Arts & Entertainment
Calendar: Dec. 23
Parties, services, concerts and more through Dec. 29

Mallory Lewis, daughter of Sheri Lewis, will be appearing with Lamb Chop as part of a Holiday Vaudeville performance at the Kennedy Center on Thursday. (Photo courtesy Kennedy Center)
TODAY (Friday)
Trixie and Monkey’s seventh annual “Holiday Spectac-U-Thon” is tonight at the Patterson at 8 p.m. The neo-burlesque show will feature acrobatic antics, trapeze and more. Tickets are $22 for general admission and $17 for Creative Alliance members. For more information and to purchase tickets, visit creativealliance.org.
Black Cat (1811 14th St., N.W.) presents “Bro Ho Ho: A Holiday Music Spectacular” featuring Jessie Elliott, of these United States, Revival, John Bustine, Brandon Butler and more. Tickets are $10 and can be purchased online at blackcatdc.com. Doors open at 9 p.m.
Basement Batman plays Red Palace (1212 H St., N.E.) tonight at 9 p.m. with Ravenous and ACME. Tickets are $8 and available day of the show. Doors open at 8 p.m.
DJ Dirty Hands spins tonight for “Pop Fridays” at Ultrabar (911 F St., N.W.) from 9 p.m. to 3 a.m. Also spinning will be resident DJ Geometrix and DJs Suelto, Enemy and Bomba and Kid Lucky.
Phase 1 (525 8th St., S.E.) is having a “Ugly Holiday Sweater Party” tonight. Everyone wearing a festive sweater gets $3 drink specials. There will also be a contest for the ugliest sweater and the winner will received a $50 bar tab. Contest begins at 11:30 p.m. For more information, visit phase1dc.com. Doors open at 9 p.m.
Ladi Lenore and Maxine Blue present “The Empire Christmas Party” tonight at Remingtons (639 Pennsylvania Ave., S.E.) at 10 p.m. with a buffet, show and more.
The Kennedy Center (2700 F St., N.W.) presents “Messiah” sing-along tonight at 8 p.m. with guest conductor Barry Hemphill leading the Kennedy center Opera House Orchestra, a 200-voice choir, professional soloists and the audience. This is a free event. Tickets are required and will be distributed today starting at 6 p.m. in the Hall of Nations, limit one per person.
Saturday, Dec. 24
K&C Productions presents “Grown & Sexy Saturdays” at Club Mova (newly reopened at 2204 14th Street, NW). No cover and doors open at 10 p.m. Party goes until 3 a.m. A new year’s eve grand opening edition is also planned.
The East Coast Boyz present “Twas the Night Before Christmas” at Tabaq Bistro (1336 U St., NW) tonight from 11 p.m. to 3 a.m. Prizes and drink specials will be held. Dancers will provide entertainment.
Black Cat’s (1811 14th St., N.W.) weekly Hellmouth Happy Hour will feature a special holiday screening of the “Buffy the Vampire Slayer” movie starring Luke Perry and Kristen Swanson. This is a free event and doors open at 7 p.m.
U Street Music Hall (1115 U St., N.W.) has its “U Halliday Party” tonight at 10 p.m. featuring King Tutt, Obeyah, Keenan Orr and more hosted by Marcus Dowling and Reed Rothchild. Tickets for attendees 18 to 20 are $10 and must be purchased in advance atustreetmusichall.com. The party is free all night for those 21 and older.
The Kennedy Center (2700 F St., N.W.) presents its production of “Billy Elliot: The Musical” (see our review on page 32) directed by Stephen Daldry and featuring music by Elton John, today at 1:30 p.m. Tickets range from $25 to $150 and can be purchased online atkennedy-center.org.
With most of the NFL’s games moved to today, Nellie’s (900 U St., N.W.) will be showing the Baltimore Ravens take on the Cleveland Browns and the Washington Redskins take on the Minnesota Vikings at 1 p.m.
Sunday, Dec. 25
The Kennedy Center (2700 F St., N.W.) presents an All-star Christmas Day Jazz Jam featuring Chuck Redd, Robert Redd, Lenny Robinson, James King and Tom and Delores King Williams tonight at 6 p.m. This is a free performance. For more information, visit kennedy-center.org.
Black Cat (1811 14th St., N.W.) presents its third annual James Brown “Death-Mas” holiday bash featuring Soul Call Paul. Tickets are $5 and available night of the show. Doors open at 9 p.m.
Ultrabar (911 F St., N.W.) presents “No Nice, All Naughty Sexy Santa Bash” tonight from 10 p.m. to 3 a.m. with free admission all night for women dressed in sexy Santa costumes. There will be drink specials all night as well as a rail open bar from 10 to 11 p.m.
Monday, Dec. 26
Busboys & Poets presents Monday night open mic poetry hosted by Drew Law tonight at 8 p.m. at its Shirlington location (4251 South Campbell Ave., Arlington). Wristbands are $4 and will be on sale starting at 10 a.m. in the Global Exchange store until sold out.
