Arts & Entertainment
Calendar: Dec. 16
Concerts, meetings, parties and more through Dec. 24

The Bohemian Caverns Jazz Orchestra plats the Mansion at Strathmore on Sunday. (Photo courtesy Strathmore)
TODAY (Friday)
The Stein Club is having its annual holiday celebration tonight at Mitchell Gold/Bob Williams (1502 14th St., N.W.) from 6:30 to 8:30 p.m. There will be an open white cosmo-and-white wine bar as well as complimentary hors d’oeuvres. There is a suggested donation of $25 for this event.
Girls Rock! D.C. is having its holiday party tonight at Dollhouse (1429 Madison St., N.W.) from 7 p.m. to 1 a.m. with DJs Alex D-B and Alpha Betts. This is a bring-your-own-beverages-booze-and-baked goods party. For more information, visit girlsrockdc.org.
Team D.C. presents its fourth annual Holiday Extravaganza for D.C. Gay Sports tonight at Cobalt (1639 R St., N.W.) from 6:30 to 8:30 p.m. There’s no cover, free food and happy hour drink prices. For more information, visit teamdc.org.
DJs Aaron Riggins, Della Volla and AVM will be spinning at Green Lantern (1335 Green Court, N.W.) tonight for “Pop Goes the World,” an international dance party starting at 10 p.m. There is a $5 cover.
Gay/Bash!, a “queer night of rock and pop gems” with DJs Joshua and Dean, is tonight at the Black Cat (1811 14th St., N.W.). Admission is $5 and doors open at 9:30 p.m.
Saturday, Dec. 17
D.C. Leather Pride is holding a fundraiser tonight at Green Lantern (1335 Green Court, N.W.) from 9 p.m. to 1 a.m. featuring Mr. D.C. Leather. There will be drink specials and raffle tickets for $1 each.
Youth are invited to the Stereo Chromatic GSA Youth Dance tonight from 6 to 9 p.m. at the Clarendon Presbyterian Church (1305 N. Jackson St.) in Arlington. There is a $2 entry fee and snacks will be provided.
Zoom Lesbian Excursions presents Christmas in Morocco, a seven-course Moroccan meal at Marrakesh Restaurant (617 New York Ave., N.W.) tonight at 6 p.m. Tickets are $30 to be paid at the venue. For more information, visit phatgirlchic.com/zoom/index.html.
Phase 1 (525 8th St., S.E.) is having a night of queer music tonight with The Lost Bois, SolRose and Angie Head from D.C. as well as Constance Sick and Eli Conley. Tickets are $10 and the show starts at 8 p.m.
Lure D.C. presents “Bare: How the Grinch Stole Bare” tonight at Cobalt (1639 R St., N.W.) from 9 p.m. to 3 a.m. featuring DJs Rosie and Keenan Orr. The best dressed Grinch look-a-like wins $100. For more information, visit Lure’s Facebook at facebook.com/lurewdc. Attendees must be 21 or older.
Will Eastman’s dance party “Bliss” returns to U Street Music Hall (1115 U St., N.W.) tonight with Chris Nitti and Richard Richard. There is a $10 cover and attendees who are 18 to 20 must purchase tickets in advance. For more information and to purchase tickets, visit ustreetmusichall.com.
Sunday, Dec. 18
SAGE Metro D.C. is co-sponsoring a workshop presents by AARP’s Legal Counsel for the Elderly on understanding the benefits of Medicare and Medicaid at the Metropolitan Community Church of Washington (474 Ridge St., N.W.) from 12:30 to 1:30 p.m.
Phase 1 (525 8th St., S.E.) is having an open mic night tonight from 7:30 to 11:30 p.m. All kinds of performers are welcomed. There is no cover to this event.
The National Symphony Orchestra presents Handel’s “Messiah” today at the Kennedy Center (2700 F St., N.W.) at 1 p.m. Ticket range from $30 to $85 and can be purchased online at kennedy-center.org.
