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With 3 national titles in 4 years, Miss Gay D.C. winners leave big shoes to fill

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Coti Collins being crowned Miss Gay America (Photo courtesy Robert York)

Miss Gay D.C. America pageant
March 24
6 to 11 p.m.
Town
2009 8th St., N.W.
Admission: $10 (those who attend can stay at the club all evening)

 

When Jen Corey, a straight 24-year-old Chevy Chase resident, was asked to judge the Miss Gay D.C. pageant in 2010, she had no idea what to expect.

“I’d never even met a drag queen or female illusionist,” Corey, who was asked because of her Miss America success — she made the top 10 that year, says. “I’d seen ‘The Birdcage,’ that was about it. I didn’t know anything but it was refreshing to see how much it paralleled the Miss America pageant … and I was really impressed, impressed with how all the details work together. I mean, they know how to do hair and makeup better than I do. I was so impressed with how seriously they took it. I really thought it would be a little bit of a joke, but it wasn’t at all.”

Competing is a hardcore business — contestants, who must have had no augmentation from the neck down, bring an impressive level of talent and detail to the contests, both for the Miss D.C. title and the national Miss Gay America title. And the hard work and determination is paying off on the national level. Three of the last four national titleholders have represented D.C. in the contest. They aren’t all D.C. residents — the local title doesn’t have a residency requirement — but the District has an impressive track record at nationals.

In addition to four top 10 finishes at nationals, three Miss Gay D.C. America titleholders have taken the national crown — Victoria DePaula (Carl Glorioso) in 2008, Coti Collins (David Lowman) in 2010 and Kirby Kolby (Mark Smith) in 2011. Promoter Robert York bought the D.C. franchise in 2006 and helped increase its prominence nationally (prior to 2006, only one Miss D.C. winner had won nationals — Sabrina White in 2002).

York, a former Mr. Gay U.S.A. regional title holder, and a group of friends saw the potential within the region and thought it would be fun to try to raise its profile. The contest had been in existence since 1984 but next weekend’s event is its 25th (it wasn’t held a few years). Now York runs it with his friend Brian Alexander. He says the appeal for him is the chance the forum gives those involved to give back to the community in a fun way.

“We’ve seen some really talented people over the seven years who are deeply committed to the art form,” he says. “And who are equally committed to giving back to the community. We’ve been involved with Whitman-Walker Health, the Trevor Project and so on. Last year, Coti was really involved with speaking out against bullying and gay youth. Victoria did a lot with HIV and AIDS. It’s not just about winning the crown. It’s about doing something with it and giving back.”

A new Miss Gay D.C. will be crowned next weekend at Town. Admission is $10 and those who come to see the pageant can stay all evening at the club. It starts at 6 p.m. Contestants will compete in five categories — interview, evening gown, male interview, solo talent, group talent and on-stage question. He’s not sure how many will compete this year — registrations are accepted until the day before. Usually just five or fewer enter because it takes a lot of preparation. And though some past contestants have been in the house casts at Town or Ziegfeld’s or active in the Academy of Washington, the rigors of being a titleholder are often more than those who perform every weekend in the clubs can commit to. Winning on the national level, especially, can be an all-consuming endeavor. For Coti Collins, though, it was worth it.

Lowman, who has family in Virginia and went to college in West Virginia, now lives in Raleigh, N.C. where he’s been for about eight years. He works by day as a vet assistant but it’s a highly flexible work situation that allows him time to leave for months at a time and perform in Vegas or compete in pageants. He did “La Cage” in Vegas for seven years and does impersonations of Judy Garland and Dolly Parton on stage. For three years in the late ‘90s he was on tour with Reba McIntyre as a sort of drag version of herself. He eschews the drag label though and says he’s really an actor at heart.

He’d been in pageants years ago — he had a rather ignominious start placing 70 out of 71 in the ’87 contest. But the next year he made the top 30 and then in 1990 he was in the top 10. But years of professional work sidelined him and he took a long hiatus until 2005 when he decided to try again and take care of what he calls “unfinished business.” In 2010 he succeeded and was named Miss Gay America 2011.

“I felt complete,” he says. “It was a goal and a dream that was fulfilled. People said, ‘You’re too old to win a pageant,’ but never let anybody else determine your self worth and I never did. I promoted myself and I knew what I could do. It was an uphill battle — I was one of the older contestants, but I was still prepared to win and with the help of Robert and the D.C. family, I accomplished my goal.”

Former judge Sonya Gavankar-McKay, a Miss America vet, says she’s been pleasantly surprised at how professional the pageants are.

“These guys really have a sense of moral character and it’s impressive,” she says. “There’s the drag community and they’re always a little tongue in cheek and sassy and fun and that’s great, but there is an expectation in the pageants that these guys are expected to carry themselves with decorum and class and it speaks a lot to how they appreciate and respect their craft.”