SAGE Metro D.C. is celebrating the New Year with a party at the D.C. Center (1318 U St., N.W.) tonight at 6:30 p.m. with food and music. For more information, visit thedccenter.org or sagemetrodc.org.
Tuesday, Dec. 27
Riot Act Comedy Theater (801 E St., N.W.) presents its weekly trivia night, hosted by Ashley Linder and Lauren Zoltick tonight at 8 p.m. in the upstairs bar. There’s even bonus question worth three extra points online at riotactcomedy.com.
The Chesapeake Squares are having a mainstream-through-advanced club night tonight at the Waxter Center (1000 Cathedral St.) in Baltimore from 8 to 10 p.m. For more information, visit chesapeakesquares.org. The Squares are a gay square dancing group.
Busboys & Poets presents Tuesday night open mic poetry hosted by Henry Mills tonight at 9 p.m. in the Langston room of its 14th and V streets location (2021 14th St., N.W.). Wristbands are $4 and will be on sale starting at 10 a.m. in bookstore until sold out.
Wednesday, Dec. 28
The Lambda Bridge Club meets tonight at 7:30 p.m. at the Dignity Center (721 8th St., SE — across from Marine Barracks) for duplicate bridge. No reservations needed; newcomers welcome. Visit lambdabridge.com if you need a partner.
Emmy Award-winning actress Holland Taylor comes to the Kennedy Center (2700 F St., N.W.) with her one-woman play “Ann” tonight at 7:30 p.m. The show tells the story of Ann Richards, the second female governor of Texas. Tickets range from $54 to $95 and can be purchased online at kennedy-center.org.
Busboys & Poets is having its monthly book club meeting at its Shirlington location (4251 South Campbell Ave., Arlington) from 7 to 9 p.m. discussing Rebecca Skloot’s book, “Immortal life of Henrietta Lacks,” which tells the story of a woman who’s cells were taken without her knowledge and have been used in several major medical developments.
Thursday Dec. 29
D.C. Lambda Squares, a local gay square dancing group, has its advanced and challenge club night tonight from 7:30 to 9:30 p.m. at National City Christian Church (5 Thomas Circle, N.W.) with Bill Harrison as the caller. For more information, visit dclambdasquares.org.
Cajun cellist Sean Grissom hosts “Holiday Vaudeville” at the Kennedy Center (2700 P St., N.W.) tonight at 6 p.m. with Mallory Lewis, daughter of Shari Lewis, appearing with Lamb Chop, and the Alexandria Kleztet, a modern Klezmer quartet. This is a free performance. For more information, visit kennedy-center.org.
Iran and Egypt on Friday faced off during the World Cup’s “Pride Match” in Seattle.
Iran is among the handful of countries in which consensual same-sex sexual relations remain punishable by death. Discrimination and persecution based on sexual orientation and gender identity is commonplace in Egypt.
Friday’s match coincided with Pride weekend in Seattle. The Egyptian Football Association and the Football Federation Islamic Republic of Iran both objected to playing in the “Pride Match.”
Egypt and Iran tied 1-1.
FIFA, for its part, allowed Pride flags inside the stadium during the match.
“The FIFA World Cup 2026 is an inclusive event that welcomes people from all backgrounds,” a FIFA spokesperson told the Washington Blade in a statement. “Fans of all sexual orientations and gender identities are welcome at matches and events. General statements of human rights, including rainbow flags and other flags representing sexual orientation and gender identity, are permitted under the FIFA World Cup 2026™ Stadium Code of Conduct and may be displayed inside stadiums provided they are used in a manner consistent with the code.”
Human Rights Watch welcomed FIFA’s decision to allow Pride flags inside the stadium. Outright International, a global LGBTQ and intersex rights group, distributed Pride flags in Seattle on Friday, which was Pride Match Day.
“Visibility matters,” said Outright International Executive Director Maria Sjödin. “Pride is now being celebrated in more than 100 countries, including this weekend in Seattle. For many LGBTIQ people, seeing a Pride flag in public is a reminder that they are not alone, and that their rights and dignity are recognized.”
FIFA President Gianni Infantino earlier this year told Die Weltwoche, a Swiss magazine, that “there will be no ‘Pride Match’ at the (FIFA) World Cup.”
“There will be a FIFA World Cup match in Seattle, and on the same day, events organized by external organizations will be taking place in the city,” said Infantino. “But that has nothing to do with the match itself.”
Peter Tatchell, a long-time LGBTQ activist from the U.K. who is director of the Peter Tatchell Foundation, was among those who traveled to Seattle for Friday’s match. Tatchell accused FIFA of not vetting World Cup teams — specifically Iran, Egypt, Saudi Arabia, Ghana, Senegal, Qatar, Tunisia, Morocco, Iraq, Uzbekistan, and Algeria — over whether they would allow gay players.
