Arts & Entertainment
A winning combination
Classical vet Alber joins D.C.-based Goss for Sunday performance
Matt Alber and Tom Goss
Sunday at 8 p.m.
Atlas (1333 H St., N.E.)
General Admission is $20; VIP $50
Matt Alber, who won fame for his barber shop-set video ‘End of the World,’ won two Grammys for his work in the classical ensemble Chanticleer. (Photo courtesy Alber)
When singer/songwriters Matt Alber and Tom Goss last performed together in Washington, the city was buried under 20-35 inches of snow. Despite the abnormally awful weather, people came out to hear their acoustic love songs.
Now the two are reuniting at Atlas (1333 H St., N.E.) on Sunday evening. Coming from opposite ends of the country, Alber brings his guitar from San Francisco to join the D.C.-based Goss to sing about finding love, losing love and starting anew.
Though the pair may sing about similar things, both say that their styles are very different.
“Matt has a flawless voice, his arrangements are beautiful,” Goss says. “Mine are a little more aggressive than his. People typically say that mine are working class love songs, a little grittier. It is not perfect.”
Alber, a two-time Grammy winner, began his musical career when he joined the group Chanticleer, a classical vocal group that performs baroque and renaissance music. When he first entered pop music, Alber and Goss admired each other’s music from afar.
“We met in San Francisco in 2009 and Tom showed me the ropes,” Alber says. “He encouraged me to take my guitar around as he does.”
Tom Goss (Photo by Michael Key)
Goss, a former Catholic seminarian-turned guitarist, began performing in D.C. coffeehouses in 2006 and has since released two albums and performed in about 100 cities nationwide. In 2011, Blade readers named him best musician. A shameless romantic, many of his songs are inspired by his husband.
“I think we write about what we know,” Goss says. “You have the ability to dream of the world as you would want it.”
Alber uses his music to express his wants and some problems he has faced.
“I use my guitar and my piano as my therapist,” he says. “I sing about things like looking for Mr. Right or working out personal demons.”
He says being gay definitely influences what he writes about and how he sings about love. His songs aren’t just for LGBT listeners, but being out gives them a level of unwritten honesty he says gay listeners appreciate.
“Most of our audience members are super cute gay couples, but straight couples can have just as good of a time. What I write about love can apply to all couples,” he says.
Mixed with his original songs, Alber also does what he describes as “unexpected covers” by artists such as Whitney Houston and Madonna.
While love is a major subject in their music, the artists often touch on challenges that face the LGBT community. Goss, especially, has sung about subjects such as the “Don’t Ask Don’t Tell” law.
“In some of my songs I explored the lives of men in the military who have been affected by DADT,” he says. “Soldiers who had to hide their identities and who they loved.”
Goss says he and Alber work well together, yet only get to see each other a few days a year. This weekend’s performance will be the fourth they’ve done in the past two years.
“I just really admire his music,” Goss says. “I always learn a lot when I play.”
Alber is also looking forward to reuniting with Goss and is especially excited by the slim chance of extreme weather.
“There is absolutely no chance of snow and the Atlas is air conditioned,” he says.
At the end of the night, Alber and Goss will be sitting in the lobby to speak with audience members. They will also be offering a VIP private performance an hour before the doors open to the public.
Blog #1: I was excited about my trip even though Gate 1 Travel notified me there was a change in the itinerary. France decided to close the Burgundy canal for long overdue repairs, so we would be traveling on the C. du Rhone au Rhin. I boarded my Air France flight arriving in Paris on time. Contrary to what I was told to expect, customs went really smoothly.
Day 1: Because customs went quickly, I waited 45 minutes for my pre-arranged driver, to take me to the Gare de Lyon, where I boarded my fast-train to Lyon. A two-hour trip. In Lyon it was a long walk to the hotel, The Radisson Blu, but only because I exited the station on the wrong side. Finally got there, checked into a room on the 36th floor with a spectacular view of Lyon. Then took a stroll around the area, a short nap, and finally it was time for dinner and to meet the rest of the traveling party. There would only be 13 of us in the group. Five of us from D.C./Rehoboth, and eight others. I met our guide Patricia, who is from Portugal, and spoke fluent French and English. She is charming, and clearly very knowledgeable. She worked with Gate 1 for many years. We stayed at the hotel for our welcome dinner. It was a great meal, and over drinks, each of us was asked to introduce ourselves to the group. Aside from the five of us, there were three women traveling alone, one gentleman alone, and two couples. They were from New Jersey, New York, Florida, Houston, and Nebraska. I was sitting across from the woman from Nebraska. Conversation at dinner was pleasant but I quickly realized one person was apparently a MAGA. Wonder if you can guess where she was from, lol. But we also found if we didn’t talk politics, which we agreed not to do, things were fine. After dinner we all headed to our rooms for a good night’s sleep.
DAY 2: We woke to beautiful weather. I headed to the included breakfast at the hotel, which was really very good. After breakfast we boarded a bus for a tour of Lyon. We had a full-size bus for just the 13 of us. Our guide for the half day tour, was Vincent, and he is charming and young, and told us his fiancé lives in Lyon. He was incredibly knowledgeable. We began at the Basilica, which is being repaired on the outside, but the inside is, wow! Incredible stained glass, and there was a service going on in one of the smaller side chapels which I l listened to for a bit. The Basilica is high on the hill and the views of Lyon are spectacular from there. Then we headed to the old city and walked around for an hour, ending up at the smaller cathedral. Directly in front of it they had set up a great market, mostly food, which would be there for a week. Lyon is a foodie paradise, with, we were told, a restaurant, or at least coffee shop, for every 250 people. We then had a choice of staying in town, or going back to the hotel on the bus, which I did. The afternoon and evening were free time to do as we pleased. I headed to the Les Halles du Lyon Paul Bocuse, named after the famous chef, to take a look around. It is a large market with small restaurants connected to most of the stalls. It was charming. I then headed to the huge three-story mall across from our hotel and walked around for an hour. Then caught up on some emails, and writing, and met my friends, Paul and Martin, John and Dan, for dinner at 6. We went to a really nice Bistro, which John had found, two tram stops away from the hotel, and enjoyed some drinks and a relaxed dinner. The owner of the place found us a waitress who spoke great English, which made ordering really easy. After a two-hour great meal, we headed back to the hotel. Riding a tram in Lyon is easy, you just need to use your credit card. It is an honor system. Back at the hotel I headed to my room and packed, our luggage had to be outside the door by 8:00 am the next morning. I set my alarm for 6:30 so I had time to eat at the buffet breakfast. Then it was on the bus to head to our barge.
Baltimore
This John Waters interview has been edited for readability — but perhaps not human decency
Pope of Trash dishes on Trump, plane etiquette, last meal, and more
By WESLEY CASE | At 80 years old, John Waters is still the ideal dinner guest — incisively sharp, quick-witted and funny as hell.
The chic Baltimore native proved it again and again in a recent Zoom interview, calling from his summer home in Provincetown, Mass.
The occasion was the Blu-ray releases of two of his movies — the 1977 dark comedy “Desperate Living” and his enduring 1988 musical “Hairspray” — on June 23 by the Criterion Collection, which publishes restorations of films it deems culturally important. The Criterion stamp of approval has become the gold standard among cinephiles.
“It’s like getting an award,” said Waters, who wrote and directed both films.
The rest of this article can be read on the Baltimore Banner’s website.
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