Lowman says York helped him in some of his weaker categories of competition and says though the gowns and wigs can be expensive, winning was not something a dollar value could be put upon.

“Can you put a price on a dream? No, you can’t,” he says. “I’m a pretty passionate person and I try to do my best in everything I do whether it’s female impersonation, casino shows or mowing the grass. I want to be the best I can be. I want to be remembered for making a difference and changing people’s lives. Anybody can just rollercoaster through life, but it’s the ones who do it with passion who make the difference.”

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Theater

D.C. theater scene has something for everyone this holiday season

‘Nutcracker,’ ‘A Christmas Carol,’ and much more

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Michael Russotto in ‘A Christmas Carol: A Ghost Story of Christmas’ at Olney Theatre Center. (Photo by Teresa Castracane Photography)

With its familiar music, yuletide imagery, and storytelling, theater can be a big part of the holidays. Add to that making memories and theater tickets wrapped as presents under the tree, and it’s a seasonal no brainer.

Folger Theatre presents “Resplendent Joy: Christmas Traditions from Spain and Portugal” (Dec. 5-14); the marvelous Folger Consort will perform early Spanish Christmas carols and traditional holiday music from early modern Spain and Portugal: folger.edu/resplendent

At Round House Theatre, playwright Sam Holcroft’s “Rules for Living” (Dec. 3-Jan. 4) makes its U.S. premiere. The darkly funny holiday comedy was a hit in London and is now hoping to repeat that success with a version tailored for the states. The seven-person cast includes versatile actors Naomi Jacobson and real-life spouse John Lescault. Ryan Rillette directs. roundhousetheatre.org

Theatre J presents “Chanukah in the Dark” (Dec. 6-21), an hour-long play ideal for ages five and up. “When the lights go out during Chanukah, Max and family begin sharing songs, stories, and traditions — only to discover the lights they needed and the miracles they searched for were in their midst all along.”  edcjcc.org

The Cathedral Choral Society’s “Joy of Christmas” (Dec. 13-14) presents a wonderful program of carols and beloved holiday favorites at the festively decorated National Cathedral. The program features Seraph Brass, organist Edward Hewes, Carillonneur Edward M. Nassor, percussionist Mary La Blanc of “The President’s Own” U.S. Marine Band, and the Eastern Concert Choir from Eastern Senior High School. Cathedralchoralsociety.org 

With “The Holiday Show,” (Dec. 13, 14, and 20), the Gay Men’s Chorus returns to entertain audiences with its annual and most popular show. 

This year the holiday extravaganza is bigger than ever at historic Lincoln Theatre with new, soulful arrangements of favorite holiday carols: “The reindeer will be high-kicking and the snowflakes will sparkle. Songs include “O Holy Night,” “Rudolph the Red Nosed Reindeer,” “Let It Snow,” “We Wish You the Merriest,” and “Go Tell It on the Mountain.’” gmcw.org

At Olney’s intimate Mulitz-Gudelsky Theatre Lab, out actor Michael Russotto is back for the holiday season in his solo show “Christmas Carol: A Ghost Story of Christmas” (through Dec. 28). The talented Russotto portrays nearly 50 different characters from the Charles Dickens classic, that proves “funnier and far more relevant than you might imagine.” Olneytheatre.org

Also on holiday offer in the DMV are a jolly bunch of musical chestnuts as well as reliable Christmas crowd-pleasers.

Included on the roster is Olney Theatre’s production of Jerry Herman’s “Hello, Dolly!” (through Jan. 4) starring the mega-talented Nova Y. Payton. Based on the play “The Matchmaker” by famed gay playwright Thornton Wilder, the musical has proved a vehicle for many a diva including Carol Channing, Pearl Bailey, Bette Midler, and Barbra Streisand. Now Payton dons the mantle and the buzz is good.

Another beloved musical is “Fiddler on the Roof” (through Jan. 25), the story of Tevye, a poor Jewish milkman, his family and their tight-knit community who honor tradition while contending with pogroms in Czarist Russia. Currently being performed intimately in the round at Signature Theatre in Arlington and directed by Joe Calarco, the large cast features actors Douglas Sills, Chrisopher Bloch, and terrific out actor Jake Loewenthal as the poor tailor Motel Kamzoil, all singing Broadway favorites like “Sunrise, Sunset” “If I Were a Rich Man” and “Matchmaker.” sigtheatre.org  

At Shakespeare Theatre Company’s Harman Hall is Frank Loesser’s “Guys and Dolls” (through Jan. 4). Based on tales from famed American journalist Damon Runyon, the show focuses on two overlapping love stories set in Depression-era Times Square. The terrific score includes songs like “Luck Be a Lady,” “Sit Down, You’re Rockin’ the Boat,” “A Bushel and a Peck,” and more songs you’ll know. Directed by Francesca Zambello and choreographed by Joshua Bergasse. 

