Arts & Entertainment
Tradition of excellence
With 3 national titles in 4 years, Miss Gay D.C. winners leave big shoes to fill
Miss Gay D.C. America pageant
March 24
6 to 11 p.m.
Town
2009 8th St., N.W.
Admission: $10 (those who attend can stay at the club all evening)
When Jen Corey, a straight 24-year-old Chevy Chase resident, was asked to judge the Miss Gay D.C. pageant in 2010, she had no idea what to expect.
“I’d never even met a drag queen or female illusionist,” Corey, who was asked because of her Miss America success — she made the top 10 that year, says. “I’d seen ‘The Birdcage,’ that was about it. I didn’t know anything but it was refreshing to see how much it paralleled the Miss America pageant … and I was really impressed, impressed with how all the details work together. I mean, they know how to do hair and makeup better than I do. I was so impressed with how seriously they took it. I really thought it would be a little bit of a joke, but it wasn’t at all.”
Competing is a hardcore business — contestants, who must have had no augmentation from the neck down, bring an impressive level of talent and detail to the contests, both for the Miss D.C. title and the national Miss Gay America title. And the hard work and determination is paying off on the national level. Three of the last four national titleholders have represented D.C. in the contest. They aren’t all D.C. residents — the local title doesn’t have a residency requirement — but the District has an impressive track record at nationals.
In addition to four top 10 finishes at nationals, three Miss Gay D.C. America titleholders have taken the national crown — Victoria DePaula (Carl Glorioso) in 2008, Coti Collins (David Lowman) in 2010 and Kirby Kolby (Mark Smith) in 2011. Promoter Robert York bought the D.C. franchise in 2006 and helped increase its prominence nationally (prior to 2006, only one Miss D.C. winner had won nationals — Sabrina White in 2002).
York, a former Mr. Gay U.S.A. regional title holder, and a group of friends saw the potential within the region and thought it would be fun to try to raise its profile. The contest had been in existence since 1984 but next weekend’s event is its 25th (it wasn’t held a few years). Now York runs it with his friend Brian Alexander. He says the appeal for him is the chance the forum gives those involved to give back to the community in a fun way.
“We’ve seen some really talented people over the seven years who are deeply committed to the art form,” he says. “And who are equally committed to giving back to the community. We’ve been involved with Whitman-Walker Health, the Trevor Project and so on. Last year, Coti was really involved with speaking out against bullying and gay youth. Victoria did a lot with HIV and AIDS. It’s not just about winning the crown. It’s about doing something with it and giving back.”
A new Miss Gay D.C. will be crowned next weekend at Town. Admission is $10 and those who come to see the pageant can stay all evening at the club. It starts at 6 p.m. Contestants will compete in five categories — interview, evening gown, male interview, solo talent, group talent and on-stage question. He’s not sure how many will compete this year — registrations are accepted until the day before. Usually just five or fewer enter because it takes a lot of preparation. And though some past contestants have been in the house casts at Town or Ziegfeld’s or active in the Academy of Washington, the rigors of being a titleholder are often more than those who perform every weekend in the clubs can commit to. Winning on the national level, especially, can be an all-consuming endeavor. For Coti Collins, though, it was worth it.
Lowman, who has family in Virginia and went to college in West Virginia, now lives in Raleigh, N.C. where he’s been for about eight years. He works by day as a vet assistant but it’s a highly flexible work situation that allows him time to leave for months at a time and perform in Vegas or compete in pageants. He did “La Cage” in Vegas for seven years and does impersonations of Judy Garland and Dolly Parton on stage. For three years in the late ‘90s he was on tour with Reba McIntyre as a sort of drag version of herself. He eschews the drag label though and says he’s really an actor at heart.
He’d been in pageants years ago — he had a rather ignominious start placing 70 out of 71 in the ’87 contest. But the next year he made the top 30 and then in 1990 he was in the top 10. But years of professional work sidelined him and he took a long hiatus until 2005 when he decided to try again and take care of what he calls “unfinished business.” In 2010 he succeeded and was named Miss Gay America 2011.
“I felt complete,” he says. “It was a goal and a dream that was fulfilled. People said, ‘You’re too old to win a pageant,’ but never let anybody else determine your self worth and I never did. I promoted myself and I knew what I could do. It was an uphill battle — I was one of the older contestants, but I was still prepared to win and with the help of Robert and the D.C. family, I accomplished my goal.”
Former judge Sonya Gavankar-McKay, a Miss America vet, says she’s been pleasantly surprised at how professional the pageants are.
“These guys really have a sense of moral character and it’s impressive,” she says. “There’s the drag community and they’re always a little tongue in cheek and sassy and fun and that’s great, but there is an expectation in the pageants that these guys are expected to carry themselves with decorum and class and it speaks a lot to how they appreciate and respect their craft.”
Lowman says York helped him in some of his weaker categories of competition and says though the gowns and wigs can be expensive, winning was not something a dollar value could be put upon.