Busboys & Poets presents “Sunday Kind of Love,” an open mic night celebrating LGBT Jewish poetry featuring Yermiyahu Ahron Taub and readings from “Milk and Honey: A Celebration of Jewish Lesbian Poetry” with editor Julie R. Enszer and contributor, Eryca Kasse tonight at 5 p.m. in the Robeson room of its Shirlington location (4251 S Campbell Ave.) in Arlington. There is a $5 suggested donation.
Bohemian Caverns Jazz Orchestra play “A Bohemian Christmas” today at the Mansion at Strathmore (10701 Rockville Pike) in North Bethesda at 8:30 and 7:30 p.m. Tickets are $20 and can be purchased online at strathmore.org.
Monday, Dec. 19
The Choral Arts Society of Washington presents “Christmas Music: Holiday Treasures from Russia” tonight at the Kennedy Center (2700 F St., N.W.) at 7 p.m. Tickets range from $15 to $65 and can be purchased online at kennedy-center.org. There will be two other performances on Wednesday and Dec. 24.
Ledroit Park is having its holiday party at Nellie’s (900 U St., N.W.) tonight from 5 to 8 p.m.
Tuesday, Dec. 20
The Kennedy Center (2700 F St., N.W.) presents its production of “Billy Elliot: The Musical” directed by Stephen Daldry and featuring music by Elton John, tonight at 7:30 p.m. Tickets range from $25 to $150 and can be purchased online at kennedy-center.org.
Join Burgundy Crescent Volunteers to help pack safer sex kits from 7 to 9 p.m. tonight at FUK!T’s packing location, Green Lantern, 1335 Green Ct., N.W.
Wednesday, Dec. 21
“A Very Faerie Yule 2011” is tonight at the Open Hearth Foundation (1502 Massachusetts Ave., S.E.) from 7 to 9 p.m. Hot and heavy hors d’oeuvres, desserts and beverages will be served. For more information, e-mail [email protected].
Radio one presents “Know Your Status” concert at 9:30 Club (815 V St., N.W.) tonight at 7 p.m. hosted by Wale and featuring Chuck Brown and more. Tickets are available for free when tested at one of the D.C. Department of Health’s participating testing sites. For a list of site and more details, visit dctakesonhiv.com.
Thursday, Dec. 22
Trixie and Monkey’s seventh annual “Holiday Spectac-U-Thon” is tonight at the Patterson at 8 p.m. The neo-burlesque show will feature acrobatic antics, trapeze and more. Tickets are $22 for general admission and $17 for Creative Alliance members. For more information and to purchase tickets, visit creativealliance.org.
The Washington Chorus presents “A Candlelight Christmas” tonight at the Kennedy Center (2700 F St., N.W.) at 7 p.m. Tickets range from $15 to $65 and can be purchased online at kennedy-center.org.
Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater
National tour of ‘Gatsby’ comes to National Theatre
Out actor Edward Staudenmayer talks playing the show’s gangster
‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com
Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.
Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.
It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”
Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).
While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.
WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?
EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].
There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.
BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.
STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].
BLADE: When did the 1925 novel first surface on your radar?
STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.
Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.
BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?
STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.
Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.
BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?
STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.
BLADE: Have you had to do that in your career?
STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.
It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.
BLADE: What was your coming of age like?
STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.
BLADE: Did he live to see your success in theater?
STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.
BLADE: Looking ahead, is there a part you’d especially like to play?
STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.
Music & Concerts
DJ Chanel Santini is bringing the heat and some gender-fluid diversity to XBIZ Miami
Pool party celebrates most charismatic personalities, creative artists in adult entertainment
Chanel Santini has crossed over to being a DJ, performing at clubs all over the country. Now known as Santini, they will be making music and hyping the pool party, DJ-ing at XBIZ, the conference for adult creators and digital players, in Miami.