The cast includes Julie Benko, Lamont Brown, and Holly Twyford as General Matilda B. Cartwright, which is reason enough to buy a ticket. shakespearetheatre.org 

And for hardcore traditionalists there’s the Washington Ballet’s “The Nutcracker” (through Dec. 29) with its balletic magic at the charming gilded Warner Theatre. The beloved production of Tchaikovsky’s ballet, here set in 1882 Georgetown, features a retinue of agile partiers, children, soldiers, rats, and notable figures from American history.  washingtonballet.org

And last but hardly least, historic Ford’s Theatre presents “A Christmas Carol” (through Dec. 31), an enduring Washington tradition since I was youngish. Conceived by Michael Baron, this charming Dickens’ moneymaker again spotlights Craig Wallace as miserly Ebenezer Scrooge who after a night of ghostly visits, rediscovers Christmas joy. Fords.org

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Drag

Pattie Gonia calls out Hegseth’s anti-LGBTQ policies — while doing better pull-ups

Drag queen Pattie Gonia uses a viral instagram video to call out Hegseth’s exclusionary policies while doubling down on activism for LGBTQ rights and the environment.

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Screenshot of Pattie Gonia's viral video now has over 600k likes and 31k shares. (Screenshot courtesy of Pattie Gonia Instagram)

Drag queen and environmental activist Pattie Gonia has gone viral after posting a video last week calling out Defense Secretary Pete Hegseth — and doing so while knocking out a set of pull-ups with cleaner form than his own, all while in full drag. The clip is a direct response to a separate viral video Hegseth himself posted days earlier, in which he performed less-than-perfect pull-ups that drew widespread mockery online.

“Hi Pete Hegseth, Pattie Gonia here, while you’re busy trying to take away the rights of queer people, I’m over here advocating for the rights of all people, including my right to do better pull-ups than you all with my balls tucked inside of me,” she declares in the now-viral Instagram clip, delivering the message in full drag garb with the theatricality she’s known for.

The video lands at a moment when Hegseth’s record on LGBTQ rights continues to draw scrutiny. Since being appointed by President Trump to lead the Pentagon, the Defense Secretary has pushed the twice impeached president toward a series of exclusionary shifts inside the department.

Hegseth’s efforts have included pressing for the rollback of DEI measures, pausing all gender-affirming care for service members, and blocking promotions for personnel with “a history of gender dysphoria.” He has also openly stated that transgender people should not serve in the military and drew controversy for formally renaming a ship previously dedicated to Navy veteran and LGBTQ icon Harvey Milk to USNS Oscar V. Peterson. Hegseth has long criticized the repeal of “Don’t Ask Don’t Tell,” framing the policy change as harmful to the armed forces. And in October, he courted further backlash after suggesting women could be barred from military service altogether, arguing that the government would hold personnel to the “highest male standard.”

Pattie’s viral moment is only the latest in her growing portfolio of environmental and queer activism. In August, she joined a team of climbers in Yosemite, helping raise a massive 66-foot-wide trans flag across the iconic El Capitan wall — a striking symbol of trans visibility in one of the most storied national parks in the country. Her drag name even riffs on Patagonia, the famed South American mountain range, blending outdoor culture with camp.

Last week, Pattie Gonia also made a bold statement at the Out 100 award celebration in Los Angeles, wearing a dress crafted from the same trans flag flown at El Capitan in Yosemite National Park. She attended the event alongside non-binary NSP agent SJ Joslin who was fired for her role in helping put up the flag.

Since the beginning of her drag career, Pattie has steadily expanded her influence beyond the stage. She co-founded the Outdoorist Oath, a nonprofit dedicated to helping BIPOC, LGBTQIA+ people and femmes build community in the outdoors through education and shared stewardship. She also launched the Queer Outdoor and Environmental Job Board, a free resource that supports queer people seeking work in environmental and nature-based industries, with the aim of diversifying fields where LGBTQ representation remains limited. Her fundraising efforts have generated over $2.7 million for LGBTQIA+, Black, Indigenous, and People of Color (BIPOC), and environmental nonprofits, underscoring her ability to mobilize huge audiences toward collective action.

Her recent projects also include a national tour of her environmental drag show, “SAVE HER!”, which blends performance art with climate messaging, and the release of a documentary TV series, “Go Gently,” co-created with Harry Potter’s Bonnie Wright (Ginny Weasley). The series follows their journey from Los Angeles to Portland, Oregon, where they explore sustainable living and meet with communities protecting the Earth in innovative ways.

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Photos

PHOTOS: Remove the Regime rally and march

Dropkick Murphys, Earth to Eve perform on steps of Lincoln Memorial

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The Dropkick Murphys perform at the Remove the Regime rally outside of the Lincoln Memorial in Washington, D.C. on Saturday, Nov. 22. (Washington Blade photo by Michael Key)

The Remove the Regime rally and march was held on Saturday, Nov. 22.

(Washington Blade photos by Michael Key)

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