Arts & Entertainment
Gays behind the scenes
Personnel trumps thematic content in fall theatrical season

MaryBeth Wise (left) and Susan Lynskey in Theatre J’s ‘Body Awareness.’ (Photo by C. Stanley Photography; courtesy Theatre J)
The new theater season is upon us. And while there’s not a whole lot of LGBT content among the offerings, there is — as always — a wealth of gay talent making it happen.
After a hiatus from the D.C. theater scene, MaryBeth Wise has returned to the stage. Wise, a talented and well-liked local actor who is gay, is currently playing half of a same-sex couple in Theatre J’s production of Annie Baker’s comic drama “Body Awareness” (through Sept. 23). Set in Vermont, the comic drama explores the reaction of Joyce (Wise) and her more uptight partner Phyllis to a visiting photographer and his “male gaze.”
During Wise’s several years off the boards, she concentrated on her other job (network consultant at Library of Congress, National Library Service for the Blind and Physically Handicapped). She also picked up a degree in library science. “But I missed acting,” says Wise. “In ‘Body Awareness’ my character is going through a journey of self-discovery. Learning about what she wants. It’s a wonderful part. Hopefully it will lead to more opportunities.” (washingtondcjcc.org)
Also this fall, Wise’s real life partner Sarah Marshall is playing several parts in the Shakespeare Theatre Company’s season-opener, Gogol’s satire of provincial Russian bureaucracy “The Government Inspector” (Sept. 13-Oct. 28). (shakespearetheatre.org)
At Tony Award-winning Signature Theatre in Shirlington, the season has already begun with a production of “The Best Little Whorehouse in Texas” (through Oct. 7). Staged by the company’s gay artistic direction Eric Schaeffer, the rollicking musical stars Sherri L. Edelen (as brothel madam Miss Mona). The big cast features reliably excellent Signature vets Matt Conner and Stephen Gregory Smith (both gay).
Also at Signature, the company’s talented and versatile associate artistic director Matthew Gardiner directs gay playwright Christopher Shinn’s “Dying City” (Oct. 2-Nov. 25). It’s the story of young man grappling with his identical twin’s suspicious death in Iraq. Incidentally, Gardiner, who is gay, is also a twin.
Following “Dying City,” Gardiner directs Signature’s production of the Tony Award-winning musical “Dreamgirls” (opens Nov. 13). (signature-theatre.org)
At Synetic Theater, up-and-coming actor Alex Mills plays the challenging title role in the company’s season opener, “Jeckyll and Hyde” (Sept. 20-Oct. 21). Synetic is a movement-based company renowned for innovative and athletic choreography and hard-bodied casts. (synetictheater.org).
“One Night With Janis Joplin” opens at Arena Stage Sept. 28 with Mary Bridget Davies in the title role. Staged like a Joplin concert, the piece was written and will be directed by Randy Johnson, who’s gay. Kathleen Turner continues her run there as Molly Ivins in “Red Hot Patriot” through Oct. 28. (arenastage.org)
Alexandria’s MetroStage opens its season with “Jacques Brel is Alive and Well and Living in Paris” (through Oct. 21), a musical revue celebrating the work of the late Belgian singer/songwriter. Respectively directed and choreographed by the talented team of Serge Seiden and Matthew Gardiner (both gay), the production features a top-notch cast including the talented Natascia Diaz (who appeared in the 2006 Off-Broadway production), Bayla Whitten, Sam Ludwig and local favorite Bobby Smith (who is gay) singing a score comprised of plaintive ballads, rousing anthems, tango and rock. (metrostage.org)
After “Jacques Brel,” Bobby Smith directs the Olney Theatre Center’s production of Rodgers and Hammerstein’s beloved musical “Cinderella” (Nov. 14-Dec. 30). (olneytheatre.org)
In October, the Studio Theatre presents the world premiere of “Dirt” (opens Oct. 17). Penned by Byron Lavery (the author of “Frozen”), the play is described by Studio as an “exploration of the mess people make of themselves and their relationships.” Part of the company’s Lab Series, the production is staged by Studio’s artistic director David Muse and reunites talented actors Holly Twyford and Matthew Montelongo (both gay). The talented duo has been successfully paired before in Vassily Sigarev’s “Black Milk” at Studio and Douglas Carter Beane’s comedy “The Little Dog Laughed” at Signature Theatre. (studiotheatre.org)
Fledgling company force/collision is premiering Erik Ehn’s “Shape” (Sept. 20-Oct. 6). Part of a series of 17 plays exploring themes of genocide and reconciliation, “Shape” centers on the lives of the two African-American vaudevillians Billy and Cordelia McClain as they negotiate their identity as artists while struggling with conditions of social and political marginalization. The production has been cast cross gendered, says director John Moletress (who is gay), as both a performance device for our ensemble and also a homage to black vaudevillians of the early 20th century who played cross gendered roles. (force/collision.org)
Forum Theatre kicks off the season with the world premiere comedy “Holly Down in Heaven” (Sept. 27-Oct. 20), written by young playwright Kara Lee Corthron. Forum’s website described the title character as “a brilliant 15-year-old born-again Christian, [who after becoming pregnant] banishes herself to the basement and confides only in her dolls, particularly a life-size psychiatrist doll that closely resembles Carol Channing.”
Parker Drown plays Yager, the neighbor suspected of getting Holly pregnant. Drown (who is gay) won a Helen Hayes Award for his performance as Angel, the feisty drag queen battling gentrification and AIDS in Keegan Theatre’s production of the rock opera “Rent.” Forum Theatre is in residence at Round House Silver Spring. (forumtheatre.org)
A couple other theaters that always have interesting productions and are worth checking out include 1st Stage Theatre (1524 Spring Hill Road) in McLean, Va. (1ststagespringhill.org), Woolly Mammoth Theatre Company (641 D Street N.W.) in D.C. (woollymammoth.net) and Olney Theatre Centre in Olney, Md. (2001 Olney-Sandy Springs Road; olneytheatre.org).
