesn’t happen very often.”

Set in 1604 London, playwright Bill Cain’s smart and entertaining play follows William “Shagspeare” and his theatrical troupe as they struggle to complete a royal commission about the Gunpowder Plot that both pleases King James I and isn’t entirely untrue. With six actors playing about 30 roles in several plays within the play, this darkly funny backstage story covers a lot of relevant territory including power, politics, religion, national security, terrorism, theater, father/daughter relationships, friendships and honesty.

A first-time collaboration between the Festival and Arena, “Equivocation” reunites the top-notch original cast (lead by Broadway actor Anthony Heald as Shag) and creative team from its 2009 world premiere production.

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The last time Rauch worked at Arena was in 1993 when he staged “A Community Carol,” an inner-city take on the Dickens’ Christmas classic featuring a large cast of professional and nonprofessional local actors. Though the venture was risky, it proved both a critical and commercial success. It was also indicative of the work Rauch was doing with his then-troupe Cornerstone Theater Company (which co-produced the show).

Rauch attended Harvard where he majored in English and was heavily involved in campus theatrics. Shortly after graduating, he and some college friends including his now husband, actor/director Christopher Liam Moore, founded Cornerstone in 1986. Initially operating out of Rauch’s parents’ home in Northern Virginia, the company eventually traveled the country creating theater by collaborating with locals, typically in small communities. Since 1992, the company has been based in Los Angeles.

“It was a great run, but after 20 years with Cornerstone I was ready to move on. I became curious to know another kind of bigger theater. (Based in Ashland, Ore., the Festival is among the oldest and largest professional non-profit theaters in the nation and operates on a $30 million budget). He was named artistic director in 2007.

At the Festival, Rauch has gained a reputation for expanding the company’s scope, taking artistic chances and being an all-around nice guy. His staging efforts include an urban America 1970s-set “Measure for Measure.” The male actor who played Mistress Overdone, the brothel madam, portrayed her as a preoperative transsexual. She lands in jail where she is stripped naked and revealed to be a biological male. “It was an intense moment in the play,” he says. “For the character it’s a shameful experience. Some of the audience laughed. Others cried. There was a lot of discomfort.”

MORE IN THE BLADE: A NIGHT TO REMEMBER

Together 27 years, Rauch and Moore (who acts and directs at the Festival) have two sons, aged 11 and 6. They’re entirely different, says Rauch. The older loves sports and cars. He’s “all boy” (a term that Rauch loathes but deems apt nonetheless) and the younger is very much into everything princess. In fact, he regularly wore a princess gown to pre-school for two years. Both fathers are perfectly happy to allow their kids to express themselves in whatever way they choose, and fortunately, Rauch notes, Ashland is a progressive town.

Part of what drew Rauch to Arena is his longtime friendship with artistic director Molly Smith. In ways, he’s viewed her career trajectory — from small innovative company to important regional theater — as a template for his own. For some time, the pair had discussed Rauch brining something from the Festival to D.C.

“While I would have been proud to bring any of our productions to Arena, I’m glad it’s ‘Equivocation.’ The play is bottomless. There’s always something more to uncover. And it’s very political — that’s what makes it an especially good fit for Washington.”

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Galleries

BMA celebrates enduring influence of Henri Matisse

Exhibit features iconic works juxtaposed with gay artist’s paintings inspired by French legend

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‘Tom’ by Louis Fratino (left) and ‘Large Reclining Nude’ by Henri Matisse (right) reveal the ways in which the legendary French visual artist influenced the young American painter, from the use of light and pattern to the choice to focus on everyday subjects.

The Baltimore Museum of Art is on a roll. 

After landing the coveted Amy Sherald “American Sublime” exhibit (through April 5) when the National Portrait Gallery attempted to censor her work, the BMA is debuting a breathtaking and thought-provoking new exhibit, “To See This Light Again” featuring master works by Henri Matisse paired with new paintings by Louis Fratino, who is inspired by the French modernist legend.