“FIFA is protecting LGBT+ visibility in the stands while failing to protect LGBT+ players on the pitch,” said Tatchell.
The second annual Frederick Pride Parade was held in the streets of downtown Frederick, Md. on Friday, June 26.
(Washington Blade photos by Michael Key)


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Theater
Carla Hall goes from ‘Top Chef’ to the stage
Solo show ‘Please Underestimate Me’ premieres at Olney
‘Please Underestimate Me’
Through July 12
Olney Theatre Center
at Mulitz-Gudelsky Theatre Lab
2001 Olney-Sandy Spring Rd.
Olney, Md.
$47-$101
Olneytheatre.org
Carla Hall gained celebrity status from Bravo TV’s “Top Chef.” She was funny and fun, and with her kooky signature catch phrase “Hooty hoo” and the southern-inspired recipes she lovingly cooked, Hall stood out in a kitchen crammed with contestants.
Now the D.C.-based Hall is taking revisiting her earliest love with the world premiere of her solo show “Please Underestimate Me,” currently running at Olney Theatre Center’s intimate and revamped Mulitz-Gudelsky Theatre Lab.
In the 90-minute piece (written by Hall, Lori Kaye, and Kaye’s partner Leslie Thomas; and directed by Lili-Anne Brown), Hall leads with food but quickly swerves into her personal and other aspects of her professional life. Built around an immersive fictional TV cooking show, her new play draws on experiences from her seven seasons (2011-2019) co-hosting cooking/chat show “The Chew”an ABC daytime proving ground, and her heady years on “Top Chef.” (2008, 2010).
Born and raised in Nashville, Hall wanted to attend Boston University to major in theater, but was rejected. Instead, she went to Howard University at her mother’s urging, where she ultimately majored in accounting. After graduating in 1986, she donned a bespoke business suit and briefly worked as a CPA for Price Waterhouse.
Business wasn’t for Hall. Tall and slender, she walked the runways in Paris for a while before ultimately finding her niche as a chef. Cooking seemed to come from her heart, something she learned from her grandmother who not incidentally bankrolled Hall’s way through culinary school.
Now she’s bringing the vibrancy and good humor that made her a “Top Chef” fan favorite and a popular TV host to the stage with “Please Underestimate Me.”
WASHINGTON BLADE: You seem a natural live performer. Were at all you nervous about doing this?
CARLA HALL: Anytime you step outside of what you’re known for you have to take a risk and make it happen. I’d been working on this the idea for seven years. I decided that I really wanted to do a variety show and really wanted to step back into my original love of theater.
I didn’t know what that looked like so I was asking a lot of people, actors and friends, about how to break into it. Can they see me as more than a chef? So, I told my agency to book me for voice overs, cameo roles. I got an acting coach and I was seeing a lot of single person shows. I literally embodied the thing that I wanted.
BLADE: Have you always been a vocal and public ally of the queer community?
HALL: For me, it’s natural. I came from the theater and dance world. I have a lot of gay and queer friends.
There’s something about people being gay and queer that goes with a need to be authentic to yourself. I think that’s why you find a lot of queer people in the arts. Dare to be you. Dare to be different, right? I like that.
BLADE: Long ago, I remember stopping by a Safeway in Wheaton to grab a sheet cake for a party. Your second or first episode of “Top Chef” had just aired. I wanted to yell “Hooty hoo” across the aisles, but was too shy.
CARLA HALL: My catering kitchen was near that Safeway.You should have yelled. I’d have given you a hug. I’ll hug almost anyone.
BLADE: Thanks. I think. You hear actors saying there’s nothing quite like TV fame because you’re invited into people’s living rooms. What were those days like when you started being recognized?
HALL: I like people. I tell Matthew [Matthew Lyons, Hall’s husband of 20 years], when fans say hello it’s my chance to get to learn about them. I owe them a lot; without them I wouldn’t be working.
BLADE: At Olney, Lauren M. Nichols’ surprise-filled set and Kelly Colburn’s projections of your personal snapshots from over the years are really wonderful.
HALL: It becomes really emotional. At the end of the show, I see 12-year-old me. I’m looking at that girl, and they did a put a little crown on my head, and I’m living her dream 50 years later.
BLADE: Is the pace hard?
HALL: Seven shows a week isn’t easy. I used to say “Top Chef” was my most grueling experience…well, that was before I did this.
BLADE: And is it gratifying?
HALL: At the end of the day, yes. Look, this play is filled with personal highs and lows and emotionally it’s exhausting. It’s also rewarding. Two weeks before the show started, I wasn’t sure I could do this.
BLADE: But of course, you are doing it. And you’re doing it so well.
HALL: A while back, I reached out to the executive producer of “The Chew” and thanked him for being the messenger of my lessons. Without those experiences I wouldn’t be here now doing “Please Underestimate Me.” My confidence has definitely grown. I’m a firm believer that everything that happens to you is for you.