Photos
PHOTOS: ‘ICE Out For Good’ Sunday protests
Northern Virginia demonstrations among nationwide protest
“ICE Out For Good” demonstrations were held in the Northern Virginia municipalities of Haymarket, Annandale and Arlington, among others, on Sunday, Jan. 12.
Nearly 1,200 similar actions were scheduled nationwide over the weekend, according to a statement from organizers.
Demonstrations in D.C. against ICE included a protest march on Friday and a march around the White House on Saturday.
(Washington Blade photos by Michael Key)

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Theater
Ford’s ‘First Look’ festival showcases three new productions
A chance to enjoy historical dramas for free before they’re completed
The Ford’s Theatre Legacy Commissions: A First Look – 2026
Jan. 16 & 17
Ford’s Theatre
511 Tenth St., N.W.
FREE
Fords.org
When Ford’s Theatre debuted its new plays festival, “A First Look,” in 2023, it was unclear whether people would come for the staged readings.
“Before the pandemic if you announced the reading of a play, 12 people might show up,” says José Carrasquillo, director of artistic programming at Ford’s Theatre. “Since then, we’ve experienced comparatively massive turnout. Maybe because it’s cheap, or because of the very newness of the works.”
This year’s fourth edition showcases readings of three pieces currently in varied stages of development. The free, two-day festival offers audiences a chance to encounter historical dramas long before they’re completed and fully produced. None are finished, nor have they been read publicly. And befitting the venue’s provenance, the works are steeped in history.
The festival kicks off with “Springs” by playwright Jeanne Sakata and directed by Jessica Kubzansky. Commissioned by The Ford’s Theatre Legacy Commissions, it’s the both epic and personal story of Sakata’s Japanese American family including her grandfather’s experience in an internment camp.
“Sakata’s immigrant grandfather was an exceptionally skilled farmer who helped to stave off starvation in the camp. Still, he never gave up on the idea that he belonged in America. It’s very much a story of today,” says Carrasquillo.
Unlike “Springs,” the festival’s two other works weren’t commissioned by Ford’s. But they both fit the history brief and likely will benefit from the exposure and workshopping.
“Providence Spring,” by California based playwright Richard Helesen and directed by Holly Twyford, portrays Clara Barton (played by local favorite Erin Weaver) as a hero beyond the Red Cross whose then-radical initiatives included cataloguing the Civil War dead, many pulled from mass graves.
Directed by Reginald L. Douglas, “Young John Lewis: Prodigy of Protest” explores a slice from the life of the legendary civil rights activist and longtime congressman. With book and lyrics by Psalmayene 24 and music by Kokayi this collaboratively staged reading between Ford’s and Mosaic Theater is slated to premiere fully produced at Mosaic as a 90-minute musical in the spring of 2026.
“When I was hired at Ford’s in 2018, we began discussing hiring writers who do historical drama,” says Carrasquillo. “Our intention was resolute, but we didn’t do it right away. It took getting through the pandemic to revisit the idea.”
At the same time, the racial reckoning spurred Ford’s to hire playwrights of color to tell stories that had previously been forgotten or ignored.
For Carrasquillo, who is gay, the impulse to commission was crystalized when he saw the film “Hidden Figures,” a true story about “three brilliant African-American women — at NASA during the Space Race, overcoming racial and gender discrimination to make crucial contributions to America’s spaceflight success.” He says, “the film floored me. How many stories like this are there that we don’t know about?”
One of the festival’s happiest experiences, he adds, was the commission of playwright Chess Jakobs’s “The American Five” and its subsequent success. It’s the story of Martin Luther King Jr. and his inner circle, including Bayard Rustin (MLK’s brilliant, unsung gay adviser) leading up to the 1963 March on Washington. The play later premiered fully produced in Ford’s 2025 season.
Increasingly, the readings at Ford’s have become popular with both artists and audiences.
At Ford’s, Carrasquillo wears many hats. In addition to selecting plays and organizing workshops, he serves as an in-house dramaturg for some of the nascent works. But he’s not alone. Also helming the festival are senior artistic advisor Sheldon Epps, and The Ford’s Theatre Legacy Commissions advisor Sydné Mahone.
Because the plays are in development, comments from directors, dramaturgs, and the audience are considered and may become part of the playwrights’ rewrites and changes. If and when the play resurfaces fully produced, audience members might find their suggestion in the completed work.
Is this year’s festival queer influenced? Yes, both by those involved and the topics explored.
Carrasquillo explains, “While Sakata’s “Springs” is primarily about immigration, its message is relevant to the queer community. Civil rights are being taken away from us. We need this playwright’s story to know what has happened and what can happen to any of us.
“Many of Ford’s legacy commissions underscore the importance of civil rights in our country and that’s important to all of us. Queer and not queer.”
Bars & Parties
Mid-Atlantic Leather kicks off this week
Parties, contests, vendor expo and more planned for annual gathering
The Mid-Atlantic Leather Weekend will begin on Thursday, Jan 15.
This is an annual three-day event in Washington, D.C., for the leather, kink, and LGBTQ+ communities, featuring parties, vendors, and contests.
There will be an opening night event hosted the evening of Thursday, Jan. 15. Full package and three-day pass pickup will take place at 5:30 p.m. at Hyatt Capitol B. There will also be “Kinetic Dance Party” at 10 p.m. at District Eagle.
For more details, visit MAL’s website.
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