Taking place on Monday to Wednesday, the event honors the most charismatic personalities and creative artists in entertainment.
“I am honestly so excited — getting to DJ in Miami Beach is literally a DJ’s dream!” Santini told the Los Angeles Blade.
“I thought it would be a good opportunity because I haven’t been around my industry peers in a long time. It’s a great event to network and show off the new me!” said Santini.
While Santini is unsure what music they will be playing, they want everyone to have a good time. “My goal is to ignite the dance floor and play great music that everyone will vibe to. My sound includes house music, bass house, tech house, and I always like to throw a little bit of hip-hop in my sets.”
Santini loves how DJ-ing brings people together.
“Music really ignites us all! It is so universal, no matter what language you speak. I think it’s the best high in the world when you play a banger track, and everybody on the dance floor screams loudly. You can’t describe that feeling until you’re up there on that stage.”
Santini describes DJs as the “modern rock stars” in today’s world.
“I always feel like such a superstar when I’m up on that stage. The best feeling is after my set when I have people come up to me and say, ‘Thank you for sharing that amazing music.’ That’s how you know that you’re a good DJ — I love when I get those types of compliments!”

While sometimes it’s hard to please everyone’s musical tastes, Santini endeavors to try! “You just have to go out there and give it your all and be the best DJ that you can be,” he noted.
Santini, who had previously identified as transgender, recently decided to transition back to being gender fluid.
“It’s definitely been a journey, but I’m definitely happier in my own skin now than I was. I don’t go by he/him pronouns. I don’t go by they/them either. I guess I just really don’t have a preference. Whatever you see me as is your opinion. I’ve learned over the years that I’m not trying to be one specific thing. I’m just Santini. I’m just me.”
Santini acknowledged they felt respected more when dressed as a woman.
“I think it’s just because femininity runs the world. When I started to de-transition, I felt like I had to just be a boy all the time. But I’ve realized over the years that I don’t need to stick to one specific thing. I am always gonna be feminine, and that’s OK.”
Recently, Santini has been embracing their feminine side more.
“I definitely feel more comfortable in female presentation, and more powerful when I’m on stage dressed as Chanel. I love DJ-ing in drag because there are so many straight male DJs in the world. It’s almost like a superhero when he puts on his cape! I think it makes me confident and stand out more as an artist.”
And because Santini loves makeup and fashion, they can incorporate that into their sets. “I’m not just bringing you good vibes and good music. I’m bringing you a show/ production!”

Santini is already working on big plans for the future.
“I’m opening up for a huge Pride block party in my hometown, Albuquerque, N.M., on June 12 and 13. It’s a two day festival and I’m super excited for this opportunity. I’m even hiring backup dancers and a choreographer.”
Santini plans to go “all out” for this show.
“It’s gonna be the biggest crowd that I’ve ever played for,” Santini enthused. “I’m putting my heart and soul into this performance, especially because it’s Pride in my hometown, and that means so much to me. I know the younger me would be so proud.”
Santini remembers going to Pride when they were younger and telling themself they couldn’t wait to be up on that stage.
“I’m truly living my dream right now, and I’m so excited for the future. The last 10 years of being in the adult entertainment business have been great and have given me major success. But I always knew that I didn’t want to be in this industry for long.”
Santini acknowledged that, in the recent past, it was a struggle.
“I’ve been trying to find myself and figure out what I wanna do next with my life. Now that I’ve found this passion for DJ-ing, it makes me want to go far in this business.”
In addition to being a DJ/artist, Santini is starting college next semester.
“I’m gonna get my degree in audio engineering,” Santini enthused. “I can’t wait to start producing my own tracks. I especially can’t wait till the day I’m headlining a major festival! I know with a little bit of patience and hard work that I can get there! I just have to continue believing in myself.”
Santini wanted to thank all of their fans for their support. “Truly, if it wasn’t for them, I wouldn’t be able to fund my art in the way that I have. I’m truly grateful. And I’m excited for the future!”
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