“Can you put a price on a dream? No, you can’t,” he says. “I’m a pretty passionate person and I try to do my best in everything I do whether it’s female impersonation, casino shows or mowing the grass. I want to be the best I can be. I want to be remembered for making a difference and changing people’s lives. Anybody can just rollercoaster through life, but it’s the ones who do it with passion who make the difference.”
The 2026 Mr. Mid-Atlantic Leather competition was held at the Hyatt Regency Capitol Hill on Sunday. Seven contestants vied for the title and Gage Ryder was named the winner.
(Washington Blade photo by Michael Key)

















































Theater
Voiceless ‘Antony & Cleopatra’ a spectacle of operatic proportions
Synetic production pulls audience into grips of doomed lovers’ passion
‘Antony & Cleopatra’
Through Jan. 25
Synetic Theater at
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Synetictheater.org
A spectacle of operatic proportions, Synetic Theater’s “Antony & Cleopatra” is performed entirely voiceless. An adaptation of the Bard’s original (a play bursting with wordplay, metaphors, and poetic language), the celebrated company’s production doesn’t flinch before the challenge.
Staged by Paata Tsikurishvili and choreographed by Irina Tsikurishvili, this worthy remount is currently playing at Shakespeare Theatre Company’s Klein Theatre, the same venue where it premiered 10 years ago. Much is changed, including players, but the usual inimitable Synectic energy and ingenuity remain intact.
As audiences file into the Klein, they’re met with a monumental pyramid bathed in mist on a dimly lit stage. As the lights rise, the struggle kicks off: Cleopatra (Irina Kavsadze) and brother Ptolemy (Natan-Maël Gray) are each vying for the crown of Egypt. Alas, he wins and she’s banished from Alexandria along with her ethereal black-clad sidekick Mardian (Stella Bunch); but as history tells us, Cleopatra soon makes a triumphant return rolled in a carpet.
Meanwhile, in the increasingly dangerous Rome, Caesar (memorably played by Tony Amante) is assassinated by a group of senators. Here, his legendary Ides of March murder is rather elegantly achieved by silver masked politicians, leaving the epic storytelling to focus on the titular lovers.
The fabled couple is intense. As the Roman general Antony, Vato Tsikurishvili comes across as equal parts warrior, careerist, and beguiled lover. And despite a dose of earthiness, it’s clear that Kavsadze’s Cleopatra was born to be queen.
Phil Charlwood’s scenic design along with Colin K. Bills’ lighting cleverly morph the huge pyramidic structure into the throne of Egypt, the Roman Senate, and most astonishingly as a battle galley crashing across the seas with Tsikurishvili’s Antony ferociously at the helm.
There are some less subtle suggestions of location and empire building in the form of outsized cardboard puzzle pieces depicting the Mediterranean and a royal throne broken into jagged halves, and the back-and-forth of missives.
Of course, going wordless has its challenges. Kindly, Synectic provides a compact synopsis of the story. I’d recommend coming early and studying that page. With changing locations, lots of who’s who, shifting alliances, numerous war skirmishes, and lack of dialogue, it helps to get a jump on plot and characters.
Erik Teague’s terrific costume design is not only inspired but also helpful. Crimson red, silver, and white say Rome; while all things Egyptian have a more exotic look with lots of gold and diaphanous veils, etc.
When Synetic’s voicelessness works, it’s masterful. Many hands create the magic: There’s the direction, choreography, design, and the outrageously committed, sinewy built players who bring it to life through movement, some acrobatics, and the remarkable sword dancing using (actual sparking sabers) while twirling to original music composed by Konstantine Lortkipanidze.
Amid the tumultuous relationships and frequent battling (fight choreography compliments of Ben Cunis), moments of whimsy and humor aren’t unwelcome. Ptolemy has a few clownish bits as Cleopatra’s lesser sibling. And Antony’s powerful rival Octavian (ageless out actor Philip Fletcher) engages in peppy propaganda featuring a faux Cleopatra (played by Maryam Najafzada) as a less than virtuous queen enthusiastically engaged in an all-out sex romp.
When Antony and Cleopatra reach their respective ends with sword and adder, it comes almost as a relief. They’ve been through so much. And from start to finish, without uttering a word, Kavsadze and Tsikurishvili share a chemistry that pulls the audience into the grips of the doomed lovers’ palpable passion.
Out & About
Love board games and looking for love?
Quirk Events will host “Board Game Speed Dating for Gay Men” on Thursday, Jan. 22 at 7 p.m. at KBird DC.
Searching for a partner can be challenging. But board games are always fun. So what if you combined board games and finding a partner?
Picture this: You sit down for a night of games. A gaming concierge walks you through several games over the course of the night. You play classics you love and discover brand new games you’ve never heard of, playing each with a different group of fun singles. All while in a great establishment.
At the end of the night, you give your gaming concierge a list of the folks you met that you’d like to date and a list of those you met that you’d like to just hang out with as friends. If any two people put down the same name as each other in either column, then your gaming concierge will make sure you get each other’s e-mail address and you can coordinate a time to hang out.
Tickets cost $31.80 and can be purchased on Eventbrite.

