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A winning combination

Classical vet Alber joins D.C.-based Goss for Sunday performance

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Matt Alber and Tom Goss
Sunday at 8 p.m.
Atlas (1333 H St., N.E.)
General Admission is $20; VIP $50

Matt Alber, who won fame for his barber shop-set video ‘End of the World,’ won two Grammys for his work in the classical ensemble Chanticleer. (Photo courtesy Alber)

When singer/songwriters Matt Alber and Tom Goss last performed together in Washington, the city was buried under 20-35 inches of snow. Despite the abnormally awful weather, people came out to hear their acoustic love songs.

Now the two are reuniting at Atlas (1333 H St., N.E.) on Sunday evening. Coming from opposite ends of the country, Alber brings his guitar from San Francisco to join the D.C.-based Goss to sing about finding love, losing love and starting anew.

Though the pair may sing about similar things, both say that their styles are very different.

“Matt has a flawless voice, his arrangements are beautiful,” Goss says. “Mine are a little more aggressive than his. People typically say that mine are working class love songs, a little grittier. It is not perfect.”

Alber, a two-time Grammy winner, began his musical career when he joined the group Chanticleer, a classical vocal group that performs baroque and renaissance music. When he first entered pop music, Alber and Goss admired each other’s music from afar.

“We met in San Francisco in 2009 and Tom showed me the ropes,” Alber says. “He encouraged me to take my guitar around as he does.”

Tom Goss (Photo by Michael Key)

Goss, a former Catholic seminarian-turned guitarist, began performing in D.C. coffeehouses in 2006 and has since released two albums and performed in about 100 cities nationwide. In 2011, Blade readers named him best musician. A shameless romantic, many of his songs are inspired by his husband.

“I think we write about what we know,” Goss says. “You have the ability to dream of the world as you would want it.”

Alber uses his music to express his wants and some problems he has faced.

“I use my guitar and my piano as my therapist,” he says. “I sing about things like looking for Mr. Right or working out personal demons.”

He says being gay definitely influences what he writes about and how he sings about love. His songs aren’t just for LGBT listeners, but being out gives them a level of unwritten honesty he says gay listeners appreciate.

“Most of our audience members are super cute gay couples, but straight couples can have just as good of a time. What I write about love can apply to all couples,” he says.

Mixed with his original songs, Alber also does what he describes as “unexpected covers” by artists such as Whitney Houston and Madonna.

While love is a major subject in their music, the artists often touch on challenges that face the LGBT community. Goss, especially, has sung about subjects such as the “Don’t Ask Don’t Tell” law.

“In some of my songs I explored the lives of men in the military who have been affected by DADT,” he says. “Soldiers who had to hide their identities and who they loved.”

Goss says he and Alber work well together, yet only get to see each other a few days a year. This weekend’s performance will be the fourth they’ve done in the past two years.

“I just really admire his music,” Goss says. “I always learn a lot when I play.”

Alber is also looking forward to reuniting with Goss and is especially excited by the slim chance of extreme weather.

“There is absolutely no chance of snow and the Atlas is air conditioned,” he says.

At the end of the night, Alber and Goss will be sitting in the lobby to speak with audience members. They will also be offering a VIP private performance an hour before the doors open to the public.

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Photos

PHOTOS: Vitamin C at JR.’s

Live drag show follows ‘Drag Race All Stars’ viewing party

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Brooke N Hymen performs at JR.'s at the Vitamin C drag show on Friday. (Washington Blade photo by Landon Shackelford)

JR.’s Bar held a “RuPaul’s Drag Race: All Stars” watch party followed by a live drag show on Friday, July 17. The Vitamin C weekly drag show was hosted by Citrine with performers Brooke N Hyman and Rosie Beret.

(Washington Blade photos by Landon Shackelford)

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PHOTOS: Rehoboth Beach Pride Festival

LGBTQ celebration held at convention center

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A scene from the 2026 Rehoboth Beach Pride Festival. (Washington Blade photo by Daniel Truitt)

The 2026 Rehoboth Beach Pride Festival was held at the Rehoboth Beach Convention Center on Saturday, July 18.

(Washington Blade photos by Daniel Truitt)

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Books

Liza’s book a tale that’s better than most celebrity memoirs

‘Kids, Wait Till You Hear This!’ dishes on marriages, heartbreak

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(Book cover image courtesy of Grand Central)

‘Kids, Wait Till You Hear This! My Memoir’
By Liza Minnelli, as told to Michael Feinstein
c.2026, Grand Central
$36/ 421 pages

Twenty feet In front of you, and you can’t see a thing.

Even the closest faces are in shadow – lit, but not quite enough for you to see for sure what the people there are thinking. Still, you can hear them, their gasps, their laughter, and applause. Such is life, on-stage. Now read “Kids, Wait Till You Hear This! My Memoir” by Liza Minnelli, as told to Michael Feinstein, and read about it beyond the spotlight.

Almost from the moment she was born, Liza Minnelli was famous.

It was inevitable: her mother was Judy Garland. Her father was director Vincente Minnelli. Her godparents were Hollywood glitterati, her neighbors were famous, her playmates would be famous someday, too.

But her life wasn’t all starlight and happiness.

She made her stage debut as a toddler. She became her “mother’s caretaker” at age 13.

At 16, she had a growing career of her own – one that her mother tried to stop. But, she says, “In her own way, Mama was wonderful to me. Try understanding – she was my mother, not a movie star…. I knew her as the person who loved me and always would.”

At 19, Minnelli was working, happy, and madly in love with the man who’d become her first husband, and life was wonderful – until she came home one day to find him in their bed with another man. Before they were divorced, she lost her beloved mother, and became “engaged” to two other men simultaneously, neither of which made it to the altar with her.

She married her second husband, the son of one of her mother’s former co-stars, in 1974 but her love affairs and addictions led to a second divorce.

Her third husband was a stage manager.

She doesn’t have much good to say about her fourth, and last, husband.

Overall, she says, “You gotta play the comedy for all it’s worth and leave ‘em laughing. Even when your heart is breaking.”

Are you expecting bluntness, sass, or attitude here? Good, because that’s what you get inside “Kids, Wait Till You Hear This!” It’s strong on honesty and don’t-give-a-flip. It’s wonderfully edited, so it moves fast. It’s eye-opening and funny and a pleasant surprise for a first, and only (so far), memoir.

Even better, author Liza Minnelli (with best friend, Michael Feinstein) is really quite candid and nicely gossipy, starting from the beginning. There are some Hollywood folks, in fact, who are feeling edgy because of what’s inside this book and the secrets spilled. Minnelli and Feinstein seemed to have fun telling her story, and they comfortably lure readers in.

That’s not to say that it’s all a cabaret. Minnelli tells about her addictions and recoveries, her marriages and why she wed two gay men, and the losses she endured, including miscarriages, deaths, and broken relationships. The bad balances well with the good for a tale that’s several notches above most celebrity memoirs. “Kids, Wait Till You Hear This!” is, in fact, a real joy to read, a genuine bright spot.

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