Arts & Entertainment
Born again music
Gay former gospel singer finds success in electro-dance pop

Chris Willis, who’s single, averages about 40 weekends a year traveling. (Photo by Marco Ovando courtesy BIG Management)
Paris is apparently a lucky name for singer Chris Willis.
The Ohio-born singer/songwriter had a great run in contemporary Christian music in the ‘90s; one of his biggest gigs was working as a backup singer for gospel legend Twila Paris on her seminal 1993 “Beyond a Dream Tour” though later he established himself as a go-to session singer and had his own gospel album out.
Later in Paris, France he collaborated with French producer/DJ David Guetta and the two enjoyed an unusually rich partnership that resulted in the No. 1 dance hits “Love is Gone”, “Give it All You Got” (both 2007) and “Gettin’ Over You,” a 2010 collaboration with Fergie and LMFAO.
Now Willis, who essentially rebuilt his music career from scratch after coming out around the new millennium, is branching out solo once again. His hit “Louder (Put Your Hands Up)” was a No. 1 hit in 2010 on the Billboard dance chart. Last year’s “Too Much in Love” went to No. 4. Last month it went to No. 1 on the DJ Times Dance/Crossover chart.
They’re both on his latest EP “Premium: Songs From the Love Ship, vol. 1,” which dropped in November. He’s planning two more installments and spends about three weekends a month on the road, performing 30-minute sets in dance clubs all over the world. He’ll be in Washington on Feb. 21 for a media blitz, though no performances are planned.
He remembers a pivotal turning point during a break in performing on a cruise ship in the late ‘90s — the feelings are eerily similar to those shared by many other gays who grew up in evangelical Christianity.
“I was always thinking, ‘How do I reconcile this with what I hear in sermons and what I read in the Bible,’” Willis, 43, says during a phone interview from his Atlanta home. “All those years living in the closet I tried to pray it away and lived with all this doubt, guilt and shame. I couldn’t reconcile the process either. It felt odd in a way because to a degree, I always had a certain sense of peace in my soul. I had to really learn to adopt a philosophy that there are no mistakes and for whatever reason, this is the hand I’ve been dealt. I started to realize that nothing positive was ever going to happen unless I accepted it.”
Despite the inner struggle, Willis says he enjoyed his years in Nashville working with gospel acts like Paris, Mark Lowry, Amy Grant and others (he’s also cut vocals for Dusty Springfield, Ricky Martin, Kelly Rowland and Quincy Jones). He considers several of Grant’s former back-up singers such as Donna McElroy, Vickie Hampton and Kim Fleming, dear friends who helped him network wildly in the ‘90s.
“I have such respect for those years and that time,” he says. “It was a great grooming period for me and though it was tough personally and internally, I learned to take the good with the odd and bad and embrace and appreciate the whole pie.”
After moving to New York, he started to rebuild his career almost from scratch. He had “almost no contact” with people from his Nashville years and says there’s almost zero crossover between the gospel and electro/dance industry brass. Never mind that the industry paradigm was, of course, crumbling around him — he did one album for Warner Brothers that was shelved. His second, an eponymous 1996 release, did modestly well on Star Song, in imprint eventually bought by EMI.
Willis met Guetta in Miami in 2000. They clicked musically and Willis is featured on the title cut to Guetta’s 2002 debut, “Just a Little More Love.” It was only a modest international hit but it was the start of the second major phase of Willis’s career.
Despite his successes — Willis says clubgoers all over the world know his songs and sing along when he makes appearances — it’s still a highly competitive field.
“I can make a great impact in the electro market but on the charts, you’re up against the latest remixes from Beyonce or Rihanna and it’s really intimidating,” he says. “As an artist, it obviously makes me a little nervous, but I love making music and taking that risk and chance. And you know, I tend not to pay so much attention to the charts. It’s a great way to avoid being disappointed. I’m just happy to be able to work and travel and I have many loyal supporters who help keep me going.”
a&e features
Memorial for groundbreaking bisexual activist set for May 2
Loraine Hutchins remembered as a ‘force of nature’
The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m.
Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com.
An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all.
Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.
In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”
“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.
“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”
“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”
“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day.
Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)



