Fratino, who’s gay, was born in Annapolis and studied at Baltimore’s Maryland Institute College of Art. As an art student, he found himself spending lots of time in the BMA’s Matisse galleries, the largest collection of his works in the world, encompassing more than 1,600 paintings, drawings, and illustrations. At just 33, Fratino has enjoyed a “meteoric” rise in the art world, according to BMA Director Asma Naeem, who introduced Fratino at an event previewing the exhibit last week. This is Fratino’s first major U.S. exhibition, but he was featured in the 2024 Venice Biennale and his paintings can be found at the Rhode Island School of Design Museum, the Whitney Museum of American Art, and elsewhere. 

The exhibit aims to explore Matisse’s lasting influence by juxtaposing his works with Fratino’s. 

“It’s the idea that art manifests a kind of attention or a vision for your life, that it can be a beautiful life despite certain circumstances that may be happening around you,” Fratino said in a statement released by the BMA. “In Matisse’s case, he lived through the First and Second World Wars. Painting can confirm that life is beautiful and that it’s worth looking at.”

The influences are apparent, from the use of light and pattern to the choice to focus on everyday objects and subjects. And the exhibit is unabashedly queer with male couples depicted in a couple of paintings. Fratino told the Blade that as an out gay man, it was important to embrace that visibility. 

He describes a “joy of looking” at the male form, just as Matisse portrayed female figures that often celebrated the tradition of painting nudes. 

In “Tom,” Fratino captured his subject in casual repose that includes a bowl and spoon in the foreground. It is presented alongside Matisse’s iconic “Large Reclining Nude.” Tom’s checkered shirt echoes the blue and white grid background of the Matisse work and both figures are holding casual, relaxed poses. 

“Fratino and Matisse: To See This Light Again” runs through Sept. 6 at the Baltimore Museum of Art (artbma.org.)

For Matisse lovers, the BMA has another exhibit debuting March 29 titled, “Matisse in Vence: The Stations of the Cross” featuring more than 80 drawings revealing how the artist “shaped his late‑career masterpiece, the Stations of the Cross mural, for the Chapel of the Rosary in Vence, France.”

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Books

Laverne Cox, Liza Minnelli among authors with new books

A tome for every taste this reading season

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Spring is a great time to think about vacations, spring break, lunch on the patio, or an afternoon in the park. You’ll want to bring one (or all!) of these great new books.

So let’s start here: What are you up for?  How about a great new novel?

If you’re a mystery fan, you’ll want to make reservations to visit “Disaster Gay Detective Agency” by Lev AC Rosen (Poisoned Pen Press, June 2). It’s a whodunit featuring a group of gay roommates, one of whom is a swoony romantic. Add a mysterious man who disappears and a murder, of course, and you’ve got the novel you need for the beach.

Don’t discount young adult books, if you want something light to read this spring. “What Happened to Those Girls” by Carlyn Greenwald (Sourcebooks Fire, June 30) is a thriller about mean girls and a camping trip that goes terribly, bloodily wrong. Meant for teens ages 14 and up, young adult books are breezier and lighter fare for the busy grown-up reader.

If you loved “Boyfriend Material” and “Husband Material,” you’ll be eager for the next installment from author Alexis Hall. “Father Material” (Sourcebooks Casablanca, June 2) takes Luc and Oliver to the next step. First was dating. Then was marriage. Is it time for the sound of pitter-patter on the kitchen floor?

Maybe something even lighter? Then how about a book of essays – like “The Terrible, Horrible, No Good, Very Bad Gay” bycomedian and writer Eliot Glazer (Gallery Books, Aug. 11). It’s a book of essays on being gay today, the irritations, the joys, and fitting in. Be aware that these essays may contain a bit of spice – but isn’t that what you want for your reading pleasure anyhow, hmmm?

But okay, let’s say you want something with a little more heft to it. How about a biography?

Look for “Transcendant” by Laverne Cox (Gallery Books, June 9), or “Kids, Wait Till You Hear This” by Liza Minnelli (Grand Central Publishing, March 10), and “Every Inch a Lady” by Audrey Smaltz with Alina Mitchell (Amistad, July 14). Keep your eyes open for “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, May 26) or “The Double Dutch Fuss” by Phill Branch (Amistad, June 2).

