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Queery: Mikey Torres

The Glitterlust lead singer answers 20 gay questions

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Mikey Torres (Washington Blade photo by Michael Key)

Mikey Torres (Washington Blade photo by Michael Key)

Mikey Torres and his boyfriend of five years Dan Sherwood are both into music, albeit of wildly different varieties — Torres is the front man of local band Glitterlust, a queer outfit he says is a cross between Marilyn Manson and Scissor Sisters. Sherwood is an opera singer.

“We don’t perform together or collaborate musically,” Torres says with a laugh. “He tries to educate me on things whereas I taught myself every instrument I know. He’s much more a musician. I see myself as an entertainer where it’s all about music, sets and costumes. In the band, we don’t take ourselves too seriously.”

Glitterlust, which formed last April and debuted at last year’s Phase Fest, is Torres, lesbian guitarist Liz Wooley and bi bassist Chris Roudiez. They perform mostly Torres’ originals but occasionally do covers. They have two upcoming appearances — look for them at Homopolitan at Velvet Lounge (915 U St., N.W.) on Feb. 18 where they’ll co-headline with burlesque outfit D.C. Gurley Show and lesbian R&B group the CooLots (Doors at 8, show at 9; $8 tickets available at the door, 21 and up). And on Thursday they’ll open ’80s night at Chief Ike’s Mambo Room (1725 Columbia Rd., N.W.) at 8 p.m.

Torres says he likes to explore the nuances of gay life, especially sex, from a queer perspective.

“I think it’s an artist’s job to question what’s put out there for us,” he says. “Ultimately art is not a statement, it’s a question mark. You can’t close everybody in the hetero-normative bubble.”

The band put out an EP last year called “Beautiful Noise” on Band Camp. They’re working on an indie album — tentatively called “Chaos Magic” — for release this year. All three members work day jobs — Torres is sous chef at Dupont Circle hotel The Beacon. They play in the region about three times per month.

“If success comes, we certainly won’t turn it down but I think we’re really lucky to live in a time when the record contract is not the ultimate goal,” he says.

Torres and Sherwood live together in Oxon Hill, Md. Torres enjoys music, cooking, sewing, crafts and “anything creative,” he says.

“I’m sort of a punk rock Martha Stewart.”

(Blade photos by Michael Key)

How long have you been out and who was the hardest person to tell?

I’ve been out pretty much my whole life, I wasn’t born, I sauntered out of the womb! The hardest person to tell was myself.

Who’s your LGBT hero?

Probably John Waters, while I love his sense of humor and creative quirkiness, he continues to be a pioneer and push the boundaries of American culture and cinema.

What’s Washington’s best nightspot, past or present? 

Past, I’d say The Edge circa 2000-2002, I was a big raver back then and that club picked up where Tracks left off. Present, the 9:30 club, I’ve seen shows in there that have literally changed me as a person.

Describe your dream wedding.

I don’t really think I’ll ever get married, but if I did, it would be an 80’s-themed wedding with drag queen ushers dressed as ’80s icons like Molly Ringwald, ’80s Madonna and Boy George!

What non-LGBT issue are you most passionate about

Agriculture and food processing/labeling in America. I think we should tax junk food, soda and fast food and it should be illegal to sell those items in the public school system.

What historical outcome would you change?

The birth of Jesus. While I think all religions begin with the best intentions, as a gay person I also believe that religion has done far more harm than good to our community. I understand that most of the time it’s the extremists who are misinterpreting the context, however I think society as a whole would be far more evolved if we put our faith into science and art.

What’s been the most memorable pop culture moment of your lifetime?

The acquittal of Michael Jackson in 2005. I was working as a bartender at a chain restaurant at the time and all the TVs were on when it was announced. All the black people in the bar cheered while most of the white people protested and sneered. It was the first time I’d seen such direct and unapologetic racism.

On what do you insist?

Good manners and punctuality.

What was your last Facebook post or Tweet?

“Back from Vegas, I’d tell you all about it, but you know what they say!”

If your life were a book, what would the title be?

Larger than life is just the right size”

If science discovered a way to change sexual orientation, what would you do?

Feel pity for those not strong enough to endure their true nature.

What do you believe in beyond the physical world? 

I believe that if there is a “God,” then it is an artist. I think to be creative is the closest you can get to really understanding God. I also believe that morality is a personal issue not a spiritual one. I don’t think any “spiritual” person has the right to tell you having sex or doing drugs is wrong.

What’s your advice for LGBT movement leaders?

To stop being afraid of offending some people. There are some great LGBT leaders out there, but most of them seem to be walking on political eggshells. We’re so worried about being seen as “normal,” the Human Rights Campaign wants the right wing to see us as heteronormative, monogamous white-picket fence-type families. I think it’s great that those types of gay families are out there, but we shouldn’t have to adapt to that ideal to get equal rights. There are plenty of successful non-monogamous couples, triads, open relationships, non-traditional families that are probably more “normal” and well adjusted than most straight families.

What would you walk across hot coals for?

The chance to go into space!

What LGBT stereotype annoys you most?

When someone thinks that because I’m gay I won’t fight back when you call me fag. I’m from P.G. County, I’m not afraid to stand up for myself.

What’s your favorite LGBT movie?

“The Trip.” I love how they weave in footage from critical moments in gay history.

What’s the most overrated social custom?

Saying “bless you” when someone sneezes. Just say “Shut up!”

What trophy or prize do you most covet?

Not really a prize, but I’d love to go on tour with my band and see the world while entertaining people.

What do you wish you’d known at 18?

Nothing. I think that everything happens for a reason and if you’re happy with where you are, you can’t bitch about how you got there!

Why Washington?

The more I travel, the more I realize how great D.C. is! We have so much history but also constantly evolving culture. In one day you can see the monuments, eat amazing Ethiopian food and see a great drag show! I love all the culture here, how you can meet people from all backgrounds and everyone has a story.

 

 

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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