Arts & Entertainment
Lesbian seeks support for new documentary
Student chronicling effort behind D.C. Women’s Initiative

A vintage clipping used in Kelsey Brannan’s in-the-works lesbian documentary. (Image courtesy of Brennan)
A local director is seeking the support of the LGBT community to help her tell a story she’s passionate about.
Georgetown University student Kelsey Brannan and the Washington Blade are hosting a preview of Brannan’s upcoming documentary “Labor of Love” at the Blade offices (1712 14th St., 2nd floor) on Dec. 13 at 7 p.m. Following the 10-minute preview will be a Q&A segment with Brannan and subjects of the film.
Complimentary wine will be served and guests are encouraged to network, socialize and discuss what they would like from a new space.
“Labor of Love” follows the D.C. Women’s Initiative, founded this past March, in its mission to establish a physical space to connect lesbians in the community and existing organizations together. Their goal is to open a space in March. The documentary also includes vignettes highlighting the history of former lesbian spaces in D.C., including Sisterspace and Lammas Bookstore.
In the film, former Lammas Bookstore owner Denise Bump reflects on the impact the store had, saying it was part of a movement of women helping other women. She hopes to see something similar in the new center. Bump is head of the D.C. Women’s Initiative and will be available during the event’s Q&A segment.
The evening is largely a fundraising event. Brannan is attempting to reach a goal of $15,000 by Jan. 1. The funds will go to hiring a full-time editor, composer and cinematographer and cover other production costs. She has raised $2,800 through startsomegood.com. All donations will be canceled if she does not meet the goal by the deadline. While she is confident she will be successful, if she falls short, Brannan said she will explore other outlets of fundraising.
She hopes the event will generate interest in the documentary throughout the lesbian community. In a written statement, Brannan says, “The event is designed to get people more engaged with the project, secure more donors and get feedback from the community about what women want from a new space.”
Brannan estimates that about 40 percent of her filming is complete, thanks to “the generosity of my friends with cameras.” Filming will continue in January and February and the documentary will premiere in late April.
Brannan began developing the film as her master’s thesis project, which she defends in May. When she first arrived in Washington, Brannan searched for a physical space where she and other lesbians could spend time and connect with the community. In a video statement on her film’s website (laboroflovefilm.org), she says she discovered a history of such spaces, which no longer exist, compiled by the Rainbow History Project.
“It’s hard to tap into a community when you move to a new place,” Brannan says, commenting on her early days in D.C. “I wanted to look into the past to see why these spaces existed and why they disappeared.”
This personal desire to find a community became the inspiration for her film.
The project has two components. Brannan plans to expand the documentary and show it at festivals, including the Reel Affirmations Xtra series in June. There is also an archive on the film’s site featuring clips, interview segments and personal stories about the importance of having such spaces for women. Brannan plans for the project to be ongoing.
In the film, D.C. Women’s Initiative member June Crenshaw explains how such a space would fill a void in the community.
“The space is not going take the place of all of the organizations and groups that are out there doing a whole host of wonderful things,” she says, “but it’s really going to provide that centralized place for us to find each other.”
Brannan credits her community as a driving force behind the documentary and appreciates the support she has received. “Every woman I interviewed was a huge part of the project,” she says. “Without them, it wouldn’t be possible, and without the D.C. Women’s Initiative space, I wouldn’t have a narrative.”
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The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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