Then again, maybe you want some history, or something different.

So here: look for “Queer Saints: A Radical Guide to Magic, Miracles, and Modern Intercession” by Antonio Pagliarulo (Weiser, June 1) for a little bit of faith-based gay. Music lovers will want “Mighty Real: A History of LGBTQ Music, 1969-2000” by Barry Walters (Viking, May 12). Activists will want “In the Arms of Mountains: A Memoir of Land, Love, and Queer Resistance in Red America” byformer Idaho state Sen. Cole Nicole LeFavour (Beacon Press, May 26).

And if these books aren’t enough, then be sure to check with your favorite bookseller or librarian. They’ll have exactly what you’re in the mood to read. They’ll find what you need for that patio, beach towel, or easy chair.

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Music & Concerts

Gaga, Cardi B, and more to grace D.C. stages this spring

Shake off your winter doldrums at a local concert

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Lady Gaga plays Capital One Arena on March 23. (File photo courtesy of Might Real Agency)

D.C. shakes off its winter blues this spring as the music scene pops off. We all know the big star is coming: Lady Gaga will perform at Capital One Arena on March 23. But plenty of other stars, big and small, will grace D.C. stages, including many LGBTQ and ally artists.

March

3/15, 9:30 Club, St. Lucia – Indie electronic music project known for its synth-pop sound, which blends ‘80s influences with electronic and indie rock elements.

3/31, Lincoln Theatre, Perfume Genius – Indie/pop singer/songwriter Mike Hadreas, also known as Perfume Genius, has toured with a full band, but he is stripping things back for this tour.

April

4/8, Capital One, Cardi B. Cardi B, from New York, unapologetic and proud, is the first solo female artist to win the Grammy Award for Best Rap Album. This year, she’s on her Little Miss Drama Tour, in support of her second studio album, “Am I the Drama?”

4/13, Lincoln Theatre, The Naked Magicians. Australia’s The Naked Magicians are two performers who deliver live magic and laughs while wearing nothing but a top hat and a smile.

4/18, Capital One, Florence and the Machine. Longstanding indie rock back from Great Britain, much-loved for lead singer Florence’s powerful vocals. On their Everybody Scream Tour.

4/16, Capital One, Demi Lovato. Singer/songwriter from Texas, who came out as nonbinary, is traveling on her “It’s Not That Deep Tour.”

4/21, The Anthem, Calum Scott. Platinum-selling gay singer/songwriter Calum Scott released his latest project, Avenoir, last year. Scott rose to fame in 2015 after competing on Britain’s Got Talent, where he performed a cover of Robyn’s hit “Dancing on My Own“.

4/26, Atlantis, Caroline Kingsbury. American queer pop musician from Los Angeles. She released her debut album in 2021, and has two additional EPs. She’s played Lollapalooza 2025 and All Things Go 2025, as well as gone on a co-headlining U.S. tour with MARIS. Shock Treatment is her latest EP. 

4/26, Anthem, Raye. This bisexual artist, known for her current chart-topping “”Where Is My Husband!” single, blends pop, jazz, R&B, and more.

4/30, Union Stage, Daya. This bisexual singer/songwriter is on her “Til Every Petal Drops Tour,” touring the album of the same name that was released last year.

May

5/1, The Anthem, Joost Klein. Eurovision comes to D.C. in Joost Klein: Originally a Youtuber, he was selected to represent the Netherlands at Eurovision in 2024 with his song “Europapa.” He released a new album on New Year’s Day.

5/1, Fillmore, MIKA. MIKA is on his Spinning Out Tour. Born in Beirut and raised in both Paris and London, MIKA sings in multiple languages and has co-hosted Eurovision.

5/7, 9:30 Club, COBRAH. Clara Christensen, is a Swedish singer, songwriter, record producer, and club queen, making electronic dance music.

5/19, Atlantis, Grace Ives. New York-born singer/songwriter, known for her high-energy synth/electronic, bedroom-pop-style music.

June

6/2, The Anthem, James Blake. English crooner got big from his self-titled debut album in 2011. He won two Grammys and just released his 7th album,Trying Times, in March.

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